MANUSCRIPT

See his entry, and that of his father Charles and wife Madame Vestris, in the Oxford DNB. 3pp, 8vo. Bifolium with mourning border. In fair condition, on lightly aged paper, with slight damage at head of second leaf, the blank reverse of which carries traces of glue from mount. Folded once. Madame Vestris had died two and a half months before the writing of this letter, which evinces a surprising intimacy. Begins: ‘My dear Mrs Williams / Here’s a pretty business! Was there ever such disappointment.

See his entry, and those of his father, wife and Kenney, in the Oxford DNB. 2pp, 12mo. On first leaf of a bifolium, the blank second leaf of which carries a thin strip of tape from the mount. In good condition, lightly aged. Folded twice. Good bold signature ‘C. Kean’. Begins: ‘My dear Kenney / Would you like a P[rivate]. Box or stalls next Friday, being the opening night of our season - I should like you to give a kind of notice of my past season and of my intended retirement from management next July, to which I shall refer in the parting words I purpose delivering according to the custom’.

See his entry in the Oxford DNB, which states that he had two children - Charles Horace Kenney and the actress Rosa Kenney - by his marriage to Miss Rosa Stewart at the Paris embassy in 1859. 4pp, 12mo. In good condition, lightly aged. On bifolium, with thin strip of tape from mount adhering to the reverse of the second leaf. Folded once. Sixty-six lines of text, addressed to ‘Dearest Wife’ and signed ‘Your affectionate husband / C. L.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, lightly aged, with strip of tape from mount adhering to reverse of second leaf and small pin holes to one corner. With two folds. Thirty-nine lines of text. The handwriting is a paradox; neat but difficult to decipher. Addressed to ‘My dear Mlle de [Schmidt?]’ and signed ‘Charles Lever’. He begins by claiming that the speed with which he accepted her ‘most kind & cordial invitation’ for her daughter is the best proof he can give of the value he attaches to it ‘& the sincere satisfaction it affords me’.

See his entry, and that of his son, in the Oxford DNB. The topic of this letter is referred to in the second volume of Dickens's edition of the son's life, 1879. 3pp, 12mo. Bifolium. In good condition, lightly aged, with strip of tape from mount adhering at edge of blank second leaf and two folds for postage. Addressed to ‘Dear Harley’ and signed ‘C Mathews.’ He begins by thanking him for his ‘kind enquiries’, and (with regard to his son the actor Charles James Mathews) writes that ‘Our dear good Charles thank God! is recovered, and writes in excellent spirits from Florence.

See her entry in the Oxford DNB, from which the scandalous recipient, a high-society fixer, is unaccountably absent. 4pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. Fifty-seven lines of text, sloping upwards. Addressed to ‘Mr Broadley’ and signed ‘Burdett Coutts’. The handwriting is difficult, and the following reading tentative.

See his entry in Encyclopaedia Britannica. 1p, 4to. In fair condition, lightly aged, with thin strip of discoloration at edge, and traces of glue from mount on blank reverse. Two folds. Addressed to ‘Sigr. Ministro del Brasile presso la S. Sede’ and signed ‘G Card Antonelli’. The signature is in Antonelli’s autograph, the rest is written out by a secretary, and laid out in the customary fashion, with the block of seventeen lines of text on the right side of the page.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, in trimmed windowpane mount, with a little light creasing and one fold. Addressed to ‘Dear Mr. Peacock’ and signed ‘Herbert Card Vaughan’. He is ‘greatly obliged’ to Peacock for his note which he has ‘read through with much interest’. He thanks him for publishing it in the Archaeological Journal, ‘where it occupies a public & as it were official position of authority. / God bless you’.

See her entry in the Oxford DNB. LETTER: 3pp, 12mo. Thirty-one lines. Bifolium. In fair condition, with slight staining at foot of first leaf, and traces of glue from mount on blank reverse of second leaf. In an elongated and somewhat opaque hand. Begins: ‘My dear Mrs. Hicks / I was exceedingly sorry to hear that Mr. Hicks had met with an accident on the day you left.’ What follows is hard to decipher, until she writes ‘I have much pleasure in forwarding to you the address of Jackson & Graham. It is No. 35-36 Oxford St.’ She praises ‘the selection he has of patterns’.

See his entry in the Oxford DNB. Wilfred Scawen Blunt’s assessment was brutal: ‘It is strange his poetry should be such poor stuff, and stranger still that he should imagine it immortal.’ And it is ironic that Austin may not have even written the lines for which he is now principally remembered, on the illness of the Prince of Wales: ‘Flashed from his bed the electric message came | He is not better, he is much the same’. 1p, 12mo. On the first leaf of a bifolium of good watermarked wove paper.

