VICTORIAN

Grey (1804-1870) was successively Private Secretary to Prince Albert and Queen Victoria. Three pages, 12mo. Good, on grubby paper discoloured with age. He acknowledges receipt of the letter of the twelfth inst. 'The recovery of any <?> which shd revert to the Crown, is, I apprehend, a matter for the Treasury to look to - as it is for the Gnt. to consider the provisions which it is expedient to adopt in any measure of the nature of that to which you allude.' He is commanded by Albert to thank his correspondent for the 'kind attention which has prompted you to make this communication'.

English artist (1855-1934) of the oriental school, a member of a family whose papers are in the Bodleian Library, Oxford. Two pages, 12mo. Very good, though grubby and on paper discoloured with age. He thanks her for her note and is sorry that she 'should have had any trouble about the bundles' Has heard 'on all hands that the Bargain went off extremely well', and hopes 'it was as financially successful'. 'The Egyptian called on me to-day and seemed much pleased with himself.' Hopes he 'behaved and acquitted himself well.' Signed 'Walter C Horsley'.

Anglo-German engineer (1842-1927), who administered 'a portion of the conquered territory for the German Government' following the Franco-Prussian War, and who, following his naturalisation as a British citizen in 1876, 'invented practically the mono-rail, now known as the High Speed Mono-Rail System, and obtained two acts of Parliament for the construction of the Manchester and Liverpool Electric Express Railway in 1901 and 1902' ('Who was Who'). No items by this important figure are present in the British Library Department of Manuscripts.

British economic historian (1860-1927), a disciple of Arnold Toynbee, and proponent of the historical method pioneered in Germany by such scholars as Roscher, Hildebrand and Knies. The manuscript items are all 12mo, the typed item quarto. All twelve docketed and bearing the Society's stamp, and signed 'W. T. Ashley'. The collection is in very good condition, though grubby in parts and with one or two creased corners. An interesting and characteristic correspondence. ITEM ONE (3 pages, 12mo, 5 August 1913): Declines proposal to act as examiner.

Rowton edited a celebrated anthology of British female poets. One page, 12mo. Poor: grubby and with remains of stub from previous mounting adhering to edge of bifoliate. 'It will give me great pleasure to deliver my Lecture on Charles Dickens at the Southwark Institution during the next Season. - My terms will be eight Guineas for the Three. - | I may perhaps be allowed to say that I am now delivering these Lectures (the Second comes on tomorrow night) at this Institution, with very great success, to crowded audiences.

Noted Dickens scholar (1856-1904). Croker was the son of the Irish antiquary Thomas Crofton Croker. Two pages, 12mo. Good, but with a few stains. 'I am sorry to learn that the Dickens items which you so kindly lent to the Exhibition have not yet been returned to you, and am making enquiries at once. | [...] some of my memoranda went astray when they were removed from one room to another at the Memorial Hall during my absence, and the paper containing your address could not be discovered. | I have reason to believe that good things are in the safe custody of Mr. Miller (Hon. Sec.

Editor (1857-1921) of the manuscript newspaper 'Congo Mirror', who 'drew attention to irregularities in Congo Free State, 1886; [...] and accused Congo officials of murders and atrocities; with help he carried on the agitation until the Congo Reform Association was formed; in a series of letters to the African Mail entitled the Lower Congo he pointed out the injustice of the French rule and the concessionnaire system in Congo Francais' (Who's Who). Three pages, 12mo. On grey paper. Very good. Docketed in pen and green pencil.

British naval historian (1856-1905), author of a standard history of the Royal Navy (7 vols, 1897-1903). One page, on piece of stiff paper, roughly four and a half inches by three and a half. In poor condition, discoloured and stained, and with one small hole and some fraying to extremities. Reads 'Thanks for yours of the 8th. | I am afraid that I can only express the hope that you will, in this case, keep the price as low as possible, - as I do not know the business aspects of the question.

