POETRY

Item One: 'Dein Sternbild' (1960). 8vo: 7 pp. In original cream printed wraps. Stitched. Printed on the rectos of seven leaves. Good, in slightly grubby and worn wraps. German inscription to Nelly Weiss. German poem. Nicely printed on watermarked laid paper. Item Two: 'Pablo Neruda' (undated). 12mo: 3 pp. German translation by Mohr from the Spanish. Six-line note explains the context in which the poem was translated. With manuscript correction and signature of Mohr. No other copy traced.

12mo: 1 p. Seven lines of text. Monogram in red in top left-hand corner. On creased and aged paper, with pinholes at head (not affecting text). Scan on request.

Three pages, 8vo, fold marks, chipped, pinholes and spikehole in centre, but mainly good with text clear and complete. He apologises for not writing sooner and discusses a book he has sent, firstly the binding, then the content in which the lives and deaths of the debauched Callistus and the virtuous Sophronius are contrasted, illustrated with a quotation from Young's "Night Thoughts".[viz. the scarce [Mulso, Thomas]. "Callistus: or, the man of fashion. And Sophronius: or, the country gentleman". In three dialogues.

Octavo, 2 pp. 23 lines of text. Lightly discoloured and slightly creased. The letterhead gives the names of seven of the Anthology's staff, and features an illustration of a raven. Regarding a line missed (beginning 'O fool') in the printing of a poem of Zeman's, he is pleased that Zeman has been able to 'see the matter from my side', and doesn't think 'an explanatory note in our next issue would be adequate'. Zeman's poem is 'beautiful' and 'well worth reprinting'. 'As to the Soiree, in your honor, think no more about it.

8vo: xii + 64 pp. In original green wraps, printed in red with illustration on front, with printed signature of 'Inti Tupac', and large distinctive publisher's device on back. Good, on yellowed high-acidity paper, in faded wraps, with Yapp edges a little chipped. Inscribed on fly-leaf 'Para el gran rotativo The Times. Inti Illapa. | Direccion: Inti Illapa | Santiago de Chuco | Dep. La Libertad | Peru.' No copy in the British Library. COPAC only lists one copy, at Cambridge, whose catalogue entry does not explain that 'Inti Illapa' is a pseudonymn.

4to, 12 pp. Disbound and stitched. Very good. The poem covers pp. 3-11, with five 'Notas' on p. 12. Scarce (in the Anglo-Saxon world at least): COPAC only lists a copy at the British Library. Includes a passage on Nelson and 'el feroz Britano'. No copy found in Sanish Union Catalogue etc. (accessed through German Union Catalogue).

8vo: 11 pp (on 6 leaves) paginated 127-137. Plate carrying portrait of Randolph facing p.132. Stitched and unbound. Heavily foxed, and with a central vertical fold. PRESENTATION COPY, with the words 'With the writer's Compliments.' at head of p.127. The source of the article is deduced from the information contained on the verso of final leaf, which is headed '56th Annual Report, 1932.' No copy of this offprint listed on COPAC.

One page, folio, closely written, chipped with some loss of text, creases and small closed tears. Obviously close (he calls him "Jockie"), Atkinson touches on various radical matters and people in a relaxed, allusive and witty fashion. He initially discusses a poem he is putting togther which "Henry & David" wish to get printed under Childs auspices ("any idea or expression not harmonising with your taste & judgment tell me & I will amend it"). He will get the printer David Maurice (a friend; also see BBTI) to set it up.

4to, 1 p. On aged, creased apper, but with text clear and entire. A small piece of paper from a bottom corner has been torn away in opening the letter, and is still present on the reverse, under a red wax seal bearing a clear impression of a lyre and the words 'Addolcire ed Maturare'. Brief communication apologising for the fact that the Literary Souvenir has not reached him sooner. 'The omission is the sin of my booksellers and not mine'. He is sending a copy with the letter, and asks him to accept his thanks, 'for your courtesy'.

12mo: [xii] + xxiv + 76 pp. In original red cloth boards, with 'FLORES POETARUM BRITANNICORUM.' stamped in gilt on front board. Lightly aged and foxed, in slightly grubby binding, but good and tight. A few marginal notes in a contemporary hand.

On a piece of pink paper, roughly 9 x 11 cm. Neatly laid down onto a piece of white paper. Very good. A reply to a request for an autograph. Reads 'I am | my dear Lady | Yours truly | [signed] Eliza Cook'. The signature is firm and bold, with a small part of the flourish beneath it shaved away.

Letter: 12mo, 4 pp. Bifolium. Text clear and entire, but with the outer pages grubby. He has 'no wish to annoy other members of the Court family', so it will 'go no further'. 'It is cool of Miss Court to talk thhe confidence of her own home, when she made the statement to Mrs Bulkeley in her own drawing-room.' Suggests that Draper send 'the Postmistress' a 'reminder'. 'She is so accustomed to threatening letters from her creditors' lawyers that she possibly may disregard this.' Asks him to 'make her understand that withholding an apology may have sharp consequences'.

Original grey printed wraps (spine lost), hinge strain, pages browning, ow good condition. From the Library of Robert Lynd, nationalist and old friend of Casement's.

37pp., [12mo], original illus. printed green wraps, sunned, marked, sl. creased and chipped. Scarce. COPAC lists five copies.

