STAGE

158pp., 4to. Typed text on rectos only. With manuscript emendations (possibly in the hand of Judith Spearman, stage manager) throughout, including deletions and a few short additional passages, as well as stage directions. Makeshift thumb index at head. In fair condition, with moderate signs of age and wear, bound with pink ribbon into buff card covers. Typed label on front cover, together with 'Judith Spearman' and 'Effects' in pencil.

1p., 12mo. In good condition, lightly aged, with traces of glue from mount on reverse of letter and envelope. Envelope, with penny red, addressed by Lovell to 'Dillon Croker Esq. | 3 Gloucester Road | Old Brompton'. Reads: 'Mrs. Lovell begs to thank Mr. Croker for his polite note and for the trouble he has kindly taken - | Should there be any occasion Mrs Lovell will gladly avail herself of Mr. Croker [sic] offer of further assistance.'

Both items in good condition, on lightly aged paper. Letter: 2pp., 12mo. The letter begins: 'Mrs. Kean has given me back possession of the two Plays. The Wife's Secret & The Trial of Love. & the advice of Mr. Coyne was that I should add them to the Dram[ati]c. Authors Society's list.' Under the circumstances, he asks whether Lacy would be 'desirous of printing them & if so what would be your arrangement?' He suggests a meeting the following day. Autograph prelims: 3pp., 4to. Bifolium, with bottom half of second leaf torn away.

8pp., 12mo. Stapled. Heavily aged and worn. A trim little catalogue, with 158 books described on the first seven pages, and the last page devoted to prints. Beneath the drophead title: 'Post Office Orders to be made payable at High Holborn. | No books or prints sent on approval.

8pp., 8vo. Unpaginated. Stapled and unbound. In fair condition, aged and worn. Foreword on 'The Raymond Mander and Joe Mitchenson Theatre Collection', and 'Introduction to the Exhibition by Raymond Mander & Joe Mitchenson'. The body of the pamphlet is taken up by a list (52 items) of 'The Plays of George Bernard Shaw in order of writing'. The final page lists the five films of plays by Shaw, with a photograph of Mander and Michenson. In manuscript at head of front cover: 'With Compliments | Raymond Mander & Joe Michenson'.

"Royal Institution of Great Britain. Weekly Evening Meeting, Friday, February 7, 1890. John Rae [...] in the Chair". Seven pages, unbound as issued, stapled, good condition. No copy listed on COPAC or WorldCat.

2pp., 8vo. In very good condition, on lightly-aged paper. She begins by asking whether the recipient is 'the same gentleman who wrote to me from Bournemouth', and to whom she replied that she was 'unable to give the information required, for many years before my husband's death we were seperated [sic]'. She explains that when Fisher was not 'travelling about in the Country he lived with his Father I believe, who has now been dead some years. The whole thing was very tragic and painful, & I shall feel obliged to you not writing to me again on the subject'.

Dibdin's letter: 1p., 12mo. On bifolium, with the Signed Autograph Copy of Chapple's reply (also 1p., 12mo) on the reverse of the same leaf. Reverse of second leaf addressed to 'C. Chapple Esq', with a nineteenth-century shelfmark at the foot of the page: 'C.68.Coll.CR.' In fair condtion, on aged paper.

The fifteen items are in good condition, lightly aged and worn. Totalling 19pp., 12mo; 4pp., 8vo; 1p., 4to. Eleven signed 'Rudge', three 'J. Rudge Harding', and one 'J. Rudge H.' Ten addressed to 'My dear Alderson', four to 'My dear Horne', and one to 'My dear Alderson Horne'. A friendly, chatty correspondence.

1p., 4to. In fair condition, on aged and worn paper. He found Wheeler's letter on his return from a trip abroad, and is 'most interested to hear that there is a scheme on foot for another theatre'. As far as 'financiers who are likely to be theatrical patrons', those known to him will probably already know any Baring might suggest. He concludes: 'Personally I believe the old Court Theatre plan was the best & in fact the only possible way of getting those kind plays done.'