English glass painter and novelist (1875-1923). All five items in very good condition, and all but the third and fifth stamped and docketed. ITEM ONE: two pages, 4to. He will be 'delighed and honoured by reading a paper before the R.S.A.' Gives a choice of dates and states 'I shall want a lantern.' He wants 'to draw the Society's attention to the fact that the various processes in making a modern window follow the developments of stained glass from the 11th (or perhaps the 9th) century to the beginning of the 15th.' Explains his thesis in some detail, and discusses possible titles.

Architect (1880-1939), son of Sir Aston Webb, designer of Admiralty Arch, the Victoria Memorial, etc. All ten items very good. Five docketed and six bearing R.S.A. stamp. All ten signed 'Maurice E. Webb'. An interesting and important correspondence, mainly concerning the renovation of the R.S.A.'s Adelphi building.

English civil servant (1808-82), postal reformer, and archivist. Instrumental in the creation of the Victorian and Albert Museum and prominent in organizing the Great Exhibition. Two pages, octavo. Good, but on discoloured, foxed paper. An important letter, showing the chaos out of which the Public Record Office was formed.

Journalist and musical critic (1806-79), Paris newspaper correspondent, 1839-44, who sent dispatches by pigeon. One page, 12mo. In poor condition: grubby and heavily stained. 'Dear Sir | I have been abroad or I would have replied to your note ere this. I will be at home until Noon next Monday. | Yours faithfully | [signed] | C J Gruneisen'.

Frederick Oldfield Ward, temporary editor of Hood's Magazine (see "The Letters of Thomas Hood", passim). He discusses the prestige of a name (such as "Peter Priggins") and speculates that authors write better under the name "to which their fame is attached". Colburn is trying to insist that Hewlett cannot use this name, but Ward advises a "more independent and more honorable position with regard to Colburn." He mentions Hood's health on several occasions, later mentioning his death. He asks for stories not dependent on College life, explaining why.

(John Bull) William Mudford (DNB) (7; 1844), author and journalist. Five letters are signed "The Editor of the John Bull" or similar but two are signed by Mudford who suggests that his name is no longer a secret to Hewlett because of Barham. (Although the article in DNB on Mudford says that he succeeded Hook as Editor in 1841, no other authoritative source gives this information, from CBEL to the Waterloo Directory.) He tells Hewlett the Proprietors' requirements and his policy, presenting Theodore Hook, former Editor, as the model writer for the periodical.

Joseph Schroder Moore, barrister (Post Office Directory 1846), brother to J.C. Moore ("The Letters of Thomas Hood", passim). Initially he is chasing up a manuscript promised by Hewlett. He then explains why the delivery of the manuscript was declined by his brother, suggesting that the proprietors of the Rejected's Magazine (see Francis Brown, #3130) would not have stopped its publication if his manuscript had come to hand.

C. L. Gruneisen (DNB), journalist, music critic, editor of the Great Gun. He explores the possibility that the author of Peter Priggins might write for the Great Gun, explaining his policy and agreeing "in Masonic confidence" to give him the names of the principal contributors.(Presumably these names were sent by George Alder above.) According to DNB, Gruneisen edited the Great Gun from 16 Nov. to 28 June 1845, prob. the life of this weekly. (Copy in British Library Newspaper Library.) WITH: Mrs. C.L.

George Alder (1; [1844?]) discusses the nature of a "new periodical" for which he hopes Hewlett will write (prob. the short-lived "Great Gun" - see Bell (#3128) and Gruneisen below), naming potential fellow-contributors in confidence. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

[William] Edwards, possibly the proprietor of the Great Gun mentioned by Robert Bell (above #3128)), Mrs Gruneisen (with husband #3134), and in Diaries (J.T.J. Hewlett below). He accepts a Bill of Exchange and discusses it. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

Edward Stirling (Boase), dramatist and theatre manager, mainly discussing the dramatisation and prospective performance of Hewlett's Peter Priggins - as a farce. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

Robert Bell (DNB) (4; 1845), author and editor. (Jan.) He encourages Hewlett to contribute to a "publication called the Great Gun, the scope of which is more comprehensive than Punch". (See George Alder (#3127)). He characterises the sort of contribution required, and gives other detail including payment terms. He refers him to the editor, C. L. Gruneisen (see below). (July) He is unhappy to have introduced Hewlett to the "Great Gun" whose proprietor, Edwards (below), appeared to have committed suicide (not so, it transpired).

