BBC

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Robinson is concerned, as he sent 'the corrected proofs and copy of index some time ago – quite a fortnight, I should say': 'Have you not received them? Please wire on receipt of this, if you can find them: though I am afraid they may have got lost at this end, as several letters did lately.' If need be, he has 'duplicate proofs and could correct these sharp and I have rough copy of most of the index too'. If informed 'at once', he can 'set to work'. From the Grant Richards papers.

1p, 4to. In fair condition, lightly aged, folded twice, with staple holes to one corner. In envelope, carrying facsimile of Nixon's signature and printed 'Office of the Vice President | Washington', with typed address to 'Mr. Hugh Burnett | The British Broadcasting Corporation | Lime Grove, London, W. 12 | England'. The letter carries a good strong signature in black ink, with the merest of smudges coming outwards from the left-hand side.

JJohn Freeman's interview with Jomo Kenyatta was broadcast on 26 November 1961 in the BBC TV series 'Face to Face'. The present duplicated typescript of the interview is from the papers of the programme's producer Hugh Burnett, and is edited for publication in the book 'Face to Face | Edited and introduced by Hugh Burnett' (London: Jonathan Cape, 1964). 1p., foolscap 8vo. Headed 'JOMO KENYATTA', otherwise consisting entirely of the transcript, with no other details.

The present item is the producer Hugh Burnett's own copy of the transcript of John Freeman's interview of Cecil Beaton, broadcast in the BBC series 'Face to Face' on 18 February 1962. Duplicated typescript. 4pp, foolscap 8vo. Numbered, and headed 'CECIL BEATON', otherwise consisting entirely of the transcript, with no other details. Aged and worn, with punch holes for binder. On four leaves which were originally stapled together, but with the first and last leaves now detached. Page references 1-10 (presumably to a shorthand transcript) in the outer margin.

1p., 12mo. In fair condition, lightly aged, with slight damp staining. Addressed to 'Mr Brooks'. She is sending 'the script for you. It can, of course, be knocked about how you like. It is just a peg on which to hang things.' She reports that 'Collie' (i.e. Collie Knox) was pleased with Brooks's message, 'and sent most cordial ones back to you'. She concludes: 'We had an extremely pleasant lunch, and I shall look forward very much to meeting you again'.

A significant document in the history of BBC Television, casting valuable light on production practices and internal procedure in the years following the end of the BBC's television monopoly. From the papers of distinguished producer Charles Chilton (1917-2013), best known for his radio series 'Journey into Space' and association with the Goon Show. The present item relates to the first of the BBC Television Training Courses.

In fair condition, lightly aged, with punch holes for ring binder. Addressed to 'John M[?] Esq. | (Far Eastern Section) | B.B.C. | 200 Oxford St | London W'. Text reads 'Alas, I have been ill with a virus infection and am going to France for a holiday with Henry, who has been ill too, and I don't think I had better undertake anything. Can I leave it till I come back – that will be at the end of September? | R. W.' In addition to two date stamps and a reference number the card carries two initialled manuscript notes on the address side.

See Knox's obituary, Times, 4 May 1977 (which refers to 'some passages at arms' he had at the BBC with Sir John Reith). 3pp., 4to. In good condition, lightly aged, with minor staining from paperclip. An interesting glimpse into the world of Fleet Street 'big salaries' during the war period. He begins: 'My dear Collin Brooks, | A letter such as yours, from a man such as yourself for whom I have so strong a personal, and professional, regard comes as a gleam of blue in a darkish sky.' He proceeds to bemoan his sacking by the Daily Mail: 'Yes, it is a bad business.

1p., 4to. In good condition, lightly aged. Signed 'Cyril Joad'. Written in the same month as Britain and France had declared war, the letter begins: 'I don't know whether you are still running the Sunday Dispatch, but if you are, how about an article on the philosophy which underlies the Nazi rule in Germany?

Printed in black ink on both sides of a 13.5 x 8.5 cm postcard. In good condition, lightly aged and worn. Inscription reads: 'To F J Watt. | With best wishes | Tomasini | Feb 29/37'. The inscription is written on the photographic portrait of 'ALFREDO TOMASINI' (head and shoulders shot in suit and tie, looking dreamily upwards), which is captioned: '(Canadian baritone,) for the past nine years has been singing leading roles in the principal Opera Houses of Italy; Covent Garden, London; State Opera Houses of Finland, Latvia, and Estonia; and the Royal Opera House, Malta.