On both sides of an 8.5 x 11 cm card. The item has been soaked in order to remove it from backing, and this has resulted in fading of the ink and slight ruckling. She explains that she would have been pleased to accept the recipient's offer 'under usual circumstances', but that 'firms are volunteering to let me have their articles at wholesale prices', so she is 'bound in the interest of Boys and Girls to accept their more favorable terms'.

1p., 16mo. In fair condition, lightly aged and creased, with slight rust spotting at head and trimmed margins. Concerning 'quattro versi di numero, i quali dicono soltanto un idea che mi venne spontanea'.

1p., 12mo. In good condition, on lightly-aged paper. Reads: 'My dear Young | Jack Calthorpe-Clayton is in the country: and I don't know when he will be home. He will be much grieved, I know, not to be here to welcome you back to our dingy old capital, when he knows of your apparition here | Yours very truly | J Palgrave Simpson'. The identity of 'Jack Calthorpe-Clayton' is uncertain. The name is certainly spelt thus, but may be a mistake for 'Colthorpe-Clayton'.

1p., 12mo. In fair condition, on aged paper, but with loss at foot and traces of mount on reverse. The letter is addressed to 'Mrs Ashurst Morris | Victoria Hotel | ' (the last word damaged at the foot of the page). It reads: 'Dear Madam, | Thanks for your letter. Pardon my delay in answering, but our plans have been a little uncertain. We shall not be staying in London after the date mentioned, otherwise, we should have been very glad to continue our present sojourn at your comfortable flat.

Unattributed, but in Wheatley's hand. The 'List of Plays seen by Pepys from 1660 to 1669' is 5pp., foolscap 8vo, on loose leaves of unwatermarked ruled paper. In fair condition, aged and worn. It is neatly written out in ink, with occasional pencil emendations, giving dates, theatres and titles. A few comments on the theatres are included, for example on 'Davenant's New Theatre in Lincolns Inn Fields'.

On one side of a piece of 2.5 x 8 cm thin card. In good condition, lightly aged and worn, with slight creasing (not affecting text). Possibly in response to a request for an autograph. Reads: 'Nigel Playfair'.

16pp., 8vo. Stapled. Printed in brown on white. In fair condition, lightly aged and worn. One correction in manuscript: on p.5 'Peter O'Toole' replaces the subject of the sentence 'Miss Jean Simmons carries the script used in the film Hamlet.' Other worthies involved in the service are: Douglas Fairbanks, Michael Caine, Maggie Smith, Paul Scofield, Derek Jacobi, Ian McKellen, Dorothy Tutin, Frank Finlay, Albert Finney, Sir John Mills, Peggy Ashcroft, Sir John Gielgud, Sir Alec Guinness. Uncommon: the only copies on COPAC at the British Library and London Library. The ticket ('No.

1p., landscape 12mo. In fair condition, on lightly aged and worn paper, with cropped margins. He begins by explaining that O'Donnell's letter has been sent to him 'from Theatre Royal, Drury Lane, on the staff of which I am and whose whose [sic] historian I am too'. He continues: 'I fear a night vigil would be of little use so far as the Ghost is concerned. He is a day time visitant. Never yet has he been seen before 9 a.m. or after six p.m. Between those hours - frequently.' He refers O'Donnell to the 'full account' in his book 'Theatre Royal'.

2pp., 8vo. In good condition, on lightly aged and worn paper. The letter has been marked up in manuscript for publication, with the heading: 'Mr. Clement Scott: A Contradiction.' [last two words amended from 'An Explanation'] The letter begins: 'My Solicitors who advised me that the paragraph in your last issue connecting my name directly with a slanderous rumour to the effect that a well know dramatic critic had been bribed by a theatrical manager has handed me your letter of <?> date.

Gladys Jones ('Gwen John') lived with her sister the suffragette Winifred Jones in Lincoln's Inn. Her play 'The Prince' - three corrected copies of which are in the present collection as Items Three to Five - was retitled 'Gloriana' [= Elizabeth I] when performed at the Adelphi Theatre in London in December 1925, with a youthful John Gielgud in the role of Sir John Harrington. Items One, Six and Seven below relate to the volume 'Plays of Innocence' by 'Gwen John', published in 1925 by Ernest Benn (by whom Victor Gollancz was then employed).

