BBC

There were around thirty ‘Paul Temple’ radio serials between 1938 and 1968, along with four films, a dozen books, a television series and a newspaper cartoon strip. Despite obituaries in the major British newspapers Durbridge has not been granted an entry in the Oxford DNB. On 14 x 5.5 cm piece of light-blue laid paper, cut from a typed letter. In good condition, lightly aged. Good clear signature. Reads ‘Thank you for your nice poem - / Best wishes to Dave. / Francis Durbridge’.

See her entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 1p, small 4to. In good condition, lightly aged and creased. Folded.. Signed ‘Marghanita Laski’. She had no fears about the cheque for £50 he has sent: ‘I knew it would turn up.’ She thanks him for offering her ‘some reviewing.

From the Macqueen-Pope papers. His entry in the Oxford DNB describes how, in the 1950s, he was ‘in demand as a lecturer on the theatrical subjects he loved, and he appeared often in the same capacity on radio and on television. Ironically he regarded these two forms of public entertainment, and television in particular, as representing a serious threat to the survival of theatre, about which he cared passionately’.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Known by his nickname ‘Popie’, Macqueen-Pope was widely regarded as the leading theatre historian of his day. His many books (from histories of individual theatres to a biography of Ivor Novello) sold well, and his broadcasts on the BBC were extremely popular. Eighteen items, providing something a glimpse of his working methods. The last two of the eighteen items are TLsS to MP: one from the editor of ‘Everybody's’ Greville Poke (also see his Oxford DNB entry), and the other Pauline Carter, ‘EDITORIAL’.

From the papers of theatre historian Walter James Macqueen-Pope (1888-1960). (See his entry in the Oxford DNB.) The three items are in fair condition, lightly aged and worn. Her two letters are pinned together. The letter to Kerby has the large and firm signature ‘Suzette Tarri’; the letter to Horsfield is evidently signed ‘Suzette Terri’ on her behalf by her husband. ONE (ST to P. W. Kerby): 23 January 1944. Letterhead of ‘“Suda” / 25 Manor Drive, Southgate, N. 14’ (‘SUZETTE TARRI / RADIO COMEDIENNE / WITH / DAVID JENKINS / THE POPULAR PIANIST-VOCALIST’). 1p, 4to.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) On 20 October 1922 Millais broadcast on 2LO radio, becoming the first comedian on what was later to become the BBC. In a performance on 21 November 1922 she became the third entertainer to appear on the week-old BBC. All three items in good condition, lightly aged, though the autograph letter has pin holes to a corner, and the typed letter rust from a paperclip. Both letters signed ‘Helena Millais’. ONE: TLS. 3pp, 12mo. Having met him ‘at various C.A.A. evenings, she asks him for advice about several books.

See the two men’s obituaries in The Times. 1p, 12mo. With thin mourning border. On aged and creased paper, with nicks and closed tears to edges, and slight loss at one corner. Folded twice. He is enclosing a programme for ‘Foundations of Music / Tuesday, March 26th’, ‘in which you are taking part’. He gives the time for ‘The rehearsal and balance test’. ‘Both transmission and rehearsal at Broadcasting House.’

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 16mo. Signed ‘Bill Owen’. In fair condition, lightly aged and creased. Hailing him as ‘the greatest living authority on British Theatre’, he asks for advice. ‘My job is acting, and it has always been an ambition of mine to portray the life of Dan Leno, either on film or TV.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once. Reads: ‘Dear Mr. Dean, / According to your request, I enclose a signed photo of myself for your collection. / With best wishes, / Yours sincerely, / Peter Gellhorn.’

The material collected here is perhaps unique: it is not clear whether any material relating to Macqueen-Pope’s BBC broadcasts has survived elsewhere. It is hard to overestimate the significance of ‘Popie’ to the history of the London stage. Other items from among his papers offered seperately attest to the regard in which he was held by both actors and those behind the scenes, as the foremost chronicler of a cherished era that was quickly passing into oblivion.

Berry was hugely popular during the Edwardian period and into the First World War. His greatest success was as ‘Mr Meebles’ in ‘The Boy’ (1917). See the recipient’s entry in the Oxford DNB. Both letters signed ‘W. H. Berry’, and the second with long postscript on separate 12mo leaf signed ‘W. H. B’. In fair condition, aged and worn. ONE: 30 December 1947. 4pp, 4to. ‘This letter will be quite a “rat-tat from the past” (as Geo. Graves used to say), & its many a long year since I last saw you - & much has happened since “those were the days” & carriages were at 11.

