MANUSCRIPT

C.5 x 2cm, laid down on larger piece of paper, docketed Sir Stephen Fox a Lord of the treasury in the Reign Chas II 1679. Grandfather of C.J. Fox.

Total 3pp, 12mo, very good condition, [1965] thanking her for reading her and sending the requested signed bookplate; [1966] sending another signed bookplate, pleased that she reads her books, and anticiapting the publication of her next (with a different publisher); [1967] another signed bokplate is being sent, with thanks for faithful readership.

Paper, 10 x 12cm, topped by small head in bas relief, below which a seal and text: Senise 27bre 1857 | Marie Caroline Dsse de Berry. See image.~80~AUTOGRAPH MANUSCRIPT CNorton DUCHESSE DE BERRY HOUSE OF BOURBON~ ~0~OL59~ ~ ~ ~ ~

Paper 14 x 5cm, tipped on to slightly larger piece of paper, some staining but clear. Text: 36 Russell Square || Editor of the 'Field' | 346 Strand || corrected proof for press | with Honble Mrs Norton's Compliments. Possibly the subscription clipped from a letter. See image.

One page, 12mo, staining and ink blots but text clear and complete, laid down on larger piece of paper, docketed The late Mrs. Margaret Gatty (writer for children) Editor of Aunt Judy's Magazine.

One page, cr. 8vo, fold marks, small tear with no loss, faint staining, text clear and complete. Text: Private | I am afraid the melancholy circumstances at Manchester will operate unfavorably on the Exhibition [of 1842?] both as to the number of pictures sent and the visitors and sale.

One page, 8vo, fold marks, very good condition. Text: I enclose two letters from Maitland, the Malta Area Manager of Shell, whose sway extends over the Shelkl Company in Tripoli, one addressed to yoy and the other to the Tripoli Manager. | I have probably done you wrong in saying that this is the first time you are visiting an Arab country, but anyway your presumed naivete will, I hope, only make them the more helpful. | I hope it all works out, and that you find Libya as rewarding as I did.

Piece of paper, 15 x 11cm, somewhat foxed without obscuring text, laid down on a slightly larger card. Text: Or (if preferred) | Dr. Almond | With the respectful compliments | of the author || Hy B. Tristram |

Each letter 1p, 8vo. Both in fair condition, lightly aged and creased. On signing one of the letters she has slightly smudged it. ONE: 28 May [1950]. She thanks him for his 'fascinating-looking book, THE MELODIES LINGER ON', and for his 'most generous inscription'. She and her husband 'Richard' (the drama critic Richard Halliday) have 'read bits and pieces and have looked at every photograph, and can't wait to really sit down and read the book from cover to cover!' She continues: 'And that will be soon.

2pp, folio. In envelope with stamp and postmark, addressed to Corden's Mill Hill address. Letter folded twice, and letter and envelope in good condition. He begins by thanking him for sending 'the inscribed copy of Ken Delve's Story of the Spitfire - a truly excellent book just jam-packed with detail, - he must have done a prodigious amount of research to put it all together'. He is 'bowled over by the extent of [Corden's] munificence'.

Enters exhibited her artistic work - including many sketches of her own costume designs - widely in the United States and Europe, and her work is held by several museums, including the Metropolitan Museum of Art in New York. The present item is an attractive impressionistic sketch, in grey and black pencil, with watercolour wash in pink, light red and grey, showing a dancer with arms outstretched and heavy costume with full sleeves and train. Captioned by Enters at bottom left: 'Fleur du Mal (Proust Sequence)'. Signed at bottom left: 'Angna Enters '56'. On 23 x 15.5 cm laid paper.

An interesting artefact of what was to become the Royal Exchange Theatre, Manchester. See Murray's Guardian obituary, 3 August 2018: 'Murray left Oxford in 1964 without sitting his finals but with a starry reputation.

See the entries for Smith and MacQueen-Pope in the Oxford DNB. Walt Disney had read The Hundred and One Dalmatians earlier in the year in which the present letter was written, and had immediately begun negotiations for the rights, much to Smith's delight, as she had hoped that he would make it into a film. 2pp, 8vo. A long letter, in a close and elegant hand. Writing on behalf of herself and her 'friend' and business manager Alec Macbeth Beesley, and on receipt of his latest book, she begins: 'Dear Popie, | How very, very kind of you to send us Give me Yesterday! Thank you so much.

