TWENTIETH

On 6.5 x 12 cm slip of thin laid paper, cut from the end of a typed letter. Signature in blue ink. In fair condition, lightly aged, with tissue labels from mount adhering to the blank reverse. Reads: '[...] | Yours sincerely, | [Graham Greene] | Graham Greene. | The Lord Iddesleigh, | Pynes, | Exeter.'

On 8 x 12.5 cm piece of paper, torn from the end of a letter. In fair condition, aged and lightly spotted. On one side of the slip is the conclusion of the letter: '[...] | Yours very sincerely | Edith Sitwell'. On the other side is the following autograph fragment: '[...] kind of you to invite me to your lumcheon party on Tuesday, and I am looking forward to it so much. I have not seen you for [...]'.

12pp., 8vo. Stapled into light-brown printed wraps, with title in dark-brown on white label on front wrap. In good condition, lightly aged and worn. Blackwell's address is on pp.3-10; p.11 carries a 'List of Members 30th June 1937', in two columns, including R. Cobden-Sanderson, Geoffrey Faber, Rupert Hart-Davis, Harold Macmillan, Stanley Unwin and Sir Hugh Walpole. The final page carries details of the Society's officers, committee, secretary and offices. Blackwell begins his address: 'I have nothing new or strange to propose to-night.

1p., 8vo. In good condition, lightly aged and worn. Obtrusive stamp at head giving the date of receipt as 28 November 1979, with this date queried in ink. Benn's signature underlined by the recipient in thin red ink. Reads: 'Dear Mrs Kingham: | Forgive the delay. | My life-style is that of a very hard-working M.P. with a wife who teaches & writes & 4 children educated at comprehensive schools. | You shouldn't believe the rubbish you read in the press.'

Totalling 17pp., foolscap 8vo. The main paper, 'The Organisation and Functions of British Chambers of Commerce', 14pp; the supplementary paper (separately paginated), titled 'Joint Chambers of Commerce', 3pp. Separating the two papers is a leaf carrying a faded duplicated image of a plan copied from The Chambers of Commerce Manual 1954-5'. In fair condition, lightly aged and worn, with rusty staple and paperclip, and slight creasing to the last three leaves of the main paper. Minor pencil emendations throughout the main paper by Carpenter.

The London College of Educational Dance Training opened at Rawdon Hall in 1944, merged with Middlesex University in 1994, and shut in 2003. Grace Cone, the first principal, retired in 1966, and was replaced by her vice-principal Anita Heyworth. Heyworth retired in 1973 and was replaced by Phrosso Pfister. Pfister had become a student at the college in 1945, following war service with the SOE in Egypt and Italy, and had become a staff member in 1949. The present collection of five items is from Pfister's papers.

Three pages, 12mo, good condition."Mrs Lynd's [ Sylvia Lynd, author ] letter about the Femina Committee followed me here where I am spending a few days. The onlky objection I can see to inserting the word 'formerly' before F.V.H. [Femina - Vie Heureuse ] is that the title of the Prize Committee would be even more unwieldy than it already is!- but of course I am in favour of trying to settle the difference between the two French committees, and hope Mrs Lynd will write the letter she suggests in her letter. I must admit that I didn't realize there were two [underlined] French committees."

[4] + [18 pages paginated 371-388], 8vo. Stitched, in grey printed wraps. Aged and worn, with some light damp staining. Faded ink inscription at head of front cover: 'Rev. Robert Frew | with compliments | Alb. Lybyer'. Scarce.

1p., 4to. In good condition, on lightly-aged paper. The first paragraph reads: 'Dear Cuming Walters, | Forgive me for not writing sooner. The fact is I have been down with influenza and pneumonia for the last three weeks. The worst time of the year for me! After the first week I contrived with difficulty to carry on with things, lying on my back dictating letters to my daughter, who has helped me enormously. But I am up again, and though not allowed out of doors have for the last four days been working in my room here, so shall manage all right and get my Christmas No.

Good firm large signature in blue ink on 13.5 x 18.5 cm leaf of cream paper torn from an album. In good condition, lightly aged. Reads 'Rafael Kubelik | 25.X.37.' No other writing on either side of the leaf.

The 72 items (17 TLsS; 53 ALsS; 2 ACsS) are in good overall condition; with only three items exhibiting slight damage. In buff card folder with note in pencil on cover: 'LETTERS ON JCW's “The Charm of Cheshire [sic]”, “The Charm of Lancashire” etc'. By far the larger part of the correspondence concerns Walters' 'The Charm of Lancashire' (London: A. & C. Black, 1929) rather than his 'Romantic Cheshire' (London: Hodder & Stoughton, 1930). There are two anomalies: a 1924 letter from F. W. D. Mottershead regarding a talk by Walters for 'the B.B.C.