The present item is producer Hugh Burnett's own copy, from his papers, of the transcript of Stevenson's interview with Freeman, broadcast in the groundbreaking BBC television series 'Face to Face' on 22 July 1959. The single-spaced typed transcript was produced for inclusion in Burnett's book 'Face to Face / Edited and introduced by Hugh Burnett' (London: Jonathan Cape, 1964), and is marked up with printing instructions in pencil and red ink, with a few proof corrections in pencil and green ink. 2pp, foolscap 8vo, on two leaves.

The present item is producer Hugh Burnett's own copy, from his papers, of the transcript of John Freeman's interview with Harding, broadcast in the groundbreaking BBC television series 'Face to Face' on 18 September 1960, a few weeks before Harding’s death on 16 November 1960. Harding’s entry in the Oxford DNB states that, ‘in radio programmes such as The Brains Trust and Twenty Questions, and on television in What's my Line?, Harding became a great popular figure, especially of television in which he was probably the best-known performer in the country.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged, with slight creasing to one corner. Folded once. In addition to the signature ‘Stanley Rous’, the salutation ‘Dear Max’ is written in Rous’s autograph. (Robertson’s full Wandsworth address is typed out at the head.) The note reads: ‘The enclosed translation of an article which appeared in a Continental newspaper has just been handed to me. I sent it on at once, in case it is of help to you.’ See image

Ten items relating to Percy Nash’s unsuccessful attempt to turn Goldsmith’s ‘She Stoops to Conquer’ into a musical, casting light on English theatre production practices in the immediate postwar period. Despite interest from the theatre impressario Jack Gladwyn, the project stalls. Percy Nash (1868-1958), who made around 70 films between 1912 and 1927, was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'.

According to Barry Took’s entry on Constanduros in the Oxford DNB, ‘The Buggins Family’ was ‘the first radio family’, and she played all six parts, writing and performing in more than 250 episodes between and 1928 and 1948: ‘The popularity of the family was such that the Ministry of Food used Mrs Buggins to broadcast recipes during the Second World War.’Constanduros is also credited with having written more than one hundred plays. The recipient of these two letters, 'Miss Booth', is clearly her agent. Two items, the first in good condition and the second fair, on lightly discoloured paper.

Williams, who has an entry in the Oxford DNB, became a close friend of Spalding and her sister Anne after lodging with their parents during the Second World War. The present item is a transcription, made and printed out around the 1980s, of the 1961 radio programme, on one side each of 34 numbered pieces of A4 paper, loosely gathered by a black plastic spine.

See his entry in the Oxford DNB. 20 x 25 cm lithograph in pink, white and black. In good condition, lightly aged. An attractive item, suitable for framing. Head and shoulders portrait of a dapper bespectacled Hall, with parted greased hair, in white tie, staring at the viewer. Across his shirt, Hall has written in green ink ‘Best Wishes / Henry Hall’. Captioned at bottom left: ‘HENRY HALL / DIRECTOR, B.B.C. DANCE ORCHESTRA’; and at bottom right: ‘Presented with “Radio Pictorial,” / No. 1, January 19, 1934’. See image.

Wardle worked as Kenneth Tynan’s deputy on the Observer between 1959 and 1963. Wynne-Rushton had published a play titled ‘The Gull’s Way’ in 1930, and a book on the papacy for Catholic publishers Burns, Oates and Washburne two years later. 2pp, 4to. In fair condition, folded three times, with wear and loss along one fold line of the second leaf, resulting in loss of a few words of text. Signed ‘Irving Wardle’ and addressed to ‘Dear Mr. Rushton’, identified as G. W. Wynne-Rushton by associated correspondence.

For information on Cleverdon, see his entry in the Oxford DNB. The recipient is the subject of an obituary by Nicolas Barker in the Independent, 18 March 1997. 2pp, 8vo. On tastefully-printed letterhead (Cleverdon’s shop sign was by Eric Gill) headed ‘DOUGLAS CLEVERDON / WISHES TO BRING TO YOUR NOTICE’, and printed in the same font (as is the order form on the reverse) at foot: ‘The order form on the reverse of this sheet should be sent to / THE BOOKSHOP OF DOUGLAS CLEVERDON / 18 CHARLOTTE STREET, BRISTOL, ENGLAND’. in fair condition, a little creased.

