STAGE

[John Counsell: the man who drafted the Second World War instrument of German surrender.] Typed Note Signed to Christopher Fry, with Typed Letter Signed to him from ‘Edward’ (Sir Edward Ford?), conveying a message to Fry from Queen Elizabeth II.

Author: 
John Counsell [John William Counsell] (1905-1987), actor, theatre manager and director, who drafted the Second World War instrument of German Surrender [Christopher Fry, playwright; Sir Edward Ford]
Publication details: 
Counsell's TNS: 11 November 1965; on Windsor Theatre Company letterhead. TLS by 'Edward': 11 November 1965; on Buckingham Palace letterhead.
£65.00

Counsell, Ford and Fry all have entries in the Oxford DNB, that of Counsell noting that he was ‘assistant to Neville Grazebrook and composed the instrument of German surrender, signed at Rheims by General Jodl, which officially ended the war’. The two items are in good condition, lightly aged and creased from folding. Counsell’s TNS is stapled to the TLS from ‘Edward’, which is laid down on a leaf of ruled paper, at the head of which Fry has written: ‘Letter from John Counsell / re possible visit of H.M. The Queen to “Lady’s Not for Burning”’. ONE: Counsell’s TNS.

[‘The Last of Mrs Cheney’, Frederick Lonsdale play made into three Hollywood films.] Material relating to first stage production, at St James’s Theatre, London, including playscript, manuscript cast rolls, furniture and upholstery lists and invoice.

Author: 
Frederick Lonsdale (1881-1954), English playwright, author of ‘The Last of Mrs Cheney’, produced at St James’s Theatre, London, made into three Hollywood films; Gladys Cooper; Sir Gerald Du Maurier
Publication details: 
Material from 1925 and 1926, relating to production at the St James's Theatre, London, including items from Ernest Williams Ltd, 27 Davies Street, Berkeley Square, W1.
£420.00

Lonsdale’s entry in the Oxford DNB has the following to say: ‘In 1925 The Last of Mrs Cheyney was produced at the St James's Theatre, with the leading roles played by Gladys Cooper, Ellis Jeffreys, Ronald Squire, and Sir Gerald Du Maurier. This, Lonsdale's most famous play, ran for 514 performances [from 22 September 1925] in London, and enjoyed comparable popularity in New York, Berlin, and Paris.

[James Robinson Planché, dramatist, antiquary and herald.] Autograph Letter Signed to ‘Dear [Derrick?]’, regarding Charles Dance and a benefit.

Author: 
J. R. Planché [James Robinson Planché], dramatist, antiquary and herald [Charles Dance (1794-1863), playwright]
Publication details: 
8 July [1843]. Garrick Club [London].
£56.00

See his entry in the Oxford DNB. LETTER: 1p, 12mo. In fair condition, lightly aged, in remains of windowpane mount. Folded twice. Addressed to ‘Dear [Derrick?]’ and signed ‘J: R: Planché’. The year has been supplied in another hand in pencil. He informs him that ‘Charles Dance is out of town’, and that ‘the price would be one guinea - but I am sure that being for a benefit he will make no charges’. Planché is ‘of course not authorized to say so’, but he has ‘no doubt upon the subject’ and will tell Dormer so on his return.

[Clement Scott [Clement William Scott], theatre critic of the Daily Telegraph.] Two copies of studio portrait postcard of Scott, both signed and inscribed by him, with a similarly inscribed postcard of his second wife.

Author: 
Clement Scott [Clement William Scott] (1841-1904), highly influential theatre critic, mainly working for the Daily Telegraph, who feuded with Shaw; his second wife, née Constance Margarite Brandon
Publication details: 
One of Scott's cards dated by him to 1902, the other with postmark of Ingatestone, Essex, dated 1904; his wife's dated 1906. Place not stated.
£90.00

See his entry in the Oxford DNB. The postcards are bromide prints, and 9 x 14 cm. The two identical images of Scott, dressed for the theatre, with curled moustache and flower in his buttonhole, are both inscribed. In the bottom margin of one he has written ‘late of the D. T.’; in the same position on the other, and rather poignantly considering his later history, ‘Remember me / Clement Scott / 1902’. The former card is addressed by Scott on the reverse, with Ingatestone postmark dated 27 February 1904, to ‘Mr S. Le Sage / Maisonette / Ingatestone / Essex’.

