TWENTIETH

1p., 4to. In good condition, on lightly-aged paper. Ornate letterhead printed in red and black, with engraving of a rising sun ('The Mark of Excellence'). Addressed to 'Messrs. Marcus Adams Ltd. | Child Photographers, | 43, Dover Street, | W.1.' The letter begins: 'I have in hand the production of a film somewhat of a national character, including all the episodes in the reigns of our Royal Family, from Queen Victoria's Diamond Jubilee onwards, and I thought it would be a very nice idea to finish the film with a short length of little Princess Elizabeth.

On one side of 9 x 11 cm piece of paper. In good condition, on lightly-spotted paper. Reads: 'I shall keep your clever little ode. Congratulations and good wishes. | Len. Harvey. | Cruiser & Heavyweight Champion | Jan. 1934.'

The two signatures are on a reproduction of a drawing of Robeson, on a 15 x 11 cm piece of shiny art paper, cut from a programme from Robeson's 1934 tour of Britain. In good condition, lightly-aged. The head and shoulders portrait shows a moody Robeson in collar and tie. The two signature are at the foot of the image, with Robeson's, in blue ink, slanting downwards, and Brown's, in green ink, slanting upwards, around the line of Robeson's lapels.

118pp., of which the first 102pp. are in 4to, and the last 16pp. in folio. Stapled into red card wraps. Ownership inscription on inside front cover: 'Padraic Fallon, | Prospect, | Wexford'. Internally in good condition, on lightly-aged paper, in heavily-worn wraps. The story is set among race-horse trainers in Ballinasloe in 1936. There is a curious example of typewriter slippage in the last line but three on the last page: '[...] and the woods and 5h3 5o2nw in 2hifh h3 hqe wp3n5 hiw lir3. Qne [...]'.

1p., 4to. In fair condition, aged and creased, with slight tearing at edges. She begins: 'Please forgive me for not answering your letter before, but I have been so rushed!' She is not able to 'sit for Mr. Priest just at present': 'We are just on the point of starting rehearsals for several plays to be toured and, in addition, my two small girls are ill, so that I want to spend all my spare time with them.' She is trying to 'get out of' sittings for another artist.

158pp., 4to. Typed text on rectos only. With manuscript emendations (possibly in the hand of Judith Spearman, stage manager) throughout, including deletions and a few short additional passages, as well as stage directions. Makeshift thumb index at head. In fair condition, with moderate signs of age and wear, bound with pink ribbon into buff card covers. Typed label on front cover, together with 'Judith Spearman' and 'Effects' in pencil.

1p., 4to. With a firm expansive signature which is certainly not duplicated, as it has indented the paper. On letterhead with design showing golden flagpole with flag in red with four white stars. Schwarzkopf declines to participate in what he describes as Pitt's 'momentous undertaking', explaining: 'To write such a piece and do so properly requires considerable time.

1p. 8vo. In good condition, on lightly aged and worn paper. With envelope addressed by Ambler to Pitt at Kennister in Somerset. Also present are copies of two letters to Ambler from Pitt, dated 2 January and 20 February 1980. In the first Pitt congratulates Ambler on the receipt of an OBE, reminds him of their previous correspondence through Peter Janson-Smith, and sends 'Part I of my trilogy on the North African campaign' ('If it gives you one tenth of the enjoyment I get from every one of your books, it will have been worth writing.').

The two signatures are on one side of a 14 x 18cm leaf of cream paper removed from an album. In good condition, lightly aged and worn, with laid down. Good clear examples. Beecham's signature 'Thomas Beecham' is above that of 'Ethel Frank'. Probably given on Franks first visit to Britain in 1921. Small magazine cutting of photograph of three musicians laid down on reverse.

On watermarked laid paper. Dimensions of paper: 23 x 32cm. Dimensions of plate: 14 x 20cm. In fair condition, aged and lightly stained, with creasing and short closed tear to right-hand margin, but with the engraving good and clear. A windy scene, with a turbulent cloudy sky weighing heavily over a disheveled windswept landscape, in which two small figures can be made out on a bridge. Inscribed in pencil beneath the plate: 'Oliver Hall | To R. Wallace | Ed: 40.' The title 'Hayling Island' is in pencil in the bottom right-hand corner.

