POETRY

2pp., 12mo. On a leaf of wove paper with Britannia watermark. In fair condition, on aged paper with slight wear to extremities. In pencil at head 'Rev. J. Keate | Head Master of Eton'. Tipped in at the head is a slip of paper with an entry from a Victorian manuscripts catalogue describing the item, reading: 'KEATE (The Rev. John, D.D.). Head Master of Eton.

1p., landscape 8vo. On the first leaf of a bifolium. Very good, on lightly-aged paper. Well presented, with the second blank leaf neatly inserted into a windowpane border. The poem is sixteen lines long, arranged in four stanzas, neatly written out on a piece of wove paper. The first stanza reads 'Confide ye aye in Providence, for Providence is Kind | And bear ye a' lifes changes, wi a calm an' tranquil mind | Though pressed an' hemmed on every side, hae faith, an' ye'll win through | For ilka blade o grass keeps its ain drap o dew'.

2pp., 4to. 35 lines of verse. On a leaf of laid paper with watermark 'J WHATMAN | TURKEY MILL'. Paginated 13-14. Very good, on lightly-aged paper. The first page begins with the line 'The shrouding soil, and give it back to air,' and the second page ends with the line 'Won it's [sic] dark truth, and Gaspar fed on such.' The verses in this manuscript are published on pp.19-21 of 'A Day at Tivoli: with other Verses' (London: Longman, Brown, Green, and Longmans, Paternoster-row, 1849).

4pp., 4to. On two loose leaves of Whatman paper, each watermarked 1827. Very good, on lightly-aged paper. The document begins with the following note, dated and signed by Roby: 'The following ballad from my forthcoming "Traditions of Lancashire," though not of much value in itself, may yet acquire some, from its connexion with, and introduction into Mrs. Thelwall's elegant volume of Scraps.' (The implication that the two leaves have been removed from Mrs Thelwall's album is supported by pagination from 12 to 15.) Sixty-four lines, divided into sixteen four-line stanzas.

4 pp, 16mo. Paginated [1] to 4. On a bifolium of wove paper. Fair, on lightly-aged and creased paper, with thin strip of previous mount adhering to inner margin of first page.

Printed on one side of a 4to leaf, to which a black mourning border has been given by hand. Well printed on wove paper. Fair, on lightly-aged and ruckled paper. The author's name is not given, and the title reads 'SONNET | ON THE LATE | DUTCHESS [sic] OF GORDON.' The poem begins: 'IS then the bright expansive spirit flown, | That wont to animate the admiring throng? | Does the fair theme of many a poet's Song | Exist in pleasing memory alone?' The poem was also printed in 'The Poetical Register, and Repository of Fugitive Poetry, for 1810-1811' (London: F. C. and J.

2 pp, 4to. Text clear and complete. Fair, on lightly-aged paper, with slight wear to extremities. On one leaf, with both sides ruled with red borders. In Payne's neat and distinctive hand, and attributed to him in pencil at head.

4 pp, 12mo. Bifolium. 89 lines. Text clear and complete. She begins by apologising for the delay in sending an autograph: 'In atonement I give you Anthony Trollope's signature, which perhaps you have not got.' Reports that they 'went to the Italian lakes this summer. We aimed at Venice but gave it up because of the cholera.' She regrets that the recipient's 'friends book & chart do not prosper. Mr Bowes (the Macmillan of the shop) thought the chart a good plan and likely to succeed, except that the size would be against it'.

4to, 2 pp. On first leaf of a bifolium. Text clear and complete. Good, on lightly-aged laid paper with watermark of 'A ANNANDALE & SONS'. Stuck down on the reverse of the blank second leaf of the bifolium is a square of paper from the leaf to which it was attached in an album, and beneath this square, visible when held up to the light, is the inscription: 'Imperfectly printed | Annie Stirling Stuart | Castlemilk | 1871'. The poem is 48 lines long, arranged in twelve stanzas. Signed 'H. M.

xvi.208pp., 16mo, one foxed plate, very attractive red leather, gilt decorated binding, corners bumped, 2 or 3 small spot, aeg. Conclusion of Preface, "The Editor would take this opportunity of acknowledging the kindness of those of his poet-friends who have furnished him with pieces hitherto unpublished; and forming not the least attractive feature of the present selection. | Bedford | Feb.19th, 1842". Poets include Wordsworth, LEL, Felicia Hemans, etc, etc.ViaLibri site ascribes the one copy (but published by T.

