THE

12mo, 2 pp. Bifolium. Fair, on aged paper. He begins 'Print the farce', and gives two conditions, ending 'There that's definite'. He will have the farce published after it is performed in London, 'at a good theatre of course'. 'But get on with it and lets have the proofs.' He will 'most likely' play it himself 'at Manchester and somewhere else, when I will put all this stage business &c in'. Ends 'Toole wants to do it. | Yours Tooley - I mean Truly'. In one of two postscripts he hopes Lacy has 'a good supply of Billy Taylor. Hopewood & Crew publish it.'

One page, thirteen lines, 8vo, small closed tears, text clear and complete. "As I cannot continue my lectures on [? see scan], for some time to come I return a proportion of the balance of money collected in various towns. I have not taken one penny for my labours, but I propose to retain about one third of the balance [underlined] as there were innumerable etceteras about a work like mine. If any of the subscribers object to this, please let me know. - I enclose a cheque for £5." Best has listed 6 recipients of shares of this £5 on the verso of a conjoint leaf ,and with a small sum.

4to, 4 pp. Bifolium. Printed in brown on watermarked laid paper. Fair, on aged paper. An exercise in Wardour Street English, foreshadowing in some respects the Leadenhall Press with its mish-mash of fonts and point sizes, and its antiquated decorative rules. The fair will be opened by 'Maister Christophere Sykes, Member of Parlymente for ye East Ryding of ye Countie of Yorkshire'. Names of the great and good expected to attend. Vignettes of a tudor fair, three medieval women, two jousting knights, a posy, chairmen, two men in eighteenth-century garb, a dinner table.

4to, 3 pp. Bifolium. Neatly and closely written. Text clear and complete. Fair, on aged paper. Evaluations of the conduct of more than thirty families, from a staunchly Bourbon point of view. First entry: 'Lorraine. Des sentiments trés pur. Ils quitterent ce Pais et furent trouver l'Empereur, qui les Emploie dans ses Armées.' Some families come in for criticism: 'Bethune. Cette maison si illustre s'est couverte d'ignomenie, un seul Bethune d'Artois a Emigrée.' Longest entry (twenty lines) on the Durfort Boissier family.

Folio, 3 pp. Bifolium. Printed on laid, watermarked paper. Around thirty-four lines to the page. Text clear and complete. Fair, on aged paper, with loss to one corner (not affecting text). Reverse of second leaf docketed, and with thin strip from mount adhering at fold. Written in a neat seventeenth-century hand, with a number of emendations (including a deletion of three lines) suggesting that this copy was made by the anonymous author himself.

8vo, 1 p. Image clear on aged paper, with the leaf loosely attached to the letterpress title of the work whence it comes (see below), that title being laid down in a folder with a window cut into the front for viewing the card through. The dimensions of the engraved illustration are roughly 12.5 x 8 cm, with the main feature of the elaborate design being contained in a circle 8 cm in diameter.

The prospectus is folio, 3 pp, in a bifolium. Loosely inserted is a folio leaf, with the testimonials printed on one side, and a quarto leaf with four engraved illustrations: two of wheels under carriages, and two showing details of the springs on those wheels. The three items are on aged paper, with the illustrated leaf in good condition, and the other two items with chipping and closed tears. The texts and illustrations of all three items are clear and complete, apart from some loss to a footnote to the testimonials, caused by the page being printed too low on the leaf..

12mo, 2 pp. Bifolium. Twenty lines. Text clear and complete. Fair, on aged paper. Because of the 'Very great outlay attending the production of the work at the onset', asks for a year's advance subscription of £1 10s 0d. Gives the publication date, adding 'from the distinguished literary aid I have received I am sanguine enough to hope that it will mert your full approval'.

4to, 4 pp. Bifolium. Printed in brown on watermarked laid paper. Fair, on aged paper. An exercise in Wardour Street English, foreshadowing in some respects the Leadenhall Press with its mish-mash of fonts and point sizes, and its antiquated decorative rules. The fair will be opened by 'Maister Christophere Sykes, Member of Parlymente for ye East Ryding of ye Countie of Yorkshire'. Names of the great and good expected to attend. Vignettes of a tudor fair, three medieval women, two jousting knights, a posy, chairmen, two men in eighteenth-century garb, a dinner table.

