STREET

Printed on one side of a piece of wove paper, dimensions 22 x 14 cm. Text clear and complete, on aged and lightly-spotted paper, with minor wear to extremities. Headed 'Under the Patronage of the Nobility and Gentry.' 48 lines of text, including positive quotations from the Observer, Christian Advocate, Sunday Times and Albion and Star. Describes ten aspects of the exhibition, lettered A to K, including the conveyance of the ore 'to the surface by a --- (G) --- POWERFUL HYDRAULIC MACHINE, first in kibbles, through a perpendicular shaft, and lastly in waggons drawn upon an inclined plane'.

12mo, 2 pp. 12 lines of text. Very good on lightly-aged paper. He has received Holdsworth's letter, and is 'sorry to hear that you found our description of the Royal Hotel not justified'. Note will be taken of Holdsworth's 'experiences' and 'whatever alterations are necessary' will be made, 'when next we reprint the Index & Directory of the Handbook'. 'Notes such as [Holdsworth's] are most acceptable.'

4to, 1 p. Eight lines in typescript and one line in manuscript. Good, on lightly-aged paper. With stamped Envelope addressed in manuscript. The firm is 'sorry to hear' that she intends to 'take two volumes' over her book on Henry III, not considering that 'a biography of him could succeed in more than one complete volume. To take him to 1237 in the first volume would spoil the completeness of what we feel should be a one-volume biography.' He adds in manuscript: 'I hope we will not prove too unwieldy.'

12mo (roughly 16.5 x 9.5 cm): 24 pp. Good, on aged paper, with slightly dogeared corners. No stitching or stapling binding the leaves together. An attractive production, more sophisticated than is usual with a chapbook. Crisply printed in small type. Title enclosed within a decorative border and containing vignette of the royal coat of arms. Headed, in a small neat contemporary hand, 'Purchased at Whitby. | 30 Aug 1862'. The poem 'Lines on the Fate of Lord Derwentwater' (pp.18-19, 24 lines in six stanzas) begins 'How mournful feeble Nature's tone, | When Dilston Hall appears;'.

12mo, 1 p. Good, on lightly-aged paper. Large bold signature. He has 'no present intention of publishing any book on [his] career'. It may be that the correspondence planted a seed, as three years after the writing of this note Lysons published 'Early Reminiscences' (John Murray, 1896).

The work of a cultured and witty man, but not by the author of 'Sandford and Merton', who died in 1789. While possible authors include the 'Mr. Thomas Day, solicitor, Woburn, Bedfordshire', whose death at the age of 47 on 18 February 1824 was reported in The Times (5 March 1824), and the Thomas Day who lived around this time at Montague Street, Russell Square, the most likely candidate, considering the references to 'Romney' and 'Wyatt' is the Thomas of 'DAY William, and Thomas Day, of No. 95, Gracechurch-street, in the city of London, oilmen', who went bankrupt in 1841.

12mo: 8 pp, unpaginated. Stitched. In original green printed wraps. Text and illustrations clear and complete, on browned high-acidity paper with damp staining at head. Wraps foxed and with slight chipping to extremities. The cover features a striking crude woodcut (12 x 9 cm) of David's 'Napoleon crossing the Alps'. The first page features another woodcut (9 x 7 cm) of a martial figure on horseback, with sword drawn.

12mo: 50 pp. Stapled. In original green printed wraps. Engraving of both sides of the 'Pontefract Siege Shilling' on title, with 38 engravings of both the obverses and reverses of coins in text. Printed on light-blue paper. Internally tight and clean, with rusty staples, foxing to edges and wear and chipping to the faded and spotted wraps. Blank back wrap loose and repaired. Scarce: no copy in the British Library or on COPAC, although there is a copy among the Fitzwilliam coin catalogues. Another Verity catalogue, from the 1870s, is in the V & A Library.

4to: 1 page. Twenty-one lines of text. Good, on creased and lightly-aged paper. An impressively-considered letter, declining Mrs Steward's manuscript 'I had rather be a Doorkeeper'. 'As you point out, Christ Church, Newgate Street, is a near neighbour of Amen House, and its ruins are a pathetic sight.

Paper dimensions 25.5 x 19 cm. Plate dimensions 22 x 16 cm. The head-and-shoulders portrait itself is oval, 7 cm high and 5.5 cm wide, contained in a square 11 x 9.5 cm, and with the caption beneath it. Printed on aged paper, with the image itself and the caption are clean and crisp, but the paper carries a crease to the margin, and there is light staining intruding into the surrounding square. Dibdin gives an account of Miller, whose son was the noted bookseller William Miller of Albemarle Street, in his 'Bibliomania' (1811 ed., pp.630-31).