138pp., 12mo, blue cover, corner bumped , some damage to spine, worn edges, but attractive, foxing throughout, slight hinge strain. Author's Preface gives the background to the publication including experiences at the Crimea and his daily round as Post Runner to Yair [Postman, I suppose]. Much includes dialect words, and many are based on personal experiences or current events. He includes a Burns' Centenary Song. COPAC lists copies at NLS, Glasgow and BL. WorldCat adds the University of Guelph.

31pp., 12mo, illustrated blue wraps (a warrior), contents crudely joined to wraps with sellotape, wraps sl. chipped and worn, contents mainly good. No copy listed on COPAC; four copies listed on WorldCat (3 in South Africa, and Texas).

12mo, 4 pp. Bifolium. Forty-eight lines. Text clear and complete. Good, on aged paper. Begins 'One must needs be a churl indeed to be a laggard in his response to a letter containing words of so sweet breath composed as yours!' He thanks Baron for his 'kind & encouraging letter', and considers that an author 'has no keener or more lawful pleasure than to find that the errors of his song or tale has [sic] lodged (as Longfellow says) in the heart of some far-off and unknown friend'.

8vo, 17 + [i] pp. Stapled. In original grey wraps. Aged and worn copy of a scarce item.

On one side of a piece of paper 27.5 x 11.5 cm. Text, in small type, clear and complete. Fair, on aged and lightly-creased paper.

Four pages, folio, faint browning of edges, mainly good. Specimen page has Sonnet 34. Enclosed: Order For,

Both items good, on lightly-aged paper. Palmer's letter: 4to, 6 pp. Text clear and complete. He begins by apologising if his letter to her 'sounded very ungracious': 'I was unaware at the time that you had made any acknowledgement to me, and as I have had my brains picked so frequently without acknowledgment (including, of course, plagiarisms from my poems) I was again feeling rather depressed & exasperated'. While describing her book as 'really [...] very good' and 'reliable', he suggests a number of changes, giving examples of 'where we clash'.

Townsend was a member of the Holland House circle. Two of his poems were compared favourably with Wordsworth by J. G. Lockhart. 4to, 80 pp, followed by a manuscript leaf, paginated 81 and 82, with the poems 'Sonnet, On Viewing St Paul's from Blackfriar's Bridge' and 'Sonnet | Richmond late in the Evening'. In original brown cloth boards, worn, rebacked and repaired, with 'WINCHESTER.' in gilt on front. Internally sound and tight, on aged paper. Tipped on the recto of the front free endpaper is a presentation inscription: 'With the Authors | Kind regards:- | Jany: 30th: 1837'.

Folio, 9 pp. Unpublished. Written in landscape, with the title ('Samuel Wilberforce - DD | Bishop of Winchester | July 19th. 1873') on the first leaf and the poem on the following eight. The leaves held together with pink string. On paper watermarked 'EDWIN PARR | DULCOTE MILLS | 1861'. Text clear and complete. The commencement sets the tone of the poem, fully worthy of its subject 'Soapy Sam': 'A jennet stumbled on a grassy knoll - | And without sound or sign | Passed from Time's foremost rank a peerless Soul - | A Chief by right divine.

