VICTORIAN

One page, octavo. Very good. Neatly written, as one might expect. 'My usual charge for comparing writings is 2 Gnas and for deciphering MSS. according to the time occupied therein'. He will be 'in Town week after next but as I have to attend at the Courts at Westminster it is uncertain at what hour you would find me here unless you made an appointment beforehand.' Chabot was the author of 'The handwriting of Junius professionally investigated by Charles Chabot, expert | With preface and collateral evidence by the Hon. Edward Twisleton' (1871).

The collection is in good condition. Three of the communications bear the stamp of the Royal Society of Arts, of which the recipient Wood was the Secretary.

One page, on piece of lightly aged paper, roughly six and a half inches by seven. Strip neatly torn away at head (not affecting text, but perhaps bearing recipient's address). Good, with a little damage from breaking of wafer and slight evidence of previous mounting on revese. Thirteen lines. He is sending the selected autographs, and will 'be happy to receive, at your leisure, those of Currie, Daubeny, Mc.Culloch, Flowers, Woodville & Phillips & Jones - or such 5 of them as you can best spare'.

One page, 12mo. Good, on aged paper with a little paperclip spotting. Laid down on piece of card. 'It is with considerable misgiving that I thrust my autograph upon the distinguished company you cite in your letter. Since, however, it is unthinkable to refuse the request of a lady, I have the honour to subscribe myself, | Yours faithfully, | W. P. Drury.'

Four pages, 12mo. Very good on lightly aged paper. Docketed by Gaskell at head of first page 'This letter is written to myself in reply to my offer of the loan of 91 Shirley Brooks' letters. | J. B. Gaskell'. Acknowledges the receipt of the letters which Gaskell has 'so generously' placed at his disposal, and assures him that they will be 'treated with the greatest care' and returned as soon as possible, together with the photograph of 'Epicurus Rotundus' (Brooks's pen name), 'which is new to me'. Asks for 'any reminiscences, hearsay or otherwise of S. B.

Three pages, 12mo. Very good on lightly aged paper with slightest trace of previous mount adhering to blank verso of second leaf of bifolium. He has 'looked out' and is sending 'a few interesting Autographs', and would have sent them before, had he not been 'a great invalid all summer'. 'I will get Miss Chapman a good collection of the autographs of literary men. I am now very closely connected with Punch & other publications and shall have frequent opportunities.' Agnew's family, as partners in Bradbury & Agnew, were for many years the publishers of 'Punch'.

One page, 12mo, on mourning paper. Aged and cropped at foot. Dusty, and with minor paperclip stains to edges, and traces of previous mount on reverse. Reads 'Dear Sir, | I have much pleasure in sending you my Autograph. | Yours truly | "Allen Raine" '. Four-line cutting giving printed biography neatly laid down in bottom right-hand corner.

One page, octavo. Good, though a little smoked at head and foot. 'Here, after a delay I am ashamed of, are the autographs: I shall indeed be glad if they give any pleasure to the recipient. | I trust that you and the Vicar were not overtired on the day of the Confirmation: and that you know what a happiness both the Service and the welcome were to me.' Sends 'Mr. Green's kindest remembrances'.

Two pages, quarto. Very good. With traces of blue paper mount adhering to addressed verso of second leaf of bifolium. Dawson Turner having declined to buy a collection on the grounds that it is 'wholly out of his line of collecting', Russell now offers it to Thompson. They are 'not so interesting' as he anticipated when he 'bought them at an auction without looking at them till they were on the table'. Gives details of the purchase and describes the volumes, estimating their cost in binding.

One page, 12mo. Grubby, and with traces of previous mount adhering to reverse. Small circle containing '170' in red in top left-hand corner. He is sending his autograph, 'which I could not do while at . I am glad you have read some of my stories; I presume those now in book form as "1001 Indian Nights." '

One page, 12mo. Good, though a little grubby at the right-hand margin, and with the name of the recipient neatly torn away at foot. 'Dear Sir | Neither Lady Martin nor myself feel any interest in any letters of ours, which may have come into your hands.'

Two pages, 12mo. Good, on spotted paper. Folded twice.He is obliged to his correspondent for 'sending me a copy of the Disraeli letter in your possession'. He will not trouble his correspondent for a loan of the original 'as the contents are rather of private than of public interest'.

Quarto, one page. Good, on lightly aged paper spotted by paperclip, with some creasing to extremities. 'If you will let your list down to this level, here you are'. The letterhead carries the names of the Pageant's officers with a Welsh dragon in red in the top left-hand corner. From the collection of Rev. E. J. F. Davies.

Printed Post Card, dimensions three and a half inches by five and a half. Good, on aged paper, but with the reverse (showing the remains of a photograph of Brighton) damaged by its removal from an autograph album. Unobtrusive vertical crease. Reads (apparently in Egerton Castle's hand) 'Dear Miss Gray | Your letter has been forwarded to us here. We have much pleasure in sending you the autographs you desire'.

One page, 12mo. Very good. 'I have much pleasure in sending you my signature, as I am told you wd. care to have it.

