LITERATURE

The work of a cultured and witty man, but not by the author of 'Sandford and Merton', who died in 1789. While possible authors include the 'Mr. Thomas Day, solicitor, Woburn, Bedfordshire', whose death at the age of 47 on 18 February 1824 was reported in The Times (5 March 1824), and the Thomas Day who lived around this time at Montague Street, Russell Square, the most likely candidate, considering the references to 'Romney' and 'Wyatt' is the Thomas of 'DAY William, and Thomas Day, of No. 95, Gracechurch-street, in the city of London, oilmen', who went bankrupt in 1841.

4to: viii + 257 pp. In original grey printed wraps. Internally tight, on lightly-aged and foxed paper. Wraps spotted and worn, with chipping to extremities. The preface describes the work as 'una bibliografia descrittiva degli studi di Indianistica fatti in Italia nel periodo che va dal 1911 al 1937.' A descriptive bibliography of Indian studies in Italy, 1911 to 1937. Scarce in Britain: COPAC lists copies at the British Library, Oxford and SOAS.

Sitwell and Renishaw collaborated on the play 'Gentle Caesar' (published in 1942), and the last two letters would appear to concern a possible film adaptation. All three items very good on lightly aged paper. Letter One ('Friday Renishaw'): 12mo, 2 pp. 18 lines of text. Apparently written around the time of the play's composition. Sitwell is 'delighted' that Minney is 'already immersed in Pares's book. I have just read the Czar and Empress Marie's Letters.' He has 'marked (in the preface mostly) what I thought helpful for atmosphere, or amusing'.

On one side of a piece of wove paper, cut into a rectangle approximately 4.5 x 9 cm. Good, on lightly-creased paper with one vertical fold. Cut from an envelope, with traces of the postmark over the autograph, and a section of the gummed strip on the reverse. Reads 'From | John Cowper Powys | Waterloo | Blaenau - F Festiniog | Merionethshire | North Wales | I enjoyed thinking of you in Italy'.

4to, 1 p. Four lines of text. Good, on lightly-aged paper, with slight staining from paperclip in top left-hand corner. He thanks him for his 'very interesting letter': 'The photograph shows an agreeable, and perhaps distinguished building. I return the picture thereof, and wish you every success therein.'

12mo: viii + 207 pp. Advertisement and printer's slug on reverse of last leaf. Additional sepia engraved title ('T. Letherbrow. Del. W. Morton. Sc. Manchr.') with illustration depicting a stern-looking woman (one of the fates?) holding a bobbin of thread. By her side a cherub with a lyre and a large, incongruous metal cog. In original blind-stamped green cloth binding. A tight copy, lightly foxed and aged, in faded binding with slight wear and a small stain to the front board. Ownership stamp of Florence Armaghdale on front free endpaper. Last two leaves opened clumsily. Scarce.

130pp., 8vo, lacking back wrap rebound in green paper wraps with label on front, contenst good, some wear to front cover/titlepage. Scarce: No copy on AddAll, and COPAC lists only later editions.

4to: 1 p. Fourteen lines of text. Aged and worn, with closed tears along the fold lines, but with text clear and complete. He thanks his correspondent for the letter ('It is always a great delight to me to know that people like my work.') and gives details of where the 'little book I published on "Pride of Body" ' can be purchased. Ends with the details of his 'new novel "A Soldier of Life" ': 'I mention it, as you say it is difficult for you to get hold of books and I should like you to read it.'

12mo: 16 pp. Unbound. Stitched as issued. Aged and a little dogeared. From the Skey family archives, and inscribed by the author at the head of the title 'For my dear Mother.' A prose allegory, in small print, beginning, 'I thought there was an island whose rough craggy sides were lashed by the unwearying ocean.' Excessively scarce: no copy on COPAC or WorldCat. Skey was vicar of Weare for forty-five years, until his death at the age of 83.

12mo: 2 pp. Sixteen lines of text. Good. He is 'very anxious to be introduced' at the Literary Society and 'to take advantage of [Adolphus's] kindness in proposing' him. Gives reasons for not having attending any of the Society's dinners.

One page, 8vo, chipped and grubby, text clear and complete. Seventeen lines. The printed version incorporates the minor corrections made to the MS.

12mo: iv + 164 pp. In original green cloth, with the title in gilt on the front cover. All edges gilt. Slightly foxed. Good and tight, in lightly worn cloth. A curious collection, with the index of first lines containing such entries as 'Sweet Edgbaston bells' [this poem dated 1844], 'Dear Varinka', ' 'Twas a boy in a cut-off jacket' and 'They call me little Trottie'. All three series are excessively scarce. The only copy of this third series on COPAC is in the British Library, and the only copy on WorldCat in California.

Attractively produced on a piece of thin card, dimensions 17 x 11 cm. The recto of the card has a shiny, light-blue coating, on which the text and design is printed in gold and bronze. The verso is blank and white. Very good, with minor damage to the blank reverse caused by removal from mount. The poem, of thirty-one lines, is enclosed within a grecian-style border. A tender poem addressed to his wife, and reviewing their years together, beginning 'YES!

One page, 12mo, asking her friend to dinner "to meet a friend from the country", fearing that "there is small chance of finding you disengaged" with such late notice.

12mo: 97 pp. A good, tight copy, on aged paper, in contemporary calf binding gilt. All edges gilt, marble endpapers, dentelles. Binding rubbed and worn. Apparently complete (and certainly complete as bound), containing all four stories listed in the National Library of Ireland entry, but having 97 rather than the 167 pp in that entry. A landmark work in Irish literature, highly regarded as a pioneering attempt to modernize Gaelic narrative.