Eleven lines of closely-written text. 1p, 16mo. On recto of first leaf of bifolium, the verso of the second addressed in another hand to ‘F Chapuy / 6 Bis. Rue Rodier’. In good condition, lightly aged, with strip of tape from mount adhering to the second leaf. Folded once. Attractive vignette letterhead of illustration based around the letter W. Signed ‘Albert Wolff’. It will render him ‘un bien grand service’ if the recipient will act on his promise made when they dined together to place ‘un très brave et très digne garçon de mes amis’, as ‘il a besoin pour vivre’.

See his entry in the Oxford DNB. Although Windham was elected as member for the county of Norfolk in the general election of 1806, the election was declared void on petition. In fair condition, lightly aged, attached to neatly-trimmed border of windowpane mount. With creases from folding. Reads ‘Dear Sir, / I should have apprized you earlier that the Ballot for the Norfolk Petition is appointed for to day, when, I hope you may be able to make it convenient to you to attend / Your’s with great truth’.

See his entry in the Oxford DNB. Book: 351 + [1]pp, 8vo. In original green boards, with lettering on spine and monogram 'WG' on cover in silver. No dustwrapper. Worn copy, with foxed and grubby pages. However the front free endpaper, carrying the inscription is clean, and the inscription reads, 'Dear Arthur Lyne, / Herewith the novel at last, delayed a little beyond its natural season by the printing strike. / Again thank you for all the quite invaluable help and advice you gave me in this novel, from its inception right through to the finished article. I really am most grateful.

See his entry in the Oxford DNB. 1p, 12mo. On grey paper. In fair condition, worn and creased. Addressed to ‘Dear Miss Cond’, and signed ‘Winston Graham’. It was ‘nice’ to hear from her again, and he is happy to send her ‘the usual autograph’. ‘What a fine collection of first editions you must have. No, I didn’t know you ran a gift shop in Sidmouth. If I am ever in the town I will certainly call in.’

See his entry in the Australian Dictionary of Biography. Despite the Prince of Wales’s endorsement, the novelist Sally Emerson (b. 1954) proved to be the last editor of ‘Books and Bookmen’, which followed the suicide of the proprietor Philip Dosse of Hansom Books. (See her article ‘Death of a Bookman’, in Standpoint magazine, October 2018.) 2pp, 4to. On two leaves stapled together, the first with letterhead in blue ink with biblical quotation and illustration of a cross and a crown of thorns. Signed ‘T Noffs’.

See his entry in the Oxford DNB, and the entry for ‘scientist’ in the OED. Whewell first used the word in 1834 in the Quarterly Review, stating that ‘some ingenious gentleman proposed that, by analogy with artist, they might form scientist, and added that there could be no scruple in making free with this termination when we have such words as sciolist, economist, and atheist’. It is probable that the ‘ingenious gentleman’ is Whewell himself. 2pp, 12mo. On first leaf of a bifolium. In good condition, lightly aged, with the blank second leaf slightly damaged by removal from mount.

See his entry in the Oxford DNB. The recipient Philip Dosse (Summerson spells it ‘Dossé’) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. The five items are in good condition, lightly aged. The three letters signed ‘John Summerson’. ONE: ALS, 3 October 1973. 1p, 12mo. Two previous letters from Dosse were sent while Summerson was in Canada. ‘The book on Fischer von Erlach I will review with pleasure. I’m not sure that I want to do the Raj book as well – anyway, not in the same review.

See her entry in the Oxford DNB. ONE: ALS to Bagnall. 1p, 12mo. In good condition, lightly aged. Folded once. Reads: ‘Dear Mr. Bagnall. / How very kind of you to write me such a charming letter. I did appreciate all you said – thank you very much / Sincerely yrs / Sybil Thorndike’. TWO: ACS addressed to ‘Victor Jones Esq. / 83. Ravenhurst Road. / Harborne. / Birmingham.’ Signed ‘Sybil Thorndike.’ Aged and discoloured, with address side lightly stained. She is not sure whether she thanked him for his ‘sweet letter & card for Xmas -it was such a very kind thought & I must seem ungracious!

See his entry in the Oxford DNB. Slip of grey paper, 11 x 4 cm, cut from letter. In good condition, lightly aged, with central vertical fold and spotting on reverse (a few dots of which show through) from glue. Bold signature ‘Sydney Buxton’. Text on reverse: ‘[…] paper you thought [?] […] / or if too late for […]’.

