B.

Goodyer has long been recognised as a significant figure in the arts and crafts movement (see Adburgham's 'Shops and Shopping' and Aslin's 'Aesthetic Movement, Prelude to Art Nouveau'), but surprisingly little is known about him. A former partner in the firm of Liberty's, he founded his Aesthetic Gallery at 55 Bond Street in 1889. It specialized in 'English silks, cashmeres, velveteens, fans, cushions, handkerchiefs, table covers, and other dainty manufactures', and numbered Voysey among its suppliers.

Elliot's illustrations, attractively executed in great detail, recall the style of those in the volumes produced by the publisher B. T. Batsford during the same period. All in excellent condition, the majority with tissue guards; album in good good condition. Fifty-eight of the illustrations, all of Swiss knockers, on paper ranging in size from 21 x 5 cm to 23.5 x 16 cm (the latter the majority), are laid down on the rectos of the first 45 leaves of a 47-leaf landscape folio album (leaf dimensions 36 x 16 cm). All have tissue guards.

4to, 1 p. Twenty-six lines of text. Clear and complete. Very good, on aged paper. Minor traces of mount adhering to reverse. Vignette of riverboat beneath heading. Signed by Handly and five others, ending with 'Chauncey H. Castle, Of the Comstock-Castle Stove Co.' Begins 'The division of the Mississippi river between the mouths of the Des Moines and Illinois rivers having been in a notoriously unfavorable condition for the purpose of navigation for the past two years, it has been deemed advisable to call a River Convention'.

8vo, xvi + 57 pp. Final blank leaf. Stitched as issued. Text clear and complete. Aged and worn, with damp bloom to prelims and final leaves. INSCRIPTION, in Pusey's hand, at head of title, 'Rev. The Master of Balliol | with the author's respects'. Sermon on Exod. xiv. 13'. Preface begins 'Non-resistance or passive obedience, in the sense to which they are generally limited, are but two sides of the same doctrine, and, together, are only a particular application of a general principle.'

Wade A289. 12mo: viii + 80 pp and errata slip. In original cream buckram binding, with title and harp decoration in gilt on front board. Black endpapers. Internally tight, on aged and spotted paper. Binding grubby, stained and worn, with slight damage at head and foot of spine. Some ink marking to the fourth stanza of the dedicatory poem to John O'Leary (p.1). Housed in a green solander box. Inscribed at head of title: 'Elizabeth Monteagle from Rose Kavanagh | June 21. 88'.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. In fair condition: a little grubby, with a couple of light folds and slight wear to extremities. Hand-coloured illustrations on first (7.5 cm square) and second (7 x 10 cm) pages; full-page black and white illustration ('Derby Day') on third page. Final page blank.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. Good, on aged paper with a light vertical fold. Hand-coloured illustrations on first (7.5 x 10 cm) and second (9.5 x 7.5 cm) pages; full-page black and white illustration ('The Metropolitan Regatta Dublin') on third page. Final page blank.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. Good, on aged paper with a light vertical fold. Hand-coloured illustrations on first (7 x 10 cm) and second (8 x 7.5 cm) pages; black and white illustration ('Drowned Sailor', 12 x 10 cm) alone on third page. Final page blank. The first poem is not ascribed, but is known to be by Hyde.

Folio (34 x 21 cm): 32 pp. With all eighteen foldout plans. Unbound and stapled. Text and plans clear and complete. In fair condition, with slight rust to staples and the last leaf (carrying Plan XVIII) loose. The report is addressed to 'The Honorable the Premier of the Colony of Victoria', and dated 'University of Melbourne, 2nd November, 1891. This is, as Allen sets out his aims in the first paragraph, explaining that he is submitting 'the Third and Final General Report concerning my visit to Great Britain and the Continent of Europe.

One page, on the recto of the second leaf of a bifolium, leaf dimensions 31 x 20 cm. In fair condition on lightly-aged paper with slight wear to extremities. According to his entry in the catalogue of the Bibliothèque Nationale, Charles was a 'Géographe attaché au Dépôt général de la guerre en 1933 [sic], ancien membre de la Société de Géographie. - Dessinateur, il eut une production cartographique très abondante à partir de 1823'. Neatly laid out.

4to, x + 64 pp. In original grey printed wraps. In fair condition: on aged paper, with slightly dog-eared with a little creasing and a couple of short closed tears at rear. In lightly-worn wraps. Becker's introduction to 'Diarmuid and Grania', dated 'Oxford, November, 1950', covers pp.1-4, with the play itself on pp.5-41. This is followed by 'Dramatic Commentary' (not on the play) by A. J. Leventhal on pp.42-44, 'Art Notes' by Edward Sheehy on pp.45-46 and book reviews on pp.47-64.

4to, 24 pp. With four pages of illustrations (by J. B. Yeats, Charles Shannon, Sean O'Sullivan, Max Beerbohm and Edmund Dulac). Stapled. In original grey printed wraps. Aged and dog-eared, in worn wraps. The introduction, by 'L. R.', explains that 'THE ARROW is an occasional, a very occasional, publication by the Abbey Theatre. Only four numbers of it have appeared, two in 1906, one in 1907, 1908 and 1909.' Essays by John Masefield ('William Butler Yeats'), F. R.

4to, 8 unpaginated pages. In original grey printed wraps. Text clear and complete. Neat vertical fold. On worn and foxed paper, with rust to staples and slight wear and chipping to wraps. The second of the five issues to appear in Yeats's lifetime. (In the 'W. B. Yeats Commemoration Number' of Summer 1939, 'The Arrow' was described as 'an occasional, a very occasional, publication by the Abbey Theatre', with only five numbers to have appeared up to that point: 'two in 1906, one in 1907, 1908 and 1909') Contains three articles signed 'W. B.

