TWENTIETH

1p, 12mo. In good condition, on lightly-aged paper. Folded once. Signed 'Rafael Sabatini'. After thanking her for her letter of sympathy, he notes: 'In the past I have had plenty of cause for complaint, but nothing quite so flagrant.' He has been 'avenged by the Press, which described the unutterable scenario from which the film was made in terms similar to those which I employed when I requested that my name be removed from the “author credits”'. He ends with good wishes to her 'laudable enterprise'.

For the context of the letter see Pamela M. King's 2007 paper 'Twentieth-Century Medieval-Drama Revivals and the Universities', which states that at the time of the writing, there was in Canterbury 'to be a new play by Robert Gittings about St Alphege and the Danish invasion entitled Makers of Violence', and that at the Pilgrim Players in Norwich planned to put on, at the church of St Peter Mancroft, a production of Fry's 'Sleep of Prisoners'. 2pp, 8vo. In fair condition, lightly aged, with a little light damp spotting. Folded once.

1p, 12mo. In fair condition, lightly aged and worn. Folded twice. Signed, over a red 'Postage Revenue' 2d stamp: 'Alfredo Compoli. | August 13th. 1947'. Above this the receip, in Compoli's autograph, reads: 'Received £500 (five hundred pounds) in full, (£200 deposit – and £250 in cash – also cheque value £50 (dated August 11th. 1947) for Sale of Music Library (Salon Orchestra, & Trio)'. Accompanying the document is an unsigned autograph receipt on a worn slip of white paper, reading: 'April 28th. 1947 | Received, from Jack Salisbury Esq.

1p, 8vo. In good condition, lightly aged, folded twice. He does not have a copy of his book 'Flying Eggs', but intends 'to order a few. Since computerization, ordering is a longwinded business, but there's reasonable hope they'd arrive before the Christmas post.' He gives instruction concerning payment and postage. He makes a suggestion if McPherson should 'at any point in the future [be] tempted to buy my first book of short stories, PENNINE TALES' (go for the paperback which is cheaper and 'much better edited').

De la Mare's definitive answer to the oft-asked question regarding the meaning of his best-known poem - and also one of the most celebrated English poems of the twentieth century - 'The Listeners'. 1p, 4to, in good condition, lightly aged, folded twice. After thanking her for her 'kind letter', he adds: 'I am afraid you may not find my answer to your question a very satisfactory one.

1p., 4to. The salutation 'My dear Rowe,' and the valediction 'Yours sincerely | Hugh Gaitskell' are in Gaitskell's autograph, written in red ink; the rest of the letter is typed. Aged and worn, with discoloration and a small insect crushed onto a blank part. Reads: 'Many thanks for your kind Christmas note and good wishes.

Sequeira was born in Aldgate. In the years following his service in the London Regiment during the First World War, he acted in Shakespeare at the Old Vic, and he would continue as an actor into the age of film and television. In addition to acting Sequeira taught (including a youthful Peter Cushing) at Guildhall School of Music and Drama, painted, and in 1953 published a book on stage make-up. The present four items, all undated, are in good condition, lightly aged. ONE: Autograph duologue titled 'Seeing the Coronation'. 5pp., foolscap 8vo. With revised conclusion, 1p., 12mo.

32pp., 12mo. In blue-green card wraps with light blue-green printed label on front cover. In very good condition. Twenty-four poems in the Georgian idiom, some of which had previously appeared in Country Life, Chamber's Journal, Observer, Harper's Bazaar abd the Glasgow Herald.. Now uncommon. Six copies on COPAC.

32pp., 12mo. In blue-green card wraps with light blue-green printed label on front cover. In good condition, lightly aged. Florid ownership inscription in thick black ink at front: 'Margaret (Sackville) | to | Henrietta | with love | 1936.' A question mark has been deleted in one poem, presumably by Sackville. Twenty-four poems in the Georgian idiom, some of which had previously appeared in Country Life, Chamber's Journal, Observer, Harper's Bazaar abd the Glasgow Herald. Now uncommon. Six copies on COPAC.

