FRENCH

4pp., 12mo. Bifolium. Good, on lightly-aged paper. Of great interest, as giving the informal position of the British Home Secretary on what was at the time the most important problem facing him. Granville would only last as Foreign Secretary for a week after writing this letter, as Russell's Liberal Government would fall on 27 February. Ironically, his elevation to the post of Foreign Secretary the previous Boxing Day had been due to Russell forcing Palmerston's resignation over his unauthorized recognition of Louis Napoléon's coup d'état. The letter is addressed to 'My dear Baron'.

46pp., 12mo. In original printed wraps, with the last two pages of the catalogue on the back cover. 704 priced items, with descriptions. Reproduction of no. 612 (mezzotint of Napoleon by Charles Turner from J. J. Masquerier) on front cover. In fair condition, on aged paper, in aged and worn wraps, with occasional pencil markings in margins. An important catalogue, issued in part to make a point during the Great War.

[6] + 36pp., 8vo. In original yellow printed wraps. Title carries illustration by Fouget. Inscribed, at head of title, 'To "The Bairns" from Mr. ', 8 February 1866. Lightly-aged, with slight damp staining, in worn wraps. Clearly printed with simple musical scores, including such classics as 'Frère Jacques' and 'Sur le Pont d'Avignon'.

2pp., 4to. Good, on lightly-aged paper. Addressed to 'Mons. Marc Julien [sic] | Redacteur de la Revue Encyclopedique &c &c'.Jullien's address has been added in another hand: 'Rue d'Enfer St. Michel No. 18'. The first paragraph reads: 'Dear Sir | I have the pleasure to introduce to you Captn. Bromley, who is a zealous advocate of the cause of general Education, & who is visiting Paris for a short time. He will deliver you a Copy of the 21st. Report of the B. & F.

1p., 16mo. On a piece of watermarked laid paper, 17 x 10.5 cm. Fair, on lightly-aged paper, with a manuscript correction ('tracts' to 'tracks'). In three numbered stanzas, Farnie's version being in effect an entirely new poem: 'This Fish was indeed Oh! | A Woolwich Torpedo, | But Oh! But Oh! | The big whale did not know.' 'Les noces d'Olivette' was first performed in Paris in 1879; Farnie's English language adaptation starring Florence St. John was performed at the Strand Theatre in London from 1880 to 1881.

4pp., 12mo. Bifolium. Aged and ruckled. Doré's huge painting 'The Triumph of Christianity over Paganism' was first exhibited in the Egyptian Hall in Piccadilly in 1867.

2pp., 12mo. Good, on lightly-aged paper. The letter is written in pencil, and begins: 'Sir, | I am awfully sorry to say that I have just been ordered to report tomorrow to G. H. Q. where I shall very probably receive the order to go to the Yankee Army. | I am really very sorry to leave you without having even been able to present to you my respects and my thanks for the kindness you have always shown to me during the time I have been attached to this brigade which is now exactly a year ago.

Helm's promotion on 3 September 1940 to the rank of Flying Officer (41020) is recorded in the London Gazette, 15 October 1940. After the war he joined the International Civil Aviation Authority, working in Iran and Zambia, and was elected to the Membership of the Institute of Navigation, Royal Geological Society, in 1971. A total of 59pp., 8vo, of pencil notes and tables by Helm, relating to the RAF in the Second World War, with 6 original photographs.

ONE: Mimeographed typed document titled 'Zambianization of the Air Traffic Services Division of the Department of Civil Aviation'. 7pp., foolscap 8vo, with eighth page carrying table of contents. Undated [mid 1960s]. Given that the plans accompanying this item are initialed by Helm, it seems reasonable to assume that this report is also his work.

2pp., foolscap 8vo. Good on two leaves of lightly-aged paper attached with rusty staple. Opening note reads 'Voici la première édition de ce journal. Là-dedans les garçons de 3R ont écrit pour vous beaucoup de choses interessantes. Le titre EPATANT! signifie "smashing"! Esperons que vous le trouverez vraiment épatant!' Crossword and short articles by M. Adams, P. Robinson and W. Winfield.