Henry Flower, presumably the bookseller and publisher in BBTI, discussing Hewlett's Dunster Castle in congratulatory terms, hoping for a meeting. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

Samuel Phillips (DNB), journalist and novelist, editor and owner of John Bull (see #s3131, 3132) at one time. He refers to an introductory letter to Blackwoods and sympathises with him in ill health: "Essex is not the place for poor curates or . . . poor literary men". Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

(John Bull) W. Shackell (2; 1844), prob. printer (BBTI) and publisher and/or joint-proprietor of John Bull. He encourages contributions and anticipates "the Proprietor" making a proposition "for your further and permanent connexion with [John Bull]." See immediately above and below for more material from the J.T.J. Hewlett archive. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

A clean copy, on good thick paper, of an engraving, three versions of which are in the National Portrait Gallery (NPG D8332, NPG D8333, NPG D8334), where they are dated 1889, and described as being etched 'after a photograph originally published in the Pall Mall Gazette 'Grand Old Man' extra'. Dimensions of paper roughly nine inches by six, dimensions of image roughly five inches by four. Burton's signature is faintly etched at the foot of plate, and the print is docketed in pencil 'W E G' at the foot of the paper, with 'Burton 1/-' on reverse.

"Frank Fairleigh". Novelist (1818-1864). Three pages, 8vo, bifoliate, sl. dusted, mainly good. "Mr. Austen seems to have written word for word what you wished said abt. Tobacco, but if there is to be much attraction abt. the article, your clever pencil must put it in, for, as it stands it is dull as . . . I was going to add ditch-water ("water" underlined] but I beg to apologise for the inadvertence - as [page 2] the worst kind of fermented liquors! -/ I send by todays post a Prospectus to Mr.

Fifty-two long lines of text, on one side of a single piece of parchment, roughly inches by. '[...] Between John Guscotte of No. 19 Essex Street Strand [...] and Alexander Brown of No. 342 Strand in the County of Middlesex aforesaid Book Seller'. A ten-year lease for a consideration of sixty pounds and yearly rent of one hundred and four pounds. Includes conditions relating to the upkeep of the premises, whitewashing of the walls, display of advertisements, etc.

Cambridge divine (1791-1864) who arranged and catalogued all the University's papers. Two pages, 16mo, very good. 'Pray accept my best thanks for all your kindness with regard to that poor flighty creature Mrs Stone. I am very sorry to hear that Mrs Stoughton Money Kyrle [wife of James Stoughton Money Kyrle, 1813-52] has had the misfortune to become a widow. Will you be so good as to give my best remembrances to that amiable & most agreeable lady?'

Small 8vo. Pages i-vi, 3-86 (nothing apparently lacking). Original publishers' catalogue for 1879 at rear. Good tight copy, in worn original brown cloth, gilt. PRESENTATION COPY 'For The Library of the Medical Society of London with The Authors Compts'. With stamps, labels, and other evidence of library provenance. From the collection of the Society's librarian Nehemiah Asherson, and carrying a note by him, over the Society's stamp on the half-title 'DISCARDED FROM THE LIBRARY | RESCUED FROM Pulping | 1971/2'.

Two pages, quarto. On a discoloured piece of brittle, thin wove paper, with some fraying, several closed tears and a little loss (affecting three words). A long, able and closely-written defence of the discipline. '[...] | X appears decidedly opposed to an alarmed at the science, and feels himself awfully degraded with the comparisons drawn by Phrenologists between the human species and the lower animals - that they should exist, breathe, and partake of, in a limited degree, corresponding qualities with the human race.

English author (1838-1902). The recipient was later Baroness Rockley. Both items are very good. They can be dated from the reference to the Noel's mother (nee Susan trotter, died 1885) and the mourning border. ITEM ONE (three pages, 12mo): 'I send you a very rough little story, for the Children's Hospital book. I do not know whether it will suit your purpose, but I must just let it go as it is.