GEORGE

See Gould's entry in the Oxford DNB, with those of Newnes and Hobhouse. All eleven items are 12mo and signed ‘F Carruthers Gould’. Some show evidence of previous mounting. The collection is in good overall condition. As assistant editor of the Westminster Gazette he thanks Mrs Elizabeth Lee for her ‘suggestion about an article on the German Theatre’; and Macleod Yearsley for his ‘sketch of Macrurus’ (‘I already had the creature in my mind as the likeness is certainly a striking one’).

172pp., 16mo (10 x 6.5 cm.). In original green leather quarter-binding, with marbled endpapers and label on front cover: 'No 1 | DECEMBER | 1837 | 1838'. Aged and worn, with the contents of the volume detached from the binding, and the signatures loose through breaking of the stitching. In pencil beneath the binder's ticket on the front pastedown: 'Hogarth | 10 Powis Place', with this address continuing at the foot of the first page: 'Gt Ormond St'.

Lithograph. Landscape, 51 x 76 cm. In fair though fragile condition and worthy of framing, although aged and with a few small holes repaired. Weakened folds mainly repaired on reverse.. A determined Redmond marches to the right of the picture, large green flag of 'IRISH INDEPENDENCE' over his right shoulder, in his left hand three chains, linked to the noses of Asquith (with 'HOME RULE' paper under his arm), Lloyd George (holding a 'BUDGET BILL') and Winston Churchill (carrying a 'HOME DEPARTMENT' paper), who follow submissively.

All signed ‘George C: Oke’. At the time of writing Oke was Assistant Clerk to the Lord Mayor, a position he had held since 1855; in 1864 he would assume the Chief Clerkship. For details of the recipient, barrister and F.R.S, elder brother of Sir Bartle Frere and nephew of Canning’s friend the satirist John Hookham Frere, see the Law Times, 31 December 1887. The four letters total 10pp, 12mo, all on letterheads with engraved arms of the City of London. All in good condition; very lightly aged; with folds. Closely and neatly written.

The diary is a 4to, with around 100pp. (a week’s entries on each leaf). In worn and marked printed olive boards with cloth spine; internally good and sound on lightly-aged paper. No ownership inscription, but from the E. V. Knox papers, and with entries in Knox’s hand and that of his wife Mary, illustrator of Mary Poppins, and daughter of ‘Winnie the Pooh’ illustrator Ernest Shepard. The eighteen inserted items, in good overall condition, are described here before the contents of the diary.

See Knox’s entry in the Oxford DNB, along with those of his father Edmund Arbuthnott Knox, his brothers Ronald, Dillwyn and Wilfred, his wife the ‘Mary Poppins’ illustrator Mary Shepard (daughter of Ernest Shepard) and his daughter the novelist Penelope Fitzgerald. At the time the present material was composed Knox had been involved with Punch for more than four decades (1904-1948), holding the editorship for the last sixteen, with the magazines circulation rising to a peak of almost 200,000 as he approached his retirement.

Two pages, 12mo, bifolium, good condition, a scrawI. Text: I have only now come to town & was prevented replying to your letter of 28 Nov. sooner. We are getting on slowly but I hope surely with the subscription for the BruneI Statue - but all concerned in this National (Scotch) undertaking must exercise patience - no Committee in Scotland have a such command as you mention (£500) (I hope the Cttee here are coping doing) I came to London for Decr.

John Bromfield Gay Rees (1912 - 1965), known to his family and friends as Brom, was a Welsh painter whose work was admired by such eminent figures as Dylan Thomas, Augustus John, William Rothenstein and Eardley Knollys, among others. Introspective and private, he was practically unknown to the general public during his lifetime, and the first major exhibition devoted solely to his work was in 1989.

Alistair Sooke, on the BBC website, makes the case that 'Meredith Frampton is the forgotten genius of British art'. See Frampton's entry in the Oxford DNB, and also those of Codner and of Frampton's father Sir George Frampton, who executed the celebrated statue of Peter Pan in Kensington Gardens (not modelled on his son, who was eighteen when it was made). 1p, 4to, in fair condition, aged and worn. Folded once. Writing to 'My dear Codner', he apologises for 'keeping you up till such a late hour last night'.

1p, 4to. Aged and worn, with thin strip of mount adhering to one edge, and slight damage to one corner. The unnamed recipient is a member of William Pitt the Younger's Tory Ministry, and the letter is written at a time when the administration was preparing for a French invasion, the first French Army of England having gathered on the Channel coast.