12mo, 8 pp. Fair, on aged laid paper. On four leaves removed from a pocket book, with two leaves numbered in manuscript '41' and '42'. Apparently a first-person draft of information for an appeal by the oldest surviving member (from the inception of the group) for a stipend. Begins 'Depuis le commencement de l'an 1760 que j'ai ete recu a la Musique du Roi, j'ai été en exercice jusqu'en 1792, avec 222. sujets qui s'y sous dont 40 vivant encore au 18 Janvier 1815. [...]'.

All items good, on lightly-aged paper. Ross's letter: 12mo, 1 p. Thanking Buckler for the piece of 'Orielania', and giving some information regarding the poet's connection with the college. The other items bound in grey boards with 'Edward Buckler 1936' on the spine. W. H. Buckler's monogram, with its original grey printed wraps, i + 5 pp (paginated 349-353). The title and relevant pages of the article '120. EDWARD BUCKLER' in 'Notes & Queries for Somerset and Dorset, June 1937, i + 4 pp (paginated 121-124).

Dimensions of paper 23 x 17 cm; dimensions of image c.16 x 10.5 cm. In fair condition on lightly-aged paper. Captioned at foot 'Nathaniel Hawthorne'. Head and shoulders illustration, with Hawthorne looking at the viewer with his head slightly towards his right shoulder. Placed in modern 34 x 26.5 cm cream card frame with gold and light-green border. Professionally executed in a traditional style. The artist's monogram, centred beneath the illustration, consists of a stalk topped by simple flower design, and with the date '26' at the foot.

All nine slides bound in 8 cm glass squares, with the black and white images themselves in good condition and unfaded. The slides, apparently from a newspaper library, all carry labels with captions and the shelf-mark 'M74 Box 286 637.1'. Evocative and instructive images, apparently all dating to the 1920s. Captions of 'engine rooms and compressors', 'machine filling one third three flavour blocks', 'mixing and pasteurising', 'hardening room', 'ice cream packaging machine', 'three double packing machines', 'making', 'two chocolate ice machines', 'mix storager tanks'.

The slides, apparently from a newspaper library, are both bound in 8 cm glass squares, with the black and white images themselves in good condition and unfaded. Each carries a manuscript caption in white ink on the black mount. The first slide - 'Harbour, New Quay' - shows a view down into the Harbour, with stone pier and fishing boats. The second - 'Lifeboat. New Quay, N. Cornwall' - shows a procession a distant view of a crowd of men and women in Edwardian dress on a beach before a large rock around a lifeboat being drawn away from the water by four horses.

All twenty-one slides bound in 8 cm glass squares, with the black and white images themselves in good condition and unfaded, with only one slide damaged (glass shattered in a corner, not affecting image). All with labels numbered 394.5.

Three striking unfamiliar photographs (the last two in particular excellent compositions) of a significant historical event. The three slides are bound in 8 cm glass squares, with none of the glass shattered, and the images themselves in good condition, clear and unfaded. Each mount carries the stamp of the photographers Gibson & Sons. With numbered labels carrying a shelfmark. Each mount titled in manuscript. ONE: ' Schiller" wreck. Lifeboat in which Survivors came ashore'.

Folio, 1 p. Text clear and complete. Fair, on lightly-aged paper. The heading states that the presentation will take place 'at Free Masons' Hall, Great Queen Street, to the respective Candidates by His Royal Highness the Duke of Sussex, President, in the following order.' The text, laid out in double column, lists a total of sixty-four successful candidates, numbered under five headings: Agriculture, Chemistry, Polite Arts, Manufactures, Mechanics.

12mo, 1 p. Neatly written with six items, beginning with '2 weeks pay for Serjt: Deans and Dr. Marton', and ending with 'Expences Contracted on account of Mc.Dougall'. Includes 'A Cockade for Joseph Harriegat & one for Dr. Harris'. Deans acknowledges receipt of £2 11s. The last item, of 5s is not included in the payment, and the bill is docketed on the reverse '1778 | Serj. Deans Bill a 5s Mist[ak]e.' The identity of the relevant regiment is unclear.

8vo, iv + 26 pp. In modern grey boards. Text clear and complete. On aged paper, with small holes to first two leaves (not affecting text). The imprint is fictitious. A sequel to 'A Fragment' (London, 1750), a satire on the election of the Duke of Newcastle to the Chancellorship of the University of Cambridge in July 1749. Described in the 'Editor's Preface' as a 'learned, elaborate, curious and antient Fragment, [...] communicated to me by a celebrated Gomerian, Professor of the University of Combrigue'. Attributed to the elder Stebbing by Halkett and Laing, and to the younger in ESTC.