It is puzzling that Van Druten, one of the most successful British playwrights of the early 1930s, should not have an entry in the Oxford DNB. The present entertaining and informative letter is written from the A. J. C. Ranch in Coachella Valley, which Van Druten purchased with his then-lover Carter Lodge and the British actress Auriol Lee (it was named after the initals of their first names).

A nice artefact of the censorship of pre-First World War British theatre. The London production of Vollmoeller's wordless drama 'Eine Venezianische Nacht' was censored by the Lord Chamberlain's office, and the production at the Palace Theatre, London, in November 1912 was panned by the critics. 15pp, folio, on fifteen leaves gathered together with green ribbon, interleaved with six typed slips of variant text, and with one leaf a composite made up of several sections glued together. Mimeographed typescript. In fair condition, on aged, worn and creased paper, with final leaf detached.

For the background see Murray's 2014 autobiography 'The Worst It Can Be Is A Disaster', where he describes the production as 'a big production with its quasi-musical form. In such a large cast some of the actors were rather basic but some were superb. Michael Elwyn brought the house down as Monsewer [...] Michael York was very touching as the innocent Cockney soldier and the brother owners were expertly played by Ian Davidson, who later became a successful comedy scriptwriter, and the beautiful Canadian Nancy Lane, who is now a distinguished professor at Cambridge.

From the papers held at the headquarters of the National Indian Association and the Northbrook Society, 21 Cromwell Road, London (referred to in the report for 1912/1913 as 'The House in Cromwell Road' and 'The London Bureau' and 'still to a large extent the headquarters of the Student's Department'; and in the report for 1914/1915 as 'Mr. Arnold's Bureau', referring to 'Mr. T. W. Arnold, C.I.E., the Educational Adviser in London'). For the context see F. H. Brown's article 'Indian Students in Great Britain' (with 'Discussion'), Asiatic Review, July 1925, quoting Sir Charles E.

72pp, 8vo. Tight copy on lightly-aged paper, in original blue cloth binding with dulled gilt on spine, panels of sunning to front board, and slight wear at head of spine. Ownership inscription on front free endpaper: 'Christopher Fry'. Auden, along with Eliot, was an inspiration to Fry, one of the foremost twentieth-century English practitioners of verse drama.

xv + 179pp, 8vo. Good tight copy in brown cloth, in worn printed dustwrapper. Frontispiece portrait of Fry. Inscribed on front free endpaper: 'To Christopher Fry | from | Glenda Leeming | with love'. In her preface Leeming notes Fry's 'patience and tolerance, as well as his helpful explanations of his plays, his intentions, and their realization'. The volume contains pencil annotations between pp.43 and 73, mostly relating to 'The Lady's not for Burning'. All are marginal indications of passages with vertical lines, apart from two annotations suggesting a degree of impatience with the text.

[6] + viii + 266pp, 8vo. With four-page 'Select Bibliography' and three two-page lists of errata tipped-in at the rear. In plain brown cloth, with green printed dustwrapper glued-down (by publisher) onto the endpapers by the flaps. In good condition, lightly-aged, in lightly-worn dustrapper with closed tear at rear. Inscribed on the front free endpaper: 'To | Mr. Christopher Fry, | With best compliments | from the Author, | S. n. Ray | 7.4.98'. Fry makes around fifty autograph corrections to the text, giving a list of them over the rear endpapers.

120pp, 12mo. No dustwrapper. In fair condition, on lightly-aged paper, tight in lightly-worn green cloth with dulled gilt. Inscribed by Williams in pencil on front free endpaper: 'For Michal'. A collection of around fifty poems, including five addressed to the author's wife: 'To Michal: After a Vigil'. 'To Michal: On Forgiveness', 'To Michal: On Brushing her Hair', 'To Michal meditating a new Costume', 'To Michal: On Disputing outside Church'. Accompanying the volume is an Autograph Letter Signed from 'Neil' to 'Dear Christopher and Dear Phyl', i.e. Christopher Fry and his wife Phyllis.

