ENGLISH

On a 12mo bifolium of laid paper with 'DUNEDIN NOTE' watermark. Good, on lightly-aged paper. On the cover are a large black swastika and the words 'An Old-Time Greeting.' The poem, titled 'The Rune of the Swastika.' and signed in type 'J. S. M.', is on the recto of the second leaf.

8pp., 12mo. On shiny art paper. On aged paper, with the two staples rusted. Sammons has signed over the cover portrait of him by 'Haile, Bognor', 'Sincerely Yrs | Albert Sammons'. Including texts by Mary E. Coleridge, Lord Lytton and Sir Rabindranath Tagore. Central opening carries an advertisement stating that 'ALBERT SAMMONS Records ONLY for COLUMBIA Records', with list of eight 'Recent ALBERT SAMMONS Records'.

On blue card, with stamp and postmark. Bridges's message is complete, but the postcard has been trimmed to 14 x 5 cm, with the lower part of the card, carrying O'Toole's address, missing. Otherwise good, on lightly-aged paper. The message reads: '14. Merton St. | Dear Sir. I am writing to apologise for never having answered your letter of Feb. 29th. I have been too much engaged to be able to attend to my correspondents. I beg that you will excuse me. Yours truly | [signed] R Bridges.'

The two leaves were evidently disbound from a copy of an edition of Dryden's Plutarch, in which the grey 4to leaf of writing paper following the 12mo printed leaf was one of those that interleaved the volume. In fair conditon, on lightly-aged paper. The two leaves are tipped in onto a larger leaf removed from an album. The printed leaf is 12mo, from volume 5 of Dryden's translation, with the pages numbered 511 and 612 [sic]. The two sides of the leaf carry a total of approximately 25 emendations and deletions.

1p., 4to. The beginning of the article only: 21 lines of text, ending abruptly. Torn from notebook. Very good, on aged paper. A corrected draft, with the deleted original title reading 'Work & Wage in Downing St'. An interesting item, casting light on the working practices of a pioneer of parliamentary journalism. Begins: 'The keeness of competition for ministl office in Great Britain is certainly not inspired by sordid motive.'

1p., 12mo. Fair, on lightly-aged paper. In envelope addressed by De Tabley to 'Mrs. Kate. A. Wright. | Monona House | Small Heath | Birmingham.' In reply to her letter of 18 June, he states that he will have pleasure in permitting her to 'insert the five pieces' which she enumerates in her 'forthcoming Collection of Poems and Ballads of the Nineteenth Century'. Kate A. Wright's 'Dainty Poems of the Nineteenth Century' was published in Birmingham in 1895. The titles of the five poems are given in another contemporary hand [Mrs Wright's?] on the reverse of the second leaf.

Both letter and description on the same bifolium. Letter: 1p., 12mo. On recto of first leaf. Description (headed 'Johnian System of Marking'): lengthwise across the verso of the first leaf and recto of the second, and thus making 1p., 8vo. Very good, on lightly-aged paper. Calverley begins by wondering whether he has 'made the Johnian System [...] intelligible' in his description.

1p., 4to. On aged and grubby paper. The letter provides an interesting insight into the niceties of Regency theatrical practice. Colman peremptorily addresses it to 'Madam', before expressing his displeasure and defending his imposition of a penalty, as a result of the non-attendance of the recipient (apparently an actress) at a performance at the Haymarket.

Autograph Letter: 1p., 12mo. Good, on lightly-aged paper. In envelope addressed by Tinker to McCamic at Wheeling, West Virginia. He thanks him for sending 'the book on Barber'. 'It enriches my working library, and I shall be frequently reminded of what I owe to your kindness and interest.' Typed Letter: 1p., 12mo. Fair, on lightly-aged paper with light rust stain from staple at head. McCamic's 'file of the British Magazine' is 'rare, if not unknown'.

2pp., 12mo. On a leaf of wove paper with Britannia watermark. In fair condition, on aged paper with slight wear to extremities. In pencil at head 'Rev. J. Keate | Head Master of Eton'. Tipped in at the head is a slip of paper with an entry from a Victorian manuscripts catalogue describing the item, reading: 'KEATE (The Rev. John, D.D.). Head Master of Eton.

