ENGLISH

Reproduction of black and white drawing in Blake's inimitable style. 4to (34 x 29.5 cm). Good, with a little light creasing. Reproduction of black and white drawing in Blake's inimitable style. Depicts anthropomorphic bear, pig, chicken, squirrel and hedgehog in a line from largest to smallest, all with party hats, smiles on their faces and forepaws and other front limbs aloft. Blake's address, as part of printed piece, written upwards along left-hand margin. Genuine autograph inscription by Blake, in blue ink, at right of drawing, reading 'With best wishes for Christmas & love from Q'.

Image roughly 7 x 9.5 cm, on piece of paper 8 x 10.5 cm, mounted on recto of second leaf of a cream card bifolium, with a window frame through first leaf. Printed label on reverse of second leaf reads: 'This photograph is copyright and mahy not be copied or reproduced in any way whatsoever. Legal proceedings may be taken against any infringement. | YVONNE GREGORY.' In very good condition, on lightly-aged paper. Head and shoulders three-quarters profile, from Gibbons' right, showing the novelist in a tailored jacket with padded shoulders.

12mo, [iv] + 52 + [i], the last page carrying an erratum. Unopened. In original grey printed wraps. Text clear and complete. Fair, on aged paper, with wear to wraps (particularly spine) and dog-eared front wrap. Bound in at the end is a separate seven-page pamphlet with a title-page which simply reads 'Toulon Port de Guerre par J. P.A. Madden.' The printer of this seven-page item is Imprimérie Cerf at Versailles.

12mo, 3 pp. Bifolium. 47 lines. Text clear and complete. On aged paper, wear and fraying to extremities. The cutting which Lawler leant him 'has helped me to trace one stage further in the wanderings of more than one vagabond Caxton'. Refers to John Winter Jones's discovery of a copy in the British Museum of the 'Quatre Derrenieres Choses', 'now more than 50 years ago [...] it has remained absolutely unique until our old friend at 15 Piccadilly [Bernard Quaritch] came upon a 2nd copy'.

12mo, 96 pp, followed by four-page SPCK catalogue (with first page listing works by the Rev. F. Bourdillon). Text clear and complete. In original olive cloth binding, gilt, stained with damp. Damp damage at rear leaving light staining to corners of last few leaves and catalogue, together with heavier damage to rear endpapers. Traces of Library label on front pastedown. Cloth faded, worn and stained. Bell explains in her preface that 'The poor are excellently well provided with all sorts of books of counsel and help.

On rectangle of paper, laid down on leaf removed from autograph album. In fair condition, on lightly-aged paper. Reads 'Good wishes | Anna Neagle.' With two newspaper cuttings carrying photographic portraits, one loose and one laid down to the left of the signature.

On leaf removed from autograph album, with one set of rounded corners. In good condition. Reads ' Good Morning - Bill! | With every good wish | Yours Sincerely | Peter Haddon | 1928 -'. Together with a loose newspaper cutting carrying a photographic portrait.

On rectangle removed from autograph album. In good condition. Reads 'Albert Coates | 1929'.

Two pages, 12mo, good condition, saying, "I was much obliged by your kind thought of sending me the critique - as well as taking the trouble - always a task - of copying it outIt seems to me to convey the intention of the [author?] exactly."

One page, 12mo, good condition, saying that illness and the consequences of an accident have prevented him responding courteously to the "notice of my Xmas story in Liverpool Mercury".

12mo, 3 pp. 30 lines. Text clear and complete. Fair, on aged and creased paper. He sends a 'list of pieces' which he considers 'suitable for a Short Company'. The first piece named is 'The Silver Lining (the St James's Comedy)', in which he says there are 'only 4 Men & 3 women exclusive of Helen Maltravers'.

12mo, 24 pp. Disbound. Text clear and complete. On aged paper, with the last leaf loose. Two-page preface dated 'Bristol, Dec. 1815.' This copy is significant in that the author and recipient are identified in a contemporary hand on the title-page. The only copy listed on COPAC, at the British Library, is unattributed.