28pp., 12mo. In printed blue-green card wraps. Shaken and aged, in worn wraps. Eleven poems in the Georgian idiom, eight of which, according to a note by the author, had previously been published by 'Messrs. Lewis' in 'The Lyrical Woodland'. From Sackville's own papers, and including some pencil markings, presumably by her, including the emendation of 'blank' for 'dank' and 'the' for 'that'. Now uncommon. Six copies on COPAC.

ONE: ALS from Dark to Brooks. The handwriting is quite atrocious, and the present transcription is at points tentative. Dark begins by recalling that at 'the delightful & very alcoholic Savage lunch' (i.e. lunch at the Savage Club), Brooks 'suggested that I should write an article for Truth. Perhaps because of the super-abundant alcoholic I have clean forgotten what the article was to he about. If you haven't & still want it, I might be able to write it.' The penultimate sentence is, to this cataloguer at least, indecipherable, apart from the words 'of course in a public sense'.

1p., 12mo. In envelope addressed to Giles at Moulsecoombe, Brighton. In good condition, lightly aged. He has looked for Giles's letter 'but cannot – yet – find it. Sorry. I vaguely remember it.' He will find Giles '2 tickets for a Dress Rehearsal if you will let me know which one.' Options of six operas, on six different days are listed, including Figaro and Giovanni.

On one side of 10.5 x 14.5 cm grey-blue card. In very good condition. Inscription in blue ink, beneath the letterhead (which includes email address and phone number): 'This is for the Autograph Auction next March. | Good luck, | Nina Bawden'.

1p., 4to. In fair condition, lightly aged, with two punch-holes in margin. He has been reading Brooks's book ('Devil's Decade: Portraits of the Nineteen-Thirties') 'during a few days' holiday in Norfolk', and finds it 'excellent': Brooks has 'drawn a very accurate picture of Rothermere'. He proposes a time for them to 'meet again and have lunch'. He wonders whether Brooks 'ever came across that photograph of Northcliffe with Cecil Rhodes which I remember you mentioned you thought you had somewhere or other', asks for a sight of it.

1p., 8vo. In good condition, lightly aged. Closely written in red ink. He begins by thanking him for being 'awfully sweet & kind' in writing, before going on to deal with the state of his health, it having been 'a difficult time, especially as I became so ill – but at the moment things aren't too bad'. The results of 'all the horrible tests' in hospital have 'come out first class', and the 'weird symtoms [sic] have now been proved to have been caused by yet another of those unknown viruses which first of all attacked my guts & then my brain'.

The two volumes constitute the first and last volumes (the middle volume is missing) of a three-volume work described by its author as 'a more or less humorous account of a ramble round the Kentish Coast by two men'. This unpublished work constitutes a topographical and social narrative, written by the well-known artist and illustrator when in his eighties. Stylistically indebted to Jerome K.

1p., 12mo. On grey paper. In fair condition, lightly aged. She is returning Cond's bookplate, which she has signed with great pleasure, and is very glad Cond has enjoyed 'A Calabash of Diamonds', which 'really was a thrilling adventure and I don't suppose we shall ever experience anything quite so exciting again'. The book was subtitled 'An African Treasure Hunt', and involved the search for a Zulu chief's burial place. Apparently 'Eileen Cond was a book collector who sent out her bookplate to her favorite authors, many of whom signed and returned them to her.'

1p., 12mo. Stained and on aged paper. Reads: 'THANK you most gratefully for your share of the Car, which is already in use, and saving me more than I can say. It is not too much to say that it halves my fatigue and makes my work a happiness instead of a burden. I do not like driving in a car while others go in 'buses, but since my lameness really hampers me, I console myself with the delightful thought that it has been given me by those who work in the same causes and towards the same end that I do, and that I shall work the better for their kindness.'

1p., 4to. In good condition, lightly aged. She apologises for the late reply to her 'nice letter', and has 'autographed the bookplate as you requested'. She ends with the question: 'Have you read my latest book, "A Prologue to Love"?' Note: Eileen Cond was an autograph collector who used to send her bookplate for sigining to significant contemporaries.

On one side of 7 x 10 cm piece of pink paper cut from an autograph album. In fair condition, lightly aged. In a bold, large hand, simply reads: 'Gracie Fields'.