4to: 1 p. Ten lines of text. Heavily stained, but a neat link between two giants of the twentieth-century British book trade. 'I give myself the pleasure of saluting you, I really believe for the first time'. He is happy for the opportunity of telling Secker how much he admired his 'flair and enterprise in earlier years'. He hopes he 'may write as firmly and with as lively a mind as you in six years' time'. 'Alas that we must disappoint you': the books Secker has requested are all out of print. 'Just possibly one or more may come into our hands secondhand.

12mo: viii + 207 pp. Advertisement and printer's slug on reverse of last leaf. Additional sepia engraved title ('T. Letherbrow. Del. W. Morton. Sc. Manchr.') with illustration depicting a stern-looking woman (one of the fates?) holding a bobbin of thread. By her side a cherub with a lyre and a large, incongruous metal cog. In original blind-stamped green cloth binding. A tight copy, lightly foxed and aged, in faded binding with slight wear and a small stain to the front board. Ownership stamp of Florence Armaghdale on front free endpaper. Last two leaves opened clumsily. Scarce.

Fourteen lines on the back of two-tone Dutch postcard, the front being tined light blue. Addressed to 'Edw Draper Esq, 3 Vincent Square, Westminster, London, England'. Aged and grubby, with two creases and slight traces of previous mount on front. Hatton's hand is difficult, but the note, addressed to 'My dear Friend', defending his use in a story of the following version of the celebrated quotation: 'When Greeks joined Greeks". Concludes 'You are right about the tinder box of course.'

4to: 1 p. Fourteen lines of text. Aged and worn, with closed tears along the fold lines, but with text clear and complete. He thanks his correspondent for the letter ('It is always a great delight to me to know that people like my work.') and gives details of where the 'little book I published on "Pride of Body" ' can be purchased. Ends with the details of his 'new novel "A Soldier of Life" ': 'I mention it, as you say it is difficult for you to get hold of books and I should like you to read it.'

12mo: 2 pp. On the rectos of the two leaves of a bifolium. Good, on lightly aged and spotted paper. Her letter has been handed to him by 'Mr Spender'. He would be 'very pleased to have the temperance cartoons circulated as post cards', and has asked 'the manager here' for a costing. 'Some of the cartoons I believe are being produced as posters by the Liberal Publication Department and by Temperance organisations.'

8vo (21.5 x 14 cm), 4 pp. Unbound bifolium. Good, on lightly aged and foxed paper. The item is well-printed, paginated with two footnotes. The subject is laid out at the start: 'In the first volume of Mr. Dickens' Life, just published, I read an account of Mr. DICKENS' literary connexion with my father, which it is impossible for me to leave without remark. The biographer therein presents my father in a character which all who knew him would repudiate as belonging to him.

16mo (15 x 12 cm), 32 pp. Stapled pamphlet, in original green printed wraps. Text complete and clear, on aged and dogeared paper. Wraps worn and stained. Part three only of an annotated collection of ballads. Six-page English glossary at rear. Scarce: the National Library of Ireland only appears to have Part Five, and the only record on COPAC is of Parts One and Three at Trinity College, Dublin.

12mo: 1 p. Fourteen lines of text, neatly and closely written. Good, on lightly aged and creased paper. 1 cm closed tear to a margin (not affecting text). He accepts Hill's proposal 'with regard to the Parliamentary leaders of the Daily News'. He hopes the 'condition [...] as to notice of termination [...] will prove as much of a formality without consequence as certain claims for "consequential damages" '.

The main text is printed on one side of a piece of paper roughly 28 x 13.5 cm, headed 'Upwards of Thirty Thousand Copies Of the "Manchester Weekly Times," with Eight-page Literary Supplement, are Issued Every Saturday.' The main block of text, in a variety of types and point sizes, consists of 27 lines ending 'The Proprietors respectfully solicit instructionsn to insert your Advertisement.' Describes the newspaper's merits and boasts that it is 'one of the Largest and most complete Weekly Papers published'.

All four items well printed on one side of a piece of watermarked laid paper. All four lightly-aged but good. None of them filled in. The third item more dusty than the rest. Item One (15.5 x 20.5 cm): Headed 'No. VII. A PROTECTION.' To be signed by one of the 'Deputy Lieutenant, | Captain, | Commanding Officer.' Exempting the bearer, as a militia man, 'from doing any Highway Duty, commonly called Statute Work'.

