NINETEENTH

344pp., 4to. 26 essays (one of them in two parts), comprising 332pp. in manuscript and 7pp. in typescript, with three full-page illustrations, and five printed pages at the start. In good condition, on lightly-aged paper, in worn and rebacked blue buckram binding, with an elaborate design in the style of Walter Crane in gilt on front board, depicting a Grecian maid plucking apples, incorporating the words 'The Portfolio Socy.', a Latin motto and the date 1894. This design is duplicated in print on the recto of the first leaf of the volume, with the date '189' completed with a '4' in pencil.

1p., landscape 16mo (8.5 x 13 cm). Good, on aged paper, with blank second leaf of bifolium bearing evidence of previous mounting. The poem is neatly written out, in a sensitive hand, and is eight lines long: 'Fairyland! Fairyland! | That must be a pleasant spot: | Silver rippled over the strand, | Murmurs in each cave & grot, | Jewelled fruits upon the trees, | Music floating on the air, | Perfumes breathing on the breeze -, | How I wish that I was there! | [signed] Julia S. H. Pardoe'.

1p., 8vo. Aged and worn, having previously been folded into a tight packet, and laid down on a paper backing. Headed with the title, and neatly written in two columns. The poem consists of 60 lines arranged in six stanzas. The first and last stanzas indicate the tone.

1p., 12mo. On bifolium. Good, on aged paper. The note reads: 'Mr Landor has to acknowledge the honor of Lord Londesborough's invitation for May 21. The crowded state of London will not permit him to make his usual visit there in Spring, and among his regrets is his inability to pay his respects to Lord Londesborough.'

The image is 9 x 5.5 cm, mounted on brown card, 10.5 x 6.5 cm, printed on both sides in red, with large facsimile of Disdéri's signature on reverse. In fair condition, somewhat aged. Page is shown seated at a table with a sculpture of a stag on it, with legs cross and the sole of his left show showing, smoking a pipe. In addition to being an MP, Paget held several positions in the Royal Household, acting as Equerry to Queen Victoria from 1837 to 1841. The present image is not among the four representations of Paget in the National Portrait Gallery collection.

16mo, 36pp. Printed in small type. Disbound. In good condition, on lightly-aged paper. A separate title-page may have been printed on a front wrap, now lacking. The pamphlet begins in stirring style: 'The conflict between labor and capital becomes more and more the struggle of the age. On both sides there are titanic powers engaged in what appears to be headlong and indiscriminating war. There may be now and again a lull in the contest - there may be some kind of truce proclaimed - some good sort of people may approach the combatants andn induce them for a season to lay down their arms.

xii + 56 pp., 12mo. Disbound. In fair condition, on lightly-aged paper. Presentation inscription on half-title: 'W. W. Hull Esq | With the Authors | Respects'. Uncommon: four copies on COPAC (not counting the 'electronic resource' ones).

2pp., 12mo. On bifolium with mourning border. Very good, on lightly-aged paper. He will be 'very happy, if it suits the Committee, to present a Cup somewhat similar to that they accepted fm me last year - as the Paxton Cup.' He prefers to leave the conditions to them, and asks for 'due notice when the time of the Regatta is fixed'.

4pp., 12mo. Bifolium. Very good, on lightly-aged paper. Untidily-written by Taylor, with several ink smudges. The letter begins: 'Dear Col: Cunningham | I find recorded, in my catalogues, no other portrait of Eliz: Countess of Pembroke & her son, except the one in the Earl of Pembroke's possession at Wilton House. There is a repetition of the group of mother & son in that picture, with the Earl in it, in Wilton House. Lord Normanton has a head of the Lady, painted at the same time, apparently'.

1p., 12mo. Good, on lightly-aged paper. Written in a bold, attractive hand. The letter begins: 'It was with much regret that I was compelled to forgo the honour of attending your Lordship's Conversazione on Wednesday.' He was called to Hastings that day by '[u]navoidable business', but hopes to have 'during the continuance of the Exhibition, an opportunity of waiting on your Lordship'.

