Autograph Letters

The present item gives an indication of the high spirits, though hardly the ‘brilliant wit’, which, according to Quin’s entry in the Oxford DNB, afforded him a welcome to high society. 3pp, 16mo. Bifolium, with second leaf slightly damaged at foot by removal from mount. The body of the letter reads: ‘Dear Jesse / Don’t you or your fair friends forget Supper at Vun Undred and Vunety Vun Mount Street tomorrow Saturday night at 11 oclock or as soon after it as you can come. / N.B.

See his entry in the Oxford DNB. The recipient is the publisher Henry Blackett (1825-1871) of the leading London firm Hurst & Blackett, and the meeting was evidently to discuss terms, possibly for Wiseman’s ‘Recollections of the Last Four Popes’, which the firm published in 1859. 1p, 8vo. Laid down on another leaf. In fair condition, lightly aged, on thin paper, and with discoloration from the glue used in laying the item down. Small red armorial letterhead.

Adams was the author of more than one hundred books. He was criticised by Louisa May Alcott for his use of slang and depiction of ‘low’ characters such as bootblacks, elements which make him sound like a proto-Mark Twain, and should attract renewed attention today. Without date or place. On 4.5 x 9.5 cm slip of wove paper. In good condition, lightly aged, with traces of mount adhering to blank reverse.

Considered by his friend Noël Coward as ‘a phenomenon that would never recur’. See his entry by Osbert Sitwell in the Oxford DNB and the biography by Damian Collins, ‘Charmed Life: The Phenomenal World of Philip Sassoon’ (2016). Clearly sent in response to a request for an autograph. The signature is on a plain 9 x 6 cm card, and reads simply ‘Philip Sassoon.’ The card is laid down at the foot of a 12mo letterhead, on which is written by Sassoon, above a flourish: ‘With Sir Philip Sassoon’s Compliments’. Both items in good condition, lightly aged.

See his entry in the Oxford DNB. Even towards the end of his life Bernard Shaw could remark that ‘he can still leave the next best tenor in England an immeasurable distance behind’. 1p, 12mo. In good condition, lightly aged, with minor traces of mount to inner margin. Folded once. Very nice embossed letterhead, printed in gold, brown, green and red, with bird perched on top of a treble clef, entwined with foliage and a twisted branch in the shape of the ‘R’ of ‘Reeves’. Reads: ‘Sir / This autograph with pleasure, according to your request / Yours faithfully / June 1872 / J. Sims Reeves’.

Toole’s entry in the Oxford DNB describes how ‘Toole was desolate, and his health broke’, after the Tooles’ twenty-two year-old daughter Florence died from typhoid fever on in November 1888, contracted a week before when visiting her parents who were performing at Cork. Her mother, Toole’s wife Susan, died three and a half months later, in February 1889. Both letter and card are in good condition. They are enclosed in a grubby envelop, with stamp and postmarks, addressed to ‘David Cunningham Esq / Belmont / Antrim / Ireland’. Letter and envelope have thick mourning border. ONE: ALS.

1p, 12mo. In good condition, on aged paper, with patches of lighter and darker discolouration from varying exposure to sunlight. Good firm signature, enclosed in circular flourish: ‘Dr Arnost Kraus’. See image.

Information regarding this major figure in British history is not far to seek. On 11.5 x 5.5 cm panel cut from front of envelope. In fair condition, with a few traces of glue at centre and short closed tear to right-hand edge; none of this anywhere near the signature. The letter is addressed in another hand: ‘The Solicitor General / Hackwood Park / Basingstoke’, with last word deleted. Signed in the customary manner at bottom left: ‘W E Gladstone’. Basingstoke postmark in blue, and cropped frank in red. See image.

For information about this brave and gallant man, who offered himself to be hanged in place of his fellow officers during the Nore Mutiny, see his entry in the Oxford DNB. The presence of these four items together may indicate a Victorian autograph dealer as the source, or perhaps a family member wishing to distribute keepsakes. Some with tantalizing fragments of surviving text. All four in good condition, some with fold lines. ONE: 14.5 x 6.5 cm. On one side: ‘[...] Ever your truly obliged and / Affectionate Friend / Edward O’Bryen’.

