POETRY

138pp., 12mo, blue cover, corner bumped , some damage to spine, worn edges, but attractive, foxing throughout, slight hinge strain. Author's Preface gives the background to the publication including experiences at the Crimea and his daily round as Post Runner to Yair [Postman, I suppose]. Much includes dialect words, and many are based on personal experiences or current events. He includes a Burns' Centenary Song. COPAC lists copies at NLS, Glasgow and BL. WorldCat adds the University of Guelph.

31pp., 12mo, illustrated blue wraps (a warrior), contents crudely joined to wraps with sellotape, wraps sl. chipped and worn, contents mainly good. No copy listed on COPAC; four copies listed on WorldCat (3 in South Africa, and Texas).

12mo, 4 pp. Bifolium. Forty-eight lines. Text clear and complete. Good, on aged paper. Begins 'One must needs be a churl indeed to be a laggard in his response to a letter containing words of so sweet breath composed as yours!' He thanks Baron for his 'kind & encouraging letter', and considers that an author 'has no keener or more lawful pleasure than to find that the errors of his song or tale has [sic] lodged (as Longfellow says) in the heart of some far-off and unknown friend'.

8vo, 17 + [i] pp. Stapled. In original grey wraps. Aged and worn copy of a scarce item.

On one side of a piece of paper 27.5 x 11.5 cm. Text, in small type, clear and complete. Fair, on aged and lightly-creased paper.

Four pages, folio, faint browning of edges, mainly good. Specimen page has Sonnet 34. Enclosed: Order For,

Both items good, on lightly-aged paper. Palmer's letter: 4to, 6 pp. Text clear and complete. He begins by apologising if his letter to her 'sounded very ungracious': 'I was unaware at the time that you had made any acknowledgement to me, and as I have had my brains picked so frequently without acknowledgment (including, of course, plagiarisms from my poems) I was again feeling rather depressed & exasperated'. While describing her book as 'really [...] very good' and 'reliable', he suggests a number of changes, giving examples of 'where we clash'.

Townsend was a member of the Holland House circle. Two of his poems were compared favourably with Wordsworth by J. G. Lockhart. 4to, 80 pp, followed by a manuscript leaf, paginated 81 and 82, with the poems 'Sonnet, On Viewing St Paul's from Blackfriar's Bridge' and 'Sonnet | Richmond late in the Evening'. In original brown cloth boards, worn, rebacked and repaired, with 'WINCHESTER.' in gilt on front. Internally sound and tight, on aged paper. Tipped on the recto of the front free endpaper is a presentation inscription: 'With the Authors | Kind regards:- | Jany: 30th: 1837'.

Folio, 9 pp. Unpublished. Written in landscape, with the title ('Samuel Wilberforce - DD | Bishop of Winchester | July 19th. 1873') on the first leaf and the poem on the following eight. The leaves held together with pink string. On paper watermarked 'EDWIN PARR | DULCOTE MILLS | 1861'. Text clear and complete. The commencement sets the tone of the poem, fully worthy of its subject 'Soapy Sam': 'A jennet stumbled on a grassy knoll - | And without sound or sign | Passed from Time's foremost rank a peerless Soul - | A Chief by right divine.

FURNITURE DESIGNER AUTOGRAPH CAMBRIDGE UNDERGRADUATE WOMEN POETRY POEMS

4to, 6 pp, with a seventh leaf carrying the title 'The Ludlow Hunt Alphabet. An Adaptation.' (The title at the head of the poem itself is 'The Ludlow Alphabet. An Adaptation.') A genuine typescript, and not a reproduction. A poem of 128 lines, divided into 32 4-line stanzas. Fair, on aged paper, with the last leaf laid down on a leaf of an autograph album, with traces of a newspaper cutting on the reverse. Consisting of playful references to members of the Hunt, arranged alphabetically. First stanza: 'A's for Allcroft, on chestnut | With frontlet of blue.

