ERNEST

Totalling 5 pp, 4to. All texts clear and complete. Fair, on aged paper. He begins the first letter 'I am venturing to address you on the assumption that you are the son of the revered singer DAME EMMA ALBANI, and most sincerely trust that my letter may not come amiss.' Harvey is writing an article for Albani's centenary the following year 'for Sir Compton Mackenzie's magazine The Gramophone - for November, 1952' and is 'very anxious to obtain definite details of the two UNPUBLISHED Records which Madame ALBANI made for The Gramophone Company in 1904', of which he gives the details.

1 p, 4to. 20 lines. Text clear and complete. Fair, on aged and creased paper. In response to a letter from Gye states that he did not hear Albani sing 'until her last two Canadian tours when she was approaching 50', when he 'thought her best in her singing of Mozart, which revealed her rare vocal finesse'. Charlesworth was told by the 'late Edwin R. Parkhurst, a Toronto music critic, 30 years my senior who had heard her frequently in his younger days in London', that 'these appearances gave no adequate idea of how glorious her voice had been in the seventies'.

2 pp, 12mo. 18 lines. Text clear and complete. Very good, on lightly-aged paper. Addressed to 'My dear Ernest'. The news that Gye has been posted to Damascus is 'exciting', although 'it will be funny & deserted - like to come home & not find you at the seat of custom'. Gye had spoken of going abroad, so he was not surprised, '& Lady Armstrong said recently that you were about to seek another field'. Regarding Gye's painting, he 'will have lots of interesting things to limn (that's a good word)'.

8 pp, 12mo. In very good condition, on lightly-aged paper. Addressed to 'Dear Ernest'. He begins by congratulating Gye on his promotion and 'on going to Tangier - a delightful spot'. It is however 'very sad' that Gye's 'guiding hand over our destinies will no longer be there in the Office'. He thanks Gye for his 'kindness' and 'sympathy': 'My path has lain along uneventful ways and it has been an untold solace to feel you did not despise those who had mearly [sic] to 'stand & wait''.

Totalling 68 pp, comprising 50 pp, 12mo; 18 pp, 4to. In good condition, on lightly-aged paper. Two signed 'W. A. Smart' and the others 'WAS.' All addressed to 'My dear Ernest'. Written in a spirited, chatty, and (for a diplomat) surprisingly indiscreet style, of which the beginning of the second letter (Salonica; 19 August 1919), concerning the appointment of Victor Vincent Cusden (1893-1980), gives a good example: 'Were you not content with condemning me to physical and financial ruin in this death-trap? Why, to add to my afflictions, did you send me this pathetic shop-boy?

A total of 8 pp, 4to, all on Palace Court letterheads. Dent's notes both signed 'Jock Dent.', and the copies both signed 'James Agate'. Two important, energetic and vivid letters by Agate, totalling 6 pp, 4to, defending Coward's play and his position on 'the intellectual and the popular', against the 'pseudo-intelligentsia' of the barristers Shearman and 'Jack' St John Hutchinson (1884-1942).

The seven items in fair condition, on lightly-aged paper and with the last two with wear to extremities. ONE: 15 June 1929; on letterhead of Lansdowne House, Lansdowne Road, Holland Park. 1 p, 4to. Accepting a dinner invitiation. 'I wish we did not meet so seldom, and after this long gap I hope we shall see each other more often'. TWO: 10 January 1931; on letterhead as One. 2 pp, 12mo. He is 'going to work in Paris a good deal this year - and shall often have occasion to take unfinished - or finished - things - pictures drawings - small sculpture to & fro between here & Paris'.

16mo, 8 pp. On art paper. In yellow printed wraps printed in orange. Good, with minor spotting around staples. Thirty-six items by White on pp.2-5, preceded by a biographical note. Twenty-five items by Epstein on pp.6-7, headed by 'LAZARUS (Carving in Hopton Wood stone)'. Scarce: only two copies on COPAC, and none on viaLibri.

