TWENTIETH

On 8 x 20.5 cm. rectangle, cut from the base of a 4to leaf. Fair, on lightly-aged paper, laid down on piece of cream card. Reads: 'With all Good Wishes, | Yours sincerely, | [signed] Teignmouth Shore | W. Teignmouth Shore Esq.'

1p., 16mo. Fair, on aged paper, laid down on piece of card. '1349' in blue pencil at head of page. The letter reads: 'Thank you for the cheque. He ought to have paid for two, as both appeared in November. | - | Yes, I have another copy of . | - | [signed] M. Hewlett'.

On 12 x 21 cm rectangle, cut from the base of a 4to leaf. Good, on lightly-aged paper, with part of the card mount adhering to the reverse. A firm flowing signature which reads: 'Yours sincerely | Gilbert Frankau'.

20pp, 12mo. Stapled. In red printed wraps, with cartoon on cover showing giant worker sweeping away miniature capitalists. In fair condition: lightly-aged and with central vertical fold. Scarce: the only copies on COPAC at the British Library and Warwick University.

1p., 4to. He thanks Stanford for sending 'the carbon' of his 'warm review' of Litvinoff's novel ('A Death out of Season'). He missed the article and the note Stanford wrote 'about my autobiographical sequence' in the Scotsman, but is now iinterested to see from the review that Stanford is 'nursing the idea of a 'Forties memoir. Amazingly, few of us have written about the decade. I shall be getting around to it one day also, I hope.

The first 40 prints in good condition, and the last three lightly-aged and fair. Each of the 20 Panajou Frères prints (19 landscape and 1 portrait) is mounted on a 24 x 30 cm piece of grey card, blindstamped with the circular monogramme of 'PANAJOU FRES | BORDEAUX'. Depicting an extensive concern, with the outside of a large plant by a country river, and every stage in the production of plywood from log to storage in the factory. A second group of 20 prints (15 landscape and 5 portrait) are unmounted, and measure 18 x 24cm.

1p., 8vo. Good, on lightl-aged paper. He thanks her for her telephone call, and hopes to give 'an illustrated talk about my work from 1980 onwards and culmination of themes towards sculptures for Victoria Square'. He will 'touch upon my conscious concerns for outdoor pieces in public, and working with others'. He ends by giving the title of the talk, 'If it is not too late'.

7pp., 4to. On three bifoliums and two single leaves of watermarked laid paper, all loose, with the bifoliums placed inside one another and the single leaves inserted after the title. Very good, on lightly-aged paper. Written out in black ink, with the titles in red ink, in an excellent uncial hand. The five translations are 'My Own, my Native Land' and 'The Family Dinner-Party', both by Bowra; 'This World is all a Fleeting Show' and 'This defileth a Man', both by Murray; and 'Whom the Gods love', by Byron.

1p., 12mo. Good, on lightly-aged paper. She writes that she is enclosing a letter, which she would like sent on 'to the Manager of the Bournemouth Little Theatre Club if you will, as I do not know the address'.

1p., 4to. On aged and lightly-creased paper. Giving breakdowns for different seats in matinee and evening productions, as well as for programmes, with the number of complimentary tickets. The Arts Theatre Club was founded in 1927, 'in an attractive building in Great Newport-street shaped somewhat like the House of Commons' (Times, 9 May 1927). On its relaunch in 1933, its stated aim was 'to select plays of theatrical merit [...] with an entire disregard for their commercial possibilities' (Times, 18 December 1933).