Each of the five on a piece of good laid paper, roughly 15 cm square. Wide margins, with indentation of plate 9.5 x 8 cm. All five good, with occasional light creasing to margins. The second and third items more aged that the others, but all good and suitable for framing. Delicately engraved and skillfully coloured. Item One: 'Mr. Bellecour. 3 Comed. Franc. Le Joueur. dans la Comédie du même nom.' Item Two: '19 Comed. Franc. Michau et Henri. dans la Partie de Chasse d'Henri IV. Qu'êtes-vous? allons, qu'êtes-vous?' Item Three: 'Made. Favart. 22 Coméd. Ital. La Vieille.

Printed on one side of a piece of wove paper roughly 230 x 90 mm. On pitted, aged paper. Text complete. Approximate 30 x 50 mm piece torn away from top right-hand corner, causing loss to small illustration at head, which appears to be a crude woodcut of a woman lying in a coffin. The poem consists of thirty-six lines arranged in five stanzas. The first stanza reads 'Dear Peggy, read this letter, | its the last one I'll send, | Our long correspondence, | is now at an end.

On one side of a piece of thin wove paper, roughly 260 x 95 mm. Aged and creased, with internal 25 mm closed tear affecting four words of text (all of which can be completed from the context) repaired on blank reverse with archival tape. Otherwise text and illustration clear and entire. Small (30 x 40 mm) woodcut at head, showing two early nineteenth-century country coves outside a cottage. The poem consists of ten four-line stanzas.

8vo: 8 pp. Unbound. Stabbed as issued. Very good, on rough-edged wove paper. The seven-page advertisement, signed in type by Cobbett, is succeeded by a page headed 'New Books, published by COBBETT and MORGAN'. (Eight titles are listed.) The advertisement is a personal address from Cobbett, the second paragraph casting valuable light on his motives and intentions: 'When I first undertook the Register, I was fully persuaded, that the plan, which, indeed, I had long thought of, was well calculated to ensure a wide circulation, and to produce an extensive as well as a lasting effect.

Printed on one side of a piece of wove paper roughly 280 x 95 mm. Aged, creased and spotted, with chipping to extremities, but with text and illustration clear and entire. Curious small (roughly 40 x 65 mm) crude illustration at head, showing dove with olive branch and acorn. Forty-line poem arranged in five stanzas. Interestingly-garbled nineteenth-century folk song with ancient antecedents.

On one side of a piece of light-brown laid paper, dimensions roughly 240 x 125 mm. Text clear and entire, on lightly creased paper with chipping, short closed tears and loss to extremities. Crudely printed. A thirty-two line poem, arranged in four four-line stanzas, each with a different chorus. An excessively scarce piece of music hall ephemera. No other copy of this particular item, possibly produced for distribution to Hurley's music hall audience, is present on COPAC or anywhere on the web.

305 mm high and 225 mm wide. The print has been trimmed, with the top corners cut away to give the print the appearance of an arched window. A strip, 35 mm high, at the foot contains the caption, with the bottom right-hand corner damaged (not affecting print) by removal from backing. A good crisp impression, on lightly-aged paper, the only faults being loss to the sky above the Emperor as a result of the trimming of the top corners, and a couple of spots of glue to the sky.

At foot: 'PRICE ONE PENNY.' On one side of a piece of wove paper, roughly 220 x 170 mm. Enclosed within decorative border. Foxed and creased, with edges trimmed to edge of border. Thin strip of card mound adhering to one edge of reverse. Text clear and entire. Printed in two columns employing characteristically Victorian typography. Twenty-six four-line stanzas (the last two being the 'MORAL.'). Begins 'When down at Blackpool last July, and walking on the Pier, | I met a pretty maiden, so I said "How do my dear?" | "What do you here, love, by yourself? How is it you're alone?

Printed on one side of a piece of rough wove paper, approximately 24 x 10.5 cm. Text clear and entire on aged, creased paper. A production in favour of the Prince Regent, with no trace of sarcasm apparent. Consists of six four-line stanzas, each followed by the chorus 'Hearts of Oak, &c.' First stanza reads 'Come cheer up my lads, we'll no longer repine, | United, we'll triumph - OUR CAUSE is divine!

12mo, [ii] + 235 pp. In contemporary brown-calf half-binding, with marbled boards and grey endpapers. Internally sound and tight, if a little foxed, with some wear to the extremities of the title-leaf. In worn binding with label on spine mostly worn away. The identity of the author is unknown.