8vo, 16 pp. In original buff wraps. Text clear and complete. On aged and slightly-creased paper, with rust to the staples resulting in the detaching of the central bifolium. Wraps discoloured. Photograph of Yeats seated in his library on front wrap, and reproduction of Augustus John's portrait of the poet on p.2. On the first page is the facsimile, captioned ' "A Song," from W. B.

4to, 28 + [iv] pp. In original buff printed wraps. In fair condition, on lightly-aged paper, with rust to staples causing detached covers. Nicely printed. Advertisements on the last four pages and three sides of the wraps.

Printed in black and sepia on both sides of a leaf of watermarked wove paper, 45 x 30 cm. On lightly-aged paper with one vertical and two horizontal fold lines. The seven sample pages feature a total of six illustrations, in a variety of styles, two by Herb Roth. The arrangement is as follows. Recto: Title ('Specimen Pages from Books made at the Walpole Printing Office in New Rochelle, N.Y. 1929-1932') with vignette of Walpole. Specimen One, titled 'Piratical Barbarity, &c.', with illustration of pirate ship by Roth. Specimen Two, title-page of T. S. Eliot's 'John Dryden. The Poet.

12mo: 4 pp. Bifolium with mourning border. 30 lines of text. Good. She has heard that he has 'been good enough to speak kindly of "Pauline" so far as it has gone', and wonders whether he would distribute, to 'such of yr. Friends as belong to Circulating Libraries', cards 'to let people know in time to order the book before it is out'. Her family are pleased that Macmillan has 'been able to spend a night at this beautiful sad home - It did my Father good, I know.

Landscape 12mo: 1 p. Headed 'Stage and Film Decor.' He thanks her for her letter of 4 November. 'I eagerly await book. If you could spare me more than one [last three words underlined] I should be appreciative.'

8vo, 47 pp. In original grey printed wraps. With frontispiece portrait of Madvig and one plate. Good, in dusty wraps. Presentation copy, with card 'With the compliments of Dr B. A. Van Proosdij, Scientific Advisor to Messrs. Brill' loosely inserted. Divided into four parts: 'The Intellectual Background', 'Preparations and the Eve of the Day', 'The Dies Natalis' and 'Epilogue', with six appendices of passages from original sources, and a postscript of 'Four Letters from Madvig to Geel, Bake, and Cobet'.

4to, 1 p, 22 lines. On aged paper, with chipping at extremities neatly repaired with archival tape. Text clear and entire. He thanks him for his 'interesting paper', commenting on the 'Lucretian passage'. Postgate's 're-arrangement [...] is undoubtedly more attractive & logical than the ordinary arrangment, and as such I welcome it: but must we suppose always that artists do as well instinctively as they might if they had taken counsel?' 'Ex silentio I judge that all is well with you, as far as anything can be well for any of us these terrible times.

12mo, 1 p. Very good. He hopes she will bring her paper out soon, 'as there is room' for it, 'especially if you are careful to steer clear of mere nonsense'. Asks her to ask her 'paper' to send the cheque to him, 'and not to Peters, as he had no hand in the transaction'. He 'travelled 2,500 miles doing those articles on our war-time effort', and is 'now very glad to be back home, picking up the threads of my own work again'. He has just finished 'a comedy', and hopes 'to start another soon'.

On piece of paper five inches by six and a half. Good, with slight smudging to a couple of lines and a strip of archival tape on blank reverse. The four lines of text, in a different hand from the signature, were presumably written out by the purchaser, in order to indemnify himself in case of dispute. Reads: 'I hereby certify that these four papers signed respectively by Nelson, Hardy, St Vincent & Trowbridge have descended to me through my grandfather Richard Longfield Davies.-' Signature reads 'R. Hedges Davies | Nover. 10th. 1883.'

Four pages, 12mo. Very good on lightly aged paper. Docketed by Gaskell at head of first page 'This letter is written to myself in reply to my offer of the loan of 91 Shirley Brooks' letters. | J. B. Gaskell'. Acknowledges the receipt of the letters which Gaskell has 'so generously' placed at his disposal, and assures him that they will be 'treated with the greatest care' and returned as soon as possible, together with the photograph of 'Epicurus Rotundus' (Brooks's pen name), 'which is new to me'. Asks for 'any reminiscences, hearsay or otherwise of S. B.

Landscape sketchbook of twelve leaves. Dimensions of each leaf roughly 26.5 x 38 cm. Unbound and stitched. In original brown patterned wraps. Good, on lightly discoloured and spotted drawing paper, with some wear to extremities, heavy wear at head of spine, and in heavily-worn wraps. The first leaf, otherwise blank, has had a small square taken out of it, and there are stubs indicating the removal of a couple of leaves.

On piece of paper four inches by three and a half, neatly mounted on slightly larger piece of blue paper, docketed 'FLOTSAM & JETSAM | 2 POPULAR ENTERTAINERS'. The crude caricatures (probably by Hilliam rather than McEachern) consist of a crude and highly-stylised image of the heads and shoulders of the two, looking to the left, in hat and cap and both smoking pipes. Beneath is 'Yours very sincerely | [signed] Flotsam and [signed] Jetsam'. Among the duo's recordings is a comic song entitled 'What was the matter with Rachmaninov?' (1927).

10 pages on 5 8vo leaves. In good condition, but with a few large blots. The first part of a letter by a writer who appears to be English. Straight out of B. Traven. The author wants Joan to join him and Gwen in partnership with Hamerly. 'Hamerly is down here from one of his expeditions & we became friendly through his having lived & travelled widely in the Paraguayan Chaco.