Totalling 36pp., 4to. In fair condition, bound by Escott with brown paper into paper wraps, with the front wrap signed by Escott and bearing the typed label 'LETTERS from HERBERT PALMER on "Minstrels of Christ" and my second book of verse "Soar for Victory", amended in February 1948 to "Back to the Fountain."' An interesting correspondence, casting light on the workings of the mid-twentieth century publishing industry, from the point of view of a successful traditional poet strongly opposed to modernism.

ii + 133pp., 8vo. Photographic portrait of the author as frontispiece. Fair, in lightly-worn blue leatherette binding, gilt. Inscription in English on front free endpaper: 'To National Committee for the Abolition of Capital Punishment, from Akir [sic] Masaki L.L.D. | 12. 22. 1969'. In a three-page 'Preface to the English Edition', dated July 1964, the author explains that the Japanese edition of the book was first published nineteen years before.

311pp., folio. With page of 'Errata' laid down on rear pastedown, under the manuscript heading 'COPY NO. 3. (PB).' With fold-out map of North America, and numerous plans and diagrams laid down in text, as well as several full-page plates. In original blue buckram binding, with 'REPORT ON AMERICAN VISIT | 1946.' in gilt on the spine. Good, on lightly-aged and spotted paper.

[v] + 135pp., folio. With diagrams and plans in text, and one large fold-out diagram of '100 Ton Waste Paper Cleaning System'. A well-produced item, well-typed and with clear diagrams, bound in navy buckram with 'REPORT ON AMERICAN VISIT | 1954' on the spine. In good condition, on lightly-aged paper. The text is preceded by an Index, a map of North America, and an itinerary. The 'objects of the visit' are given on the first page as '(a) To obtain information on the current production practice in Woodpulp and Paperboard Mills.

69 engravings, in brown 4to quarter-binding, with 'BIBLIO- | THEQUES' in gilt at head of spine, and 'PARIS | 1855' at foot. In fair condition, on aged paper, in binding worn at hinges. All engravings in 4to, with 12 double-page and 57 single-page. Two are in colour, the rest in black and white. Binder's stamp on front pastedown: 'BOUND BY G. PYMM'.

The letters provide a fascinating insight into the development of the transatlantic publishing industry. They are closely typed with single spacing, and both centre around Walton's employment situation and his complaints about the sending over from America of 'Mr. Russell', about whose 'absolute worthlessness to the business' he complains. Adair's letter: 2pp., 4to. Good, on lightly-aged paper.

Landscape 12mo. Fair, on lightly-aged paper. Reads: 'Dear Dan; / You're one of the birds I just love to be praised by! / As ever / [signed] Will Irwin'.

On a 12mo bifolium of laid paper with 'DUNEDIN NOTE' watermark. Good, on lightly-aged paper. On the cover are a large black swastika and the words 'An Old-Time Greeting.' The poem, titled 'The Rune of the Swastika.' and signed in type 'J. S. M.', is on the recto of the second leaf.

On blue card, with stamp and postmark. Bridges's message is complete, but the postcard has been trimmed to 14 x 5 cm, with the lower part of the card, carrying O'Toole's address, missing. Otherwise good, on lightly-aged paper. The message reads: '14. Merton St. | Dear Sir. I am writing to apologise for never having answered your letter of Feb. 29th. I have been too much engaged to be able to attend to my correspondents. I beg that you will excuse me. Yours truly | [signed] R Bridges.'

1p., landscape 12mo. Good, on aged paper. Garrison's name and address are typed in the top left-hand corner. Her signature is written boldly beneath the poem, which is eight lines long, in two stanzas. It reads 'Because I snatched a pebble from the way, | And thought it priceless till that day my eyes | Filled with a clearer light, and knew my prize | Was worthless, poorer than the common clay; | Because of this shall I go clamouring, | "Behold, there are no diamonds!" and say, | "Look as ye will, ye find but pebbles"? Nay!

1p., 12mo. Good, on lightly-aged paper. A circular, with Blashford adding the names of the recipients in manuscript, together with the words 'and Thursday, April 25' and 'and a pastiche poster'. An invitation on 22 and 25 April 1918, to 'a very few friends (as my studio will only hold a few) to come to me on the eighth floor of Carnegie Hall, 57th Street and 7th Avenue, to see several decorative canvases, and a pastiche poster, some of which will probably not be exhibited again in New York'. Blashfield's papers are in the Archives of American Art at the Smithsonian.

