POETRY

Each of the thirty poems ends with the typed name 'Louis How'. The collection is in good condition, on lightly-aged paper, with each poem printed on one side of a 4to leaf. There is no record of any of the thirty being published. Six of the poems have minor manuscript emendations, and several include minor corrections in type. A prolific poet, in 1915 How was grouped with Amy Lowell and Ezra Pound in an article by Zoe Akins in Reedy's Mirror (published in his native St. Louis).

[1] + 38pp., 12mo. Stapled into brown printed wraps, with the title and printer's slug on the cover, which also carries the price of two shillings and sixpence. In good condition, on lightly-aged paper. Introductory note reads: 'These few pages refer to war-time troubles at home and in hospital, and other people's love laments. C.P.' Unpretentious poetry, giving an insight into the work of a V.A.D.

2pp., 4to. An excellent letter, stylish and charming, and a lucky survival. In poor condition, apparently as a result of fire damage: with wear and chipping repaired with archival tape.

1p., landscape 16mo (8.5 x 13 cm). Good, on aged paper, with blank second leaf of bifolium bearing evidence of previous mounting. The poem is neatly written out, in a sensitive hand, and is eight lines long: 'Fairyland! Fairyland! | That must be a pleasant spot: | Silver rippled over the strand, | Murmurs in each cave & grot, | Jewelled fruits upon the trees, | Music floating on the air, | Perfumes breathing on the breeze -, | How I wish that I was there! | [signed] Julia S. H. Pardoe'.

1p., 8vo. Aged and worn, having previously been folded into a tight packet, and laid down on a paper backing. Headed with the title, and neatly written in two columns. The poem consists of 60 lines arranged in six stanzas. The first and last stanzas indicate the tone.

1p., 12mo. On bifolium. Good, on aged paper. The note reads: 'Mr Landor has to acknowledge the honor of Lord Londesborough's invitation for May 21. The crowded state of London will not permit him to make his usual visit there in Spring, and among his regrets is his inability to pay his respects to Lord Londesborough.'

1p., on 29 x 7 cm piece of unwatermarked laid paper (probably cut down), with no indication of printer or date. Printed with the long s. In good condition, on lightly-aged paper. 64 lines, arranged in eight eight-line stanzas. The first stanza reads: 'BRITAIN! brave and generous nation, | Listen to my plaintive strain, | Tho' exalted be my station! | Day and night I sigh in pain; | Here I came a helpless stranger, | With no friend to take my part, | Braved the stormy ocean's danger, | From home for ever to depart.' She appeals to her 'Good Uncle' (i.e.

Both items in good condition, on lightly-aged paper. Poem: 1p., 4to. Titled at head: 'Forbearing Love | Romans XII 19-21.' Signed at foot: 'John S. Broad | Newcastle under Lyme'. The poem consists of 24 lines in six four-line stanzas. The first stanza reads: 'Heap coals of fire upon the guilty head, | And melt its malice down; | Let flames of love around it be outspread | And charm away its frown.' The last stanza: 'Thus shall it win its conquering way in peace, | Raise trophies free from blood; | Thus make the storms of sinful passion cease | And bow the heart to God!' Letter: 1p., 12mo.

28pp., 8vo, green printed paper wraps, sunned, chipped, contents good condition. "Séance Publique pour la Distribution des Prix des Concours de l'année 1911 | Présidence de M. le Docteur Vinas." INSCRIBED BY AUTHOR apparently in Basque. WorldCat lists only one copy (a Beziers collection).

3pp., 12mo. Bifolium. Good, on lightly-aged paper. In original envelope, with stamp, three postmarks and red wax seal, addressed by Southesk to 'John J. Baron Esq. | 48 Griffin Street | Wilton | Blackburn | England.' Unaware that Baron is a barefaced autograph hunter, he expresses regret that, having no copies of his own works to hand, he is 'unable to accede to the very gratifying request of the lady referred to by you, as desirous to have two verses of my poems, in my own handwriting'.

1p., 16mo. Fair, on aged paper, laid down on piece of card. '1349' in blue pencil at head of page. The letter reads: 'Thank you for the cheque. He ought to have paid for two, as both appeared in November. | - | Yes, I have another copy of . | - | [signed] M. Hewlett'.

