TWENTIETH

Michael Howard's obituary of Ticehurst in The Times, 30 October 1975, describes him as 'a persuasive pioneer among those who sought to reestablish the harpsichord as a serious musical instrument'. ONE: Carbon typescript, 7pp., 4to. Headed 'Harpsichord to Australia | by John Ticehurst.' With a few minor manuscript marks. In autograph next to the title: 'April 1951/Feb 1952'. In good condition, on lightly-aged paper, with slight rust staining from paperclip.

[8]pp., 4to. Stapled pamphlet. Aged and worn, with rusting staples. Two-page 'Directors' Report', with topics including a yearly balance of £134,953 5s 3d, the death of Lord Riddell and the decision to 'rebuild the old-fashioned sections of the Company's premises in Southampton Street, Tavistock Street and Exeter Street; centrefold balance sheet; single-page 'Statement Showing Combined Assets and Liabilities of George Newnes, Limited and Subsidiary Companies'; single-page 'List of Magazines and Periodicals'; and cover page. The subsidiary companies included Country Life; W. H. & L.

[28]pp., 4to. Stapled into grey printed wraps. Illustrated with photographs; centrepage spread of matching tables giving 'Weekly Potato Shipments' from Tasmania to Sydney, in 1937 and 1956. On glossy art paper. Both prospectus and inserts in fair condition, on lightly aged and worn paper. Stamp of the Van Diemen's Land Company on front cover, with ownership inscription 'C. C. Carter'.

62pp., 12mo. In printed boards with blue printed label with red text on front cover. In fair condition, on lightly aged paper, in worn boards. The flyleaf carries twelve signatures: 'George H. Milsted' (Senior Director), 'Mervyn Horder' (Director), 'Patrick Crichton-Stuart' (Director), 'A. J Griffiths.' ('London traveller'), 'Alan Harris' ('literary adviser'),'A. G. Lewis' ('On the managerial side'), 'G P Rothwell', 'A G. Rudge', 'M. H. Pyke.', '', 'E Walton.' and ''.

The four items in their original wraps. All four in fair condition, on lightly-aged and ruckled paper, with slight evidence of damp. One: 'Report on the Survey and Settlement Operations in Assam for the Year ending the 30th September 1930'. Shillong: Printed at the Assam Government Press, 1931. 7 +18 + [2]pp., foolscap 8vo. By 'L. C. Thuillier, Lt.-Colonel, I.A., Director of Surveys, Assam', 'W. L. Scott, Director of Land Records, Assam' and 'C. K. Rhodes, Secretary to the Government of Assam, Revenue Department'. Stamp of the Bala Theological College on front wrap.

1p., 8vo. In fair condition, lightly-aged, with small pin-hole at top left and Gray's signature underlined in red pencil. He would have 'loved' to chair 'Dr. Cole's "Cantor" Lecture on 22 May, but has to 'attend at [sic] series of meetings in Ireland during the whole of that week'. He has written to Cole on the matter.

[10] + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.

4to, 71 pp, with one 12mo page at end. In poor condition, damp damaged and detached from green cloth covers, but with texts legible and complete. Manuscript table of contents on recto of first leaf describes nine tales in German, told by Ascher Horowitz and T.

This small archive provides an interesting insight into the world of mid-twentieth century antiquarian bookselling. In excess of one hundred items, the collection being in good condition, lightly aged and worn, including 61 typed letters, invoices and quotations by the firm, all on its letterhead, and around 30 drafts of the letters to the firm from a somewhat difficult customer, with an interesting range of interests, his purchases dating between the seventeenth and the twentieth century, on such subjects as Russian antiquities, bookplates, the classics, Rossica and Oscar Wilde.