Both items in good condition, on lightly-aged paper. Poem: 1p., 4to. Titled at head: 'Forbearing Love | Romans XII 19-21.' Signed at foot: 'John S. Broad | Newcastle under Lyme'. The poem consists of 24 lines in six four-line stanzas. The first stanza reads: 'Heap coals of fire upon the guilty head, | And melt its malice down; | Let flames of love around it be outspread | And charm away its frown.' The last stanza: 'Thus shall it win its conquering way in peace, | Raise trophies free from blood; | Thus make the storms of sinful passion cease | And bow the heart to God!' Letter: 1p., 12mo.

The collection is of great interest, providing a mass of information regarding the Victorian building trade. The owner of the volume, W. H. Dudley, would appear to be a War Office official, and, as described at the end of this entry, it contains manuscript details of two contracts. The ten printed schedules - totalling [34 + 17 + 14 + 10 + 12 + 13 + 12 + 10 + 16 + 11 =] 149 pp., folio - are uniform in design and format, bound together in a contemporary half-binding, with brown leather spine and corners, and marbled boards. All ten are in good condition, on lightly-aged paper, in worn binding.

After '[...] with numerous local illustrations.' the title continues: 'To which is added a short account of The Coventry Cemetery, Waterworks, St. Mary's and Draper's Halls, School of Art, New Free Library, Bond's and Ford's Hospitals; also the History of Stoneleigh and Combe Abbeys, Kenilworth Castle, &c.' 48pp., small (15 x 12 cm) 4to. With fold-out frontispiece and nine engraved plates, including 'The Countess Lady Godiva riding through Coventry' and 'Peeping Tom of Coventry'. In green printed card wraps with red cloth spine.

4pp., 12mo. Bifolium. Good, on lightly-aged paper. Addressed to 'My dear Sir'. England and Ireland are not named in the letter, but subject of the letter is clear from the context. He has read 'with very great pleasure' the pamphlet which the recipient sent him. 'You are correct in surmising that for the present at least I take no part in the political question of the day - but my views show no change'.

3pp., 12mo. Bifolium. In good condition, on aged paper, with original worn and torn envelope, with stamp and postmarks, addressed by Lucas to 'H. W. Stuart Esq. | Mulgrave House | Rectory Place | Woolwich'. Stuart's son has 'shown himself so good a worker' at Guy's that Lucas is 'anxious that he should have an opportunity of taking a good position in the profession'. Lucas has 'persuaded him to try for the fellowship & if possible, to pass the preliminary next September'. Lucas hopes Stuart will encourage his son, as he is 'convinced that he has the power, if you give him the opportunity'.

1p., 4to. Fair, on lightly-aged paper. Granville explains that 'Edmonds' (the economist Thomas Rowe Edmonds (1803-1889)?) asked him before the House of Commons Committee about giving Ricardo 'the evidence - the Committee saw it was quite irregular', but if Ricardo 'can manage to call on me at the Bd. of Trade tomorrow (Saturday) at about 12 o clock, I will show you what you want'. Postscript reads: 'Pray come at all events on Monday at one to the Committee'.

12pp., 12mo. Disbound. Stabbed as issued. Very good, on lightly-aged paper. Uncommon: the only copies of this first edition on COPAC at the British Library and Wellcome.

The signature, cut from a letter is on a strip of paper roughly 1.5 x 10 cm, laid down on a piece of paper, 7 x 11.5 cm. Lindpaintner's signature ('Js. Lindpaintner') is bold and florid; a small part at the head has been trimmed away in cutting the strip. In fair condition, on lightly-aged paper, with one pinhole at head of mount, and traces of grey paper on reverse. The mount is neatly captioned 'Autograph of Lindpaintner, composer of "The Standard Bearer" | &c. &c. &c. | Recd. from Wessel & Co - 1859'.

While only a rough pencil sketch, the drawing is an attractive one, landscape on a piece of wove paper, 20 x 25 cm, with 'JESSUPS' watermark. In good condition, on lightly-aged and creased paper, folded into a packet for postage, with remains of red wafer. Beneath the drawing, in ink in a shaky contemporary hand: 'Lawn view from the backs of Mount Vernon | This is from the Orange Tree planted by himself.' The reverse carries the following note: 'I made the enclosed rough sketch of Mount Vernon the residence of Genl.