1p., 12mo. Fair, on aged paper, with slight wear and loss at head. The leaf has been trimmed down to 21 x 16 cm., with rounded corners, around the poem's decorative border. The poem consists of 96 lines, in twelve eight-line stanzas; it is arranged in two columns beneath the title: 'ON THE WING. | BY JOHN LAWTON.' First stanza reads: 'I wor thinkin one neet wol sit i mi cheer, | Wot thowts enter sum people's pates; | Wot useful invenshuns they'n plan'd everywheer | To benefit people un states.

37+ [iii] pp., 8vo. Stapled, in red printed wraps. Fair, on aged high-acidity paper, in worn and chipped wraps. Containing nine poems, preceded by an introduction (pp.5-7) from José da Fonseca Lage, dated from Lisbon, May 1909, beginning 'A presente publicação parece mais uma phantasia d'um genio irrequieto, que a realidade d'um desforço de quem se vê roubado, escarnecido e ultrajado!, and followed by 'Esclarecimento imprescindivel' (pp.33-37). The 37pp. of text are followed by a page of 'Erratas', by another listing thirty 'Obras do mesmo auctor' and by a last headed 'No Prélo'.

Printed on one side of a piece of unwatermarked wove paper, 18 x 20cm. Aged and worn, with a number of closed tears. The poem crosses horizontally and verically through three crucifxes, beginning: 'Behold, O God! INRI vers of my Tears'. The poem was first published around 1765 by W. Bailey, 28 Great Tower-street, London, and was reprinted by several other publishers, with an American version as late as the 1850s. No copy of this edition is present on COPAC. According to BBTI John Fenley was active in Bristol from around 1785 to 1811.

One page, 8vo, laid down on another paper, fold marks and slightly crumpled, trimmed with loss of part of "K" of "Knebworth" only, otherwise text clear and complete. "It is with many thanks that Ireturn your Ladyship's Poems [...] I must differ from your Ladyship in the remark that 'Tragedy is not the field for female powers- I cannot help particualrly admiring the nobleness of the characters you have described, & the sentiments they atter are such as Man should utter.

The full drophead title, beneath a headpiece of three lions in folliage, reads: The Gentleman's CONCERT. | BEING | A Choice Collection of Favourite SONGS. | Containing, | [following 10 lines in left-hand of two columns] 1. Where's my swain so blyth and clever | 2. To an arbour of woodbines. | 3. The flame of love sincere I felt. | 4. When all the Attic fire was fled. | 5. Cupid, god of pleasing anguish. | 6. As I walk'd forth, &c. | 7. O give me leave to love you dearly. | 8. When Fanny I saw as she trip'd, [sic] &c | 9. Bumpers 'Squire Jones. | 10. Sweet Annie.

1p., 4to. A fair copy, on a piece of aged high-acidity paper, with chipping and loss to edges (not affecting text). Signed at foot. The poem begins: 'Heart of a hero in a poet's frame, / Soul of a soldier in a body frail, - / Thine was the courage clear that did not quail / Before the giant champions of shame'. Gilder is praised as a 'poet, patriot, friend', the poem concluding: 'Thou leavest two great gifts that will not die, - / Amid the city's noise, thy lyric cry!

Both items are in good condition, on lightly-aged paper. Each is in its original envelope, with typed address to Cobbing at 262 Randolph Avenue, London. First Letter: 1p., 8vo. He does not 'object to the publication of "Descartes metamorphosis': 'I am looking forward to the record and some other news. What will be the price of were [sic] not high, I should buy another specimen for my friends from my royalties.' Striking bold 13 x 16 cm design in black at foot of page, somewhat like a melted anthropomorphic letter H. Letter Two: 1p., folio (42 x 21 cm).

All three in good condition, on lightly-aged paper. The ALS is accompanied by its stamped and postmarked envelope, addresed by Nov

One page, 12mo,green paper, bifiolium (rest blank), 3 verses, 14 lines each (total 42 lines), preceded by the statement "Written for the Charity Bazaar") and 6 line quotation from Cowper ("Here stay thy foot; - how copious and how clear ... from an Eternal source"). Verses start "Welcome to Ikley! Lady fair ... That God hath bless'd the spring!". No other copy traced (none on COPAC etc). See scan on website inventory.