Frank on 7 x 13 cm panel cut from front of envelope. In good condition, lightly aged, laid down on part of leaf from album, with the reverse carrying part of the frank to a letter from another unidentified individual, with free postmark from 1826. Byron's frank has the customary red-ink postmark at top right ('FREE | 8 DE 8 | 1826'), and is laid out by him in the customary fashion: 'Portsmouth December Seven | 1826 | The Honble. Mrs. Collingwood | Hawkhurst | Kent'. Byron's signature 'Byron.', at bottom left, is only underlined, and not enclosed within the two parallel lines as required.

For information on Graves see the generous obituary of him in The Times, 18 April 1944. Both items in fair condition, lightly aged and worn, with minor staining from paperclip to first leaf of letter. The work was not published, and although Graves states in Item One that the greater part of the text is 'in the hands of my typist', there is no record of its survival, or of the thousand related documents he states were sent to him by M. H. Spielmann. ONE: ALS from 'C L. G.' to 'Dear Evoe'. 4pp., landscape 8vo.

According to the Oxford DNB entry on Carter's wife the crime writer Margery Allingham (whose book jackets were among those he designed): 'Their amiable, childless marriage was funded by Allingham's increasingly successful fiction. And, although Youngman Carter assisted his wife as a sounding board for plot design, and by producing covers and illustrations for her work, he found it difficult to sell his art.

See Knox's entry in the Oxford DNB, along with those of his father and three brothers. The school was in existence in various places and under various names between 1914 and 1965. Four items, in good condition, lightly aged. ONE: Autograph Speech by Knox, headed 'BROOKFIELD SCHOOL'. Dated 19 July 1951. 3pp, 12mo. On three leaves held together with brass stud, with directions to the school on reverse of last leaf. Written in capital letters. Knox begins by noting the prizes: 'Difficult to think of anything else when one sees this table loaded with gifts.

See Knox's entry in the Oxford DNB, along with those of his father and three brothers. 8pp, 4to. Paginated and complete; on eight leaves held together with a rusting paperclip. In fair condition, aged and creased. A fair copy, with occasional emendations. There is no indication that this essay was published. A polished piece of writing by an accomplished essayist, lightly humorous but with serious intent, Knox's aim being to put forward the view that modern childhood is more self-indulgent than that of previous generations, and results is the self-deceit of adults who have never grown up.

Anthony Mckenrot's attempt to serve a writ on the captive Napoleon Bonaparte is well-described by Colin Fox ('Napoleon Bonaparte: POW'), in The Journal of the Friends of St Helena, 2016. Mckenrot (also MacKenrot or Mackenroth) who was of German extraction, was a lawyer, merchant and prize agent on the Caribbean island of Tortola, who criticised Admiral Sir Alexander Cochrane (1758-1832) for failing to act against a French squadron off the island in 1806. His obsession grew with the years, and his claims of Cochrane's cowardice and financial impropriety became increasingly extravagant.

Four sets of travel instructions by George III, all in his autograph, none dated but seemingly relating to the same journey, taking in the Highfield House estate of General Sir William Augustus Pitt (c. 1728-1809), and also referring to Egham, Basingstoke, Winsdsor, Andover. A referring to the novelist Fanny Burney (1752-1840), narrows the date of at least one of the documents to between 1786 and 1790, the period during which Burney was a Keeper of the Robes. On four leaves, and totalling 5pp, ranging in size from 4to to long narrow 8vo (see descriptions below for dimensions).

The present document carries the signatures of three central figures on the British side during the American War of Independence: King George III, his Prime Minister Lord North, and Secretary at War Lord Barrington, along with the signatures of the Earl of Onslow, Jeremiah Dyson and John Lloyd, Deputy Auditor of the Imprest. 2pp, foolscap 8vo. In fair condition, lightly aged and worn. Thin strip of paper from mount adhering to inner edge on first page.

Both letters annotated in pencil in contemporary hand 'To Townsend Warner Historian'. (Warner was a history master and head of the ‘modern side’ at Harrow School, and co-editor of one of the most popular British history textbooks of the period. His only child was the novelist Sylvia Townsend Warner.) Both letters in good condition, each with pin hole from former attachment.

