ART

Octavo: 18 pp. Unbound: stabbed and unstitched. First leaf and leaves with pp. 15/16 and 17/18 loose. Leaves with pp.3/4 and 15/16 half-separated. Paper discoloured and chipping at edges. Extends to 918 lots. The odd number of leaves implies the loss of a final leaf, possibly bearing text. Stamp of the Public Library Ford Collection. Docketing in pencil notes a duplicate at the New York Public Library. No other copy traced.

Octavo: 39 pp. Stitched. In original orange wraps, with grey printed paper boards. On spotted, aged paper, with insect holes to a couple of leaves. Wraps stained and worn. First English printing of an essay noted for its coupling with Henry James's piece of the same name (not present here) in an American edition of 1885.

Sizes range from quarto (nine items) to 12mo (two items). Very good. Subjects include a request for 'a photograph of the winning design for the petrol filling station', the award of a Hyde Travelling Scholarship ('Mr. Mitchell appears to have so greatly distinguished himself'), 'Mr. Bossom's suggestions for the wording and particulars for the Proscenium opening for Cinema', the drafting of a reply to Morley Horder's comments ('he errs when he declares the screen is not of the period as I think only a small section of it was added by Mr.

One page, 16mo. Good. Six lines. He may be 'giving some lectures in London shortly'. 'If I could make it worth my while to deliver them at some of the leading provincial towns, I might possibly arrange to do so. Therefore any information you could give me on the subject, I should be only too happy to have'.

On a piece of aged, creased paper roughly five inches square, with some fraying to extremities. Reads '<...> an artist. & his case as one <...> | Andrew Robertson | D Colnaghi | M. H. Colnaghi | R Ackermann | CTurner | John | Saml Woodin'. Rudolph Ackermann (1764-1834), bookseller; Dominic Paul Colnaghi (1790-1879), print dealer; M. H. Colnaghi (1821-1908), picture dealer and collector; Andrew Robertson (1777-1845), Scottish miniature painter. From a collection of material relating to the Artists' General Benevolent Fund.

One page, quarto. On aged and creased paper. Letterhead illustrated with engraving of the paper's headquarters. Thanks him for the copy of Rowney's 'Artists' Almanac'. 'Like yourselves, we are an old family firm and as such have always taken a live interest in the Arts.' Endorses the Empire Art Council, feeling that '[t]here is a great deal that can be done in the exchange of art exhibitions, etc., between the various parts of the Empire'. Docketed with London address on reverse.

Two pages, 12mo. On gray paper. Good, though lightly ruckled and aged. He thanks her for the 'information about the silk', and accepts her invitation. He haad intended to call on her the day before, but was prevented by the weather.

On good thick wove paper, roughly six and a quarter inches by four and three-quarters wide. Dimensions of plate indentation five inches by three wide. Good, on aged and lightly-foxed paper, left edge irregular indicating extraction. A very attractive card, carrying an engraving of a sylvan scene giving a very good idea of Sandon's qualities. Reads, in a variety of hands, 'EVERY | Description | OF | ENGRAVING & PRINTING | Neatly executed. | [vignette] | HENRY SANDON, | 60, Wellington Street, Goswell Street, | London.' Sandon does not feature in BBTI. is he real?

Roughly twelve and half inches by nine and a quarter. Neatly mounted on piece of cream paper, with surrounding ink rules. Good, with some ruckling and wear to corners. Characteristically arresting arrangement of type. Reads: 'CAUTION. | THE ONLY CORRECT COPY | OF DONIZETTI'S OPERA | THE FAVOURITE | AS PERFORMED IN ENGLISH AT THE | THEATRE ROYAL DRURY LANE, | IS PUBLISHED BY | JEFFERYS AND CO.

One page, octavo. On aged, grubby paper with minor staining at foot. He has spent 'all his monney for prints & Books I bought at Sale last Week. I have no balance in my Bank at all. (ganz nichts) if you are not inconvenient [sic] Please bring some L. S. D. on Saturday next'. Postscript: 'My business is Ratton N. B. G.' It is thought that Kato obtained a large portion of the Japanese prints for Sir Edmund Walker's celebrated collection.