1p., 4to. She is 'very happy that RHODES gave you pleasure when you so badly needed it'. She hopes she will 'use your play in any way you wish. I hope it will go very well. It should.' She points out that there is 'a film made from the book - not much to my liking'. The letter ends: 'I hope your eyes are well again.'

ONE: ACS ('R Power'). 29 Devonshire Street, London. No date. In pencil (as Item Two). Addressed to 'Mrs B. I Magraw | Ash | Canterbury'. In fair condition (as Item Two), lightly aged and worn. Begins, on the subject of a proposed children's script for BBC radio: 'Will you go ahead with Akbar? I am in a nursing Home pro. Tem – small sudden operation – septic tonsils & will be incapacitated for a fortnight.' She reassures her about the script: 'I know you'll do a good job.

2pp., 4to. Forty-four lines of text. She thanks her 'for returning the plays, and thte nice things you say about them'. Mitchison's entry in the Oxford DNB has no reference to her working for the BBC, but from the context of the letter it is clear that she wrote scripts for radio broadcasts for children. Regarding the BBC she suggests that Magraw writes to 'Miss Edith MacQueen, and if I were you I think I should write out one or two synopses of broadcasts which you propose to do'.

2pp., 12mo. In fair condition, lightly aged and worn. He has learnt with 'the deepest regret' of his 'old friend's passing'., and sends his condolences. He will be unable to attend the funeral service, as he had 'a bad fall & fractured two ribs'. He concludes: 'Herman was a great fellow, & nobody will ever replace him -'. Finck's 'In the Shadows' was one of the last songs played as RMS Titanic went down.

1p., 4to. In good condition, lightly aged. Although '[w]ords at these times seem rather empty things', he feels he must write to express his sympathy on her loss: 'To know dear Herman as I knew him, was to love him - & I am ,mindful of many happy times we had together & many kindnesses he has shown me'. He asks her to be consoled by the fact that Finck 'leaves behind him a fine reputation & a grand record of service'. According to a contemporary account: 'Joseph Lewis, senior conductor of the BBC, was born in Brierly Hill Staffs, in 1878.

1p., 4to. In fair condition, on aged and lightly-creased paper. Reads: 'Dear Mrs. Finck, | Mrs. Wood and I deeply regret to hear of the Passing of Herman. | Please accept our deepest Sympathy.' The word 'Ans'[wered]' is written at the head. Finck's 'In the Shadows' was one of the last tunes played as RMS Titanic went down.

Script, titlepage plus 6pp., folio, folded, very good condition. Converstaional interchange between "Announcer" and Herman Finck with background (and foreground) of Finck's songs, starting with "In the Shadows" and with Finck giving the history of the song. Finck "asks" John Rorke to sing 'The Constant Lover@ and teslls a story about the revue, Then comes Rorke singing "Gilbert the Filbert" with Finck narrative, followed by anecdote about soldiers singing one of his songs. Betty Huntley-Wright then sings "To Make a Man of you".

The Clarke family ran the Argyle for fifty years from 1890 to 1940, during which period it was one of the best-known provincial theatres. It opened as the Argyle Music Hall in 1868, and between 1876 and 1890 was named the Prince Of Wales Theatre, being used mainly to stage plays. In 1890 the focus returned to music hall and variety and it was renamed the Argyle Theatre. Its archives are in the University of Sheffield. 2pp., 12mo. In fair condition, on lightly-aged paper, somehwhat grubby and creased at foot of leaf.

The six items in fair condition, with light signs of age and wear. The four letters all with Morley's expansive signature ('Sheridan Morley').

Two pages, 8vo, good condition. His correspondence reports a "chapter of misfortune" only to be capped by Belfrage's information about his father's cancer, brother's ulcer [Cedric Belfrage, alleged Soviet spy] and son's sending hom from school because of an outbreak of "infantile paralysis2. "All this made me forget to draw your attention to a broadcast discussion on the film industry which I chaoired at Cardiff last Saturday.

1p., 4to. Sixteen lines of closely-written text. The letter begins: 'On my return yesterday from a lecture tour in America I happened to hear of the series on Mahatma Gandhi that you have compiled, with Maurice Brown, for the Third Programme.' He complains that, although Watson had previously had his assurance that he was willing to participate in such it programme, it is 'rather hurtful to find that you have evidently decided to cut me out of the programme.

The duplicated typescript of the play is 79pp., folio, on 79 leaves attached with a stud. Aged and worn, with slight staining to early leaves. Accompanied by a BBC compliments slip, with the typed name of the play's producer Shaun MacLoughlin. Also present is a BBC postcard, with short typed message dated 26 July 1979: 'We are sorry but there is nothing in print for the play "Shadowfall".' A carbon copy of the typed letter from Mrs. D. G.