Emerson’s novels have undergone a re-evaluation in recent years. The first six were republished by Quartet Books as ‘Rediscovered Classics’ in 2017, and in 2021 by Quadrant Books. ‘Books and Bookmen’ was one of a stable of seven London arts magazines owned by Philip Dosse (1925-1980) of Hansom Books. Emerson, who was the editor of the magazine at the time of Dosse’s suicide, has published an account of her time there: ‘Death of a Bookman’, Standpoint, October 2018.

See his entry in the Oxford DNB. Slip of paper, roughly 15 x 2.5 cm, cut from form. Somewhat discoloured by the glue with which it is laid down on irregularly-cut backing card. Good firm signature ‘Samuel Cooper’, followed by the lithographed word ‘Professor.’ in gothic script. See IMage.

See his entry in the Oxford DNB. In good condition, lightly aged, with light ink mark beside date. Folded for postage. The recipient’s Hampstead Garden Suburb address at foot. He thanks him for his letter ‘about my “usage and abusage” of the English language’. All he can do is ‘plead guilty, and hope that that plea will not prejudice the chance of you being prepared to forgive me!’ The word ‘prepared’ is underlined, and may be the cause of Collins’s complaint.

See the entry what was wrote about him in the Oxford DNB. The archives of the recipient, Vere Henry Collins (1872-1966), are now housed in the library at Yale. All four items signed ‘Ernest Gowers’ ONE: ALS, 27 June 1952. 2pp, 12mo. In fair condition, worn and spotted, with pin holes to one corner and short closed tear at edge of one of the two folds. Begins: ‘By all means. The more I look into your book the more I realise how true what I said was.

See his entry in the Oxford DNB. On 11 x 7 cm piece of grey paper, presumably cut from an album. In good condition, lightly aged, with traces of glue from mount on reverse. Reads: ‘Try & trust will move mountains - / J. M. de Robeck / 1919’. See Image.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including ‘Books and Bookmen’ and ‘Plays and Players’. 1p, 4to. In good condition, lightly aged and worn. Folded twice for postage. In autograph: ‘Dear Philip Dossé [sic]’ and ‘Yours sincerely / Richard Acland’. He begins by thanking Dosse for his ‘most generous letter’ with regard to his autobiography ‘Four Years Hard Labour’, and for the offer of a free advertisement in ‘Books and Bookmen’, continuing: ‘But how sad.

See his entry in the Oxford DNB. The recipient Philip Dosse (Hoggart addresses him as Dosse) was the proprietor of Hansom Books, which operated a stable of seven London arts magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. 1p, 4to. In fair condition, slightly aged, worn and creased. Folded twice. Signed ‘Richard Hoggart’ (‘Assistant Director-General (Social Sciences, Human Sciences and Culture)’. He presumes that the letter with the copies of ‘Books and Bookmen’ was delayed by the French customs.

The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and ‘Plays and Players’. 2pp, small 4to. Addressed to ‘Dear Philip Dossé’ [sic] and signed ‘Richard Ingrams’. He is enclosing ‘a rather rude review of the Clive James book for the June B & B’, and sends renewed apologies for missing the May issue. He will ‘do Thurber next’ and reminds Dosse that he still has ‘the biography of Thurber which you sent me many moons ago’: ‘Would it be too late to embrace that as well?’ He thanks him for ‘continuing to print the P.

1p, landscape 12mo. On ruled paper. In fair condition, but with traces of glue from mount from reverse, a strip of which shows through along the outer edge, not affecting text. Good firm signature, underlined: ‘Robert Leighton’. Clearly a response to a request for an autograph: ‘Dear Scout Sibson, / I have much pleasure in acceding to your wish. / Very truly yours / Robert Leighton’.

See his entry in the Oxford DNB. Slip of paper, roughly 18 x 2.5 cm, cut from form. Somewhat discoloured by the glue with which it is laid down on irregularly-cut backing card. Good firm signature ‘James Copland’, followed by the lithographed word ‘Professor.’ in gothic script, which is followed by ‘pro temp.’ in Copland’s autograph. See Image.

See his entry in the Oxford DNB. The two items in good condition, lightly discoloured, and each folded twice. Both addressed to ‘Doyne . C . Bell’. ONE (17 December 1886): 2pp, 12mo. On first leaf of bifolium. Signed ‘J. Callcott Horsley. He explains the reason for not writing sooner: ‘I waited to see how our wants were likely to be as to small pictures’. The picture that Bell describes ‘must be a very interesting one’, and Horsley would ‘much like to see it’.