Eight tall and thin 8vo diaries of unusual shape: the first six 34.5 x 13.5 cm, the last two slightly smaller. The first diary has 120pp., the others of similar length. With between two and four daily entries to a page, depending on the volume. The diaries are elegantly printed by a number of different Paris publishers (Dechamp; Pirmet; 'E. J.'; 'M. et H.'; 'F. G.'; 'B. L.'). Five are bound in light-brown cloth, with coloured paper labels stamped in gilt; the other three have printed paper boards.

The first 40 prints in good condition, and the last three lightly-aged and fair. Each of the 20 Panajou Frères prints (19 landscape and 1 portrait) is mounted on a 24 x 30 cm piece of grey card, blindstamped with the circular monogramme of 'PANAJOU FRES | BORDEAUX'. Depicting an extensive concern, with the outside of a large plant by a country river, and every stage in the production of plywood from log to storage in the factory. A second group of 20 prints (15 landscape and 5 portrait) are unmounted, and measure 18 x 24cm.

1p., 4to. Fair, on aged and worn paper. He begins: 'M. POULENC vous a sans doute remis le paraître dans votre supplément et nous charge de vous demander de nous le renvoyer au plus tôt lorsque votre graveur n'en aura plus besoin.' He accepts that it is likely that the Revue will ask Poulenc to correct the proof.

3pp., 4to. 60 lines of text. Bifolium. Good, on aged paper. Addressed, on reverse of second leaf, to 'Valentine Mott M.D. | 25 Park Place | New-York'; with three postmarks, one from Havre and another 'Forwarded by Lewis Rogers & Co.' (Mott was in Europe at the time of writing.) An tantalising letter, regarding an intriguing affair about which nothing else appears discoverable. Eldridge is sending 'a hand bill, 5000 of which have been circulated thro Paris and the towns in its vicinity'.

69 engravings, in brown 4to quarter-binding, with 'BIBLIO- | THEQUES' in gilt at head of spine, and 'PARIS | 1855' at foot. In fair condition, on aged paper, in binding worn at hinges. All engravings in 4to, with 12 double-page and 57 single-page. Two are in colour, the rest in black and white. Binder's stamp on front pastedown: 'BOUND BY G. PYMM'.

3pp., 12mo. Bifolium with mourning border. Good, on lightly-aged paper, with thin neat strip of paper mount at head of third page.

8pp., 4to. In stiff printed wraps. Printed in black and white. Photographic portrait of the artist tipped-in as frontispiece, twenty illustrations in text, and loosely inserted in a wallet at the rear a facsimile (2pp., 8vo) of an article from the Argentine Magazine, Christmas 1929: 'How MAUZAN makes lively posters' by A. Lancelotti. Cover carries image of smiling fat black man shining his foot with a shoebrush, above facsimile of Mauzan's signature. Scarce: does not appear to be present in the Bibliotheque Nationale.

28pp., landscape 12mo, printed on rectos only of 28 leaves. Dimensions 21 x 15 cm. In brown card wraps with brown cloth tape spine over staples. In fair condition, on aged thick paper, with foxing to title leaf, and damp staining at foot of first and last few pages. Printed decorative border on front cover, with same border in black ink on title page, enclosing the title in block capitals in red ink: 'SPÉCIMEN | DE | CARACTÈRES, VIGNETTES | & FILETS | LINOTYPE'.

1p., 8vo. On wove paper. Lightly worn and aged. Text in two columns within ornate decorative border. Author's details at foot, above printer's slug. Thirty-five line poem, in five seven-line stanzas. First stanza: 'O! toi, ma France bien-aimée, | Pour toi, nous faison tous des voeux, | Oh! sois à jamais vénérée, | Élevons nos voix vers les cieux. | Oh! France, ma patrie!

4pp., 4to. Bifolium. Ninety lines of text. Good, on lightly-aged paper, with small hole on second leaf causing damage to a few words of text. Addressed with two postmarks (one French, one American) on the reverse of the second leaf to 'William W. Whitwell Esq | Boston. Mass. | United States of America'. A significant letter, written from Paris by an astute and cultured American jurist on the day following the demonstration of 15 May 1848.