Both good, on aged paper. Both docketed and with the Society's stamp. ONE: 14 October 1915. Folio, 1 p. Regarding a 'special examination in English, for Belgian refugees'. TWO: 21 October 1915. 4to, 1 p. Headed 'Examination for Belgians in the English Language'.

12mo, 3 pp (with printer's device on fourth page). Bifolium. Crisply printed in small type. Fair, on lightly-aged paper. 'All for the Cause!' ('Words by William Morris. Music by Belfort Bax, also Austrian Hymn, and Chants of L., No. 55') is thirty-two lines long, on the first page. It begins 'Hear a word, a word in season, for the day is drawing nigh, | When the Cause shall call upon us, some to live, and some to die!' 'No Master' ('Words by William Morris. Tune - The Hardy Norseman (Chants of L., No.

2 pp, on first leaf of bifolium of thick cream paper, dimensions roughly 40.5 x 26.5 cm. Ruled with red lines. Docketed on reverse of second leaf. Text clear and complete. In good condition, though grubby. Leverhulme ('the Settlor') is 'desirous of assisting in the foundation of a Chair of Physical Chemistry in the University', and has ('with the approbation of the Council of the University') 'transferred Five Thousand "B" Twenty per centum Cumulative Preferred Ordinary Shares of One pound each fully paid in Lever Brothers Limited into the name of the University'.

8vo: xvii + 296 pp. In original black cloth, with design in silver stamped on front board. No dustwrapper. Faded spine and lightly-marked cloth. Inscribed by Curtiss on front free endpaper: 'To Ellery Sedgwick - | Most gratefully - | Mina Curtiss | Christmas, 1932.'

On japon paper, roughly 260 x 330 mm. Dimensions of image roughly 140 x 225 mm. The impression has a metallic sheen. An impressively-executed engraving, a clear and crisp representation of Meissonier's celebrated painting, with a remarque of a horse at the foot. To the right of the remarque is the engraver's signature in pencil, ''. Klackner's copyright details run along the head of the engraving. Good, in crude card mount. A light smudge in the top left-hand corner of the margin, and a little damage to the bottom right-hand corner of the margin.

16mo: 1 p. 14 lines of text. Close hand. He is touched that Sainte-Beuve has found time, in the midst of his labours, to write a letter expressing his 'adhésion'. 'Je suis heureux de penser, en vous écrivant rue Montparnasse [Sainte-Beuve lived at no. 11], que la philosophie et l'esprit d'indépendence ont toujours un ami dans la maison de Sainte-Beuve'.

All three letters 12mo. The letter to Jalabert (with a mourning border) is 2 pp, the others 1 p each. All three in good condition. The Jalabert letter (18 lines) mentions his wife and 'M. Goupil'. The Duvivier letter (6 lines) is a letter of introduction to a 'Monsieur Pietsch, artiste distingue de Berlin'. Asks him to give the artist 'toutes les facilités pour visiter l'Hémicycle de Delaroche et la galérie des Plâtres'. The letter to the woman (11 lines). His return has been delayed by the death of the King of Portugal.

12mo: 1 p. Fifteen lines of text. Good, on lightly-aged paper. Docketed in a contemporary hand at head. Headed 'Madame'. Asking whether she would be willing to lend her 'admirable talent à une oeuvre d'instruction populaire', a matinée by 'Les membres de la bibliothèque du 17: arrondissement'.

12mo: 1 p. Text clear and entire, on aged and lightly-stained paper. Reads 'Cher ami. | Je vous envois une demande d'admission dans notre société, avec pièces à l'appui que je recommendre à tous vos soins. | Votre bien devoue. | [signed] E Lockroy'. Although attributed to Lockroy in a contemporary hand in pencil at the head of the letter, this document appears to be by a secretary, as the handwriting differs from his (see #6997).

8vo, 1 p. On discoloured paper, worn at head and foot. The only merit of the material he is sending is that it has been inspired by 'des sentiments vrais'. He took it to 'S. A. le prince Lieutenant général du royaume', and part of it had 'du prix à ses yeux'.

