ENGLISH

All three items with 1898 manuscript presentation inscription to the Education Department Library (later the Board of Education Reference Library) by Cecil Davis. All three in fair condition, on aged paper, in worn and chipped printed wraps bearing label and shelfmark. All three 32pp., 12mo (No.III. Vol.II of the magazine paginated 65-96). Scarce: COPAC only lists copies of the magazine at the British Library, Oxford and the National Library of Scotland; and no copies of the 'Occasional Paper' located.

8pp., 12mo. Stapled. In grey printed wraps. With stamps, shelfmarks and labels of the Board of Education Reference Library, otherwise in good condition, on lightly-aged and worn paper. Scarce: no copy in the British Library, or on COPAC.

11 + [1]pp., 12mo. Stapled. With stamp, shelfmarks and label of the Board of Education Reference Library, otherwise in fair condition, on aged and worn paper. Scarce: no copy in the British Library, or on COPAC.

1p., 12mo. In good condition, on lightly-aged paper, with minor traces of former mount on blank reverse. The message reads: 'Dear Sir | I shall have the pleasure to receive the Chalcographic Society on Friday evening next, when I hope to be favor'd with your Company'. For information about the Chalcographic Society, , founded in 1807, see Dennis M. Read's biography of 'R. H. Cromek' (2011). A society set up for the encouragement of interest in engravings, ridiculed in a Blake notebook.

The manuscript material is on 109pp. of the 12mo printed diary. On aged paper, with manuscript entirely legible, but some staining to printed matter, in original worn calf binding. The manuscript paints a vivid picture of the life of a prosperous Georgian agriculturalist in all its aspects, from itemised financial accounts to country pastimes and the weather. It is presumably in the hand of George Pattison, whose name is given prominence among those of other members of the Pattison family written out over two pages at the rear of the volume.

20pp., 4to. Stapled. In original card wraps printed in black and red. 317 lots. Worn and aged and with central vertical crease to volume. Central bifolium loose. Advertisement for the auctioneers on inside front cover, and 'Time Table' on inside rear. A second day's sale, on the following day, is advertised as featuring 'The Furniture, Unique Collection of Japanese Works of Art, Bronzes, Old English and Continental Porcelain etc.' In margin of page with conditions of sale is pencil list of the booksellers, headed by 'Museum Book Store (Spencer's man)' and featuring E.

2pp., 4to. On bifolium, with reverse of second leaf addressed to 'Rev. T. Greenwood, | Leeds.' In good condition, on aged paper, with slight discoloration to second leaf. BBTI lists Gawtree as active in Leeds between 1817 and 1822; he took over the Leeds Intelligencer in 1818. The first paragraph reads: 'An opportunity has very unexpectedly occurred this morning of sending a packet. - I inclose you Blackwood, wch. we recd. uncommonly late this month.

115pp., 8vo. In red cloth binding. No dustwrapper. Aged, with back hinge sprung and one bumped corner at the back. Excellent inscription by Spender on the front free endpaper, in which he describes the history of the composition of the play: 'To And | with love from | Stephen. | March 16 1938. | This play begun January 1933, at Barcelona, partly written in January 1937 in Madrid & Albacete, and finished January 1938 in London, is almost a record of our friendships through five years.'

1p., 4to. On aged paper, with damage and discoloration to one margin. Eliza Urquhart begins her letter: 'Gentlemen, | Mr Urquhart has desired me to acquaint you that he thinks it would be adviseable immediately to see Mr Spotswood [i.e. Spottiswoode, then an employee of the book's printer Andrew Strahan] on the subject of accelerating the printing of his work, as from the present tardiness with which the proofs are sent, he thinks the Season will inevitably be lost'.

Both items in good condition, on lightly-aged paper. ONE (letter): 1p., 12mo. In a neat and elegant hand, it reads: 'Tuesday Night | Dear Laura | I send the tickets; as Goldsmith sent the portion of Lord Clare's haunch of venison to Sir Joshua - | "To paint it or eat it, whichever he pleased" | I am glad you like the Philharmonia | Your affecte. Friend | John Hullah'. TWO (cutting of sheet music): Written in pencil on one side of a 6.5 x 15 cm piece of paper, docketted 'Written by John Hullah 1861 | for

'. With a few words in Hullah's hand at head.