[Frederick Reynolds, prolific English dramatist.] Autograph Letter Signed, informing ‘Mr. Raymond’ (manager of Drury Lane Theatre) that he has sold the copyright of a comedy to ‘Mr. Harris’ (of Covent Garden Theatre).

Author: 
Frederick Reynolds (1764-1841), English dramatist, author of more than a hundred pieces in his forty year career [James Grant Raymond of Drury Lane; Thomas Harris of Covent Garden; Tom Phillips]
Publication details: 
‘Thursday’. No date or place.
£56.00

See his entry in the Oxford DNB. 1p, 12mo. On the recto of the first leaf of a bifolium, and addressed in autograph on the reverse of the second to ‘Mr. Raymond / Chester Street / Grosvenor Place / No. 3. / Hyde Park Corner’, with three postmarks and broken wafer. In fair condition, lightly aged, with spike hole through both leaves. Folded twice for postage. He is sorry Raymond had ‘so much trouble’ looking for him: ‘but the truth is I waited at home for you this morning till 12 -’. He explains that ‘the Copy Right of the Comedy’ is ‘purchas’d by Mr.

[Ben Webster [Benjamin Nottingham Webster], actor-manager who built the Adelphi.] Autograph Letter Signed, thanking Henry Spicer on behalf of the Dramatic College, Covent Garden, for a financial ‘Godsend’.

Author: 
Ben Webster [Benjamin Nottingham Webster] (1797-1882), actor-manager who built the Adelphi Theatre, London [Henry Spicer]
Publication details: 
‘New Theatre Royal Adelphi / Jany 19th 1860’.
£45.00

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. On a bifolium the blank second leaf of which is laid down on part of a leaf from an album. Folded twice for postage. The recipient is ‘Henry Spicer Esq’, presumably a relation of the artist of the same name (d.1804; see ODNB), several of whose theatrical portraits are in the Garrick Club collection.

[St James’s Theatre, London: 1936 centenary production of ‘Pride and Prejudice’, designed by Rex Whistler, and starring Celia Johnson and Hugh Williams.] Manuscript ‘Treasury Sheets’ of itemized accounts for 9 weeks of performances.

Author: 
St James’s Theatre, London: 1936 centenary production of ‘Pride and Prejudice’, designed by Rex Whistler (1905-1944) and starring Celia Johnson (1908-1982) and Hugh Williams (1904-1969) [Jane Austen]
Publication details: 
On nine weekly sheets, each with eight performances. Weeks ending 12 September 1936, and 26 September to 14 November 1936. St James's Theatre, London.
£650.00

The Gilbert Miller production of ‘Pride and Prejudice’, designed by Rex Whistler, and starring Celia Johnson as Elizabeth Bennet and Hugh Williams as Mr Darcy, was a great success. It opened at the St James's Theatre, London, on 27 February 1936, and closed on 21 November 1936; with a Christmas revival between 26 December 1936 and 16 January 1937. There was a royal performance before Queen Mary on 15 February 1937, and the production went on tour for the rest of the year.

[Theatre Royal, Drury Lane.] Carbon of Typed BBC script of ‘2nd Broadcast’ in the series ‘Theatre Songs and Stories / by / W. Macqueen-Pope’, on the Theatre Royal, Drury Lane.

Author: 
Theatre Royal, Drury Lane, and its historian, W. Macqueen-Pope [Walter James Macqueen-Pope] (1888-1960) [BBC Radio]
Publication details: 
Undated, but shortly after the death of Ivor Novello on 6 March 1951. [BBC Radio, London.]
£120.00

From the Macqueen-Pope papers. His entry in the Oxford DNB describes how, in the 1950s, he was ‘in demand as a lecturer on the theatrical subjects he loved, and he appeared often in the same capacity on radio and on television. Ironically he regarded these two forms of public entertainment, and television in particular, as representing a serious threat to the survival of theatre, about which he cared passionately’.