One page, 12mo. On aged and spotted paper, with traces of previous mount on reverse. Craigie's 'PMTC' monogram in top left-hand corner, and a red '45' in a red circle in top right-hand. Fourteen-line biographical cutting laid down along one edge. Reads 'Dear Sir | I have much pleasure in sending you my autograph. | Yours faithfully | Pearl Mary-Teresa Craigie.'

One page, 12mo. Very good. 'Although I am surprised at your wishing to include mine in your collection of autographs, here it is. | I agree with Sir Alfred Milner that Work, Brains & Opportunity are necessary to success; and that the last is most necessary. But I think that Self-control should be added to His Excellency's list.' A printed biographical cutting is appended.

One page, 12mo. On blue paper discoloured from glue by previous mounting. Seven-line printed biographical cutting in top right-hand corner. 'I am very happy to comply with your request [for an autograph].'

One page, 12mo. Very good on lightly-aged grey paper. Reads 'Dear Sir. | Here is the autograph you require. | Faithfully your's | [signed] Edmund Yates'. The words 'Here' and 'to' are slightly smudged.

One page. Dimensions of paper roughly four inches by seven. On piece of aged, stained paper, mounted on piece of card. Remains of biographical cutting in bottom right-hand corner. Reads 'Here you are Sir | Autographs cheap today | F. C. Burnand | F. C. B. | 10 Dec 1901'.

Two pages, quarto. Well preserved, on good lightly-aged paper, but with the original piece of paper (which was roughly nine inches by seven and a half wide) now neatly cut into three strips (the top and bottom of which are two and three-quarter inches high, and the middle three and a half inches high). The text is extremely neatly written and entirely legible, and the whole easily repairable with archival tape. The whole of this long, interesting letter (thirty-five lines and a two-line postscript) is given over to the current craze for autograph collecting (for which see A. N. L.

Four pages, 12mo. Very good on lightly aged paper. She apologises for only sending 'two words of Sir Joshua Reynolds' writing', and hopes she may some day 'succeed in getting a more valuable autograph'. It was given to her 'by a great niece' of the artist, 'and was cut out of a manuscript of some work on Engravings, which he had prepared for the press'. They are glad to hear of Tuckwell's 1878 'appointment to the living of Stockton': 'I trust many years of rest and happiness are in store for you in that quiet retreat'.

Two pages, 12mo. Very good. A formal letter written in the third person. 'Lord Liverpool presents his compliments to Mr. Barker and in answer to your [sic] letter regrets that his father has been dead two years and therefore he cannot comply with Mr. Barker's request for his signature.'

Two pages, 12mo. Very good, on lightly creased paper. He is sending five autographs to add to her collection and is 'sorry not to have those of distinguished men of later dates but I am quite out of the service now'. Wonders if she knows his 'very dear friend General Nicholson who is living now at St. Andrews. He and his wife are among our dearest friends.' He 'saw the Godfreys last week - both well.'

One page, 12mo. Neatly mounted on card. Nine-line biographical newspaper cutting neatly laid down at foot. Ten lines from another newspaper cutting, relating to Madame Patti, at head. Reads 'Dear madam | I thank you for your flattering letter and subscribe myself, as you wish, | Yours truly | Henry Newbolt'.

One page, 12mo. Good, on aged and lightly spotted paper, but with blank verso showing traces of previous mounting. Nine-line printed biographical cutting laid down in top left-hand corner. Reads 'Madam, In accordance with your request I enclose my autograph'.

One page. On piece of paper four inches by three and a half wide. Good, on lightly creased and aged paper. Docketed in pencil at head. 'Dear Sir | I have pleasure in enclosing my autograph. | Yrs. truly | M. E. Kennard'. Scarce autograph of the woman described as 'Harborough's forgotten novelist' (J. D. Bennett, in 'The Harborough Historian', 2001).

The letter: one page, 12mo. Good, but with removal from mount having thinned the paper in places, and with traces of brown paper mount still adhering. He is sending the autographs of 'Henry Seton Merriman (Hugh Scott); Gertrude Atherton; Miss Fowler; and Douglas Sladen. Also a photo from Ted (not a good one, but the only one I have left).' He enjoyed himself 'so much' at Langford. 'It was a week of real enjoyment to me.' The fragment: one page, four inches by four and a half wide.

One page, octavo. Good, on lightly creased and aged paper, with a little wear at foot. Purple ink. He thanks him 'for Cheque safely to hand for the Autograph Album. There is no question abot the Collection being a genuine one.' Details the provenance from the artist H. W. Pickersgill, to Charles Kingsley, to Kingsley's brother. 'I bought the Vol at the latters sale -'. He will send the two letters 'and the Kingslake in the morning'. He has been 'laid up ill for some days'.

One page, 12mo. Very good. Docketed in pencil at head. 'I have no knowledge of Mr Tupper [presumably the poetaster Martin Farquhar Tupper, 1810-89] or of his address. I was in hopes that the madness of collecting autographs had subsided - but I am sorry to perceive, from your letter, that this is not yet the Case.'