[2] + 170pp., 8vo. On 172 leaves, held together by a steel stud. In good condition, lightly aged, with discoloring to first leaf and the last seven leaves dogeared. The names of the crew are given on the first covering page, and the cast of characters (but not the names of the actors playing them) on the second. An interesting artefact, indicative of the continuing reassessment and reinterpretation of the works of one of Britain's great writers.

ONE: Elkin Mathews catalogue. xii + 125pp., 8vo. 776 items, with a number of facsimiles. In grey printed wraps. Internally in fair condition, on aged paper, cocked at foot, in heavily-worn wraps with repair to rear cover. Containing numerous annotations in Senhouse's close, neat hand, mostly in pencil, giving bibliographical information relating to various entries, with reference to his own collection. Next to the entry for a first edition of 'English Bards and Scotch Reviewers' Senhouse writes: 'my copy "H S" Sold to Quaritch'.

ONE: Typescripts of 13 radio talks. 65pp., 4to. On loose leaves. Titles: 1, 'Our Earth in Space'; 2, 'Dreams of other Worlds'; 3, 'Rockets into Space'; 4, 'Man-made Moons'; 5, 'Man in Space'; 6, 'Space Research and Ourselves'; 7, 'Contact with the Moon'; 8, '"One small Step . . . ."'; 9, 'Space Stations and Lunar Bases'; 10, 'Mariners to Mars'; 11, 'Into the Hot Regions'; 12, 'The Grand Tour'; 13, 'Flight to the Stars'. TWO: Typed Note, signed on behalf of T. Van Heerden, Head of External Services, SABC. 16 March 1972.

Collection of eleven items. In fair condition, lightly aged and worn. ONE: Typescripts of 13 radio talks. 65pp., 4to. On loose leaves. Titles: 1, 'Our Earth in Space'; 2, 'Dreams of other Worlds'; 3, 'Rockets into Space'; 4, 'Man-made Moons'; 5, 'Man in Space'; 6, 'Space Research and Ourselves'; 7, 'Contact with the Moon'; 8, '"One small Step . . . ."'; 9, 'Space Stations and Lunar Bases'; 10, 'Mariners to Mars'; 11, 'Into the Hot Regions'; 12, 'The Grand Tour'; 13, 'Flight to the Stars'. With a few manuscript emendations by Moore in black felt-tip pen, and other editorial emendations.

1p., 4to. On creased and lightly-aged paper, with wear and chipping to edges. She thanks him for his letter 'and for your offer of original potrait drawings by yourself', in which she was 'greatly interested'. She explains that there is a limitation of space, 'and as a general rule we are exhibiting portraits only when we can associate with them some other relic or possession of the writer concerned'. In response to 'our appeal' she has received 'souvenirs of past writers, and I am concentrating on these. This being so, I feel I must very reluctantly decline your interesting offer'.

2pp., 12mo. 36 lines. She begins by accepting an invitation to give a talk to Wiener's 'Society', about which she has 'hears so much'. She is 'honoured to add my name to such a distinguished roll of speakers'. She next explains why she believes radio to be 'infinitely superior to TV'. She next turns to 'Mr. Sieveking's adaptation', which she considers 'very clever, as he had to leave out the descriptions which formed such an important part of the book. He allowed me to see and criticise all his scripts, too. I'm so glad you are liking the result. Isn't the signature-tune pleasing?

Eight items, in good condition on aged paper, with the three photographic illustrations darkened. In blue card folder. ONE: Mimeographed typed biography of 'Ronald Victor Brian Branston'. On BBC Press Service letterhead; May 1965. 1p., 4to. TWO: Mimeographed typed 'Who's Who'. 2pp., foolscap 8vo. With entries on nine balloonists (from Albert van den Bemden to Anthony Smith, and including Charles Dollfus, 'curator of France's air museum') and two passengers. THREE: Mimeographed typed 'Topographical Background'. 2pp., foolscap 8vo.

[1] + 23pp., foolscap 8vo. On 24 leaves attached in one corner by a metal stud. The title page carries the reference TM144D, and states that the producer was Cleverdon, and gives times of transmission, rehearsal and recording, with 'R.P. REF. NO.' and the details of the secretary who typed out the document. The piece was narrated by Barker, with the 'Speakers' are named as Burns, Carter, Crook, Crutchley, Meynell, Pollard, the Stones and Warde.