POETRY

1p., 16mo. Fair, on aged paper, laid down on piece of card. '1349' in blue pencil at head of page. The letter reads: 'Thank you for the cheque. He ought to have paid for two, as both appeared in November. | - | Yes, I have another copy of . | - | [signed] M. Hewlett'.

1p., 12mo. Fair, on aged paper, with slight wear and loss at head. The leaf has been trimmed down to 21 x 16 cm., with rounded corners, around the poem's decorative border. The poem consists of 96 lines, in twelve eight-line stanzas; it is arranged in two columns beneath the title: 'ON THE WING. | BY JOHN LAWTON.' First stanza reads: 'I wor thinkin one neet wol sit i mi cheer, | Wot thowts enter sum people's pates; | Wot useful invenshuns they'n plan'd everywheer | To benefit people un states.

37+ [iii] pp., 8vo. Stapled, in red printed wraps. Fair, on aged high-acidity paper, in worn and chipped wraps. Containing nine poems, preceded by an introduction (pp.5-7) from José da Fonseca Lage, dated from Lisbon, May 1909, beginning 'A presente publicação parece mais uma phantasia d'um genio irrequieto, que a realidade d'um desforço de quem se vê roubado, escarnecido e ultrajado!, and followed by 'Esclarecimento imprescindivel' (pp.33-37). The 37pp. of text are followed by a page of 'Erratas', by another listing thirty 'Obras do mesmo auctor' and by a last headed 'No Prélo'.

Printed on one side of a piece of unwatermarked wove paper, 18 x 20cm. Aged and worn, with a number of closed tears. The poem crosses horizontally and verically through three crucifxes, beginning: 'Behold, O God! INRI vers of my Tears'. The poem was first published around 1765 by W. Bailey, 28 Great Tower-street, London, and was reprinted by several other publishers, with an American version as late as the 1850s. No copy of this edition is present on COPAC. According to BBTI John Fenley was active in Bristol from around 1785 to 1811.

One page, 8vo, laid down on another paper, fold marks and slightly crumpled, trimmed with loss of part of "K" of "Knebworth" only, otherwise text clear and complete. "It is with many thanks that Ireturn your Ladyship's Poems [...] I must differ from your Ladyship in the remark that 'Tragedy is not the field for female powers- I cannot help particualrly admiring the nobleness of the characters you have described, & the sentiments they atter are such as Man should utter.

The full drophead title, beneath a headpiece of three lions in folliage, reads: The Gentleman's CONCERT. | BEING | A Choice Collection of Favourite SONGS. | Containing, | [following 10 lines in left-hand of two columns] 1. Where's my swain so blyth and clever | 2. To an arbour of woodbines. | 3. The flame of love sincere I felt. | 4. When all the Attic fire was fled. | 5. Cupid, god of pleasing anguish. | 6. As I walk'd forth, &c. | 7. O give me leave to love you dearly. | 8. When Fanny I saw as she trip'd, [sic] &c | 9. Bumpers 'Squire Jones. | 10. Sweet Annie.

1p., 4to. A fair copy, on a piece of aged high-acidity paper, with chipping and loss to edges (not affecting text). Signed at foot. The poem begins: 'Heart of a hero in a poet's frame, / Soul of a soldier in a body frail, - / Thine was the courage clear that did not quail / Before the giant champions of shame'. Gilder is praised as a 'poet, patriot, friend', the poem concluding: 'Thou leavest two great gifts that will not die, - / Amid the city's noise, thy lyric cry!

Both items are in good condition, on lightly-aged paper. Each is in its original envelope, with typed address to Cobbing at 262 Randolph Avenue, London. First Letter: 1p., 8vo. He does not 'object to the publication of "Descartes metamorphosis': 'I am looking forward to the record and some other news. What will be the price of were [sic] not high, I should buy another specimen for my friends from my royalties.' Striking bold 13 x 16 cm design in black at foot of page, somewhat like a melted anthropomorphic letter H. Letter Two: 1p., folio (42 x 21 cm).

All three in good condition, on lightly-aged paper. The ALS is accompanied by its stamped and postmarked envelope, addresed by Nov

One page, 12mo,green paper, bifiolium (rest blank), 3 verses, 14 lines each (total 42 lines), preceded by the statement "Written for the Charity Bazaar") and 6 line quotation from Cowper ("Here stay thy foot; - how copious and how clear ... from an Eternal source"). Verses start "Welcome to Ikley! Lady fair ... That God hath bless'd the spring!". No other copy traced (none on COPAC etc). See scan on website inventory.