[W. Macqueen-Pope, theatre historian and broadcaster, and Drury Lane press agent.] Fifteen Typed Newspaper Articles [for the magazine 'Everybody's'] giving weekly news of 'The London Theatre', with newspaper cuttings, TLS from editor Greville Poke.

Author: 
W. Macqueen-Pope [Walter James Macqueen-Pope, ‘Popie’] (1888-1960), theatre historian, broadcaster and journalist, archivist and Drury Lane press agent [Greville Poke, editor, Everybody's magazine]
Publication details: 
One of the articles from December 1948; two from November and December 1951 (with two drafts of the second of these); and the other twelve articles from between January to March 1957. ['Everybody's' magazine, Fleet Street, London.]
£450.00

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Known by his nickname ‘Popie’, Macqueen-Pope was widely regarded as the leading theatre historian of his day. His many books (from histories of individual theatres to a biography of Ivor Novello) sold well, and his broadcasts on the BBC were extremely popular. Eighteen items, providing something a glimpse of his working methods. The last two of the eighteen items are TLsS to MP: one from the editor of ‘Everybody's’ Greville Poke (also see his Oxford DNB entry), and the other Pauline Carter, ‘EDITORIAL’.

[Reginald Denham, English actor, writer and Broadway director.] Four chatty Autograph Letters Signed to the theatre historian W. Macqueen-Pope, with carbon of a reply by MP, and two associated items from other parties.

Author: 
Reginald Denham (1894-1983), English actor, writer and Broadway director [W. Macqueen-Pope (1888-1960), theatre historian]
Publication details: 
One of Denham’s letters dated 8 June 1951; the others without year but from the same time. All four from 100 Central Park South, New York 19. Macqueen-Pope’s letter dated 5 October 1951; 359 Strand, WC2 [London]. The other two items also from 1951.
£135.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) The seven items are in good condition, though one of Denham’s letters has slight wear to one edge. All date from the same period. The four Denham letters total 5pp, foolscap 8vo; three are signed ‘Reg’ and the other ‘Reginald’; two are on his letterhead. The fully-dated Denham letter (8 June 1951) is the longest at 2pp, 8vo. Addressed to ‘My dear Mac’, he gives details of a visit he is paying to England to settle his late mother’s affairs (‘She was 83.’) He is also going to ‘confer with Edward Percy.

[Sir Gerald du Maurier, actor-manager.] Typed Note Signed, as President of the Actors’ Orphanage, thanking the actor Frank Arlton for his ‘splendid efforts at the Garden party’.

Author: 
Sir Gerald du Maurier [Sir Gerald Hubert Edward Busson du Maurier] (1873-1934), English actor-manager [Frank Arlton (1863-1948), stage and screen actor; The Actors’ Orphanage, Langley, Bucks]
Publication details: 
15 June 1933. On letterhead of The Actors’ Orphanage, Langley Hall, Langley, Bucks.
£45.00

See his entry in the Oxford DNB. 1p, 4to. Signed (‘With reiterated thanks’) ‘Gerald du Maurier’, with ‘President’ typed beneath. The letterhead is printed in black and green, with details of officers and committee members. On aged and creased paper, with closed tears and nicks to edges. Folded three times for postage. He asks him to accept his ‘most grateful thanks for your splendid efforts at the Garden Party’. He understands the ‘new show’ which Arlton ‘put in this year’ has proved ‘very popular’.

[‘Suzette Tarri’, music hall comedienne.] Typed Letter Signed to P. W. Kerby and Typed Letter (signed on her behalf by her husband David Jenkins) to ‘Mr. Horsfield’, regarding bookings, with Autograph Letter Signed to W. Macqueen-Pope from Jenkins.