Written in blue ink and covering both sides of the card, which does not carry an address. After informing her that she is returning her bookmark with her signature she continues: 'I have been through an awful time which has killed all interest in the great success my “Perfect Wife” seems to be having. My husband has had an operation for a lobectomy (removal of part of his lung[)], which, thank God, has been successful. And all this, (for the last 3 months) while we were in the middle of a move!' She states that they have 'sold the Manor, & are living pro tem in one of our lodges.

1p., 4to. In fair condition, lightly aged. She thanks her for her 'tribute to my book', adding: 'Fancy you thinking that I lived in Australia! My brother to whom I gave a dedication lives there. I never get further than Monkstown which is part of Dunlaoghaire.' She ends by observing that Cond's letter 'seems to have been a long time travelling'. Beatrice Coogan was the daughter of a policeman, a Dublin socialite who was crowned Dublin's Civic Queen of Beauty in 1927. She was the author of 'The Big Wind', won the Frankfurt Book Fair’s 'Novel of the Year' in 1969.

2pp., 8vo. 2pp., 8vo. In fair condition, lightly aged. She begins, after stating that she is returning her bookplate (which she has signed), with details of a forthcoming visit to England, involving a drive 'up North to my father's birthplace', where she will 'stay in Northumberland a fortnight at least, and investigate some of the masses of cousins I have there'. Later she may 'be down your way' (Devon): 'Do you still run the Deer Park?

On 15 x 11 cm photographic portrait of Menuhin, neatly cut from an English newspaper. In good condition, lightly aged, with label from mount adhering to reverse. Menuhin has appended his signature and the date ('Yehudi | Menuhin | Nov. 6, 1939') in blue ink at the head of a pleasing portrait of his head, looking over at the viewer with the tip ov his violin at his chin.

4pp., 4to. Bifolium. Aged and creased, with chipping and closed tears to edges. Engraved title-page states that the work is 'Copyright 2/- net | No. 1 Low Voice | No. 2 Medium Voice'. Inscribed at top left-hand corner of title-page: 'To my friend Sir Courtenay Mansel with kindest regards from | Julius Harrison | Oct. 26th. 1920'. Moore's poem is printed on the reverse of the first leaf, and facing it, on the recto of the second leaf, is the score. On the reverse of the second leaf is a 'Revised List' of 'The Enoch Art Song Library', with the date of issue ('June, 1920.') at bottom left.

Signature on an irregular piece of paper torn from the bottom right-hand corner of a leaf. The valediction to a typed letter. Reads: '[...] gards from us all. | [...] ncerely, | Carl Dolmetsch'.

The 'Ex-Officers' Book Union' (the apostrophe was omitted in later years) was an obscure business. The firm was certainly active between 1919 and 1936, mostly from 16 Rathgar Avenue, West Ealing. In the early 1930s its address was given as '87 Bishop's Mansions, S.W.6', which was also Redway's residence. It seems likely that the business was a joint-venture between Redway and at least one other former army officer. The present item is 40pp., small 4to. Stapled in brown printed wraps. In fair condition, lightly aged, on worn and creased wraps.

On 13.5 x 18 cm leaf of cream paper, torn from an autograph album. Good firm signature, rising upwards, and reding 'Toti Dal Monte | 1956'. Nothing else written on either side of the leaf.

[16]pp., 12mo. Stapled. In green printed wraps with illustration on cover. In very good condition, very lightly-aged with slight rusting to the two staples. The thirteen Capricornus items on COPAC indicate that the press was connected with K. M. Briggs, or at least with her family, who had moved to Perthshire with their father in 1911. Uncommon. Copac lists sets of the three volumes in the series at the British Library, National Library of Scotland and Oxford, and a single copy of this number at the National Library of Wales.

36pp., 12mo. In cream printed wraps with illustration on the front cover. In good condition, on lightly-aged paper with slight spotting to covers. The thirteen Capricornus items on COPAC indicate that the press was connected with K. M. Briggs, or at least with her family, who had moved to Perthshire with their father in 1911. Uncommon. Copies on COPAC at the British Library, National Library of Scotland, Oxford and Trinity College Dublin.