4to, 1 p. Twenty-six lines. Text clear and complete. On grey paper. Small spike hole. Aged and lightly-creased. Describes the 'forbodings' which have been realised following 'the heavy rains and floods of the previous Autumn'. 'From 2000 to 3000 Pockets have already come to Market, and these are making, in samples of Sussex £8 to £9, the Cut, and in Kents £8. 8/. to £10. 10/. to £12;- mouldy and blighted, much lower. | Nothing choice in East or Mid Kents has, as yet, made its appearance, [...]'.

12mo, 3 pp. On bifolium, with the printed playbill for the 'Benefit of Mr. Chas. Calvert' at the Theatre-Royal, Newcastle, on the recto of the first page (including a performance of Much Ado About Nothing, with Calvert as Benedick and Miss Fanny Alexander as Beatrice. The letter is 42 lines long. She feels that, 'with but one rehearsal', the 'Merchante's Storye will scarcely go', and suggests performing 'Nine Points, The Household Fairy, and Head of the Family' instead, considering it 'a good bill' and 'lighter works for all the company'.

All items with texts clear and complete. The collection fair, on aged paper. ITEM ONE: Postcard, 6 April 1927; Culmora, Girton Rd, Cambs. Nine lines. The equation is not exact, but is probably 'a close enough approximation'. He has 'mislaid the working out, but probably made a slip in it.' ITEM TWO: Mimeographed typescript (4to, 3 pp), headed 'Campbell Capacitance Bridge'. On three letterheads of the Cambridge Instrument Company. Begins 'This Capacitance Bridge has been designed by Mr.

8vo, 16 pp. Unbound. Evidence of previous stitching, but with no remains of thread,. Aged, worn, and with outer leaves somewhat dusty. Preface, dated 'London, June 1864', by 'THE MANUFACTURERS OF THOMSON'S CRINOLINES', states that the judges of the best of 'the immense number of manuscripts received' were 'B. Webster, Esq., J. Sterling Coyne, Esq., Andrew Halliday, Esq., George Rose, Esq., and Thos.

8vo, 1 p. Text clear and complete. Fair, on thin aged paper, laid down on a sheet of backing. In small type, with the 'old version' of the nursery rhyme, in the left hand column, transformed into a 'new version' of 78 lines of prose in the right-hand column. The first line - 'This is the house that Jack built' - is changed into 'This is the domiciliary edifice erected by John.' The 'priest all shaven and shorn' becomes 'the ecclesiastical gentleman, the summit of whose pericranium was denuded of its natural covering'. Scarce: no copy in the British Library or on COPAC.

Folio, 3 pp; 8vo, 1 p. Bifolium. With the title lengthwise on reverse of second leaf, which also carries a table of 'The Fleets of the Cunard Company and of its Allied Lines' (both of vessels 'in commission' and 'building'). In small type. Text clear and complete. Fair, on aged paper. Detailed prospectus quoting letter from 'the Chairman of the Cunard Company, Sir Alfred Booth, Bart'. Accompanying printed application form (8vo, 1 p). Both prospectus and application with the stamp of the Edinburgh stockbroker A. W. Banks.

4to, 14 pp. In original brown printed wraps. Clear and complete. Good, on aged paper, with one central vertical fold, and horizontal mark to blank rear wrap. The description of the 'First General Meeting' covers the first three pages, with the report of the 'Inaugural Banquet' on the next four. On the last seven pages are the 'Report of Council (Presented by Mr. E. K. House.)' No copy at the British Library or on COPAC. The mimeographed circular (4to, 1 p), dated 9 March 1925, is a covering letter with a facsimile of Fluder's signature.

Portrait: 34.5 x 20 cm. Laid down on a piece of paper of the same size. Good: a little dusty and with unobtrusive 1.5 cm closed tear to left margin, and minor traces of previous mounting on reverse. Very good reproduction, on photographic paper of a complex, ghostly scene in a moonlit graveyard, with a number of supernatural figures among the graves. Decorative border with elongated skeletons.