Author: 
Suzette Tarri [stage name of Ada Barbara Harriett Tarry (1881-1955), music hall and 'radio comedienne'; her husband and accompanist David Edmund Jenkins [W. Macqueen-Pope, theatre historian]
Publication details: 
ONE (ST to Kerby): 23 January 1944; her Southgate letterhead. TWO (ST to Horsfield): 29 March [no year]. THREE (Jenkins to Macqueen-Pope): 23 June 1950; different Southgate letterhead.
£100.00

From the papers of theatre historian Walter James Macqueen-Pope (1888-1960). (See his entry in the Oxford DNB.) The three items are in fair condition, lightly aged and worn. Her two letters are pinned together. The letter to Kerby has the large and firm signature ‘Suzette Tarri’; the letter to Horsfield is evidently signed ‘Suzette Terri’ on her behalf by her husband. ONE (ST to P. W. Kerby): 23 January 1944. Letterhead of ‘“Suda” / 25 Manor Drive, Southgate, N. 14’ (‘SUZETTE TARRI / RADIO COMEDIENNE / WITH / DAVID JENKINS / THE POPULAR PIANIST-VOCALIST’). 1p, 4to.

[Michel Kovatchévitch [Kovatchevitch], Paris-based Slav actor and author.] Typed Letter Signed, in French [to English theatre historian W. Macqueen-Pope], requesting information for his book on the Anglo-American black actor Frederick Aldridge.

Author: 
Michel Kovatchévitch [Kovatchevitch] (1891-1961), Paris-based Slav actor and writer in French on the theatre [W. Macqueen-Pope, theatre historian; Ira Frederick Aldridge, Anglo-American black actor]
Publication details: 
4 May 1956; on his letterhead, 36 Rue de la Clef, Paris.
£120.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 2pp, 4to. Signed ‘Michel Kovatchévitch’. On aged and worn paper. Folded twice for postage, with closed tears at edges of vertical fold, and nicks and creasing along one edge. He is working on a biography of Frederick Aldridge, ‘tragédien noir de langue anglaise (1807-1867)’, and asks for help in establishing the date of his debut, ‘dans le rôle d’Othello, au Royalty Theatre’.

[Gustavus Brooke, celebrated Irish actor.] Two drafts of Typed Article on ‘The Tragic Tragedian’ by theatre historian W. Macqueen-Pope, with carbon of letter to the editor of ‘Everybody’s’ magazine Greville Poke, and reply.

Author: 
Gustavus Brooke [Gustavus Vaughan Brooke] (1818-1866), celebrated Irish actor [W. Macqueen-Pope (1888-1960), theatre historian; 'Everybody's' magazine, London]
Publication details: 
Material all dating from 1950. [‘Everybody’s’, magazine, 114 Fleet Street, London.]
£180.00

From the Macqueen-Pope papers. See his entry, and that of Brooke, in the Oxford DNB. The five items are in good condition, lightly aged and worn. ONE: Carbon of Typed Article titled ‘London Was Unlucky to Him / The Story of Gustavus Brooke, The Tragic Tragedian’. 11pp, 4to, on eleven leaves. Begins: There is nothing so ephemeral as the art of the actor. Very very few of the names live on. Yet there are some, who in their day were of the first magnitude and are now forgotten, save for the delving historian.

[Will Fyffe, Scottish comedian and music hall entertainer.] Two drafts of Typed Obituary of Fyffe [by theatre historian W. Macqueen-Pope].

Author: 
[Will Fyffe (1885-1947), Scottish comedian and music hall entertainer] W. Macqueen-Pope (1888-1960), theatre historian
Publication details: 
No date or place. [1947. London.]
£90.00

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. MP is not named as the author, but there is no doubt that he is. Item one has corrections in his hand. Both versions are simply titled ‘Will Fyffe’. The two versions exhibit a number of differences from one another. It is not clear where the obituary was published, but it was probably the London magazine ‘Everybody’s’, for which MP contributed a weekly column. ONE: 4pp, 4to, double-spaced, on four leaves.