For Diaghilev Slobodskaya starred in the 1922 Paris premiere of Stravinsky's opera Mavra, and she toured Europe as principal soprano with Chaliapin’s company. For her serious operatic work she retained her real name, but she used the stage name ‘Odali Careno’ when performing in vaudeville and light entertainment. 1p, 12mo. In good condition, lightly aged. Folded twice. Dated in another hand at foot: ‘24-6-30’ (the period of her appearance in a London Palladium production).

Postal Envelope Front, 11.5 x 9.5, black-bordered, postmark partially obscured by minor damage, good condition. See image

See Ashton’s entry in the Oxford DNB. Both items in good condition, lightly aged, with evidence of mount to blank reverse of photograph. ONE: TLS. 17 January 1922. 1p, 12mo. Folded once. Signed ‘Clemence Dane’. Addressed to G. Railton Barnard, 6 The Crescent, York. She thanks him for his ‘interesting letter’: ‘If the same question had not already crept up once or twice, I should not have thought it possible for anyone so to misunderstand Legend, but I know people do, clear as I thought I had made it.’ Barnard is ‘absolutely right’: ‘Madala Grey is head over ears in love with her husband.

See his entry in the Oxford DNB. In good condition, lightly aged, with paper from mount on reverse. Folded once. On 6 x 10 cm piece of paper, cut from conclusion of letter. Good firm signature. Reads: ‘[...] European troops / [...] quartered them. / Yours sincerely / Elphinstone’. See image.

On 11 x 6 cm piece of paper cut from letter. In good condition, lightly aged. Reads: ‘Yours faithfully / Olga Novikoff.’

See his entry in the Oxford DNB. 1p, landscape 8vo. In good condition, folded once. Headed ‘Private & Confidential’. Reads: ‘Dear Bob, / I had a word with the V. C [presumably the Vice Chancellor of Cambridge University] this morning and am writing a letter to Sartain, which he should receive before the meeting of the G. B. on Wednesday. I hope something is done. / Yours ever / Oliver.’

On 16 x 14 cm leaf of green paper, with rounded outer edges, torn from autograph album. In good condition, lightly aged. Reads: ‘For / John / With every good wish, / Joseph Cotten / 1949’. Above the inscription has been laid down a photograph of Cotten cut from a newspaper. See image

Six lines, in original envelope, very good condition. ‘Il Cardinale Antonelli’ presents his compliments to her, and ‘egli desidera dal [?] di prosperità’. See image.

See his entry in the Oxford DNB. On strip of paper, roughly 10 x 3.5 cm, cut into an irregular rectangular shape. On one side is the valediction: ‘Yours very sincerely / Harry Plunket Greene’. On the other a fragment of three lines of the letter: ‘[...] I hope no [...] / started that things [...] / go on well. I am part[...]’. See image.

See his entry in the Oxford DNB. In good condition, with light dabs of glue from mount on reverse. On 11.5 x 9 cm card with rounded edges. Clearly in response to a request for an autograph, he writes: 'For Louis Frewen / with all good wishes / from / Anthony Asquith / December 1931'.

See his entry in the Oxford DNB. On 14.5 x 6 cm rectangle of air mail paper, cut from the head of a letter, on which Jellicoe’s note is clearly a comment. In good condition, lightly aged, folded once. Typed at foot of slip: ‘Thomas Butler - Meadow Cottage, Bank Road, Dawly, Salop.’ Above this, towards the right, Jellicoe writes in a close hand: ‘Col Crosfield / This is a sad case, & seems “attributable”. Can the case be taken up by Mr Webb.

One of the top [literary] agents in LondonThe extensive correspondence, business and personal, between Elaine Greene and Elaine Greene Literary Agency, and R.P. Lister [Richard Percival Lister], travel-writer, novelist, poet, contributor to periodicals, and eventually friend. He published extensively in the USA. as well as the UK.Elaine Greene to Lister: Twenty-five (25) Typed Letters and Notes Signed (Elaine Greene becomes a cordial Elaine), total 27pp., 8vo and 4to, 14 Dec. 1962-10 April 1969.