Around the size of a modern cheque. Fair, on lightly-aged paper. A nice item, considering Rogers' background. A printed cheque for £40 cash, written out to himself (as 'S R'). With a lattice of five lines over Rogers' signature ('Saml Rogers') indicating payment. Denominations to be paid indicated on back.

Broadsheet bifolium, 4 pp. Text clear and complete. On lightly-aged paper, worn along fold lines. Poetry collection, containing twenty-eight poems by writers including 'Mazizi Kunene (In Exile, London, 1960)' and Hugh MacDiarmid, whose two poems have the footnote 'We are especially pleased to print these two new poems by Hugh McDiarmid, contributed despite the painful after effects of his recent car smash. We wish him a speedy and complete recovery.' Masthead endorsement by Sean O'Casey: 'I am with you in all efforts to create perfect race equality the world over.

Photocopy of word processor typed print-out. 8vo, [ii] + 53 pp. Good. In plastic binder. Title carries Dee's address. Second page lists the twelve sections of the play. Loosely inserted is a photocopy of a long review, with photograph, from the East Hampton Star, 26 March 1992, of 'a dramatic reading' of the play at Canio's Books, Sag Harbor. The play was not published, and there are no copies of this item on WorldCat or COPAC.

Each issue a single broadsheet, folded twice to make eight pages. On different light shades of paper. In good condition. An energetic collection of Australian 'poetry on the margins', with unconvential typography and striking illustration. Described, on cover of issue 3, as 'An art and literary broadsheet issued on an irregular basis'. Poets include Ian Birks, Jurate Sasnaitis, Philip Sipp, Kris Hemensley, Chris Mann, Raimondo Cortese, and Adrian Rawlins. Excessively scarce: no copies of any issues in the British Library, or recorded on COPAC, let alone a complete run.

12mo: xiv + 32 pp. In original grey printed wraps. Internally sound and tight on aged paper. Wraps worn and grubby, with slight staining to spine. Eight copies on COPAC, but only three at deposit libraries (Oxford, NLS and the BL).

12mo, 15 pp. In original green printed wraps. Disbound. Vertical fold. On aged paper with fading to wraps and slight damage to spine from disbinding. As Streatfeild explains in his two-page introductory 'Note', five of the seven poems appear here for the first time. Uncommon. COPAC lists copies at Cambridge, Edinburgh, Glasgow, Oxford and the British Library.

64 pages, 16mo. In original printed wraps. In poor condition. Ownership inscription at head of front wrap. The two binding staples rusted, and the wraps in particular grubby, torn and worn. Photograph of 'Private JENKIN THOMAS' in what appears to be World War I uniform on front wrap. Illustration of the 'SINKING OF THE "TITANIC." ' on page 9; photograph of 'WILLIAM HERBERT HARRIS, A.L.C.M.' on page 47.

Each of the two typescripts is on one side of a piece of A4 paper. One is signed in type at end 'T. B.S.' and the other (which appears to be mimeographed) carries what is presumably Simpson's signature at head in the manuscript note: 'From T. B. SIMPSON | 11/6/49.' Text of each clear and complete, on creased and aged paper. Apart from the typed signature to the one copy, and the fact that one copy has square brackets and the other curved, the two texts are identical.

Folio pamphlet: 8 pp. In brown wraps with 'TO MR. LAW. BY ALLAN RAMSAY.' on the front wrap and the publication details on its reverse. On aged and lightly-creased paper, in worn, creased wraps. Nicely printed, with the long s, at the University Press. Originally published anonymously in 1720. Facsimile of title ('EDINBURGH: Printed for the AUTHOR at the Mercury, opposite to Niddrey's-Wynd, MDCCXX.'). A scarce (unattributed) Oxford University Press item: of the thirty copies COPAC lists four: at the British Library, Oxford, Cambridge and the National Library of Scotland.

Original brown wraps, mainly unopened, 52pp., 8vo, wraps frayed and sunned, mark on front cover obscuring two letters, foxing at beginning and end, contents mainly in good condition. Scarce: COPAC lists three copies (NLS, Bodleian, BL).