[Hannen Swaffer, Fleet Street journalist and spiritualist.] Typed Letter Signed to theatre historian W. Macqueen-Pope, with carbon of the reply, regarding the music hall artiste Belle Bilton, who became Lady Dunlo.

Author: 
Hannen Swaffer [Frederic Charles Hannen Swaffer] (1879-1962), Fleet Street journalist and spiritualist [Walter James Macqueen-Pope, theatre historian; Belle Bilton, music hall artiste [Lady Dunlo]]
Publication details: 
Swaffer’s letter: 9 May 1951; 8 St Martin’s Place, Trafalgar Square, WC2 [London]. Carbon of Macqueen-Pope’s letter: 11 May 1951; 359 Strand, WC2 [London].
£45.00

See the two men’s entries in the Oxford DNB. From the Macqueen-Pope papers. Each item in good condition, lightly aged, with creasing and rust staining to one corner from a paperclip. ONE: Swaffer to MP. TLS, signed ‘Swaff’. 1p, 4to. ‘Dear Popey, / Do you know anything about this woman? [From the context he is sending MP an enquiry he has received from ‘Mr. Le Poer Trench’] I presume she was a legitimate actress.

[‘Britain's first recorded broadcast comedian’.] Autograph Letter Signed and Typed Letter Signed from Helena Millais to W. Macqueen-Pope, with printed press release for her show ‘Songs and Laughter’.

Author: 
Helena Millais [stage name of Helena Catherine Marriott] (1886-1970), Britain's first recorded broadcast comedian, actress and writer.
Publication details: 
TLS: 8 August 1957. ALS: 14 August 1959. Both from 5 Riverview Gardens, Barnes, SW13 [London].
£150.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) On 20 October 1922 Millais broadcast on 2LO radio, becoming the first comedian on what was later to become the BBC. In a performance on 21 November 1922 she became the third entertainer to appear on the week-old BBC. All three items in good condition, lightly aged, though the autograph letter has pin holes to a corner, and the typed letter rust from a paperclip. Both letters signed ‘Helena Millais’. ONE: TLS. 3pp, 12mo. Having met him ‘at various C.A.A. evenings, she asks him for advice about several books.

[Clan Chattan Association.] Autograph Letter Signed from the editor of its journal, Murdoch Macintosh, to theatre historian W. Macqueen-Pope, discussing the Macqueen family in Scotland and his own wartime service.

Author: 
Clan Chattan Association: Murdoch Macintosh, F.S.A. Scot., editor of its journal [Walter James Macqueen-Pope (1888-1960), theatre historian]
Publication details: 
3 May 1952; on letterhead of the Clan Chattan Association, The Castle, Inverness, Scotland.
£80.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) The Clan Chattan Association is a confederation of highland clans. 2pp, 4to. In fair condition, lightly aged, with slight creasing to one corner, and rust staining from paperclip. Folded twice for postage. Addressed to MP’s London address in Coventry Street. ‘I’ve heard about your James MacQueen. His name appears in quite a few locally published papers &c. on Culloden. His new teeth are quite famous up here.’ He accepts the proposal for an article: ‘if you could go to 900-1000 words I’d be happy’.

[Donovan Maule, English actor and theatre director.] Autograph Letter Signed to W. Macqueen-Pope, describing difficulties in establishing ‘the first professional theatre’ in Kenya, and discussing MP’s book on the Haymarket. With carbon of reply.

Author: 
Donovan Maule (1899-1982), British actor and theatre director, husband of actress Mollie Shiells [Donovan Maule Theatre, Nairobi, Kenya; W. Macqueen-Pope, theatre historian]
Publication details: 
Maule’s letter: 10 September 1949; from ‘Kenya Colony, / British East Africa’, on letterhead of The Donovan Maule Players, Nairobi. Carbon of Macqueen-Pope’s reply: 15 September 1949; 359 Strand, WC2 [London].
£50.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) Both items in fair condition, lightly aged and creased. Pinned together. ONE: DM to MP. Signed ‘Mollie and Donovan Maule. / (Mollie Shiells)’, but the husband is clearly the author. 1p, 4to. Folded twice for postage. He thanks him for his ‘inspiring book’ on the Haymarket Theatre. ‘My wife and I (both ex-Haymarket artists) feel inseminated ith fresh optimism and jope while battling with the municipal authorities and Kenya Government to establish the first professional theatre ever known here.