NOTE: Autograph Note Signed. 1p., 12mo. Lightly stamped with date of receipt, 28 August 1969. In fair condition, lightly aged and creased. Reads: 'Dear Mr Rota, | I hope & believe this is one you havent got - it needs a touch of ink eraser - | Gratefully, yrs | Cyril Connolly'. At foot of page, in Rota's autograph: 'About exchanging issues of Personal Landscape [i.e. Lawrence Durrell's magazine]'. BOOK: xv + 414pp., 8vo. In good condition in like dustwrapper. Connolly has scored through his name on the title page and written beneath it in blue ink 'Cyril Connolly.'

On 3 x 9 cm piece of card, cut from the end of a letter. Reads: 'Yours sincerely | H. H. Asquith'. In poor condition, heavily creased and marked.

2pp., 12mo. In good condition, lightly aged and worn. The letterhead, printed in red and black, features the illustration of a phoenix in fire which featured on the covers of some Penguin Books publications of works by D. H. Lawrence. He begins by stating that Malcolm Kelly has sent him Bailey's letter 'with its very flattering reference to me'. He explains that he has 'always regarded the book business as a whole & not as two camps as it were, book-sellers & publishers'.

Both items are printed with elegant restraint, and  designed by Sebastian Carter (from the horse's mouth). Both are in good condition, with light signs of age and wear. The service with a horizontal central fold and the ticket with a vertical fold. The funeral service is printed in black and red on deckled-edged wove paper. The second page gives details of 'The Music' and the third 'The Order of Service', which features Michael Morpurgo, Richard Hoggart, Robert Lusty and Harry Paroissien, with Rev. Austen Williams officiating. The last page gives details of the eight musicians.

On 7 x 11 cm slip of paper, torn from the end of a letter. In fair condition, lightly aged, with minor staining to one corner. Reads, with top line slightly cropped: 'I may have more leisure. | Yours sincerely, | J. Masefield.'

42pp., 8vo. Duplicated stapled typescript, with text on rectos only. Not illustrated. Introduction by Jones, in which he explains that 'the list is arranged chronologically under the country of origin, plus special types of cards as, for example, transformation, etc. A selected bibliography has been included for those who may wish to go into these matters more extensively.' A scholarly production, with 264 entries and four-page bibliography. Aged and worn, with printed card cover (on which a playing card has been laid down as part of design) detached and chipped.

1p., 8vo. Lightly aged, and with creasing and closed tear at head. He will be pleased to autograph any copies of his book which Pettitt would like to send, and concludes: 'Are there any Rankin's in Rochford now? They are related to me'.

The seven items are in good condition, on lightly-aged paper, and total 9pp., 8vo. Three carry the Society's stamp. The correspondence concerns the production of Wood's 'History of the Royal Society of Arts' (1913). Topics include price, binding, design, layout, reviews. An eighth item is also included: a letter in the third person from 'Mr. Murray', dated 20 January 1914. This does not appear to be in the hand of either John Murray IV or John Murray V

1p., 8vo. In good condition, lightly aged. He thanks him for the invitation to the Society's 'discussion on extended copyrights'. He must decline, not only because of a prior invitation, 'but also because I am unfortunately too deaf to take any satisfactory part in debate or discussion, as I miss so much that is said & get some of the rest wrong!' His infirmity is 'a bar to my pleasure on such occasions'.

Peter Wardle studied at Leicester School of Art and the Ruskin School of Art, Oxford. He began his career as a professional portrait painter and sculptor in the 1970s, and has work in a number of institutions including the Ashmolean Museum, Oxford. Ten of his works in the National Portrait Gallery collection include portraits of Athol Fugard, H. J. Eysenck and Edmund Blunden. He was also responsible for the portrait of Sir Geoffrey Keynes used as the frontispiece to his 1973 festschift. The present collection, containing around ninety items, is in aged and worn condition.

The collection of seven items is in fair condition, lightly-aged and with slight rust staining to a few pages. The material is from the archives of an Anglo-German firm of City of London stockbrokers (see the list of clients in Item One below, all with German names), and is valuable for the material it contains revealing the impact of the First World War on the firm's own business (see Item Two below, regarding the 'Enemy [i.e.