8vo: iv + 82 pp. Erratum slip. In original embossed green cloth, gilt. Rebacked and with new endpapers. Tight copy on aged paper with minor wear to extremities. Inscribed on flyleaf 'To Mrs Wane with The Editor's best regards. April 1858.' Minor manuscript changes (by editor?) to p.2 ('our little volume shall' altered to 'our "Little Warbler" shall'). Anonymously edited, with seven-page 'Preface and Dedication' dated 'London, 1850', by George Cumming. The majority of the songs are by 'W. H.' (i.e. William Hay).

Letter: 12mo, 1 p. Good, on lightly-aged paper. Begins 'Your hands must be full just now, judging from the Daily Papers.' He presents the 'booklet' as 'a small memento of friendship for you', and describes as 'just published by me on a hymn considered (by Bernard, Bury etc.) to be a contemporary of St. Patrick. An 11th. cent MS. containing it is in T. C. D. Library. And it is also given in a 7th. cent. MS. at Milan.' Postscript referring to an article he has sent Harmsworth, 'for which I received thanks (quite unsolicited) of the Prof. of English Literature, T.C.D.!

On both sides of the gilt-edged card, which is roughly 9 x 11.5 cm. Aged, but in fair condition. 'Mr Bosworth Smith' has informed her that her book 'Poets the Interpreters of Their Age' (1892) 'will be acceptable to the pupils of Harrow School', and she has 'great pleasure in presenting a copy to your library, & hoping that a kind welcome will be accorded to my little offering'. A postscript explains that the volume 'will be forwarded by an early post'.

The magazine consists of 48 pages, octavo, in original yellow printed wraps. Dogeared, and on aged paper, and with the grubby wraps quite heavily worn. 12mo publicity handbill loosely inserted. Rilke's contribution, dated 'Soglio, am Tage Mariae Himmelfahrt 1919', is on pp 14-20.

One page, 12mo. Black bordered. Very good and with the verso of the blank second leaf of the bifolium laid down on a leaf detached from an autograph album. Nine lines. He thanks him for 'a brace of splendid grouse - which are now so rare as not to be had for money. It was therefore doubly generous [...] Endulging [sic] the pleasing hope of "Revenge" - & with kind regards to your House circle'.

Printed on one side of a piece of paper roughly 46 x 32 cm, folded twice to make a 23 x 16 cm card. Good, on lightly aged and spotted paper. On the front is a small illustration in green and black, roughly 7.5 x 6 cm, showing a picture of a domestic Christmas interior in an ivy-topped frame. Inside the card, on the left-hand page, is Monro's poem, of 18 lines arranged in three stanzas, beginning, 'The Curate and the Spinster sit.

All four items printed on both sides of a piece of paper roughly 57 x 25 cm, folded twice to make 6 pp, each 19 x 25 cm. Aged and a little grubby and creased. The second number with title printed in red, the third with title in green, and fourth with title in blue. Each with engraving of park with neo-classical buildings by William McLaren. No.1: poems by Lewis Spence, R. L. Cook, Joe Corrie, W. H. Hamilton, Alexander Buist, A. V. Stuart, Hugh N. Maclachlan, A. A. C. Blackie, Dorothy Margaret Paulin and Helen B. Cruikshank. No.2: poems by William Soutar, Alexander Buist, A. V.

First edition. 8vo: xii + 200 + [iv] pp. (the last four pages an unpaginated publisher's catalogue). In original blue cloth, gilt. Fair, tight copy, on lightly-aged paper, with some spotting to endpapers. Binding with dulled spine and minor spotting. Bookplate of the Rev. English Crooks. Binders ticket ('BOUND BY BURN & CO.') to rear pastedown. Half-title reads 'RURAL POEMS'. The 'translation' of the three collections beginning with 'Poems of Rural Life in the Dorset Dialect' (1844).

12mo: 40 pp. Disbound. Good, on lightly aged paper. Contemporary ownership inscription of 'William Francklyn" on title-page. This edition is scarce: no copy in the British Library, and the only copy on COPAC at Liverpool.