Attractive menu, printed in black and gold, on card bifolium, folding into two 8 x 17 cm. panels, partly detached. In fair condition, lightly aged and worn. Calligraphic design, with 'Pagani's' printed in gilt on the cover, and the menu itself on the recto of the second leaf, facing some calligraphic flourishes on the verso of the first leaf. The two inscriptions are both in pencil, mainly on the recto of the second leaf but with the second extending somewhat onto the facing page. The upper of the two, signed by 'A. C.

1p., 4to. In fair condition, on aged and worn paper. He apologises for his 'long silence', having been 'troubled by several things not connected with literature'. He expresses a desire to call on her 'some time later'. He has not been successful with her articles with Lord Beaverbrook, and thinks 'the most effective step to take would be to publish your novel first'. (Her first novel 'Cold Surge' was published by Hutchinson & Co. in 1929.) He has signed her copy of his novel 'The Polyglots', which he is returning separately.

1p., 4to. In good condition, lightly aged. He only met Finck on a few occasions, but offers his condolences 'as a Composer of Light Music, and as a former Director of Music at a West End Theatre (Daly's)'. In his view, Finck 'surely had no superior in the art of giving pleasure to others, not only by his personality, but also by his pen.

[1] + 6pp., folio.Two bifoliums with printed staves, stitched together. A working score, worn and aged, and with the outer leaves detached from one another. Ink blot on front page which only bears the title 'Duet | "Optimist & Pessimist" | Herman Finck'. The score is six pages long, signed at the head by Finck. Neatly written out, with a couple of notes by Finck in blue pencil. On the first page: '"You is a Pessimist" | 3 verses', and on the last: 'Encore Sym & Chorus only'. A new edition of the piece, with words by Adrian Ross, was published in London by Cavendish Music Co.

'The Ugly Picture' was L. P. Hartley's final short story. It appeared in the Christmas issue of the Spectator, 23 December 1972, a few days before his death. There is a synopsis in Adrian Wright's 'Foreign Country: The Life of L. P. Hartley' (1996). Neither of the two drafts present here corresponds with the published version, whose ending, for example, has been heavily reworked from the ending to the later of the two drafts. The two items are both in good condition, each on loose leaves (one side only) of paper attached with a safety pin.

According to his obituary in the Guardian, 2003, after a long period of neglect, Prince was rediscovered b the New York School, and by the end of his life had 'come to be regarded by writers as diverse as Geoffrey Hill and the American innovator John Ashbery as one of the most significant poets of the 20th century'. 40pp. of closely-written text in a small (13.5 x 9 cm) 'Lion Brand' notebook. Stapled, in card covers. In fair condition, aged and worn.

5pp., foolscap 8vo. Paginated [1]-5. On three leaves of wove paper, stapled together. In good condition, lightly aged and worn. Good firm signature ('George MacBeth') in blue ink at head of first leaf. Each poem signed in type at end 'George MacBeth'. 'The Castle | after Le Chastel d'Amours' (p.1): seven three-line stanzas, first stanza: 'Tell me the broad moat of | Love's castle: | Sloth.' 'The Last Will' (pp.1-2): twenty-two three line stanzas and a single final line, first line: 'In the name of God, amen. I, Harold, | [...]'.

Each of the two typescripts is on two leaves of foolscap stapled together. The two in good condition, lightly aged and worn. ONE: First page headed 'Poems by Edward Lucie-Smith'. 4pp., 8vo, paginated [1]-4. The five poems are: 'A Tropical Childhood' (p.1), first line: 'In the hot noons I heard the fusillade'. 'On looking at Stubbs's “Anatomy of the Horse”' (pp.1), first line: 'In Lincolnshire, a village full of tongues'. 'Rubens to Helene Fourment' (pp.2-3), subtitle: 'The picture is La Pelisse, now in Vienna', first line: 'Now sinking towards age, I paint your rising,'.

Five letters, each 1p., 4to. In fair condition, aged and creased. ONE: Palace Theatre, 4 July 1912. In capitals. Conveying the thanks of the King and Queen to the members of the orchestra for their work at the previous night's royal performance, and adding, for Finck: 'I have already told you how much I appreciate what you did on Monday night and the splendid manner in which you conducted. The success of the performance would have been impossible without your invaluable assistance.' TWO: Garrick House, 23 March 1921.

The material is in fair condition, lightly aged and worn. ONE: Set of 16 black and white 'Leichner Make-Up Charts', each on a loose 22 x 13.5 cm piece of art paper. Complete with covering leaf. Illustration and instructions on how to prepare make-up for characters including 'Haggard Man', 'Villain', 'Stage Butler', 'Italian', 'Arab', 'Clown', 'Red Indian', 'Oriental', 'Jovial Woman' and 'Ballet'. TWO: Duplicated Typescript titled 'Casualty Faking'. 6pp., 4to.