Small 4to, 4 pp. Disbound (from a collection of pamphlets assembled by Gilbert Buchanan), and with neat strip of tape along margin of last page. Good, with neat vertical fold from placement in 8vo volume. Uncommon. COPAC only lists copies at Cambridge, Oxford, Lambeth Palace and the British LIbrary.

Goodyer has long been recognised as a significant figure in the arts and crafts movement (see Adburgham's 'Shops and Shopping' and Aslin's 'Aesthetic Movement, Prelude to Art Nouveau'), but surprisingly little is known about him. A former partner in the firm of Liberty's, he founded his Aesthetic Gallery at 55 Bond Street in 1889. It specialized in 'English silks, cashmeres, velveteens, fans, cushions, handkerchiefs, table covers, and other dainty manufactures', and numbered Voysey among its suppliers.

Folio, 12 + [i] pp. Text clear and complete, with a few pencil underlinings. Aged and somewhat worn. Folded vertically in the centre to make the conventional long legal packet, with the right-hand side of the reverse of the last leaf (with is stamped in red with the number 273683) carrying the printed title, with the address of the solicitors altered in pencil to 18 Pall Mall SW1, and with two manuscript names deleted: 'Mr. Finlay. Q.C. | Mr. Rowland Gibson'. Unsigned draft copy. No copy of this historical item on COPAC.

Small 4to, 12 pp. Disbound, with neat strip of ribbon to margin of last page, and vertical fold from placement in 8vo volume. Very good, with neat repairs to last two leaves. Cropped contemporary ownership signature of Gilbert Buchanan (from whose collection of pamphlets the item derives) at head of title-page. This original is uncommon: the large majority of the entries for this item on COPAC are for electronic reproductions.

Small 4to, 4 pp. Disbound (from a collection of pamphlets assembled by Gilbert Buchanan), and with neat strip of tape along margin of last page. Good, with neat vertical fold from placement in 8vo volume. Uncommon: most of the entries listed on COPAC are for the electronic reproduction.

Small 4to, 4 pp. Disbound (from a collection of pamphlets assembled by Gilbert Buchanan), and with neat strip of tape along margin of last page. Good, with neat vertical fold from placement in 8vo volume. Uncommon. COPAC only lists copies at Cambridge, Oxford, Lambeth Palace and the British LIbrary.

Small 4to, 4 pp. Disbound, and with neat strip of tape along margin of last page. Good, with neat vertical fold from placement in 8vo volume. A few contemporary pencil notes in margin, presumably by Gilbert Buchanan, from whose collection of pamphlets the item derives. Uncommon. Five copies on COPAC: Oxford, Cambridge, Edinburgh, Lambeth Palace and the British Library.

Folio, 4 pp. Text clear and complete. Fair, on lightly-aged and creased paper.

12mo, 2 pp. Bifolium, with the reverse of the second leaf carrying the address ('J. Sykes Esqr: | 22 Arundel Street | Strand', with two postmarks and docketing by Sykes. Nineteen lines. Text clear and complete. On aged paper, with wear to second leaf. Sykes 'will not be surprized to hear' that on the previous day 'Poor Georgina [...] paid the Great Debt'. Colpoys has arranged for her funeral to be 'conducted - in a Decent Private manner', and for her to be buried 'in the Parish of Kensington where she Died - Mr.

8vo, 1 p. Typed and signed in light-blue, beneath green letterhead, and with 'CARL VAN VECHTEN' 'watermark' at centre of page. Text clear and complete. On lightly aged paper, worn and dogeared at extremities. He thanks her for the copy of 'the Academic Observer (Gertrude Stein number) which intererested me so much that I am writing to ask if I may have another copy for a friend of mine, Please.' Autograph note explains that the 'friend' is one 'who also collects Steiniana'. Docketed in pencil on reverse: 'Miss Mallory | Keep this until I call - someday I will. | [signed] M. Lucha'.

12mo, 3 pp, on separate loose leaves. Forty lines. Text clear and complete. Good, on browned paper. Laid out for printing, and with the page numbering 21 to 23 (from 12 to 14). Loosely inserted in a folder with 'Original Manuscript of Elbert Hubbard' printed on the front, which also carries two accession marks.