[Drury Lane Ghost.] Carbon of typewritten letter from W. Macqueen-Pope to Jack Todd of New York, giving an account of the ghost at the Theatre Royal, Drury Lane, which he has seen ‘on very many occasions’, and of his own association with the place.

Author: 
Drury Lane Ghost [Theatre Royal, Drury Lane, London; Walter James Macqueen-Pope (1888-1960), theatre historian]
Publication details: 
16 December 1957. [London.]
£120.00

From the papers of theatre historian W. Macqueen-Pope, who was for more than twenty years press representative for Drury Lane. (See his entry in the Oxford DNB.) The recipient is given by MP as ‘Jack Todd Esq / 446, Dimmick Street, Waterton, New York’. 2pp, 4to. 59 lines of text, single-spaced. An unsigned carbon copy, in fair condition, on lightly-aged and creasted cartridge paper.

[George E. Dunn, author and editor.] Autograph Letter Signed to theatre historian W. Macqueen-Pope, discussing the perils of the proof-reading process, with reminiscences.

Author: 
George E. Dunn, author and editor [Walter James Macqueen-Pope (1888-1960), theatre historian]
Publication details: 
5 July [year?]. Three Corners, Watledge, Gloucestershire.
£65.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 2pp, foolscap 8vo. In fair condition, lightly-aged, with creasing at head, which is annotated by MP ‘(author)’. After thanking him for his letter he writes: ‘It is fatal to have a book published without seeing a proof. In my “G[ilbert] & S[ullivan] Dictionary” I had occasion to mention “The Yeomen of the Guard” 14 times. The comp[ositor], aided by the reader, deliberately channged them to “Yeoman”.

[‘Compo’ in ‘Last of the Summer Wine’.] Typed Letter Signed from the actor Bill Owen to the theatre historian W. Macqueen-Pope, asking for advice on a script he wishes to write about Dan Leno.

Author: 
Bill Owen [William John Owen Rowbotham (1914-1999)], English actor and songwriter, best-known for playing ‘Compo’ in the BBC TV series ‘Last of the Summer Wine’ [W. Macqueen-Pope, theatre historian]
Publication details: 
15 April 1953; on letterhead of Lavender Lodge, Maidenhead Court, Maidenhead.
£45.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 16mo. Signed ‘Bill Owen’. In fair condition, lightly aged and creased. Hailing him as ‘the greatest living authority on British Theatre’, he asks for advice. ‘My job is acting, and it has always been an ambition of mine to portray the life of Dan Leno, either on film or TV.

[‘Ralom and Rosa’, English clown routine.] Typed Letter Signed from ‘Rosa’ to theatre historian W. Macqueen-Pope, singing the praises of their act, and threatening to leave for the continent if they cannot find ‘the right recognition’ in England.

Author: 
‘Ralom and Rosa’, English clowns (‘International Comedy Musicans with Concertinas & Piano’) [Walter James Macqueen-Pope (1888-1960), theatre historian]
Publication details: 
16 December 1956; on letterhead of ‘International Comedy Musicans with Concertinas & Piano / Clown / Ralom and Rosa’, 29 Hibbert Road, Leyton, London E17.
£120.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 4to. On light-blue paper, with letterhead in dark-blue and red. Signed ‘Ralom’, with ‘RALOM & ROSA’ typed beneath. In good condition, lightly aged. Writing to MP at the Evening News, London. ‘There has [sic] been quite a few remarks passed by critics of the “paucity” of Acts in the Variety profession.

[Dame Sybil Thorndike, distinguished English actress.] Autograph Letter Signed [to theatre historian W. J. Macqueen-Pope], agreeing to do something for the memory of ‘our beloved Ivor’ [i.e. Ivor Novello].