British businessman (1872-1955), chairman of the Medici Society Ltd, chairman and managing director of Henry Stone & Son Ltd, printers. Very good. Mostly octavo, with a few quarto and 12mo. Some bearing the Society's stamp and others docketed. Occasional rust marks from paperclips. Mainly concerned with the day-to-day activities of the Royal Society of Arts, of which Milne was a prominent member, around the time of the Second World War. On 7 September 1939: 'I hardly anticipate that you are likely to have trouble in regard to occupation of the premises.

Proof with manuscript changes in pencil and printed additions pasted onto p.viii. 14 pages, folio. Five plates and five illustrations in text. In original green printed wraps. In good condition: paper discoloured and with some creasing at head; wraps grubby, creased and worn, with small closed tear along top end of spine. An attractive production, 'reprinted from J. & J. Leighton's illustrated catalogue of early-printed books, manuscripts, &c. part xiv.' Describes the edition of the Golden Legend published by Caxton in 1483, and a block-book published in Germany around 1470.

Small 8vo. Pages: x + 74. In original cream printed wraps. One of two hundred copies of the 'Small Paper edition'. In the 'Moray Library'. Internally sound and clean. Light spotting and wear to wraps. Minor foxing to endpapers. Trenchant observations on an interesting selection of late-Victorian authors.

Octavo: 27 pages. A rather nice production, with nine double-page plates, frontispiece and double-page table. Unbound. In original grey printed wraps, with gold foil seal of the society laid down as part of cover design. Good, in lightly aged wraps. Some tissue guards. Two essays: 'La Societe des Ingenieurs Civils de France de 1848 a 1896' by M. A. Mallet, and 'Le Nouvel Hotel de la Societe des Ingenieurs Civils de France' by M. F. Delmas ('Architecte de la Societe').

On India paper roughly three and a half inches by six and a half wide, mounted on a thick piece of wove paper ten inches by fourteen and a half. Cooke's name is engraved on the illustration, and printed on the mount are the title, Lewis's name and a double ruled border. Good clear impression. The mount is a tad grubby, with foxing to the extremities. Atmospheric representation of a populated pier snaking to the left, with a number of sailing ships and a row boat taking advantage of the low tide nearby. No reference found.

One page, quarto. On lightly creased, aged paper with a few closed tears. Rust marks from paperclip at head. Reads 'Il triangolo della perfezione arte scienza ad amore | [signed] F Matania'.

Dimensions of paper roughly eleven and a half inches by eight wide. A good clean impression on grubby and lightly foxed paper. A meticulous head and shoulders view of a seated Hearne, in profile, facing to his left. One of the 72 engravings from chalk portraits by Dance of his friends which were published between 1808 and 1814.

Dimensions of print roughly ten inches by six and a half wide. Mounted on a slightly larger piece of laid paper. Rubbed, worn and heavily aged, with small wormhole at foot. Ornate tomb with sphinxes, ivy, masks, palette, laurel wreath, etc. Central head and shoulders image of Carracci, above caption 'ANNIBALI CARRACCIO BONON. AETATIS SVAE ANN.XLIX Romae MDCXLVI'. 'A. Del.' in bottom left-hand corner. This is NOT the engraving by Pietro Aquila, after Carlo Maratta, in Aquila's 'Galeriae Farnesianae Icones' (1674).

Postcard with painting of Rialto Bridge by Canaletto. Postmarked 1970. Ruckled with damp but entirely legible. An amusing communication, beginning 'Thought I would let you know that we were not involved in the great tornado that sunk a voporetto [sic] on Lirica 4, and that the Hotel alla Fava is still very comfortable.' Refers to the Lambs' 'self-contained eyrie' and 'the weak fast coffee which tastes of mud; but clearly and obviously isn't'.