2 pp, 12mo. On the first leaf of a bifolium of wove paper. Fair, on lightly-aged paper. Signed 'L. N.' in type at end. A 114-line poem, in rhyming alexandrine couplets, beginning 'Messieurs, au jeu du whist adoptez constamment | L'air grave britannique et le flegme allemand.

4 pp, 16mo. Paginated [1] to 4. On a bifolium of wove paper. Fair, on lightly-aged and creased paper, with thin strip of previous mount adhering to inner margin of first page.

80 lithographic prints, mostly hand-coloured, of drawings of indigenous peoples and tribal groups, made on a voyage to South America, Africa and Asia in 1933 by the Italian painter and film director Pier Antonio Gariazzo. With accompanying French letterpress. This collection of accomplished and beautifully-finished prints is a puzzle, with no apparent reference to it or to the letterpress among Gariazzo's published works.Each print on one side of a separate piece of thick laid paper, 24.5 x 32.5 cm. Numbered 1 to 82, with 61 and 63 lacking.

8vo, 4 pp. Seventy lines of text. Clear and complete. Fair, on aged paper, with the outer pages browned. The identity of the recipient is suggested by the following, written in the margin of the first page: 'Ces Dames vous supplient d'agréer l'hommage de leurs souvenirs. Mesdames de Vaublanc et veulent elles me permettre de leur offrir ici la mienne?' His correspondent is writing his memoirs, and de Marchangy considers that he has 'mille fois raison de vivre dans le passé, s'il vous console du present'.

12mo, 72 pp. Stitched. In remains of original grey wraps, with front wrap present (though worn at extremities), but only a trace of rear wrap remaining. Text clear and complete. On aged paper with many dog-eared corners. An ephemeral item by one of the greatest of French printers: COPAC only lists three copies, at Oxford, University College London, and the Victoria and Albert Museum. None of these record the misprint in the title of 'les Galerie' for 'les Galeries', and it is not present in the Harvard copy either.

4to, 22 pp. In original green printed wraps. Frontispiece photograph on art paper, inscribed in bottom right-hand corner 'A M. Maggs Bros booksellers | Souvenir de la guerre | Pce. Laforge de Vitanval | Madrid 12 Aout 16'. Text clear and complete. In fair condition, on lightly aged and worn paper. No diagrams. The invention is described as 'un Aéro-frein ou frein automatique pour aéroplanes et toutes espèce de machines volantes, empêchant le capotement des appareils, en cas d'accident ou d'arrêt subit du moteur'.

Two pages, 8vo, paper bleached by text clear and complete. Many thanks for your two letters. | 1. Thank you for the good advice in the first. Will you kindly tell me whether the Legion film that you saw was that of my book 'The Wages of Virtue'. This was filmed in America with Gloria Swanson as heroine & a star cast, but I have neither seen nor heard anything of it. | 2. I do not think that 'Tigress' was copyrighted in America in any way. The authoress never heard anything about this being done.

12mo, [iv] + 52 + [i], the last page carrying an erratum. Unopened. In original grey printed wraps. Text clear and complete. Fair, on aged paper, with wear to wraps (particularly spine) and dog-eared front wrap. Bound in at the end is a separate seven-page pamphlet with a title-page which simply reads 'Toulon Port de Guerre par J. P.A. Madden.' The printer of this seven-page item is Imprimérie Cerf at Versailles.

Each print is in black and white, landscape and 17.5 x 23 cm. They are lightly-worn and in fair condition. Part of a series of British official war photographs (one was published on 26 January 1918 on p. 469 of Part 180, Vol. X, of 'The Great War' magazine), and each numbered between S480 and S501. Shots of troops marching past the Chateau, of a large body of men in battledress standing in grounds, being addressed by the General and a padre, standing at a rostrum draped with the Union Flag and other allied flags, with officers seated beside it.

Each print is in black and white, landscape and 17.5 x 23 cm. They are lightly-worn and in fair condition; one has a short closed tear and another a vertical crease at one side (neither of these in the panorama). Part of the same series of British official war photographs (one was published on 26 January 1918 on p. 469 of Part 180, Vol. X, of 'The Great War' magazine), and each numbered between S480 and S501.