On F. J. Head & Co. laid paper. Dimensions of paper: 23 x 29cm. Dimensions of plate: 17.5 x 25cm. In fair condition, lightly aged and creased. A wonderful watery view of a winding country river and trees. Inscribed in pencil on the reverse: 'To Father Richard. This is working Proof for drypoint "The River" | Robin Wallace July 1927'. Wallace, a well-known painter of landscapes and still life subjects in oil and water-colour, was born at Kendal in the Lake District and studied in Kensington at the Byam Shaw and Vicat Cole School of Art.

2pp., 4to. Printed on the same side of one piece of shiny art paper, folded to make a bifolium. Aged and stained, with wear and slight loss to extremities. Photograph of Russell beneath title, alongside 'Sonnet | To W. Clark Russell', reprinted 'From "English Sea Pictures." By Julia D. Young, Author of "Barham Beach, the President's Poem." - New York.' The author laments that '[i]n this country, it is not the fashion to ennoble those who really do something for their time and generation', such as Russell, whose 'stupendous output' consists of 'fifty-seven books everyone [sic] of them good'.

On 5 x 11cm. piece of paper, torn from the conclusion to a typed letter. In good condition, lightly aged. Reads: '[...] myself, you would write to me. | Yours very truly, | Edgar Wallace'.

In blue ink, on 3.5 x 10 cm piece of thick paper, cut from a letter. In good condition, with traces of glue from mount on reverse. Reads: 'Yours faithfully | Walter Greenwood'.

2pp., 12mo. 33 lines of text in blue ink. In good condition, lightly-aged. He writes that his family have 'all been listening to your third broadcast on Gandhi with pleasure and admiration'. He cannot imagine 'a better treatment of the subject', and is 'lost in admiration for the skill with which you pieced all these fragments together, and wove out of them a thrilling and convincing narrative [...] The old charwoman at Bow was a delight, and how sympathetic & interesting was Lord Templewood! But there wasn't a "dud" among all your many contributors, both the Indians & the English.

1p., 4to. In good condition, lightly aged, with tiny stain in margin. He thanks him for his letter, and invites him to 'call again' at 'this enchanting place'. He has 'finished Octave 5' and is 'at work now on another Ben Nevis story'. He has asked his publishers Chatto & Windus to send him 'Octave 3'. A letterhead with Mackenzie's Edinburgh address is printed upside down on the reverse.

On one side of 7 x 11 cm piece of card. In good condition, lightly-aged. An unusual and attractive piece of London booktrade ephemera. The whole design, including the text, is engraved, and is in the style of a children's book illustration. With the text represented on a piece of board placed on an easel, around which three children crowd. On the left is a girl in a red dress, with yellow bonnet and umbrella, beside her is a louche individual in a yellow and orange checked suit, and to the right is a zouave, with red hat, holding a paintbrush and palette.

The collection is lightly-aged, but in good overall condition. It consists of five undated typescripts, twenty-four black and white photographs, and a few items of correspondence. The typescripts: ONE. Early draft of Longford's 1953 autobiography 'Born to Believe', published in 1953. 4to, 58 pp, paginated 1-55, 9A, 9B and 52A. Ends midway through Chapter 6. There are a number of autograph emendations, and the typescript exhibits differences from the published version. A second typed draft of half a page of text covers the earlier draft, which is still legible beneath.

Medium-length unpaginated volume, 16mo. With ten fold-out plates (Perugino, Raphael, Giulio Clovio, Paolo Veronese, Rubens, Nicolas Poussin, Jean Marc Nattier, Thomas Gainsborough, Raeburn, Francois Millet). In printed wraps. On aged and worn paper, in heavily worn wraps. 118 items, well described, with prices.

34 lines of typed text on air mail letter on blue paper. In good condition, lightly aged and worn. Addressed to Malcom at Paisley, Renfrewshire.