2pp, 12mo. On aged and creased paper, with two torn spike holes resulting in loss of a few letters of text. Date stamp on reverse. The recipient is not named, but is presumably the BBC producer Terence Dudley (1919-1988). Writing three months before his death, Strong begins the letter: 'My dear Terence, | How very kind of you! I [d]on't have any dignity in such matters! and I'd love to have a go, whether live or recorded.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged, with traces of yellow paper mount adhering to the blank reverse. Reads: 'Mr & Mrs. Bohn present their compliments to the Mayor of Liverpool and Mrs. Hubback, and have much pleasure in accepting their polite invitation for the 15th. proxo.'

1p, 12mo. In fair condition, aged and creased. Folded twice. Written in a shaky hand, as explained by the text: 'My dear Sir / | Agreeable to promise I send my Likeness, I wish it was something worthy of your acceptance - suffice it to say the original saw the death of Nelson and Abercrombie. Served under Wellington in the Spanish peninsular War, attended his funeral, and from 1797 to 1814 was by Sea and Land in 23 Actions[.] I am well in health but cannot see what I write - My sincere love to Mrs. Macwey - God bless you'.

Both in good condition, lightly aged, with thin strip from mount adhering, and crease lines from folding. Two excellent long letters in Spedding's neat and close hand, full of content regarding the relationship between Victorian author, publisher and reader. The topic is Spedding's preparation for the publication of his pamphlet 'Publishers and Authors' (London: J. R. Smith, 1867). Both letters addressed to 'My dear Mervivale'. ONE: 3 September 1866. 4pp, 18mo. On a bifolium.

Four-page programme on bifolium, stapled into covers of shiny art paper. In fair condition, worn and aged, with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style, with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre', 'Reproduced by kind permission of Arthur Moreland.' The small signature ('Nigel Playfair') is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair.

1p, 8vo. Aged and worn. Four folds. Panel from envelope attached to reverse, with postmark and address to 'Chas. Thompson Esqr. | 34 Bedford Street | Covent Gard.' He has 'already so many unpublished Plays' in which he has 'the right of Representation', that he must 'decline making any further purchases at present'. But even if he were 'inclined to make further purchases, it would most certainly be in Copyright and not in rights to print - which I suppose is what you mean by the term Printing Copyright'. He is however still 'much obliged to you for the offer'.

3pp, 12mo. Bifolium. In fair condition, aged and worn. Folded twice. Only the conclusion of the letter is in Holyoake's hand. It carries an unusually large and bold signature. In reply to a letter of Watson's he states that he was not aware of the 'paper in the Westminster Gazette [...] until four days after its appearance'. He asks him to send 'the Leader referring to its appearance which you mention', and commends Watson's son for bringing it to his notice. Holyoake does not know if the matter has 'been mentioned elsewhere in Newcastle'.

In good condition, lightly aged and worn. Christmas card with unusual image of the three wise men (in Roman helmets) seen from behind, following the guiding star as it leads them across a Hawaian beach to the hut in which the birth of the messiah is occurring. Printed message in card in Hawaian and English. The reverse of the second leaf has nothing printed on it other than the publisher's slug, and at the head the prime minister has written 'Happy Christmas'. Beneath this, one above the other, are the five signatures: 'Harold Wilson | Mary Wilson. | Giles Wilson.

Depressed and paranoid, Lever spent his last days in Italy. For the Villa Morelli, see his Downey's 'Life in his Letters' (1906). 2pp, 12mo. On aged and creased paper, with closed tears to edges, but no loss. Folded twice. The handwriting is neat and controlled, but not always entirely legible. He begins with the news that he is returning 'the books you so kindly lent me'. Presumably referring to Charles Reade's 1866 novel 'Griffith Gaunt', Lever writes: 'Mr Reade is all you said of him, - often very amusing, & oftener very [?]'. A reference to 'the pleasanter reading' follows.

Four-page programme on bifolium, stapled into covers of shiny art paper. In fair condition, worn and aged, with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style, with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre', 'Reproduced by kind permission of Arthur Moreland.' The small signature ('Nigel Playfair') is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair.

1p, 8vo. Aged and worn. Four folds. Panel from envelope attached to reverse, with postmark and address to 'Chas. Thompson Esqr. | 34 Bedford Street | Covent Gard.' He has 'already so many unpublished Plays' in which he has 'the right of Representation', that he must 'decline making any further purchases at present'. But even if he were 'inclined to make further purchases, it would most certainly be in Copyright and not in rights to print - which I suppose is what you mean by the term Printing Copyright'. He is however still 'much obliged to you for the offer'.