Beautiful stitched pamphlet, with three gorgeous colour natural history prints by Wadsworth, comprising frontispiece and one other full-page print, and double-page print incorporating the words of the title. Near fine. Text unpaginated, printed on eleven pages, over eight leaves of green laid paper. Numbered 44 on the colophon, which carries the device of the Rampant Lions Press, and is signed 'Richard Wilbur' and 'Charles E.

On 20 x 15 cm piece of paper torn from an exercise book. Aged and worn, with fraying to left-hand edge where the item has been torn away from the exercise book, but in fair overall condition. A faux-naive effort, crude but full of energy, painted in orange, yellow, red, blue, grey, purple, green. On reverse in pencil: 'Juvenile | painting | By Martin Bell'.

2pp, 8vo. On first leaf of bifolium. Text complete and clearly legible, on aged and worn paper. The first page is begins with text in the hand of Cammillo Cateni, headed 'Adì 2 Gennaio 1800', written on behalf of Cateni and Giovanni Gualterro Uccelli, 'Medici filii di questa Citta di Firenze', attesting the signature of 'la Siga. Angiola Lucchi'.

7pp, 32mo. On two bifoliums, stitched together. In good condition, lightly aged. Signed 'Agnes Strickland'. A nice letter with interesting content. Begins: 'Feeling all the kindness of most friendly invitation so sensibly as I do, it gives me the greater regret to be compelled to forgo the pleasure you offer me, of joining my friends Mr. & Miss Mackinnon in your charming home on the 8th of Octr.

Both the letter and the accompanying document are in fair condition, on aged and worn paper. Both items signed 'Dion: Lardner'. ONE: Letter to Dickinson & Co. 1p, 12mo. He wishes to add 'these few lines' to 'the enclosed business letter' (not present), 'to aprise you that from the private knowledge I have of the parties interested in the business that I am of opinion that they are entitled to serious attention.

The three items (two letters from Peter Opie to MacQueen-Pope and carbon copy of his reply to the first of these) are in fair condition, on aged and lightly-creased paper, with a slight nick at the head of the first letter. Inspired by the recent publication of MP's 'The Melody Lingers On: The Story of Music Hall' (1950), Opie writes to MP via his publishers W. H. Allen & Co, and signs both letters 'Peter Opie.' MP writes to Opie at Rockbourne House. ONE: TLS from Opie to MP. 20 January 1951. 1p, 4to.

1p, 8vo. On aged and worn paper, with spots of rust staining from paperclip. Folded twice. Addressed to MP at 359 Strand, WC2. Reads: 'Dear Popie, | Children's Theatre | Sound | This is just to acknowledge your rough draft of the article you suggest. I have not had time to look at it yet, but I will do so as soon as I possibly can. Meanwhile, perhaps your secretary will let my secretary know the latest date for returning it.' MP's reason for sending the article to Donat is not immediately apparent. Donat's papers are in the University of Manchester Special Collections.

[55]pp, 8vo. Number 448 of 500 copies, with colophon signed by 'Robert Lax' and illustrator 'Emil Antonucci'. In quarter binding of spine in plain black cloth and paper boards on which are printed circus photographs by Charles Harbutt. Nice inscription on front free endpaper: 'For Mr & Mrs Chistopher Fry, merely to think of whom gladdens the heart & makes the countenance shine, | Robert Lax'. Lacking the original plain glassine dustwrapper. In good condition, apart from a 6 cm horizontal cut or rub mark to the front board, which is not overly obtrusive.

ONE: Marsh to MP. 19 November 1951. 2pp, 8vo. In fair condition, lightly aged, with light rust spotting from paper clip. Folded twice. Pencil note by MP. Marsh begins his letter: 'My dear Popie. | Very many thanks indeed for the book. It came on Saturday, & I read nothing else till I finished it this morning. Very many congratulations too, your Achievement story is itself a big achievement, & everyone who loved Ivor will be grateful to you for it. You can imagine how many memories it revived in me, & how much it added to my Knowledge.