Author: 
Sybil Thorndike [Dame Agnes Sybil Thorndike] (1882-1976), distinguished English actress, wife of Sir Lewis Casson [Walter James Macqueen-Pope, theatre historian; Ivor Novello]
Publication details: 
No date [1952?]: ‘Haymarket [Haymarket Theatre, London] Thursday night’.
£45.00

From the papers of the evident recipient, theatre historian Walter James Macqueen-Pope. See his entry, and hers and her husband’s, in the Oxford DNB. 2pp, 12mo. Large bold signature ‘Sybil’. In fair condition, lightly aged and worn. Folded once for postage. The letter almost certainly relates to the unveiling ceremony of the Ivor Novello Memorial at the Theatre Royal, Drury Lane on 2 May 1952. The bust, by Clemence Dane, was unveiled by Thorndike with the reading of a poem by Mary Ellis. The preent item reads: ‘My dear. Of course I[’]ll do anything you want me to do for our beloved Ivor.

[Sir Donald Wolfit, Shakespearian actor-manager.] Typed Letter Signed to W. J. Macqueen-Pope regarding the success of his Shakespeare tour; with carbon TL of MP’s reply, giving a synopsis of his planned play about Edmund Kean, with Wolfit to star.

Author: 
Sir Donald Wolfit [formerly Woolfitt] (1902-1968), English Shakespearian actor-manager; Walter James Macqueen-Pope (1888-1960), theatre historian [Edmund Kean (1787-1833), actor]
Publication details: 
Wolfit’s TLS: 25 February 1943; on letterhead of ‘Donald Wolfit / Shakespeare Tour’, with typed current address Wharfenden House, Frimley Green. Carbon TL of MP’s response, 26 February 1943.
£56.00

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. Ronald Harwood’s play and film ‘The Dresser’ are based on his experiences working in that position for Wolfit. From the Macqueen-Pope archive. The two items lightly aged and in fair condition, the first with a little rust spotting to one corner from a paperclip. In Item Two MP describes in detail his plans for a play about the nineteenth-century actor Edmund Kean, with Wolfit clearly envisaged in the leading role.

[Sir Geoffrey Harmsworth, journalist, nephew of Lords Northcliffe and Rothermere.] Three Typed Letters Signed to theatre historian W. J. Maqueen-Pope, discussing his family and asking for information for a biography he is writing of Northcliffe.

Author: 
Sir Geoffrey Harmsworth [Arthur Geoffrey Annesley Harmsworth] (1904-1980), journalist and member of Fleet Street dynasty, nephew of Lords Northcliffe and Rothermere [Walter James Macqueen-Pope]
Publication details: 
9 August, 3 October and 31 December 1951. The first on letterhead of the Harmsworth Press Limited, 8 Stratton Street, London, W1; the other two on letterhead of 8 Stratton Street, with second cancelled in favour of Thorpe Hall, Louth, Lincolnshire.
£80.00

From the Macqueen-Pope papers. See MP’s entry and those of various members of the Harmsworth family in the Oxford DNB. The three items are in good condition, lightly aged, with the first with rust staining from paperclip, and all three folded twice. Each signed ‘Geoffrey Harmsworth’. ONE: 9 August 1951. 1p, 8v. He doubts whether MP will remember their previous meeting. He is ‘engaged on a full-length Life of Northcliffe’ (written with Reginald Pound, and appearing in 1959), and is having to do ‘much digging to find out information about the early days’.

[Sir John Gielgud, distinguished English actor.] Typed Letter Signed to theatre historian W. J. Macqueen-Pope, regarding the press night of his RSC production at London's Phoenix Theatre of ‘Much Ado about Nothing’.