Both items good, on lightly-aged paper. Palmer's letter: 4to, 6 pp. Text clear and complete. He begins by apologising if his letter to her 'sounded very ungracious': 'I was unaware at the time that you had made any acknowledgement to me, and as I have had my brains picked so frequently without acknowledgment (including, of course, plagiarisms from my poems) I was again feeling rather depressed & exasperated'. While describing her book as 'really [...] very good' and 'reliable', he suggests a number of changes, giving examples of 'where we clash'.

4to album, with the 29 pages of drawings on 28 leaves (on the rectos, except on one leaf, where they are on both sides). The album gives evidence of having been re-used, but gives no evidence as to the identity of the artist. While the covers of the album are worn, with the spine becoming detached, and with its leaves of discoloured high-acidity paper, all the drawings are clear and complete, consisting of twenty-eight full-page studies, and the remaining page (the first) with three studies on it. A few of the illustrations are lightly- and tastefully-coloured in pastel watercolour.

Fraser's Magazine launched in London in February 1830, and to begin with its most popular feature was Maginn's 'Gallery of Illustrious Literary Characters', with illlustrations by Maclise (collected in book form in 1873). The four portraits, all busts, are somewhat reminiscent of those in that work, but must be earlier if the identification of John Nichol, who died in 1828, is correct. The four are on separate pieces of paper, laid down 2 X 2 (with the four sitters looking inwards towards the centre of the page) on a leaf torn from an album.

Oval sepia photograph of the head and shoulders of Hullah, looking to his right in double-breasted jacket. Faded and on aged card, with traces of mount adhering to reverse. The sitter - who by comparison with other photographs is definitely Hullah - is named as 'JOHN HULLAH' in a contemporary hand on the card beneath the laid-down photograph, and as 'Mr Hullah' in pencil on the reverse. Not present in the collection of the National Portrait Gallery, which only holds three images of the composer.

Folio, 11 pp. On the rectos of eleven leaves of Britannia paper watermarked 'W H FELLOWS | 1841'. Held together with string. Text clear and complete. In ink, with deletions and emendations in pencil. Good, on aged paper. Docketed on reverse of last leaf. The subject of the poem is the execution of Conradine in the market square in Naples, 29 October 1268. The first section (3 pp) begins 'Italia fair Italia unto thee, | Was beauty given twice with misery, | At once the loveliest and the loveliest clime, | Thou wert the seat of Empire, and of crime; [...]'.

Townsend was a member of the Holland House circle. Two of his poems were compared favourably with Wordsworth by J. G. Lockhart. 4to, 80 pp, followed by a manuscript leaf, paginated 81 and 82, with the poems 'Sonnet, On Viewing St Paul's from Blackfriar's Bridge' and 'Sonnet | Richmond late in the Evening'. In original brown cloth boards, worn, rebacked and repaired, with 'WINCHESTER.' in gilt on front. Internally sound and tight, on aged paper. Tipped on the recto of the front free endpaper is a presentation inscription: 'With the Authors | Kind regards:- | Jany: 30th: 1837'.

Printed on one side of a long sheet, equivalent to two leaves of landscape 4to on top of one another. Text clear and complete. Good, on lightly-aged paper. The opening paragraph lays out the purpose of the notice: 'The Baking Trade Board (England and Wales) hereby give notice that they propose to vary for certain classes of workers in certain areas the minimum rates at present operative in the trade and set out in the Trade Board's Notices BK. (SW.) and BK. (19).

12mo, 2 pp. Bifolium. 12 lines. Text clear and complete. Good, on lightly-aged paper. He would 'much like' to show him a song he has written for 'Exeter Hall', and proposes dinner the following day. In a postscript asks if he has 'learnt anything about R. J. S. Stevens'.

12mo, 1 p. 10 lines. Text clear and complete. Good, on lightly-aged paper. The recipient 'had better be in Town for the Choral Meeting on the 4th. June'. Gives details of when the recipient will 'generally find' Hullah there.

12mo, 4 pp. Bifolium. Good, on lightly-aged paper. Addressed to close relation or agent. He agrees to 'the two sales in Sheffield of £52,000 and £90,000', but does not consider 'under £200 an acre' a good price. He wonders 'whether Sandford is inclined to give a bit to get a deal through without much trouble'.