STAGE

1p., 8vo. In fair condition, on aged paper. Tasteful floral design to letterhead, in Art Nouveau style. His affairs have forced him to advance his departure (from Paris) by an evening, but assures him that, before the moment comes, he will have himself sought out his wigs.

Printed on one 12mo page of a bifolium of thick orange paper. The invitation is to a show of 'Mr. Andrew Storie's drawings of modern, mediaeval and theatrical dresses at her studio on Friday, 20th July, 1928 from 4 to 7 - (p.m. of course)'. Casson's note, in top left-hand corner, reads: 'Mr. Ian Davison kindly told me he was sure you would be very interested in Mr. Storie's work. - I do hope you can find time to come. | Jill Casson'.

1p., 12mo. On bifolium, addressed on reverse of second leaf to '- Ward Esqr. -'. In fair condition, on aged paper. The note reads: 'My dear Sir, | Presuming an old acquaintance, I request the favour of your presenting the enclosed to the Committee'.

11pp., 12mo. Stapled into card covers. In good condition, with light signs of age and wear. Covers illustrated in colour by 'T. U. P.' The front cover carries, with the title, an illustration of a maid with a duster, captioned 'BESSAY NOTHING'. Humorous in intent.

1p., 12mo. In fair condition, with light signs of age. Addressed to 'My dear Percy' and headed 'Love's Strategy'. Regarding the play (which was based on Goldsmith's 'She Stoops to Conquer') Littler writes: 'I don't think the idea appeals to me very much, and I am not going to do any more productions in the West End until after Christmas.' He gives his phone number, writing that he would 'be very pleased to see you or have a word with you'. In the carbon of Nash's letter (dated 27 May 1948) he writes that he has 'not messed about with the Author.

Both in good condition, on aged paper. ONE: 2pp., 4to. He reminds Macqueen-Pope that two years previously he was 'kind enough to receive me at your Office and, after a long and most interesting chat on things theatrical (over an hour, as I recall!) you wrote into my copies of your "Drury Lane" and "Carriages at Eleven" two very greatly appreciated inscriptions, by way of friendship'. He now has his 'delightful "Gaiety" and splendid 'Haymarket", and asks for 'another pow-wow' at 359 Strand.

1p., 16mo. In fair condition, on aged paper, laid down on damaged leaf from album. At head, in another hand: 'for Saturday'. Reads: 'My dear Sir: | I shd. feel greatly obliged if you could without inconvenience to yr interest, give me a box, any night this week, to see King Lear.' At head is note in another hand (see below): 'for Saturday'. From the collection of Macqueen-Pope, who has written at the foot of the leaf on which the letter is mounted: 'To Chas Kean Princess's Theatre | Note at top, either by CK or Massingham the boxoffice m[ana]g[e]r.'

1p., 8vo. In fair condition, lightly aged. He begins by thanking Macqueen-Pope for a 'kindly reference' to him in his 'admirable book about The Gaiety'. He has noted a reference to 'Henly' in the index, and identifies this figure as Edward John Henley, brother of William Ernest Henley, whose poem 'Ballade of Dead Actors' he transcribes. He explains that Henley stayed some time in America after going there with a production of 'Deacon Brodie', a play by his brother and R. L. Stevenson, 'and, in 1897, I made my first production, "John Gabriel Borkman," in New York, with E. J.

2pp., 12mo. In good condition, on lightly-aged paper. He thanks him for his 'most generous & warming letter' about his 1927 comedy 'The Fanatics'. He has not answered sooner as he was 'suddenly caught up in some very hectic & engrossing rehearsals for "Rhinoceros" at the Court Theatre'.

1p., 12mo. In fair condition, on aged paper. He hopes he is not 'premature' in asking for 'a box for Richard 2d for tomorrow - Tuesday - night!' If he is not he will be 'thankful'; if he is he will 'wait patiently for a future occasion'. Kean's Richard II opened at the Princess's Theatre on 14 March 1857 and ran for 112 nights.