At foot: 'PRICE ONE PENNY.' On one side of a piece of wove paper, roughly 220 x 170 mm. Enclosed within decorative border. Foxed and creased, with edges trimmed to edge of border. Thin strip of card mound adhering to one edge of reverse. Text clear and entire. Printed in two columns employing characteristically Victorian typography. Twenty-six four-line stanzas (the last two being the 'MORAL.'). Begins 'When down at Blackpool last July, and walking on the Pier, | I met a pretty maiden, so I said "How do my dear?" | "What do you here, love, by yourself? How is it you're alone?

12mo: 24 pp. In original pink printed wraps: the front wrap bearing the title; the recto and verso of the rear carrying newspaper reviews of works by 'Scribble'. Stitched. On aged and spotted paper. Wraps heavily worn. A worn presentation inscription can be made out at the head of the title: 'Dr <?> With the Authors Best regards'. Pp.1-2: Introduction and Author's Preface (the latter dated 'Dublin, May, 1864.').

On a piece of thin card roughly 8.5 x 11.5 cm. Very good. Good signature, 7.5 cm long, neatly centred.

12mo: 1 p. Seven lines of text. Monogram in red in top left-hand corner. On creased and aged paper, with pinholes at head (not affecting text). Scan on request.

The proofs are on one side each of five strips (each approximately 60 x 15.5 cm) of discoloured high-acidity paper. They are in good condition, with a little light creasing, and slight chipping at head of first strip (not affecting text). They are headed 'GALLEY ONE [TWO, THREE, FOUR, EIGHT]'. Text clear and entire. The article reads continuously, with no hiatus between Galleys Four and Eight. Some simple errors indicate that these are early proofs, i.e.

8vo: [viii] + 265 + [ii] pp. Printers slug on page following 265, followed by a full-page advertisement by Harrison Hall, Philadelphia, and Collins & Co., New York, for 'Wilson's Ornithology', dated 'Philadelphia, July 1832'. In original brown paper boards, with brown cloth spine carrying white printed label. Tight, but in poor condition, with light spotting and damp-staining. Unobtrusive repair to closed tear on reverse of title-leaf. Ownership inscription of Joseph Malcomson (mill owner of Portlaw, County Waterford) to rectos of first four leaves, including title.

On a piece of paper roughly 5.5 x 13 cm. Good firm signature (8 cm long) on lightly aged and creased paper. Reads 'Faithfully yours | [signed] Marie Corelli'. Fragment on reverse reads '<...> education nowadays <...> hope you <...> induced to <...> estimable'.

On a piece of wove paper, roughly 5 x 14.5 cm. Rough lower edge. Good, on lightly aged paper. 0.5 cm closed tear at left (not affecting signature). Paper folded once vertically. Good clear signature.

16mo: 1 p. 14 lines of text. Close hand. He is touched that Sainte-Beuve has found time, in the midst of his labours, to write a letter expressing his 'adhésion'. 'Je suis heureux de penser, en vous écrivant rue Montparnasse [Sainte-Beuve lived at no. 11], que la philosophie et l'esprit d'indépendence ont toujours un ami dans la maison de Sainte-Beuve'.

Three pages, 8vo, fold marks, chipped, pinholes and spikehole in centre, but mainly good with text clear and complete. He apologises for not writing sooner and discusses a book he has sent, firstly the binding, then the content in which the lives and deaths of the debauched Callistus and the virtuous Sophronius are contrasted, illustrated with a quotation from Young's "Night Thoughts".[viz. the scarce [Mulso, Thomas]. "Callistus: or, the man of fashion. And Sophronius: or, the country gentleman". In three dialogues.

Octavo: 190 pp. In original red cloth binding. First edition. Lacks rear free endpaper. On aged paper and in heavily worn binding. INSCRIBED by author on creased front free endpaper 'Much that is contained in this book is founded on fact | [signed] William Le Queux | Oct 1916'.

Octavo, 2 pp. 23 lines of text. Lightly discoloured and slightly creased. The letterhead gives the names of seven of the Anthology's staff, and features an illustration of a raven. Regarding a line missed (beginning 'O fool') in the printing of a poem of Zeman's, he is pleased that Zeman has been able to 'see the matter from my side', and doesn't think 'an explanatory note in our next issue would be adequate'. Zeman's poem is 'beautiful' and 'well worth reprinting'. 'As to the Soiree, in your honor, think no more about it.

8vo: [viii] + 164 pp; [iv] + 183 pp. Bound together in contemporary half calf binding, gilt, marbled boards and endpapers. A tight copy, printed on aged, spotted paper, with occasional light damp-spotting, in worn binding. Bookplate of Aemiliani Reich, on spotted, aged paper, by Gordon Browne, on front pastedown. The first volume has a four-page preface by 'S.M.F.', dated 'New York, July, 1846.' Both volumes contain eight essays.

Pamphlet, [12]pp., 8vo, formerly sewn but thread missing, hence leaves loose, good condition. It advertises new works (for example, "A New Novel, by the Author of 'Guy Livingstone'") but is notable for its lists of contributing Authors and Artists, and "Classified Index of all the Principal Articles in Prose".

8vo, [ii] + 8 pp. Unbound stitched pamphlet. Lightly aged, and with short closed tears at head and foot of outer leaves. Dogeared corner to rear leaf. A 116-line 29-stanza poem, beginning 'The Pilgrims loved Old England, | Their hearts fed on her sod, | Their souls clung close to England, | But closelier [sic] to God.' and ending 'And through those centuries strenuous | In services to Man, | If sometimes sadly tenuous, | We claimed, and kept the Van.' Scarce: no copy on COPAC, in the British Library or Library of Congress.