Two pages, 12mo. Very good on aged paper, with small closed tear at head not affecting text. Appears to concern an exhibition of women painters. Wants to 'personally thank' her for 'the privilege of having seen the International & in particular, your charming pictures. 'Early Morning' has quite carried away my heart! But the others are very fine. it must be so difficult, & so interesting to paint grey darkness. [...] Nothing of Miss Lister's there having in my opinion come up to her 'Builth Bridge' which we have. [...] Next to it I like 'A lonely Tree'.

English artist (1855-1934) of the oriental school, a member of a family whose papers are in the Bodleian Library, Oxford. Two pages, 12mo. Very good, though grubby and on paper discoloured with age. He thanks her for her note and is sorry that she 'should have had any trouble about the bundles' Has heard 'on all hands that the Bargain went off extremely well', and hopes 'it was as financially successful'. 'The Egyptian called on me to-day and seemed much pleased with himself.' Hopes he 'behaved and acquitted himself well.' Signed 'Walter C Horsley'.

French architect (1845-1938), brother of the painter Jules Bastien-Lepage. One page, 12mo. Very good, on discoloured paper. Rodin (the sculptor) has informed him that the sketch requested by the committee will be ready the next Saturday. Points out that it will be difficult to convene a meeting during the Easter holidays. Signed 'Emile Bastien-Lepage'.

Artist and illustrator. Two pages, minor defects, mainly good. He thanks him for a letter and cheque for thirty guneas. "I shall be most delighted to see your Morocco sketches, they must be most interesting." He'll call by the next week and appreciates his kindness in offering one of the sketches. Note: autograph letters by Brangwyn appear to be scarce.

Company founded in 1908 by Philip Lee Warner and Eustace Gurney, 'to bring artists' work to the appreciation of a wider public'. One page, quarto. Folded twice. Good, but slightly foxed and lightly creased. The typed message reads ' "The best of Prophets of the future is the Past" | With the best of wishes for future success.' The signatures are arranged in four columns. The inclusion of 'Cobden-Sanderson' is unexplained.

Artist and astronomer (1802-1866). One page, bottom edge curled but text clear and complete. He is sending two "tableaux which Charadam had seen at his house. He would like him to display them that evening "ayant l'intention de les envoyer a un exposition [?] a Amsterdam . . .".

Architectural historian (1904-92) and curator of Sir John Soane's Museum, 1945-84. Seven leaves, all very good, though some lightly creased and all with staple holes in top left-hand corner. The first three letters to Mercer and the last three to Samson. Three letters docketed. ITEM ONE (two pages, 12mo, 7 August 1958): He is 'much attracted' by the Society's invitation 'to give three Cantor lectures on Country Houses', 'especially as I understand the text of the lectures would be published'. There is however 'one rather grave difficulty.

Printed address, headed notepaper. Two pages, 8vo, good condition. Russell Flint is responding to a letter from Mackenzie (attached, copy Typed Letter, one page, 4to, 26 April 1949- saying that he (Mackenzie) has circularised friends in the Press asking them to urge readers to buy water-colours as "a jolly good investment". Mackenzie also comments on the neglect of the teaching of water-colour painting in the schools, and its consequences. Russell Flint approves and has wanted to meet up but been busy with the RA Private View et al.

Pickersgill (1782-1875) and Uwins (1782-1857) were both English artists who exhibited at the Royal Academy. Very good, on a piece of grey paper roughly two inches by four. From a collection of Autograph Signatures cut from petitions to the Artists' General Benevolent Fund. Blank reverse.

Behnes (died 1864) was a sculptor, and Robins (1778-1847) a flamboyant auctioneer. Very good, on piece of paper roughly two inches by three and a half. From a collection of Autograph Signatures cut from petitions to the Artists' General Benevolent Fund. Blank reverse.

English artist (1890-1978). His wife, Yvonne Kapp, published four novels under the pseudonym Yvonne Cloud. One page, octavo. Very good, though a little creased and with dogeared corners. Reads 'Dear Mr. Wilson, | It is good of you to have taken so much trouble - I am greatly obliged to you. The lists have gone off to Berlin to-day. | All my thanks - & good wishes for a restful holiday'. Signed 'Edmond X. Kapp'.