MANUSCRIPT

1p., 16mo. Bifolium. In fair condition, on aged and lightly-creased paper. Anotated in pencil 'From Mr. Morier' and 'Castellamare | 1830'. Addressed to 'Dear Roberts'. Begins: 'If you are a good fellow do come and dine with us today at 3. I know it is short notice, but our table holds only a certain number.' Also asks him to join a party to visit Pompeii the following Friday, which also includes 'Parkes who dines here'.

ONE: Spirit Stock Book. 116pp., 4to. Internally in good condition, on aged paper, in heavily-worn cloth binding, with worn paper label on front cover. (The purpose of the book is given in the description of Item Two, below.) Detailing the sale (or return?) of spirits, exclusively to Samuel Webster & Sons, between 1910 and 1950. The entries on each page are divided into eight printed columns: 'Date when the Spirits were Sent out', 'No.

The collection of 37 items (35 publicity items and two cables) is in good condition, in a blue card folder. The following description is divided into seven parts. ONE: 22 issues of the 'Philatelic Release' of the 'information Service | Post Office Department', dating from between 22 October 1965 and 11 June 1966. Totalling 51pp., 8vo. An incomplete run. Giving information relating to the new releases of stamps, including 'the John F.

1p., 12mo. In fair condition, with light signs of age. Addressed to 'My dear Percy' and headed 'Love's Strategy'. Regarding the play (which was based on Goldsmith's 'She Stoops to Conquer') Littler writes: 'I don't think the idea appeals to me very much, and I am not going to do any more productions in the West End until after Christmas.' He gives his phone number, writing that he would 'be very pleased to see you or have a word with you'. In the carbon of Nash's letter (dated 27 May 1948) he writes that he has 'not messed about with the Author.

On 6.5 x 12 piece of ruled paper. In good condition, lightly aged. Reads 'With Compliments Sophie Tucker 1936'.

The collection consists of around 140 items, and is in good condition, with light signs of age and wear. It includes two drafts of the play, correspondence with librettist and composer, agents, the syndicate backing the play, a disgruntled contributor, solicitors, theatre managers, and also includes returns, receipts, accounts and projections.

Six of the letters are in autograph, the rest are typewritten, as are the carbons of the five letters from Tauber. Letters and copies total 49pp. All substantial letters, with content. The following description is divided into four parts. ONE: Thirteen letters, and a copy of one by Tauber, dating from between 1932 and 1934, all relating to the film industry. Correspondents are: Crescendo Theaterverlag, Berlin (regarding 'Die Dubarry'); Sonor-Film-Verwertungs, Berlin; Bosna-Film, Zagreb; Slaviafilm, Prague; and five letters, all from 1934, concerning the film 'Blossom Time', from the firm B.

The four items in fair condition, on lightly aged paper. Typed on rectos only, and with all three attached with brass studs. From the Percy Nash papers. ONE: 'Cinders | A Tabloid Version of a Famous Story' [ retitled in manuscript from 'Cinderella | A Fantasy in Two Parts'. 16pp., 4to. Characters include 'The Baron Orpington . . . A Henpecked Old Bird' and 'Prince Ministroni . . . The Broth of a Boy'. With a few minor manuscript changes. Referred to as 'our Pantomime' in the finale. TWO: 'Sweet Cinderella| The Flower of the Family | Potted by | Percy Nash'. 9pp., 8vo.

The material, from the Percy Nash papers, is in fair condition, with light signs of age and wear. It is arranged in the following description in ten sections. ONE: Two drafts of an autobiographical account by Nash, ending in 1933. Both 2pp., 4to. The first is headed 'Percy Nash' and the second 'PERCY NASH. born December 5th 1868'. Of interest are the following statements: 'Owing to indisposition of Harry Loveday, was engaged by Sir Henry Irving to Stage Manage (associated with Laurence) the production of "Robespierre" at the Lyceum Theatre, and remain with him for several years.

The signature is part of a frank, and is on an 8 x 13 cm piece of grey paper cut from the front of an envelope. In fair condition, on lightly-aged paper. Reads: 'To/ | His Lordship | Baron Willoughby de Eresby | Lord Chamberlain of England | &c &c | 142 Piccadilly | Count Schimmelpenninck'. Schimmelpenninck was Dutch envoy in London between 1846 and 1852.