12mo, 4 pp. Good, with spotting to second leaf of bifolium. Steggall and Orton's 'mutual friend (our very dear friend)' Mrs. Kent has written to tell Orton that Steggall 'will be happy to see my son on Saturday evening at 6'. Orton is grateful to Steggall for thinking 'of my anxiety to retain him with me after our long & to me at least terrible separation'. He is very grateful to Steggall, who is joined to Orton by a 'link of friendship which passes through to my two dear friends Mrs. Kent and Mrs. Atherstone'.

8vo: 1 p. 7 lines. Good, but with some foxing, and with a corner of the blank reverse tipped in onto a card mount on which the envelope is laid down. He thanks him 'for the catalogue containing the Moore item'. Would be 'very glad' if Hodgson 'could call here on Thursday next & join us in a meal at 7 o'clock [...] I suggest Thursday because then we shall not be alone, nor dull'. Hodgson was the author, in 1927, of 'Brief notes on the history of the hamlet of Penge with Anerley'.

12mo: 2 pp. 28 lines. Good, on lightly aged paper, with unobtrusive small spike hole and traces of mounts adhering to four corners. Interesting animated letter between a Victorian author and his printer. Relates to Tupper's 'A hymn for All Nations; translated into thirty languages; nearly fifty versions; the music composed expressly by S. Sebastian Wesley.' (1851). Asks his printer to 'Attend to Hymn as within' (not present). 'We cannot help all this trouble'. Tupper has written to Dr Gavassi, but has had no answer: 'get Rossetti's as soon as you can.

All three items in very good condition. Interesting series of letters by an obscure 1890s poet. Letter One (12mo, 7 pp): Although he realises that some are 'rather poor', he is sending, through his brother (possibly the artist Alan Wright, 1864-1959), 'all the lyrics I have by me': 'I have not had time to "weed" yet, being veryy busily engaged writing lyrics for a Comedy-Opera ['Ethelinda, or a Philanthropic Fad' (1890), on which he collaborated with Hamilton O. Wylde] - & a libretto for Operetta; also been trying my hand at very sensational prose'.

One page, quarto. Good, on lightly aged paper. Some offsetting and smudging from Denwood's folding of letter. Reads '72 Kirkgate | Cockermouth | Aug 8 - 1931 | Jonathan. Mawson. Denwood | Dear Sir, | I send you autograph. I cannot write further At the moment I can scarcely hold a pen.'

One page, 12mo. Very good, on lightly aged paper mounted on piece of card. Reads 'London | July 28/13 | Master M. Bull | I append autograph as requested | Yours truly | John Oxenham'.

One page, 12mo. Very good. 'I have much pleasure in sending you my signature, as I am told you wd. care to have it.

One page, 12mo. Neatly mounted on card. Nine-line biographical newspaper cutting neatly laid down at foot. Ten lines from another newspaper cutting, relating to Madame Patti, at head. Reads 'Dear madam | I thank you for your flattering letter and subscribe myself, as you wish, | Yours truly | Henry Newbolt'.

One page, 12mo. Good, though a little grubby at the right-hand margin, and with the name of the recipient neatly torn away at foot. 'Dear Sir | Neither Lady Martin nor myself feel any interest in any letters of ours, which may have come into your hands.'

One page, 12mo. Very good. Docketed in pencil at head. 'I have no knowledge of Mr Tupper [presumably the poetaster Martin Farquhar Tupper, 1810-89] or of his address. I was in hopes that the madness of collecting autographs had subsided - but I am sorry to perceive, from your letter, that this is not yet the Case.'

Orig. bds, worn and stained, foxing on eps, contents g-vg. Inscribed "With the author's compliments

Octavo: 8 pp. Unbound, stapled pamphlet of six leaves. Dogeared, with rusted staples and with horizontal band of discoloration and two vertical closed tears (2 cm and 1 cm) at head.

12mo: 24 pp. Leaf dimensions: 15.5 x 9.5 cms. Unbound. Good, on aged paper with fraying to extremities and a little light staining to title. Decorative title-page with vignette. On verso of title: list of twenty-three 'Penny Histories' ('Crown 12mo. Three or upwards sent post free to any address, on receipt of stamps to the amount') and nineteen 'Penny Song Books'. Heavily worn type and loss to text at foot of three pages due to faulty imposition. According to BBTI Robert Benson Bowman was active in Newcastle from before 1826 to after 1859.

Poet (1871-1962). One page, 8vo. Poem first published in the "Saturday Review", later in "The Mystery and other Poems" (1913), and later. Minor variations from the printed form ("&" becomes "and").

AUTHOR'S COPY, WITH HIS MANUSCRIPT REVISIONS FOR THE SECOND EDITION. Octavo: 96 pages. Seven plates (of eight). Original olive cloth gilt, with pierrot on front board. Numbered copy twelve in the edition. One leaf (pages 49-50) removed. Aged, and in heavily worn boards. Carrying manuscript changes on twenty-two pages, as well as on a plate and the front board. Cutting loosely inserted, regarding a couplet by 'E. V. L.' of Brighton (clearly E. V. Lucas) addressed to Mew regarding the word 'hyperbole'. Six of Greiffenhagen's seven illustrations are present.

Author/translator of "La Muse ottomane ou chefs-d'oeuvre de la poésie turque" (Paris, 1853). Three pages, 8vo, good condition. He thanks his correspondent for a copy of "l'Anthologie arabe de M. Grangeret de Lagrange" [first published 1828]. He explains his great interest in the book and the excellent job done by the compiler. He praises his correspondent for enriching the book with Latin and notes which derive from their discussions.