See her entry and that of her husband Fred Terry (1863-1933), brother of Dame Ellen Terry, and of the recipient of these letters W. J. Macqueen-Pope (1888-1960), the foremost British theatre historian of the twentieth century, in the Oxford DNB. The seven items (Neilson?s five letters and carbon copies of two typed letters to her from Macqueen-Pope) are in good condition, lightly aged and creased. The first letter is signed ?Julia Neilson-Terry? and the other four ?Julia?. The first is addressed to ?Mr Macqueen Pope? and the others to ?Popie?. ONE: ALS, 1 March 1949. 3pp, landscape 12mo.

One page, obl. 12mo.Dear Sir, | I am sorry not to comply with your request but I do not like blank [underlined] signatures. See Image.

See Beveridge’s entry in the Oxford DNB. Humberstone was a prominent member of the Convocation of the University of London. The five items are in good condition, lightly aged. All five signed ‘W H Beveridge’. ONE: 29 June 1933; The London School of Economics and Political Science, Aldwych, London. 1p, 4to. Folded twice. Thanking him for his book on ‘the Bloomsbury Site’. He does not agree with his ‘objection to Holden’s design (so far as I can judge I think it is very remarkable and very fine)’, but thinks that ‘the stirring up of discussion and interest in the matter is a good thing’.

Fragment of letter in Gladstone’s autograph, with his signature, on both sides of 10 x 6 cm rectangle. In good condition, with one vertical fold. Five lines on recto read: ‘<...> It was most kind of you to send me the delightful pearl studs - & to write so friendly a letter. Lady Paget gave me a set’. Recto reads: ‘<...> & preserve your kind thought | With many thanks to you & Mrs Robson | Always | W E Gladstone’. See image.

See his entry in the Oxford DNB. The valediction of a typed letter, on slip of paper, 8.5 x 3.5 cm. Somewhat creased, and with two thin printed slips ‘DIRECTOR | R. H. TAWNEY, B.A.’ and ‘London School of Economics’) laid down near the signature (‘R H Tawney’), above which is typed ‘Yours very sincerely,’.

See Procter’s entry in the Oxford DNB. 4pp, 12mo. Bifolium with mourning border. In good condition on lightly-aged paper. 85 lines of closely- and neatly-written text. He begins by thanking Sutton for ‘the welcome portrait of Sir Edward Lugden’. He gives an example of Lugden’s ‘happy election repartee’(a joke about ‘Lather’ and ‘the present price of “Soap”’), for which, if no other reason, he ‘deserves a niche in my tonsorial gallery’.

Clearly given in response to an autograph collector, and written for display on front panel of envelope. Dimensions: 10.5 x 8.5 cm. In good condition, lightly aged. Horizontal crease along bottom not affecting signature, which reads ‘Emma Albani Gye | 1883.’ In 1883, after several years of enormous success in Europe, Albani returned to Canada to give a series of recitals. Thousands turned out to greet her arrival in Montreal.

At top right-hand corner of part of printed English libretto to Leoncavallo’s ‘Pagliacci’. Dimensions: 13.5 x 17.5 cm. Sloping upwards towards the corner, and underlined: ‘Luigi Montesanto | 1936’. On shiny art paper and in fair condition, lightly creased and a little dog-eared at the corner of the signature. The cutting is headed: ‘Prologue (Pagliacci) ... ... ... ... Leoncavallo | LUGI MONTESANTO | PROLOGUE’, with thirty-two lines of English translation.

One page, 4to, minor defects (small closed tear, fold marks, grubby corners), good condition. Text: We very much welcome your membership of the Place-Name Society, and thank you for your subscription, for which the Treasurer will send you a receipt in due course. I have instructed the Cambridge Press to send you the Worcestershire volume forthwith, and you will receive the volume on the North Riding when it appears in the course of the summer."