4pp., 12mo. Bifolium. In good condition, on lightly-aged paper, with slight loss at the head of the second leaf affecting a couple of words of text. The letter begins: My dear Sir, | I have on different occasions interfered to prevent gross abuses at the Theatre to which you call my attention, and have I believe to a certain degree procured their correction. But thhere is great reason to fear that by attempting too much more may be lost than gained.

All three items in good condition, on lightly-aged paper. All signed 'Ralph Straus'. ONE: TLS. 6 January 1939. 1p., 8vo. After expressing his willingness to have 'the programme of Wat Tyler and the Bil of Madame Sala for 1827', he expresses his desire to acquire playbills 'of Sala's grandfather, in a King's Theatre ballet 1776 onwards - particularly if it gives his Christian name of Claudio. I know of one in Jan. 1788.

2pp., 12mo. Written lengthwise across the paper, so that the letterhead runs up the left-hand margin of the first page. She thanks him for his letter and 'the Cocteau profile (most interesting and infuriating - splendid misunderstanding - written down with such authority.)', as well as '"The Holy Terrors" notices'. She has been delayed in sending him the script of 'The Confidential Clerk' as she had to go to King's Lynn. She is sending the script now, and asks for it to be returned 'fairly soon, as it is Henry Sherek's and he may suddenly scream for it!' (Sherek was the play's producer.)

In pencil on one side of a 6 x 9 cm white card, laid down on a 10.5 x 13.5 cm leaf of grey paper, removed from an album, with the date 'December 1944'. Lohr's note reads: 'with all good | wishes dear | Miss Stone | Marie Löhr'.

1p., 12mo. Good, on lightly-aged paper. He thanks him for his 'letter and expression of appreciation - judging by the wonderful reception of "Sunny" in Manchester I am hopeful of its success in London.' He is enclosing 'the two photos asked for' (not present).

On one side of a piece of 33 x 52 cm paper. In fair condition, on aged and worn paper. A form printed in black and red, completed in manuscript. Divided into sections on: Artiste's Salaries; Advertising; Stage Expenses; Front of House Expenses; Gas and Electricity; Printing & Stationery; Author's Fees; Miscellaneous; Receipts; Summary of Expenses. The 'Artiste's Salaries' were: Leslie Howard £20; Reginald Owen £40; Betty Schuster £20; Adrienne Allen £40; Robert English £15; Duncan McRae £15; Jack Carlton £8.

1p., 8vo. With mourning border. In fair condition, on aged and lightly-ruckled paper. After exclaiming 'How kind of you!' Pinero explains that he has been 'inoculated regularly since the autumn, and it has done me no good'. He continues: 'No, I won't say that; I might have been worse but for the injections.' He concludes by stating that he will show Shore's letter to his doctor, 'to prick his conscience'.

The eight images are arranged in four pairs, each on the central pages of an 8vo bifolium. Dimensions of page: 24.5 x 16cm. Dimensions of image: 9 x 14cm. In fair condition, on lightly-aged and creased paper. Irving is shown in five roles, including Lear, Shylock, and Becket. Also present are two portraits of Irving out of character, and a picture of the exterior of a dilapidated building. Presumably intended for an early twentieth-century biography.

2pp., 12mo. In envelope addressed by Stirling to 'C Lonsdale Esqre. | Bond Street'. In fair condition, on aged and worn paper. 'Mrs. Stirling does not know how to thank Mr. Londsdale for his great kindness - not only now but always shewn to her by him. Mrs. Stirling remembers that she has the full store of the Midsummer Nights' [sic] Dream belonging to Mr. Lonsdale but she is warned by Mr. Lonsdale's Messenger that she must not now stop to thank Mr. Lonsdale fully, as she would wish.'

1p., 12mo. Good, on lightly aged and worn paper. The note reads: 'Mercredi. | Merci mille fois, mon cher Maitre, si vous êtes content, me voilà ravie! | Encore merci | Réjane'. In a postscript she states that she has profited from his criticisms.