1p., 4to. Eight lines. Fair, on lightly-aged paper, with slight discoloration to the blank reverse, caused by tape repair to a short closed tear. In envelope addressed by Gibbings to 'Mrs. de Navarro | P.O. Box 88 | Mont-Rolland | P.Q. | Canada'. He thanks her for her 'nice letter'. He is 'now hard at work on the engravings for my new book "Coming Down The Seine" to be published in the autumn; then I may be going back to Ireland again.' He ends in sending 'every good wish for 1953'.

Measuring 9 x 6 cm. With 'Mrs.. Byam Shaw' in larger type in centre, with '62, Addison Road, W.' in bottom left-hand corner, and '2nd. Wednesday &| 2nd. Thursday' diagonally in top left-hand corner. On aged paper, with the address '21 Wilton Street | S. W. 1 | Wednesday' in ink at head, and '88 Brook Green' in pencil on the reverse. A pencil name and telephone number ('Vic. 3583') have been erased.

8 pp, 12mo. In very good condition, on lightly-aged paper. Addressed to 'Dear Ernest'. He begins by congratulating Gye on his promotion and 'on going to Tangier - a delightful spot'. It is however 'very sad' that Gye's 'guiding hand over our destinies will no longer be there in the Office'. He thanks Gye for his 'kindness' and 'sympathy': 'My path has lain along uneventful ways and it has been an untold solace to feel you did not despise those who had mearly [sic] to 'stand & wait''.

Both items 12mo, 1 p, and both in fair condition, on lightly-aged paper, with minor traces of mount on reverses. Letter One. Thanking him for his 'publication on the public school system, and for the other larger work'. Letter Two: She is in 'complete sympathy' with Humberstone's resolution, and would have wanted to second it, 'but I dare not undertake to do so', due to a clash of engagements. Humberstone 'had better make sure of a more reliable seconder'.

12mo, 2 pp. Nineteen lines. Text clear and complete. Fair, on lightly-aged paper. Thanking him for his 'excellent book on University Reform in London': 'I read it carefully when it came out and was much impressed by your clear statement of the problem and the thoughtful discussion of possible solutions'. He will now prize his own copy, as it is 'a really important contribution to a subject which has naturally interested me for the past 18 years'.

16mo, 8 pp. On art paper. In yellow printed wraps printed in orange. Good, with minor spotting around staples. Thirty-six items by White on pp.2-5, preceded by a biographical note. Twenty-five items by Epstein on pp.6-7, headed by 'LAZARUS (Carving in Hopton Wood stone)'. Scarce: only two copies on COPAC, and none on viaLibri.

Both items 12mo, 1 p. Both good, on lightly aged paper. Pinned to one another. Letter One: He is'enclosing two leaflets on disc manipulation'. He has a third, 'fuller and illustrated', and if they interest Milne, he will be 'delighted'. Letter Two: He had 'much rather be found right than wrong', but would 'enjoy either experience, in meeting you again'. Could see Milne's 'pictures' after easter, and hopes to have 'one or two you may like to see as well'. Dunning had served in the United States Army Medical Corps before going to England to practice osteopathy.

Programme: 12mo, 4 pp. Bifolium. Printed in green on orange paper. Text clear and complete. On lightly-aged paper with slight wear to extremities. Dargavel's signature is in pencil in the top left-hand corner of the second page: 'Best Wishes, | Bruce Dargavel'.

12mo, 1 p. Good, on lightly-aged paper. He had meant to write to him 'at the end of the series' (of articles by Macqueen-Pope?): 'We took a great deal of trouble in putting the series over well, and I am glad you liked the results.' The 'nonsense at the beginning' was caused by 'a series of misunderstandings'. Ends: 'No doubt we will knock into each other shortly.'