38 items, in fair condition, lighty aged and worn. The main item is the complete score, containing all the parts, on 12pp., folio, and signed at foot of last page: 'New Theatre | April 4th. 1920 | Henri Lucas'. This is accompanied by 37 parts for separate instruments, each 4pp.in a 4to bifolium. According to the British Film Catalogue a film by the title 'The Golden Ballot' appeared in 1920.

On 12.5 x 9 cm piece of cream paper. In good condition, with light signs of age. Boldly written and underlined, at the top of the page, reading 'Eric Linklater.' No other writing on either side of the leaf.

On 4.5 x 13 cm piece of paper, cut from a letter. In fair condition, on aged paper, with slight damage (not affecting signature) at outer edges caused by removal from album. Reads: 'Yrs truly | G Bancroft'.

PLAY: 108pp., 4to. On rectos only. Attached with green ribbon in card folder. Information about characters given in manuscript. In fair condition, on aged paper, in aged and worn folder. LETTER: 2pp., 12mo. Signed 'Arthur Morris'. On aged and creased paper. Presumably referring to his collaborator, he begins the letter: 'Fred writes to say that you have a friend, who might be interested in our Play. It is kind of you to bother. I still believe in the poor old play, but we had a nasty shock when Edward abdicated!

1p., 16mo. Eleven lines of text. On aged and worn paper, with central closed tears unobtrusively repaired with archival tape. A warm letter of thanks, with valediction 'Mille choses affectueuses à tous les vôtres'.

Both items in good condition, on lightly-aged paper. ONE: Typed playscript. 85pp., 4to. Typed in black and red on rectos only. Typed by May Hemery of London. Bound into black card covers, with label on front. TWO: Typed Note Signed to theatre historian W. J. Macqueen-Pope from 'Evelyn Dagnall', i.e. the dramatic critic Mrs T. C. Dagnall.

1p., 12mo. In fair condition, lightly aged and worn. Good firm signature. Written in response to a request for an autograph, and reading 'if you wish | Your's sincerely | Henry Bentinck'.

1p., 16mo. In fair condition, on aged paper, laid down on damaged leaf from album. At head, in another hand: 'for Saturday'. Reads: 'My dear Sir: | I shd. feel greatly obliged if you could without inconvenience to yr interest, give me a box, any night this week, to see King Lear.' At head is note in another hand (see below): 'for Saturday'. From the collection of Macqueen-Pope, who has written at the foot of the leaf on which the letter is mounted: 'To Chas Kean Princess's Theatre | Note at top, either by CK or Massingham the boxoffice m[ana]g[e]r.'

Both in good condition, on aged paper. ONE: 2pp., 4to. He reminds Macqueen-Pope that two years previously he was 'kind enough to receive me at your Office and, after a long and most interesting chat on things theatrical (over an hour, as I recall!) you wrote into my copies of your "Drury Lane" and "Carriages at Eleven" two very greatly appreciated inscriptions, by way of friendship'. He now has his 'delightful "Gaiety" and splendid 'Haymarket", and asks for 'another pow-wow' at 359 Strand.

[2] + 29pp., 4to. On rectos only. Heavily-aged and worn, with some damp staining, stapled, with remains of grey front cover and last leaf loose. With numerous emendations to almost every page. Ends abruptly on p.29. A fast-paced comedy, with a seance connecting past and present. Two exchanges: 'Bobbie. I suppose you're going to wear tights again? | Maud. Well, I've a ripping good reason for doing so - two, in fact.' and (during the seance): 'Nerea. Dance for me, I pray you, Oh embodiment of lissom grace. | Bobbie.

On one side of an 11.5 x 15 cm piece of paper. In good condition, on lightly-aged paper, but trimmed at foot, cropping the lower part of signature and year. He is 'concern'd to hear' of his brother's illness, and would have visited him, had he not himself been labouring under a 'fit of ye cold since my retun to ye Country'. He intends to go to Llanfochell at the end of the week, and to send one of his curates to 'make Good yr. service I intended you in my own person'.