The sepia photographic print is 15.5 x 11.5 cm, and shows a sumptuous domestic interior, showing paintings around an ornately carved wooden doorframe, into another room, with hangings draped footstool, piano, and other accoutrements of high Victorian interior decoration. In pencil on reverse: 'The Lyric Club'. The cutting is 12 cm and forty-five lines long. It begins 'The new Lyric Club is starting on its career with every propsect of a brilliant success.

The Oxford DNB's entry on Bunn states that from 1819 to 1824 he held the lease of the Theatre Royal, Birmingham. 1p., 8vo. Bifolium. Addressed on reverse of second leaf to '- Perkins Esq'. In fair condition, with light signs of age and wear. Bunn begins his letter: 'My dear Sir, | The dreadful bustle attendant on producing "Waterloo" must be my apology. The Music & Manuscript are herewith sent - & not a note or a syllable of either has been copied.' He thanks 'Mr Howes for his kindness', which he offers to reciprocate, 'whenever in my power'.

2pp., 4to. In fair condition, lightly aged and creased. After beginning 'Dear Popie / | How are you?' she asks what the 'immediate prospects' are for her to 'get a book and a series in the paper running', as she has 'scanned a tremendous amount of George's material' since moving to 'The Lawns'. In a postscript she describes the material as a 'wonderful story for T.V. too to say nothing about the films!', adding that she has 'got G. to record a lot of his old & recent material ready!' Macqueen-Pope was an admirer of Robey's, as his 'The Melodies Linger On: The Story of Music Hall' makes clear.

1p., landscape 8Vo. In fair condition, aged and with a number of vertical crease lines. Reads: 'Dear Mr Clarkson, | Will you please give instructions that any wigs that are being made for Sir Arthur Pinero's new play should be here not later than 11 o'clock on Monday morning next. Our Dress Parade is at 12 o'clock.' The play Boucicault refers to is 'The Widow of Wasdale Head'.

1p., 12mo. In fair condition, aged and worn, with staining from glue used in previous mounting. He apologises for not being able to 'do what you asked', as he 'did not go to the Garrick until to day when I found your letter with others waiting me'.

2pp., 4to. In good condition, lightly-aged. Unsigned copy of typed letter., with one autograph emendation. Addressed to 'My dear Harry'. He begins by explaining that he is in Eastbourne recuperating from the flu. 'As I did not rise until Monday last I missed the Sunday papers including alas, the Referee. [ amended in autograph from 'the Rat' ] | A cutting, however (from the Ref) reached me here today containing an article of yours, wherein you place me among your Hebrew musical collaborators.

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper with remains of stub adhering to one edge. Having heard from 'Russell' he is returning something which Ottley 'kindly wrote', 'which so far I've been unable to place rightly'. He invites him to 'a quick family dinner with me (143. Regent St.)' the following Sunday. Henry Ottley is the probable recipient; although best-known for his supplement to Bryan's dictionary, he was also the author of a critical analysis of 'Fechter's Version of "Othello"'.

On aged and worn paper, with some staining at head. A somewhat grand memorial of English censorship. The license is printed in engraved copperplate beneath the royal crest on a 31.5 x 21 cm piece of watermarked laid paper.

Good firm inscription on 19.5 x 16 cm letterhead. In good condition, lightly aged and creased, with slight rust staining to top left-hand corner from paperclip. Inscription reads: 'Sincere best wishes | Don Ameche'.

4pp., 12mo. Bifolium. In fair condiion, on aged and worn paper. Marked 'Private', and written with an urgency suggesting the involvement of royalty behind the request. The letter begins: 'Sir William Martins presents his Compliments to Mr Webster and at theh rather earnest wish of a former Lord Chamberlain entreats Mr Webster, if it be practicable to allow the Farce of "Powder & Ball" to be played at the Adelphi one evening this Week either Wednesday Thursday or Friday'. He will 'explain further' and writes 'in case he should not be fortunate enough to meet Mr Webster at the Theatre'.