36pp., 18mo. With frontispiece (preceding half-title) of 'I. CRANE / BROMSGROVE', showing a crane and a carriage lamp, within a circular border reading 'To make the Watch go faster turn the Regulator to the right & Slower the Contrary'. Side stitched in original pink printed wraps. In fair condition, in worn and lightly-stained wraps. Nicely printed on wove paper with 'LLOYD 1795' watermark. Poem titled 'Introduction' on p.5, followed by the title poem on pp.7-36. No copy of this attractive edtion on either COPAC or WorldCat, nor of any other printed by Grafton & Reddell.

On a 12mo bifolium of laid paper with 'DUNEDIN NOTE' watermark. Good, on lightly-aged paper. On the cover are a large black swastika and the words 'An Old-Time Greeting.' The poem, titled 'The Rune of the Swastika.' and signed in type 'J. S. M.', is on the recto of the second leaf.

On blue card, with stamp and postmark. Bridges's message is complete, but the postcard has been trimmed to 14 x 5 cm, with the lower part of the card, carrying O'Toole's address, missing. Otherwise good, on lightly-aged paper. The message reads: '14. Merton St. | Dear Sir. I am writing to apologise for never having answered your letter of Feb. 29th. I have been too much engaged to be able to attend to my correspondents. I beg that you will excuse me. Yours truly | [signed] R Bridges.'

The two leaves were evidently disbound from a copy of an edition of Dryden's Plutarch, in which the grey 4to leaf of writing paper following the 12mo printed leaf was one of those that interleaved the volume. In fair conditon, on lightly-aged paper. The two leaves are tipped in onto a larger leaf removed from an album. The printed leaf is 12mo, from volume 5 of Dryden's translation, with the pages numbered 511 and 612 [sic]. The two sides of the leaf carry a total of approximately 25 emendations and deletions.

1p., 8vo. On wove paper. Lightly worn and aged. Text in two columns within ornate decorative border. Author's details at foot, above printer's slug. Thirty-five line poem, in five seven-line stanzas. First stanza: 'O! toi, ma France bien-aimée, | Pour toi, nous faison tous des voeux, | Oh! sois à jamais vénérée, | Élevons nos voix vers les cieux. | Oh! France, ma patrie!

1p., 12mo. Fair, on lightly-aged paper. In envelope addressed by De Tabley to 'Mrs. Kate. A. Wright. | Monona House | Small Heath | Birmingham.' In reply to her letter of 18 June, he states that he will have pleasure in permitting her to 'insert the five pieces' which she enumerates in her 'forthcoming Collection of Poems and Ballads of the Nineteenth Century'. Kate A. Wright's 'Dainty Poems of the Nineteenth Century' was published in Birmingham in 1895. The titles of the five poems are given in another contemporary hand [Mrs Wright's?] on the reverse of the second leaf.

2pp., 12mo. Fair, on aged paper. In pencil at head: 'Autograph of the Rev W. B. O. Peabody'. In ink in a contemporary hand, between the title and body of text: 'Autograph of Mr Peabody '. Twenty-four lines, arranged in three eight-line stanzas. The text presented here differs in certain respects from that printed in A. P. Putnam's 'Singers and Songs of the Liberal Faith' (1875). In the present version the first stanza reads: 'Black the heaven is overcast! | Breathless is the sultry blast.

Both letter and description on the same bifolium. Letter: 1p., 12mo. On recto of first leaf. Description (headed 'Johnian System of Marking'): lengthwise across the verso of the first leaf and recto of the second, and thus making 1p., 8vo. Very good, on lightly-aged paper. Calverley begins by wondering whether he has 'made the Johnian System [...] intelligible' in his description.

1p., landscape 12mo. Good, on aged paper. Garrison's name and address are typed in the top left-hand corner. Her signature is written boldly beneath the poem, which is eight lines long, in two stanzas. It reads 'Because I snatched a pebble from the way, | And thought it priceless till that day my eyes | Filled with a clearer light, and knew my prize | Was worthless, poorer than the common clay; | Because of this shall I go clamouring, | "Behold, there are no diamonds!" and say, | "Look as ye will, ye find but pebbles"? Nay!

3pp., 12mo. A fair copy. Very good, on lightly-aged paper. The twenty-eight-line poem is arranged in seven four-line stanzas, with Hillard's firm signature and the date at the end. The poem begins with unintentional, but no less curious, sexual overtones: 'The rod of Aaron, severed long | From its ancestral bowers, | Felt in its veins the sap of youth, | And shone with buds of flowers. | The rigid staff, smoothworn and dry, | In living green was dressed.