Written on both sides of the card, dimensions 5.5 x 9 cm. Good, with a little light scuffing on the front. Communication between two leading lights of French nineteenth-century mathematics. Printed text reads 'VICE-AMIRAL DE JONQUIERES | MEMBRE DE L'INSTITUT | AVENUE BUGEAUD, 2'. Asks Lalanne to 'inscrire Monsieur Bonnaffé, lauréat de l'Institut, parmi les lecteurs'.

4to, 1 p, 8 lines. Good, on lightly aged paper. Small indentation from paperclip in margin. Reads 'Monsieur Alcan prie Monsieur Delacroix de remettre au porteur le Testament (tissé) de Louis XVI, dont il a besoin pour le cours de ce soir au conservatoire des Arts et metier. | le preparateur du cours | Ernest Stamm | Paris le 13 fevrier 1860'. Loosely inserted in blue paper wraps with slip of an entry for the letter from a French autograph catalogue, misattributing it to Stamm.

One page, 12mo. Very good. 'I have much pleasure in sending you my signature, as I am told you wd. care to have it.

Both items quarto. On worn, discoloured paper, with a couple of closed tears to the folds. Pertwee was the author of numerous anthologies for recitation, and these letters presumably relate to his 'Reciter's treasury of prose and drama: serious and humorous' (Routledge, 1904). TLS: 'Provided, of course, that Messrs. Routledge have actually agreed with you to publish the book of humorous prose recitations, I shall be very willing to allow you to reprint any one of the stories the titles of which I give below.

Octavo bifolium on shiny art paper. A bit grubby, with two horizontal fold lines across photograph of Miss Doniach's head and shoulders in profile. Signed beneath photograph in blue ink. Central section contains twelve press opinions, ranging from Ernest Newman in the Sunday Times to the Amsterdam Handelsblatt.

Anglo-French journalist (1801-81) and friend of Mallarme. Letter: two pages, octavo. Good, though on creased, discoloured and spotted paper. The verso of the second leaf of the bifoliate is ruckled and with glue stains showing through from the verso, which is attached to a piece of ruled paper. Reads 'Mon cher voisin | I enclose an order for the Westminster Play for to night, which may perhaps interest you or your son. If either of you are able to go, you should be there early.

British geographer and Labour politician (1911-94), son of the antarctic explorer Sir Ernest Shackleton. One page, quarto. Very good. Folded three times. Docketed in red ink. He must decline the invitation to become a Fellow of the Society. 'It is certainly an honour and I would have liked to accept this invitation, but I have lately had to cut down on the membership of various societies since, as you can imagine, the subscriptions do mount up. This is frankly the reason, for I have become very well aware of the importance of the work of the Royal Society of Arts.'

Artist (1894-1966) and principal of Brighton School of Art. One page, octavo. Good, but lightly creased and with staple holes in the top lefthand corner. Date stamps in grey and red ink. Letter concerns the suitability of Alfred Charles Hull as a member of the Academy. Benney knew Hull 'for many years as a master at Shoreham Grammar School' and elsewhere. 'Mr. Hull is an extremely charming fellow and would socially fit in very happily with the Society. It is a little difficult, however, for me to say whether he is of fellowship standard.

English educationalist (born 1900) and authority on West Africa. Various formats from 12mo to quarto. Very good. Some items stamped or docketed. Mainly relates to a lecture to the Society by Ward, provisionally entitled 'Mass education in the colonies'. Letter of 1 November 1948: 'I am leaving for Beirut in a fortnight to attend the UNESCO conference, and am straining to get the next issue of 'Overseas Education' off to the press before I go.

Architect and engraver (1839-1922). One page, 12mo. With mourning border. In good condition, but with evidence of previous mounting on brown paper on reverse. Addressed to 'Dear Doctor'. He thanks him for his 'kind care of us' ('your crippled patient gave you much trouble') and asks him to accept a copy of his 'Belgium' ('Etchings in Belgium. With descriptive letterpress', 1878), which he is sending through the '' and 'will probably arrive someday'. Signed 'Ernest George'. Docketed in ink on reverse.