The present item is the producer Hugh Burnett's own copy, from his papers, of the transcript of John Freeman's interview with John, broadcast in the groundbreaking BBC series 'Face to Face' on 15 May 1960. This single-spaced typed transcript was produced for inclusion in Burnett's book 'Face to Face / Edited and introduced by Hugh Burnett' (London: Jonathan Cape, 1964), and is marked up with printing instructions in pencil and red ink, with a few proof corrections in green ink. 3pp, foolscap 8vo, on three leaves stapled together.

Page extracted from autograph album, 15 x 10cm, right edge rough, ow good condition. See image. The inks (green particularly) don't respond well to the camera.

Maschwitz wrote the lyrics to 'A Nightingale Sang in Berkeley Square' and 'These Foolish Things', and was nominated for an oscar for co-writing the screenplay of 'Goodbye, Mr Chips'. See his entry in the Oxford DNB. 2pp, 12mo. Twenty-nine lines of text. In fair condition, lightly aged. Folded once. Maschwitz begins by congratulating him 'on a really enthralling book! Loved every page of it!' With reference to Sir Herbert Beerbohm Tree, he explains that the previous day he 'had a talk with old Dennis Grayson who with Mrs Corey Wright is one of Tree's executors.

'Plato and his Dialogues' was Lowes Dickinson's last book. It was warmly received on its posthumous publication, with its contemporary relevance recognised. In a review of May 1932, the Classical Association's journal 'Greece and Rome' declared: 'Here is material for the most exciting and stimulating discussions'. The same review said of the BBC series on which the book was based: 'if all such talks could have so happy an issue, wireless might be said to have justified itself'. And in October 1932, in another BBC radio talk, Lowes Dickinson's literary executor E. M.

2pp, 12mo. On aged and creased paper, with two torn spike holes resulting in loss of a few letters of text. Date stamp on reverse. The recipient is not named, but is presumably the BBC producer Terence Dudley (1919-1988). Writing three months before his death, Strong begins the letter: 'My dear Terence, | How very kind of you! I [d]on't have any dignity in such matters! and I'd love to have a go, whether live or recorded.

Contemporary duplicated typescript, from the Christopher Fry papers. 14pp, 8vo. Each page on a separate leaf. In fair condition, lightly aged. Fry's introductory talk is present in its entirety on pp.1-5, this is followed by an unpaginated page, then pp.8-15 with p.[10] also unpaginated. Hence p.6 or p.7, beginning the extracts from the play, would appear to be absent. On the front page, between the heading and transmission details is: 'Rehearsal: Thursday 4th June 1953: 10.00 onwards | Recording: Thursday 4th June 1953: 12.15 - 1.00 p.m. 3A | Recording of Insert: [BLANK]'.

3pp, 4to, each page on a separate leaf. In fair condition, lightly aged and worn. Folded once. There is no indication that either item was published, nor even that the poem is connected to the 'programme'. (If unpublished the poem may have found its way into Fry's papers from Hassall's.) The 'programme' - with no title or heading - is two pages long (with slight damage from a small staple to corners of both leaves) and complete, being divided into six numbered sections.

Tiller's entry in the Oxford DNB explains the background to this poem. In 1939 he 'went to Cairo to teach English literature and history at Fuad I University. During the Second World War he became closely associated with the group surrounding Personal Landscape, a review in the Middle East that had been founded and was edited by Lawrence Durrell, Robin Fedden, and Bernard Spencer'. Two items, both in good condition, lightly aged. ONE: Autograph Draft of the poem, in pencil, with numerous deletions, emendations and rubbings-out. 1p, folio.

14 + [1]pp, 8vo. Stapled eight-leaf pamphlet. Publishers' slug on reverse of final leaf. In good condition, lightly aged and worn. Scarce: no copy at the British Library, and the only copy located on OCLC WorldCat at Princeton. A pleasing memento of a grand affair, attended by a host of dignitaries, including Princess Margaret, the Prince of Wales (who read the first lesson) and Betjeman's publisher John Murray (who read the second lesson).

Joad's rise and fall are admirably described in Jason Tomes' entry on him in the Oxford DNB. The present letter was written after the disgrace which followed his 1948 conviction for fare-dodging. Not only was Joad dropped from the programme which had made him a nationwide celebrity, 'The Brains Trust', as a result, but his well-founded hopes of a peerage were dashed. It is interesting to note from the present letter that Joad continued to work for the BBC after his disgrace. The letter is 2pp, landscape 12mo. In fair condition, aged and creased, with two punch-holes at head.