2pp., 12mo. On a leaf of wove paper with Britannia watermark. In fair condition, on aged paper with slight wear to extremities. In pencil at head 'Rev. J. Keate | Head Master of Eton'. Tipped in at the head is a slip of paper with an entry from a Victorian manuscripts catalogue describing the item, reading: 'KEATE (The Rev. John, D.D.). Head Master of Eton.

1p., landscape 8vo. On the first leaf of a bifolium. Very good, on lightly-aged paper. Well presented, with the second blank leaf neatly inserted into a windowpane border. The poem is sixteen lines long, arranged in four stanzas, neatly written out on a piece of wove paper. The first stanza reads 'Confide ye aye in Providence, for Providence is Kind | And bear ye a' lifes changes, wi a calm an' tranquil mind | Though pressed an' hemmed on every side, hae faith, an' ye'll win through | For ilka blade o grass keeps its ain drap o dew'.

2pp., 4to. 35 lines of verse. On a leaf of laid paper with watermark 'J WHATMAN | TURKEY MILL'. Paginated 13-14. Very good, on lightly-aged paper. The first page begins with the line 'The shrouding soil, and give it back to air,' and the second page ends with the line 'Won it's [sic] dark truth, and Gaspar fed on such.' The verses in this manuscript are published on pp.19-21 of 'A Day at Tivoli: with other Verses' (London: Longman, Brown, Green, and Longmans, Paternoster-row, 1849).

4pp., 4to. On two loose leaves of Whatman paper, each watermarked 1827. Very good, on lightly-aged paper. The document begins with the following note, dated and signed by Roby: 'The following ballad from my forthcoming "Traditions of Lancashire," though not of much value in itself, may yet acquire some, from its connexion with, and introduction into Mrs. Thelwall's elegant volume of Scraps.' (The implication that the two leaves have been removed from Mrs Thelwall's album is supported by pagination from 12 to 15.) Sixty-four lines, divided into sixteen four-line stanzas.

4 pp, 16mo. Paginated [1] to 4. On a bifolium of wove paper. Fair, on lightly-aged and creased paper, with thin strip of previous mount adhering to inner margin of first page.

Printed on one side of a 4to leaf, to which a black mourning border has been given by hand. Well printed on wove paper. Fair, on lightly-aged and ruckled paper. The author's name is not given, and the title reads 'SONNET | ON THE LATE | DUTCHESS [sic] OF GORDON.' The poem begins: 'IS then the bright expansive spirit flown, | That wont to animate the admiring throng? | Does the fair theme of many a poet's Song | Exist in pleasing memory alone?' The poem was also printed in 'The Poetical Register, and Repository of Fugitive Poetry, for 1810-1811' (London: F. C. and J.

4 pp, 12mo. Bifolium. 89 lines. Text clear and complete. She begins by apologising for the delay in sending an autograph: 'In atonement I give you Anthony Trollope's signature, which perhaps you have not got.' Reports that they 'went to the Italian lakes this summer. We aimed at Venice but gave it up because of the cholera.' She regrets that the recipient's 'friends book & chart do not prosper. Mr Bowes (the Macmillan of the shop) thought the chart a good plan and likely to succeed, except that the size would be against it'.

2 pp, 4to. Text clear and complete. Fair, on lightly-aged paper, with slight wear to extremities. On one leaf, with both sides ruled with red borders. In Payne's neat and distinctive hand, and attributed to him in pencil at head.

4to, 2 pp. On first leaf of a bifolium. Text clear and complete. Good, on lightly-aged laid paper with watermark of 'A ANNANDALE & SONS'. Stuck down on the reverse of the blank second leaf of the bifolium is a square of paper from the leaf to which it was attached in an album, and beneath this square, visible when held up to the light, is the inscription: 'Imperfectly printed | Annie Stirling Stuart | Castlemilk | 1871'. The poem is 48 lines long, arranged in twelve stanzas. Signed 'H. M.

xvi.208pp., 16mo, one foxed plate, very attractive red leather, gilt decorated binding, corners bumped, 2 or 3 small spot, aeg. Conclusion of Preface, "The Editor would take this opportunity of acknowledging the kindness of those of his poet-friends who have furnished him with pieces hitherto unpublished; and forming not the least attractive feature of the present selection. | Bedford | Feb.19th, 1842". Poets include Wordsworth, LEL, Felicia Hemans, etc, etc.ViaLibri site ascribes the one copy (but published by T.