[1] + 22pp., 8vo. On 23 leaves stapled together. In fair condition, aged and worn. The covering page, with title 'THE DISESTABLISHMENT OF SCIENCE | J. Bronowski', carries a synopsis of Bronowski's argument: 'Scientists have a duty to act as the conscience of society by always speaking the truth. They can do that only if they dissociate themselves from the apparatus of state.' Inscription on covering page: 'Eric Roll | - in the hope that you can help me with the unfinished, financial ideas at the end - | Jacob Bronowski 1 Dec 70'.

The seven items in fair condition, on aged and worn paper. Menus, with seating plans, for the gaudys of 1906, 1914, 1920, 1921, 1925, 1927 and 1930. Six of the seven uniform in design, printed on both sides of pieces of 24 cm square paper, folded twice into a 24 x 8 cm packet. The seventh (1925) printed on both sides of a 28 x 22.5 cm piece of paper, folded three times into a 14 x 7.5 cm packet.

For more information on Marshall Hall's illustrious career, see his entry in the Oxford DNB. Fifteen items, the collection in fair overall condition, lightly aged and worn. ONE: Ten original photographic portraits of Hall, ranging in size from 14 x 9 cm. (carte-de-visite by 'The Biograph Studio | 107 Regent St, W.') to 29 x 21 cm (on mount stamped '185 Piccadilly W1', the studio of Kohler & Sons). Eight of the ten are mounted on paper or card, with printed photographers' details, and three of these are signed (two photographs by Carl Vandyk, both signed in pencil by 'C.

1p., 12mo. In fair condition, on creased and lightly-aged paper. Written in a close and difficult hand. A jokey letter: 'I also am obstinate as Marion in matters of fact. I doubt if ever she saw a bishop signing with "Arthur Bath. and Well." What she saw was "Bath. & Well." which must stand for "Bathomensis et Wellensis".' | But yet I will not be sure that there has been no iliterate [sic] bishop of Bath and WElls. At least the bishop now alive can sign his name for I have seen him do it. This is more than I can do, as you see'.

There is no indication that either of the two papers was ever published. Wells's 1935 book, 'Perspective in early Chinese Painting' is considered the first Western treatment of the subject. The three items in good condition, lightly aged and worn. ONE: Typescript of 'The Auditory Element in some Chinese Landscape Paintings'. 6pp., with three plates (i.e. black and white photographs laid down on three leaves with typed credits). Bound up in a folder of orange card, with title and Wells's details on cover in his hand.

2pp., landscape 8vo. In envelope, with stamp and postmark, addressed to 'Miss I. Forbes-Robertson | 30a. Collingham Place | Earls Court | S.W.5.' In good condition, lightly aged. The first part of the letter concerns a lost or stolen letter and cheque. 'Of course I shall pay you - but it is s. sweet of you to suggest the present'. She repeats information she gave in the letter about which artists' materials she would like: 'Paper for water-colour is becoming scarce too but I have some at the moment'.

The three items are in good condition, lightly aged and worn. ONE: 19 October 1916. 2pp., 8vo. In envelope with postmark and stamp, addressed by him to his daughter at 48 Hogarth Road, South Kensington. Referring to his wife the Polish artist Janina Flamm, he regrets that he cannot 'come home for dear Janias birthday' as he cannot get leave. He is enclosing 2s 6d each for her and her brother 'Phip' [Philippe Forbes-Robertson] and sister 'Cecilia' to get presents for their mother. He sends best wishes to his brothers Leonard and Johnston.

21 items. In good condition, lightly aged, held together with a brass stud. Deeping's eight items of correspondence - all signed 'Warwick Deeping' - total 9pp. His wife's three letters total 4pp. One of Deeping's letters is in its envelope, addressed by him to 'Miss Margaret Greenwood | 15 Horsham Road | Bexleyheath | Kent'. The copies of Greenwood's typed letters, totalling 16pp., date from between 27 July 1949 and 22 July 1950, bookending the whole correspondence. They are written on the backs of discarded typed drafts of pages from Greenwood's screenplays.

A total of 50 items, all but the three earliest of Strong's letters held together with a brass stud. The collection in good overall condition, on lightly aged and worn paper. Strong's 24 letters total 37pp., with the early letters signed 'L A G Strong' and the later ones 'Leonard', and occasional variant signatures in between ('Leonard Strong', 'LAGS'). The copies of Greenwood's 26 letters (two in autograph, the rest typed) total 32pp. An interesting correspondence, in which Strong responds with tact and patience to his inexperienced correspondent's proposals and actions.