1p., 12mo. Addressed to 'My dear Mrs. Atkinson', and with contemporary note at head stating that the letter is 'To Mrs. Atkinson Grove end - about the year 1829', Grove End in Paddington being the estate of the architect William Atkinson. In good condition, lightly-aged, with minor traces of stub adhering to one edge on blank reverse. He thanks her for her 'beautiful present' and informs her that he has 'secured 6 places in the front Boxes for to-morrow evening - and shall do myself the pleasure of bringing up admissions for that Number either to day or early to morrow morning'.

1p., 4to. Bifolium. Addressed on second leaf to 'Wm Campbell Esqr. | Brook Street'. In good condition, lightly-aged. The letter begins: 'Had I been aware, before dinner, of what our friend Geddes has just informed me after dinner, - that you are at present a Batchelor, you certainly should have had no excuse for not returning with him to a friendly knife & fork in Mount Street'. He asks him, if he is 'quite alone', to 'come immeditely & lecture him for his remissness - & drink to his better behaviour - we are quite en famille with only Geddes'.

1p., 12mo. Bifolium, addressed on second leaf to 'Rd. Wilson Esqr | Lincolns Inn Fields'. In good condition, with light signs of age and wear. The letter begins: 'My dear Sir | I have so much responsibility on my shoulders in the new farce that I really dare not venture into society on those days on which I perform in it.' If he had a holiday he would accept Wilson's 'polite invitation', 'but so situated I am sorry to say it is impossible'.

1p., 4to. In fair condition, aged and creased, with slight tearing at edges. She begins: 'Please forgive me for not answering your letter before, but I have been so rushed!' She is not able to 'sit for Mr. Priest just at present': 'We are just on the point of starting rehearsals for several plays to be toured and, in addition, my two small girls are ill, so that I want to spend all my spare time with them.' She is trying to 'get out of' sittings for another artist.

ONE: The earlier of the two drafts, titled 'It Was Top of the Bill | The Story of Music Hall. | by | W. Macqueen-Pope.' 14pp., 4to. Paginated 1-12, with two further pages carrying material to be inserted. With a few autograph emendations, including an addition to the ending. Macqueen-Pope writes knowledgeably and with a passion for his theme, which is that 'Music Hall reflected public taste even more accurately than did the "legitimate" Theatre because it was created by the people themselves. The basis of the Drama of the Theatre - was religion.

4pp., 12mo. Bifolium with mourning border. In good condition, lightly aged. Her engagements will keep her in Scotland for three weeks, after which she intends to 'return direct to London'. Sheffield is too far out of her way, and would 'prove tiresome & expensive'. Should she visit Manchester 'at Easter or Whitsuntide' she would have no objection to performing in Sheffield for a couple of nights.

2pp., 12mo. In good condition, lightly aged. She asks for a 'Private Box at your Theatre on Wednesday evening if your new play of "John Saville" [sic] is acted.' Rev. James White's 'John Savile of Haysted' was performed in London in November 1847.

8pp., 12mo. Text complete on aged and worn paper. A charming and high-spirited description of life in the provincial theatre in Victorian England, in better than average verse showing the influence of Byron's humorous poetry.

1p., 12mo. In fair condition, on aged and worn paper. He has had a conversation with 'Tomkins', and as a consequence has 'made a few alterations in the last scene of the "Hulk"'. He asks him to read the last scene and 'manage, if possible, to get the Prompter's Copy set right before the reading of the Piece'. He feels his changes make the play 'more original, and more likely to render the Piece effective'. With postscript. 'The Haunted Hulk', a Nautical Drama in two Acts was performed at the Adelphi in 1831.

On 6 x 11 cm piece of paper., torn from the foot of a leaf. In good condition, lightly aged. Reads: 'Mr Martin sends kind wishes with Yours | Very affectionately | Helena Martin. | 31 Onslow Square.' The reverse reads: '[...] attend to <?> William's little ones are all laid up with scarlet fever, so there is no [...]'.