4pp., 4to. Bifolium. In fair condition, on aged high-acidity paper. Headed: 'N.B. PLEASE use this leaflet to get a new member. On page 3 are particulars of the very important new "C" membership. | LEFT BOOK CLUB'. In double-column and small print. Headings: 'What Membership means', 'No subscription whatever' ('The Books are selected by Laski, Strachey, and Gollancz.'), 'But Membership is a Key . . .', 'Probable coming "Books of the Month"' ['Justice in England' by 'A Barrister', 'The Battle for Peace' by F. Elwyn Jones, 'A.R.P.' by Professor J. B. S.

2pp., 4to. In fair condition, lightly-aged and somewhat creased at extremities. He explains that he has sent 'the Van Gogh material' to Feisenberger, whose address he gives.

2pp., 12mo. In good condition, on lightly-aged paper. The document is possibly a draft, as it contains a couple of emendations. Describing himself as 'an old Lord Rector of 20 years' standing' (he held the post from 1905 to 1908), he praises the University's 'great traditions, which have been maintained & enriched by many generations of their predecessors'. He urges them to 'carry on the torch which has been handed down to them, and to keep their famous University in its place in the forefront of the vangard of the <?> of Culture & Science, to which Scotland & the Empire owe so much'.

3pp., 4to. In fair condition, on aged, worn and browned paper. Ada Chesterton worked with her brother-in-law while assistant editor of the 'New Witness'. Her admiration for his talents was fully reciprocated, G. K. Chesterton describing his sister-in-law as 'brilliant'. It begins: 'Very much has been written and said of G. K. C. the poet, the pamphleteer, the genius of paradox, who holds the attention of his listeners by his dazzling sleight of words. I am going to write of him from a different angle - G. K. C. the journalist as he is known and gauged in Fleet Street.

56pp., 12mo. Stapled. In original printed wraps. Paginated 195-227 and c-cxx, with two pages including an index. In fair condition, aged and worn with rusted staples. Stamped on front cover 'COMPLIMENTARY COPY'. Four-page article on 'The Revolution in Turkey; and the Bulgarian Crisis', pp.195-198, and four-page 'List of Books relating to Turkey and the Young Turks', pp.224-227.

1p., 4to. In good condition. The large and unusual letterhead is the point of interest: it is roughly 17 x 11.5 cm, and mostly taken up with an illustration, printed in red, yellow, green, blue, orange and black, depicting an idealised scene in a Victorian bookseller's shop, with a young lady with bonnet and parasol, two schoolboys in top hats with Eton collars and a bespectackled master in mortar board and robes, the last of whom is examining a book shown to him by an elderly bookseller.

2pp., 12mo. In fair condition, lightly aged and worn. The menu is written out in faint pencil on one side, beneath the letterhead. On the other side, and headed with the date 4 June 1919 is the following playful address: 'Dear Jerrold, | "Carry on"! | This has no reference to the food we have just eaten. | You Walter [pun on 'ought to'] be here because you're a Jerrold [pun on 'dear old'] fellow. | And so say all of us.' Beneath this are nine signatures, two of which are undeciphered.

1p., 4to. In fair condition, on aged and worn paper. The letterhead styles the firm: 'Maggs Bros., | Rare Books, Prints & Autographs. | Catalogues issued. | Publishers, Exporters & Shippers.' gives thhe address of the firm's warehouse, telegraphic and cable address, 'Code in Use', and telephone number. With reference to an order, the firm is sending 'a large plate of the "Mistaken Marriage" and another of "The Whiskers" of these latter kindly use the larger of the two but do not inlay'.

Two stitched pamphlets of uniform design. 15pp., 12mo, and 19pp., 12mo. Tastefully printed, with covers in red and black. Both items in good condition, lightly aged and worn. The first volume - 'A First List' - has a full-page 'Advertisement' by 'D. H.', in which he aspires to 'offer a fair proportion of what is alive in modern writing - a hope which is my raison d'etre as a publisher [...] nothing, if not lack of sense, or lack of the desire, need stop one from printing whatever is available, and has intrinsic vitality or permanence'.

2pp., 12mo. In good condition, lightly aged. He considers that 'the scraps of Irish Architects' might be 'very useful for reference', and suggests offering them to the Royal Institute of British Architects or Association of Architects. In the latter part of the letter he makes suggestions regarding a meeting the following week.