Black and white photograph. Dimensions 15.5 x 21 cm. In good condition, with slight wear to edges. Head and shoulders studio shot of a fresh-faced Rogers, looking slightly upwards with enigmatic half-smile. Caption, at foot, reads, 'To Titania from her loving Bottom.' Rogers acted in several of Jill Balcon's father Michael's films.

1p., 12mo. On aged and creased paper, with short vertical closed tear at head (not affecting text). The letter reads: 'Dear Sir | By a sad mistake the Copies of my Letter to the Students were not sent off on Saturday | But 250 have been struck off which will sufficiently answer for the present demand - | Yours in haste | [signed] T. Campbell

3pp., 12mo. Fair, on aged and worn paper. Wilde explains that he had previously written regarding the case, but 'by some accident the Letter has been mislaid (I believe) among my mass of papers, and I therefore fear it may not have reached you as I cannot learn who among the Servants dispatched it'.

4pp., 12mo. On aged paper, with minor traces of gum from mount. Taylor begins: 'My dear Charles Neville | I was glad to receive your letter, for it showed that the seed I had taken pains to sow had not fallen, as most seed so sown in the theatre does fall, upon an ungrateful soil.

Letter: 2pp., 4to. 28 lines of text. List: 1p., on a 12mo strip. Both letter and list in very good condition, neatly placed in windowpane mounts on the two leaves of a bifolium. Salt is 'just finishing the List of Manuscript Erdeswick's' and will bring it to Nichols when he returns to London. He wonders whether Nichols has 'nearly come to the end of the Book in your reprint? I do not think you will make your first sheet answer satisfactorily - without printing the whole or part of it over again - but of course you will be the best judge of that'.

2pp., 12mo. Good, on lightly-aged paper. She hopes that she may, 'without being needlessly intrusive', suggest that 'someone, well up on the Elizabethan dramatists, should write a brilliant critical notice of Massinger's works'. She thinks that it would be 'a means of advertisement of great value' if the recipient could 'find the writer & the vehicle'. She suggests 'W. G. Henley of the New Review', who 'has all the literature of that time, & before, at his fingers ends.

4pp., 12mo. Fair, on lightly-aged paper with slight discoloration to inner margins from previous mounting. She thanks Alice for her 'sweet letter', and declares that she has had 'a very very pleasant visit here. I like my friends here extremely. They are my sort for all that they are strong conservatives, and they are so simple, so homely, so gentle, & I get on with them as well as - what shall I say? . as well as with you!

2pp., 12mo. Very good. Neatly presented, With the blank second leaf of the bifolium tipped in onto a large leaf of cream paper, with the engraved portrait of Kenyon (7 x 8 cm), extracted from a contemporary magazine, laid down above it, both items surrounded by a ruled border. Kenyon begins the letter: 'I have a male party to dine with me on Saturday next - consisting of persons whom you would I think like to meet - our genial friend Felton among them.

2pp., 4to. 35 lines of verse. On a leaf of laid paper with watermark 'J WHATMAN | TURKEY MILL'. Paginated 13-14. Very good, on lightly-aged paper. The first page begins with the line 'The shrouding soil, and give it back to air,' and the second page ends with the line 'Won it's [sic] dark truth, and Gaspar fed on such.' The verses in this manuscript are published on pp.19-21 of 'A Day at Tivoli: with other Verses' (London: Longman, Brown, Green, and Longmans, Paternoster-row, 1849).

4pp., 4to. On two loose leaves of Whatman paper, each watermarked 1827. Very good, on lightly-aged paper. The document begins with the following note, dated and signed by Roby: 'The following ballad from my forthcoming "Traditions of Lancashire," though not of much value in itself, may yet acquire some, from its connexion with, and introduction into Mrs. Thelwall's elegant volume of Scraps.' (The implication that the two leaves have been removed from Mrs Thelwall's album is supported by pagination from 12 to 15.) Sixty-four lines, divided into sixteen four-line stanzas.

3pp., 16mo. Good, on lightly-aged paper. She begins: 'I am sure you wil grieve to hear that my dear Parents have met with a severe accident, altho', thank God! we have every cause to hope that there wil be no latent results. They were knocked down by a horse, in attempting to avoid an Omnibus: both are cut on the head, & Mama is much bruised in several places.' 'Quiet and care' will restore them, she trusts. Her mother has asked her to write, as it will be impossible for her parents to keep the dinner engagement with Mrs Cooper.