Bell's entry in the Oxford DNB records that 'In conversation with the prince regent (later George IV), Lord Chancellor Eldon was said to have described Bell as the best lawyer then at the equity bar, though he could "neither read, write, walk, nor talk": Bell was lame, spoke with a broad Westmorland accent, the effect of which was heightened by a confirmed stammer, and wrote in a hand never more than barely legible.

ONE (Elliott's letter): 3pp., 12mo. 34 lines. Bifolium. In good condition, on aged paper, loosely attached to the title-leaf of the book by a small piece of gummed paper. The letter begins: 'My dear Driberg | I ought to have acknowledged your letter sooner, but I only received it on my return from abroad, and since then I have been busy struggling with the arears which always accrue during absence.' He thanks him for sending his 'son's little volume', which he has read 'with much interest & congratulate him on the neat & modest appearance he has made in print'.

In very good condition, on aged paper, in a brown card folder. The material in this collection relates to a book that was never published, and included here are copies of two typed letters from WMP to HS, casting light on the nature of this doomed collaborative project. In WMP's first letter, dated 26 July 1955, he writes to 'Dear Swaff' to 'finalise the manner in which your book is to be written'. Presaging future problems he urges him: 'I do entreat you to remember the fact that a book is different to a series of paragraphs. It must have cohesion.

114pp., 12mo. In wraps printed in green and red, with striking illustration of jester bursting through the front cover, and advertisements on the rear. In fair condition, on aged paper, in worn wraps. Frontispiece, engraved title, and numerous illustrations in text. A collection of nineteen pieces in prose and verse, with such titles as 'A Chat concerning a Couple of Chairs' and 'Mephistophiles at Malvern'. Scarce: the only copies on COPAC at the British Library and Durham.

1p., 8vo. With mourning border. In fair condition, on aged and lightly-ruckled paper. After exclaiming 'How kind of you!' Pinero explains that he has been 'inoculated regularly since the autumn, and it has done me no good'. He continues: 'No, I won't say that; I might have been worse but for the injections.' He concludes by stating that he will show Shore's letter to his doctor, 'to prick his conscience'.

1p., 12mo. Text enclosed within a decorative border. In fair condition, on heavily aged and worn wove paper, with a couple of small holes. Printed on cheap paper, with rough untrimmed edges. Beneath the title is a poem in two columns, itself titled 'Directions for Reading it.': 'Hast thou no pity on my woes? | Dost thou at me turn up thy nose? | I'll make my declaration first, | So read straight forward and be curst. | But if thy heart to me incline, | O!

Title, ii [Index], 412pp., cr. 8vo, hf-cf, sp. gt, marbled boads, raised bands, leather scuffed, top of spine damaged, hinge strain inside front cover, contents good. Bookplate of John Ribton Garstin (see note below). This short-lived periodical is notable for its distinguished contributors (Miss Mitford, Horace Smith, Douglas Jerrold, George Hogarth, Mrs S.C. Hall Redding himself "Etc. Etc".

The two documents are on 33 x 24 cm pieces of vellum, and are pinned together. Both in very good condition. Both are printed forms, made out by the signatory. Bramwell's certificate begins (with the manuscript portions in square brackets): 'These are to Certify that on the [Twenty eighth] day of [March] in the year one thousand eight hundred and sixty-[one] before me the undersigned [Sir George William Wilshere Bramwell Knight one of the Barons of Her Majestys Court of Exchequer] Appeared personally [Catherine Stein] the Wife of [Peter Stein] and produced a certain Indenture marked [A]'.

2 vols: xix + [1] + 288; ix + 263. With frontispieces to both volumes (both with tissue guards) and the eleven other plates called for. First edition, first issue, with the plate facing p.238 of vol.2 in its first state (without the 'grotesque' border), and the 36-page undated publisher's catalogue bound-in at the end of vol.2. In primary binding of pink cloth with floral pattern, and the gilt titles on the spine held up by an image of a clown.