53 items, in remains of folder with 'Documents Modèles' in manuscript on cover. In fair condition, with light signs of age and wear. Mainly comprising tracings and drawings (some coloured) of designs (both original and copied from historical items), in pencil, pen and watercolour, including some on pages torn from notebooks, some of them annotated in French. Mattei's two coloured drawings show bold floral designs for teacups and saucers. Also present is a series of versions of a playing-card design. There are also eleven black and white photographs of pots, vases and snuffboxes.

Stamped and postmarked, and addressed to 'Colonel Barker | Bourchins Lodge | Tolleshunt D'Arcy | Essex'. In fair condition, on lightly-aged paper. Reads: 'I am trying to get some of the old firm together for a table at the Sudan dinner. I have got Kennedy Cook & wife, Griselda Maurice & myself. Would you & your wife join us | Yrs ever | Philip'. Egerton was with the Sudan Civil Service; and with the 3rd battalion of Shropshire Light Infantry won a 4th clasp of the Order of the Nile.

2pp., 8vo. On aged and worn paper. The letter begins: 'Dearest Geoffrey | She is quite convinced you were Pourponne! - says it was given to her before she saw your photographs - (about which she says some very gratifying things!) How does this strike you?!' The woman is 'hunting for a confirmatory portrait'. While Lehmann herself has 'only the haziest impression of Pourponne', she does know that 'they were mutually devoted' She exclaims: 'Oh do hurry up & start this book!

1p., 8vo. Signed in blue felt-tip pen. Letterhead illustration of drawing by West, picked out in blue and red felt-tip. A jokey letter beginning: 'ta very much for the dress - it didn't fit me so now Sandra wears it. We have called her Sandra Mercedes. Sandra, though perhaps not very evocative, is easily pronounced in both English and Spanish.

In very good condition, in transparent plastic waller. Accompanied by two booklets in French, containing extensive scholarly text on each painting. From the Philip West archive.

36pp., 4to. Stapled pamphlet. Aged and worn. Pencil annotations throughout. Four-page 'Foreword' by 'Philip Sassoon', followed by four-page 'Short Biography of Painters and Index Numbers'. The twenty-three page catalogue (with marginal pencil annotations) features 152 items, and is followed by a three-page 'Index to Exhibitors'. Loosely inserted is a duplicated typescript (1p., 12mo), giving the address, opening times, and prices. John Zoffany is well represented.

1p., 12mo. In good condition, lightly-aged. He has 'given consideration to the following MSS.': 'THE WEB OF FATE by M. Garahan | ANTONY IN LOVE [by] C. E. Rose | THE NIGHT MOTH [by] Amy Miller'. As he cannot make any offer for their publication he is returning the manuscripts forthwith.

2pp., 12mo. 29 lines of closely-written text. In good condition, on lightly-aged paper. 'Such a calamity must be a terrible blow for you all but more especially to Mrs. Joy and yourself. To lose a daugher just blossoming out into womanhood is tragic indeed, the more so, if that were possible, in that she was such a bright girl.' He continues 'By the same post I have word that one of my uncles has just died, and that another has been given up by the doctors. They have both lived full lives, and, in their way, interesting lives, so that, there, one can hardly talk of a tragic end.

16pp. of sketches in 15 x 13 cm. artist's sketchbook. In good condition, in boards covered with decorative paper. On page preceding the sketches: 'Sketch Book 2007', with the following added subsequently: 'GS paintings from museums & galleries 2008 | possible use in 2nd edition of Inspirations by Rosalind Thuillier'. The sketches, all in black ink, are pared-down and assured (as befits the abstract painter that Thuillier was). The first two captions are 'portrait from Goldmark | 1924' and 'Little painting - 1924 (6?). Fine Art Society.

The poster is printed in black on one side of a 59.5 x 42.5 cm piece of glossy art paper. In fair condition, on lightly-aged paper, folded four times. It is for a joint show with Livia Szadai at the Galerie Hildebrand, Klagenfurt. There is a photograph of her work (Wollbilder oder Umh