Author: 
Sir John Gielgud [Arthur John Gielgud] (1904-2000), distinguished English actor and theatre director, whose career spanned eight decades [Walter James Macqueen-Pope (1888-1960), theatre historian]
Publication details: 
12 January 1952; from the Phoenix Theatre, WC2 [London], on his letterhead.
£45.00

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. The present item relates to the 1952 RSC production of ‘Much Ado about Nothing’, directed by Gielgud and with him playing Benedick. 1p, landscape 8vo. Red-ink letterhead ‘JOHN GIELGUD’. Signed ‘John Gielgud’ and addressed to ‘Dear Popie’. In good condition, lightly aged and creased. Folded twice. He thanks him for his ‘good wishes and thought of me.

[H. F. Maltby [Henry Francis Maltby], playwright and actor on stage and screen.] Typed Letter Signed to theatre historian W. Macqueen-Pope, giving reminiscences of his visit to the tomb of ‘Maggoty’ Johnson, and visits to London theatre productions.

Author: 
H. F. Maltby [Henry Francis Maltby] (1880-1963), playwright and actor on stage and screen [Walter James Macqueen-Pope, theatre historian]
Publication details: 
8 December 1948; on his letterhead, 62 Langdale Gardens, Hove, Sussex.
£56.00

From the Macqueen-Pope papers. See his entry in the Oxford DNB. 2pp, 4to. Sixty lines of text. Aged and worn, but entirely legible. Signed ‘H. F. Maltby’ and addressed to ‘My dear Pope’. Most of the letter concerns the tomb of ‘Maggoty’ Johnson: ‘I first met that interesting old gentleman over forty years ago, when I was playing at the Theatre Royal Macclesfield with the late Mrs Bandman-Palmer. It was my landlady who advised me to visit the tomb as one of the objects of interest in the place.

[Dorothy Tutin [Dame Dorothy Tutin], Shakespearian actress.] Autograph Card Signed to W. J. Macqueen-Pope, with typed article by him (‘Star in Spite of Herself’), his typed interview notes, and carbon of typed letter from him to Sir Andrew Caird.

Author: 
Dorothy Tutin [Dame Dorothy Tutin] (1930-2001), English Shakespearian actress [Walter James Macqueen-Pope (1888-1960); Sir Andrew Caird of Lord Northcliffe’s Associated Newspapers; RADA]
Publication details: 
ONE: Her ACS to MP, from Wyndham’s Theatre, postmarked London, 6 October 1953. TWO: Copy of TL from MP to Caird, 13 October 1953. The other two items without date or place, but contemporaneous.
£180.00

From the Macqueen-Pope papers. See his entry and hers in the Oxford DNB. Caird was Northcliffe’s right-hand man, and mainly associated with the Daily Mail. The four items are in fair condition, lightly aged and creased, with slight rust spotting from a paper clips. Items Two to Four are on carbon paper. ONE: ACS from Tutin to MP. Small unillustrated postcard, signed ‘Dorothy Tutin’. Reads: ‘I remember you very well - your fascinating letures at the Academy [i.e. London theatre school RADA, the Royal Academy of Dramatic Art] - and shall be very happy to meet you for this article.

[Ellaline Terriss, Edwardian actress and singer.] Four items of Autograph Correspondence with theatre historian W. J. Macqueen-Pope (‘Popie’), comprising three letters and one card, all signed ‘Ella’.

Author: 
Ellaline Terriss [born Mary Ellaline Lewin] (1871-1971), Edwardian actress and singer, wife of Seymour Hicks and daughter of William Terriss [Walter James Macqueen-Pope, theatre historian]
Publication details: 
ONE: 28 December 1950; 36 Lauderdale Mansions, Maida Vale [London]. TWO: [1956.] THREE: ‘Tuesday’; with letterhead of The Old Rectory, Frimley, Aldershot, Hants. FOUR: Post Card with Frimley postmark, 8 July 1957; Frimley letterhead of ‘Lady Hicks'.
£80.00

From the Macqueen-Pope papers. See both their entries in the Oxford DNB. The four items in good condition, lightly aged and creased, with slight spotting to one corner of Item. Folded for postage. ONE: ALS dated 28 December 1950. 2pp, 12mo. Before sending seasonal greetings she begins: ‘My dear Popie / I returned home to find your wonderful book waiting for me.

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