2pp., 12mo. Good, on aged paper. He writes to decline Carpenter's 'flattering' offer: 'I now find my acceptance of an office in your Society though purely honorary, would be apt to be misinterpreted [...] I have another reason - that I am taking some part in endeavouring to form a great Author's Society of another kind, and it would look rather <?> and impudent to be playing the fiddle in all parts of the orchestra.'

1 p, 12mo. Good, on lightly-aged paper, and still tipped-in onto leaf removed from album. Arranging a time at which to call on him. According to the Oxford DNB Greville moved from Grosvenor Place to Lord Granville's house in Bruton Street in 1849.

1 p, 4to. Nine lines, in a neat and close hand. Fair, on lightly-aged paper, and still tipped-in onto a leaf from an autograph album. Addressed, with two postmarks, on reverse of second leaf of bifolium, to 'Mr. Jos. Sharpe, | at his chambers in | Lincolns Inn | London'. He wrote to Sharpe five weeks previously, sending a lease for his perusal, 'and likewise to authorise you to deliver up my sister's plate upon Mr. Argile paying you ye. <?> I agreed to take.' If the latter matter is still unsettled, he instructs Sharpe to apply to Argile's attorney 'to settle it forthwith'.

Both items in very good condition, on lightly-aged paper, each with slight trace of paper label at spine. Letter One: 3 pp, 12mo. Docketed at head of first page '1 Dec/88.' and 'The Explorer of Thibet [sic]'. He thanks him 'for the Card of the St Botolph Club' and will try to go there the following day. He has 'so many things to do' that he is not sure he will be able to stay there long. Letter Two: 4 pp, 12mo. Docketed beneath address '6 January 89.', and beneath signature 'The traveller in Thibet [sic]'. Thanking him for the 'note and cheque', and hoping that the sketch arrived safely.

4 pp, 12mo. Bifolium. 73 lines. Text clear and complete. Fair, on aged paper. Hood returned to England from Ostend in 1840, moving into Devonshire Lodge after trying other lodgings. A fine letter, informative, energetic and moving. Jane begins by thanking Mrs Elliot for the 'kind present to my Tom [the couple's son Thomas Hood the younger (1835-1874)]': 'I only wish you could have seen the happy boy - how proud he was - and indeed is, of his new appearance - he sends his love & best thanks. I am sorry to say he does not yet write a readable letter'.

2 pp, 4to. Text clear and complete. Fair, on lightly-aged paper, with slight wear to extremities. On one leaf, with both sides ruled with red borders. In Payne's neat and distinctive hand, and attributed to him in pencil at head.

All three items are on stubs, within a card wallet. All good, on aged paper. Letter One: 'Weston Green 10th: July'. 1 p, 4to. On bifolium, with verso of second leaf addressed to 'Mr: Whitaker | St: Pauls Church Yard | London', with two postmarks (one 'KINGSTON - T | 12'), and docketed 'Mr; T.

1 p, 4to. 20 lines. Text clear and complete. Fair, on aged and creased paper. In response to a letter from Gye states that he did not hear Albani sing 'until her last two Canadian tours when she was approaching 50', when he 'thought her best in her singing of Mozart, which revealed her rare vocal finesse'. Charlesworth was told by the 'late Edwin R. Parkhurst, a Toronto music critic, 30 years my senior who had heard her frequently in his younger days in London', that 'these appearances gave no adequate idea of how glorious her voice had been in the seventies'.

1 p, 4to. Bifolium. Sixteen lines, neatly written. Text clear and complete. Good, on lightly-aged paper. Addressed on reverse of second leaf to 'W. Hayley Esqre.' He begins by thanking him for 'the kind memorial' (a volume of music?); the gift expresses Hayley's 'sense of common civility' and acquaints Boaden 'with a composer of great merit'. 'I tried the effect of his divine art yesterday, Sunday, and could not but wish to hear it from the organ at Chichester'. The rest of the letter concerns 'the subject of Randolph, and the copy of his works honour'd by the hand-writing of Pope'.