1p., 8vo. In fair condition, lightly aged. He begins by thanking Macqueen-Pope for a 'kindly reference' to him in his 'admirable book about The Gaiety'. He has noted a reference to 'Henly' in the index, and identifies this figure as Edward John Henley, brother of William Ernest Henley, whose poem 'Ballade of Dead Actors' he transcribes. He explains that Henley stayed some time in America after going there with a production of 'Deacon Brodie', a play by his brother and R. L. Stevenson, 'and, in 1897, I made my first production, "John Gabriel Borkman," in New York, with E. J.

108pp., 4to. On rectos only. In brown card covers. In fair condition, lightly aged, with bottom of front cover (probably pr`eviously carrying agent's details) cut away. 'RELUCTANT HEROES' is typed onto the cover, with 'by | Colin Morris' added in manuscript (probably by Morris himself). The play, Morris's most famous farce, was acted in London in 1950 (published version by the English Theatre Guild in the following year), and turned into a film, with a script by the playwright in 1951.

1p., 12mo. In fair condition, on aged and worn paper. Another hand - presumably that of the recipient - has written the word 'Printer' at the head of the page, and docketted the reverse 'Maginn | with Lockharts Greek Bubble' (the anonymous poem 'The Greek Bubble', published in 1826, is in fact said to be the work of J. Thompson). The letter reads: 'Dear Sir | Inclosed is a review of a poem by a friend of mine, who I believe is an acquaintance of yours. If you could make room for it tomorrow, you would much oblige me. Arrange the review yr. own way.

1p., 4to. In good condition, lightly aged. Nash is named on the letterhead as the Association's president, and Morgan as Honorary Secretary and Treasurer. The letter begins: Dear Percy / | For various reasons we did not get a largely attended meeting on Friday, but the better feeling between members seems still to grow.' Nash's 'protracted illness' has clearly necessitated his stepping down as president, and '[a]fter considerable discussion it was decided to ask Pearson & Elvey [i.e. George Pearson (1875-1973) and Maurice Elvey (1887-1967)] to be President & Vice with myself to continue'.

2pp., 12mo. In good condition, on lightly-aged paper. He thanks him for his 'most generous & warming letter' about his 1927 comedy 'The Fanatics'. He has not answered sooner as he was 'suddenly caught up in some very hectic & engrossing rehearsals for "Rhinoceros" at the Court Theatre'.

ONE: Typed playscript. 64pp., 8vo. Typed in purple ink, on rectos only. In pink card 'Ludgate File', with white typed label on front cover: 'THE FAIRYLAND EXPRESS'. In fair condition, aged and worn, with the leaves bound in with a rusted metal bar. Initial blank leaf with ownership inscription: 'Jack Denton | 12 Montague Road | Richmond | Surrey', as well as 'Mr Percy Nash | see phone'. The first page gives Denton's typed address as '25 Monmouth Road | Watford', and lists the cast, headed by 'Prudence . . . a little girl from Kensington', and 'Eric' and 'Marjorie', who are 'Her cousins . .

All four numbers in good condition, in original grey printed wraps. Totalling 79pp. (No. 3 paginated 23-46; No. 4 paginated 47-66; No. 6 paginated 85-108; No. 14 paginated 221-231). Broster is named as editor of the last number, the others giving no information.. For more on the magazine, see Kristin Ewins, 'A History of Fritillary: A Magazine of the Oxford Women's Colleges, 1894–1931', Notes & Queries, 2008.

1p., 8vo. In fair condition, on aged and worn paper. He thanks him for thinking of his birthday, and taking the trouble 'to bring me that sherry'. He has not yet sampled it, as 'it's a bit too hot for anything but water, just at present'. He will telephone him, as he doesn't 'feel cocksure' about his address. He ends with regards to 'Mrs George'. In pencil in another hand at head: 'Here it is, George | C.A.S.'

2pp., 4to. In good condition, on lightly-aged paper, with slight wear at head of second leaf. She begins: 'I always love to receive a letter from England, especially at this time of year when I become especially homesick, thinking of April at home with the bluebells and the primroses out! Your description of the forget-me-nots, tulips, fruit-blossm etc . . .