36pp., 18mo. With frontispiece (preceding half-title) of 'I. CRANE / BROMSGROVE', showing a crane and a carriage lamp, within a circular border reading 'To make the Watch go faster turn the Regulator to the right & Slower the Contrary'. Side stitched in original pink printed wraps. In fair condition, in worn and lightly-stained wraps. Nicely printed on wove paper with 'LLOYD 1795' watermark. Poem titled 'Introduction' on p.5, followed by the title poem on pp.7-36. No copy of this attractive edtion on either COPAC or WorldCat, nor of any other printed by Grafton & Reddell.

On a 12mo bifolium of laid paper with 'DUNEDIN NOTE' watermark. Good, on lightly-aged paper. On the cover are a large black swastika and the words 'An Old-Time Greeting.' The poem, titled 'The Rune of the Swastika.' and signed in type 'J. S. M.', is on the recto of the second leaf.

On blue card, with stamp and postmark. Bridges's message is complete, but the postcard has been trimmed to 14 x 5 cm, with the lower part of the card, carrying O'Toole's address, missing. Otherwise good, on lightly-aged paper. The message reads: '14. Merton St. | Dear Sir. I am writing to apologise for never having answered your letter of Feb. 29th. I have been too much engaged to be able to attend to my correspondents. I beg that you will excuse me. Yours truly | [signed] R Bridges.'

The two leaves were evidently disbound from a copy of an edition of Dryden's Plutarch, in which the grey 4to leaf of writing paper following the 12mo printed leaf was one of those that interleaved the volume. In fair conditon, on lightly-aged paper. The two leaves are tipped in onto a larger leaf removed from an album. The printed leaf is 12mo, from volume 5 of Dryden's translation, with the pages numbered 511 and 612 [sic]. The two sides of the leaf carry a total of approximately 25 emendations and deletions.

1p., 12mo. Fair, on lightly-aged paper. In envelope addressed by De Tabley to 'Mrs. Kate. A. Wright. | Monona House | Small Heath | Birmingham.' In reply to her letter of 18 June, he states that he will have pleasure in permitting her to 'insert the five pieces' which she enumerates in her 'forthcoming Collection of Poems and Ballads of the Nineteenth Century'. Kate A. Wright's 'Dainty Poems of the Nineteenth Century' was published in Birmingham in 1895. The titles of the five poems are given in another contemporary hand [Mrs Wright's?] on the reverse of the second leaf.

2pp., 12mo. Fair, on aged paper. In pencil at head: 'Autograph of the Rev W. B. O. Peabody'. In ink in a contemporary hand, between the title and body of text: 'Autograph of Mr Peabody '. Twenty-four lines, arranged in three eight-line stanzas. The text presented here differs in certain respects from that printed in A. P. Putnam's 'Singers and Songs of the Liberal Faith' (1875). In the present version the first stanza reads: 'Black the heaven is overcast! | Breathless is the sultry blast.

1p., 8vo. On wove paper. Lightly worn and aged. Text in two columns within ornate decorative border. Author's details at foot, above printer's slug. Thirty-five line poem, in five seven-line stanzas. First stanza: 'O! toi, ma France bien-aimée, | Pour toi, nous faison tous des voeux, | Oh! sois à jamais vénérée, | Élevons nos voix vers les cieux. | Oh! France, ma patrie!

Both letter and description on the same bifolium. Letter: 1p., 12mo. On recto of first leaf. Description (headed 'Johnian System of Marking'): lengthwise across the verso of the first leaf and recto of the second, and thus making 1p., 8vo. Very good, on lightly-aged paper. Calverley begins by wondering whether he has 'made the Johnian System [...] intelligible' in his description.

1p., landscape 12mo. Good, on aged paper. Garrison's name and address are typed in the top left-hand corner. Her signature is written boldly beneath the poem, which is eight lines long, in two stanzas. It reads 'Because I snatched a pebble from the way, | And thought it priceless till that day my eyes | Filled with a clearer light, and knew my prize | Was worthless, poorer than the common clay; | Because of this shall I go clamouring, | "Behold, there are no diamonds!" and say, | "Look as ye will, ye find but pebbles"? Nay!

3pp., 12mo. A fair copy. Very good, on lightly-aged paper. The twenty-eight-line poem is arranged in seven four-line stanzas, with Hillard's firm signature and the date at the end. The poem begins with unintentional, but no less curious, sexual overtones: 'The rod of Aaron, severed long | From its ancestral bowers, | Felt in its veins the sap of youth, | And shone with buds of flowers. | The rigid staff, smoothworn and dry, | In living green was dressed.