2pp., 12mo. Bifolium. 28 lines of text. In fair condition: aged and a little ruckled. Docketed 'The Woodcutters' (a theme around which Linnell produced several paintings). Linnell writes that he has just received Lawrie's 'half note for £5 - and will not fail to attend to your wishes about The Verification'. He explains that he usually requires, in addition to the fee, 'an assurance that I shall not be called upon personally to give evidence respecting the work said to be mine.

2pp., landscape 12mo. Addressed to 'Dear Furniss'. He is glad to hear of Furniss's success: 'Your tour ends after the last dinner but one of the year. No dinner Xmas week! awful that isn't it? When all are feasting no dinner for the Punch boys!!' He hopes Furniss will be 'here with us'. Had Furniss been 'on the spot' Burnand would have got him 'to substitute something for your John Bull picture in almanack which no one (I do not speak of "The Table" but of our best friends outside) comprehends.

On one side of piece of paper trimmed down to roughly 15 x 18 cm. On aged paper, with wear and loss to corners and extremities caused by removal from a mount. He writes: 'Sir, | I should feel extremely obliged if you cou'd take out of the Post Office two Letters, directed to me at Oxford, as I unexpectedly arrived today in town - | I remain | Sir | Sincly. Yrs. | [signed] Dungannon | 7. Hertford St | 4th. Decbr. 1827'. The signature is complete, but being placed in a corner, is close to an area of wear. Docketed on the reverse in an unknown hand: 'recd.

1p., 12mo. 8 lines. On aged paper with a small hole (not affecting text) and pin marks. He thanks him for his 'kind thought' in sending 'the Danish Images', adding: 'I assure you the present was a very welcome one to me.'

[6] + 36pp., 8vo. In original yellow printed wraps. Title carries illustration by Fouget. Inscribed, at head of title, 'To "The Bairns" from Mr. ', 8 February 1866. Lightly-aged, with slight damp staining, in worn wraps. Clearly printed with simple musical scores, including such classics as 'Frère Jacques' and 'Sur le Pont d'Avignon'.

1p., 12mo. Good, on a piece of lightly-aged paper, with fold lines. Possibly written in response to a request for an autograph. Reads: 'With Dr. Jenners Compts. & thanks - | 8 Harley St | June 15th 1866.'

7 + 10 pp., folio. Stitched and unbound. Printed front wrap, with vignette and 'St. Thomas's Hospital | Royal Charter.' in black letter. Worn and aged, with heavily-worn front wrap detached. Each of the two sections has its own drophead title, and printers' slug on last page. Tastefully printed on thick paper, with vignettes above the two drophead titles. All text in Latin. Scarce: no copy in the British Library or on COPAC. Whittingham and Wilkins were active in Tooks Court in the 1860s.

2pp., 12mo. On bifolium. Fair, on lightly-aged paper. In envelope, with stamp and postmarks, addressed to 'John J. Baron Esqr. | 48 Griffin St. | Witton | Blackburne | Lancashire'. Although Hazlitt's handwriting is legendarily attrocious, the reader escapes lightly on this occasion. Hazlitt regrets that he has no copy of either of the books Baron names, as he 'printed only a few copies for presents. Nor have I any photograph of myself.' He is 'extremely glad that the perusal of my publications' has 'proved agreeable' to Baron.

Note: 1p., 12mo. Creased, and with tear at head, 1 x1/2". Written in the third person, it reads: 'Sir Jamsetjee Jejeebhoy will have much pleasure in complying with Miss Browns wishes by sending her some Flowers tomorrow Evening. | Maragone Castle | 23d. April'. Engraving: The margin has been cut away, but an accompanying printed slip carries the original caption: 'THE LATE | SIR JAMSETJEE JEEJEEBHOY, BART.' A steel engraving from a photograph, showing an old bewhiskered Jejeebhoy seated in robes and hat, with curled slippers, in a carved chair on a Turkey carpet.

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges. Aged and faded, but nevertheless a nice item of Dickensiana. A sensitive study of Dickens's face, above a heavily-faded facsimile of his signature. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'CHARLES DICKENS | FRED.

1p., 12mo. Fair, on lightly-aged paper, with a creased corner. The note reads: 'The Duke of Buckingham and Chandos incloses [sic] an order for Mr Blair to the House of Peers for to-day, & begs to acknowledge the receipt of the Pamphlet on the Corn Laws. | 17th May'. The paper is watermarked '<...>YNSON | 1839'.