FURNITURE DESIGNER AUTOGRAPH CAMBRIDGE UNDERGRADUATE WOMEN POETRY POEMS

4to, 6 pp, with a seventh leaf carrying the title 'The Ludlow Hunt Alphabet. An Adaptation.' (The title at the head of the poem itself is 'The Ludlow Alphabet. An Adaptation.') A genuine typescript, and not a reproduction. A poem of 128 lines, divided into 32 4-line stanzas. Fair, on aged paper, with the last leaf laid down on a leaf of an autograph album, with traces of a newspaper cutting on the reverse. Consisting of playful references to members of the Hunt, arranged alphabetically. First stanza: 'A's for Allcroft, on chestnut | With frontlet of blue.

Around the size of a modern cheque. Fair, on lightly-aged paper. A nice item, considering Rogers' background. A printed cheque for £40 cash, written out to himself (as 'S R'). With a lattice of five lines over Rogers' signature ('Saml Rogers') indicating payment. Denominations to be paid indicated on back.

Broadsheet bifolium, 4 pp. Text clear and complete. On lightly-aged paper, worn along fold lines. Poetry collection, containing twenty-eight poems by writers including 'Mazizi Kunene (In Exile, London, 1960)' and Hugh MacDiarmid, whose two poems have the footnote 'We are especially pleased to print these two new poems by Hugh McDiarmid, contributed despite the painful after effects of his recent car smash. We wish him a speedy and complete recovery.' Masthead endorsement by Sean O'Casey: 'I am with you in all efforts to create perfect race equality the world over.

Photocopy of word processor typed print-out. 8vo, [ii] + 53 pp. Good. In plastic binder. Title carries Dee's address. Second page lists the twelve sections of the play. Loosely inserted is a photocopy of a long review, with photograph, from the East Hampton Star, 26 March 1992, of 'a dramatic reading' of the play at Canio's Books, Sag Harbor. The play was not published, and there are no copies of this item on WorldCat or COPAC.

Each issue a single broadsheet, folded twice to make eight pages. On different light shades of paper. In good condition. An energetic collection of Australian 'poetry on the margins', with unconvential typography and striking illustration. Described, on cover of issue 3, as 'An art and literary broadsheet issued on an irregular basis'. Poets include Ian Birks, Jurate Sasnaitis, Philip Sipp, Kris Hemensley, Chris Mann, Raimondo Cortese, and Adrian Rawlins. Excessively scarce: no copies of any issues in the British Library, or recorded on COPAC, let alone a complete run.

16mo (13.5 x 9 cm), 1 p. On recto of first leaf of bifolium. Good, on aged paper. Traces of brown paper mount adhering to reverse of second leaf. Reads 'You & the young Ladies will be welcome whenever it suits you best. After 2 oClock you will be least liable to Interruption.'

12mo: xiv + 32 pp. In original grey printed wraps. Internally sound and tight on aged paper. Wraps worn and grubby, with slight staining to spine. Eight copies on COPAC, but only three at deposit libraries (Oxford, NLS and the BL).

12mo, 15 pp. In original green printed wraps. Disbound. Vertical fold. On aged paper with fading to wraps and slight damage to spine from disbinding. As Streatfeild explains in his two-page introductory 'Note', five of the seven poems appear here for the first time. Uncommon. COPAC lists copies at Cambridge, Edinburgh, Glasgow, Oxford and the British Library.

64 pages, 16mo. In original printed wraps. In poor condition. Ownership inscription at head of front wrap. The two binding staples rusted, and the wraps in particular grubby, torn and worn. Photograph of 'Private JENKIN THOMAS' in what appears to be World War I uniform on front wrap. Illustration of the 'SINKING OF THE "TITANIC." ' on page 9; photograph of 'WILLIAM HERBERT HARRIS, A.L.C.M.' on page 47.

Each of the two typescripts is on one side of a piece of A4 paper. One is signed in type at end 'T. B.S.' and the other (which appears to be mimeographed) carries what is presumably Simpson's signature at head in the manuscript note: 'From T. B. SIMPSON | 11/6/49.' Text of each clear and complete, on creased and aged paper. Apart from the typed signature to the one copy, and the fact that one copy has square brackets and the other curved, the two texts are identical.