16mo, with the first three issues continuously paginated to 240, and issue V paginated 321-400. Each volume with a frontispiece by Leech, and numerous illustrations by him in text. Three of the four issues (I, III and V) with an initial four-pages of advertisements, and more advertisements on the wraps. The four volumes in fair condition, on aged paper, in worn wraps, with the first volume lacking its spine. Each with the small and neat ownership inscription of 'L Jackson' in the top right-hand corner of its front wrap.

2pp., 4to. Aged and creased, mounted in windowpane on leaf removed from album. Liscard Hall was built for the former Mayor of Liverpool and slave-ship captain Sir John Tobin. Allen writes that since arriving there he has 'painted too little subjects', and that he has 'a wish' to 'leave them behind me - but not unframed - size of Pictures 16in: x 12in:' If Cobbett does not have 'two tolerable frames of that size' he asks him to order two: 'I do not require the "best double distilled - extra hyper - superfine" - but something tolerably good looking'.

Three cards (bifoliums), 15 x 12.5cm, 11.5 x 18cm, 10 x 12.5, inscribed by Lamb either below image on front or on inside blanks. Images, two b & w, one faintly purple background, presumably by him, are: Madonna and child (inscribed page[3] "With love from | Henry Lamb"); Carol Singers (inside "Best wishes from | Henry Lamb") ; children and teenagers playing cards (under image on front "With love to you both | from | Henry Lam.| Xmas/48"). Image available on my website.

One page, 12mo, crupled but text clear and complete: "I shall have very great pleasure in diding with your Ladyship on Monday next - & some of the Ladies will be most happy to follow me in the evening. [...]" Note: joint author of 'Rejected Addresses'.

Postcards, c.11 x 9cm, some smudging but mainly good condition, text clear and complete. Postcard One: "Dear Mr Wynne, | Very best thanks for your valued gift: a fine & distinguished poem."; Postcard 2: "[...] | The books can be got separately & there are cheap editions of those two books any bookseller can secure for you for 2/- & 2/6 each. | I'm afraid London has had enough of my plays. My daughter's paly is not about [?] folk." Two items,

4to, 1 p. Ten lines, edges a little damaged but text clear and complete, on flimsy paper. "You are welcome to the quotation from my school-boy story - if it is worth while. I could have wished, however, that in an anthology of serious prose you had given me credit as a serious writer & chosen something more interesting. With compliments [...]"

1p., 16mo. On bifolium. In fair condition, on aged and lightly-spotted paper. The note reads: 'Mr. Webster in reply to Mr. Gotta's note desires to say, with his compliments, that his Picture, in the Royal Academy, is engaged.'

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.

1p., 12mo. Bifolium. In fair condition, on aged paper with damp stain along one edge. Addressed on reverse of second leaf to 'Mr. Scott'. He is sending 'by Bearer 4 sorts of french paper, 2 sheets of each, which you will be so good as to see that it is properly prepared before it is used - The grand Eagle with the watermarks will require a great deal of brushing with a hard brush as I think that many of the specks will brush off they being chiefly superficial'.

2pp., 16mo. Bifolium. 21 lines of text. In good condition, on lightly-aged paper. As Doubleday has not 'sent the last', he has 'done your 3rd Cut of "glorious Apollo" from the print alone endeavouring to give the antique style as faithfully as I could.' He thanks him for his 'bit about the "archaic" term', and is certain 'that that [last word underlined] - like many other derivations from Greek & Latin roots, are most frequently used improperly[. T]he taste for hard words is certainly on the increase among all classes - from the advertising tailor upwards.'

1p., 4to. Good, on aged paper. The letter begins: 'Sir | I shew to you my last little effort which is a Copy from Vertues large Print after the Picture by Holbein now hanging in the Council Chamber of Bridewell Hospital'.( A note at the foot of the page reads: 'The above was engraved for the Purpose of Illustrating Pennant Walpole &c'. He notes that the print (not present) was 'engraved as the companion to the last Print I sent you.