TWENTIETH

9pp, 8vo. Complete carbon typescript. On nine leaves, stapled together. Title at head of first page: 'THE BOAT THAT MOOED.' Fry's signature in blue ink at top left of first page: 'Christopher Fry:'. Fry has cut down the story by deleting and removing a passage. The lower part of the leaf carrying the sixth page of the story has been cut away, and the original seventh page has been removed, hence the typescript pagination 1-6, 8-10 has been amended in manuscript to 1-9. A lighthearted faux-naive story, replete with symbolism. Begins: 'Tom Crunch lived on a boat. All round the boat was water.

3pp, 4to, each page on a separate leaf. In fair condition, lightly aged and worn. Folded once. There is no indication that either item was published, nor even that the poem is connected to the 'programme'. (If unpublished the poem may have found its way into Fry's papers from Hassall's.) The 'programme' - with no title or heading - is two pages long (with slight damage from a small staple to corners of both leaves) and complete, being divided into six numbered sections.

Contemporary duplicated typescript, from the Christopher Fry papers. 14pp, 8vo. Each page on a separate leaf. In fair condition, lightly aged. Fry's introductory talk is present in its entirety on pp.1-5, this is followed by an unpaginated page, then pp.8-15 with p.[10] also unpaginated. Hence p.6 or p.7, beginning the extracts from the play, would appear to be absent. On the front page, between the heading and transmission details is: 'Rehearsal: Thursday 4th June 1953: 10.00 onwards | Recording: Thursday 4th June 1953: 12.15 - 1.00 p.m. 3A | Recording of Insert: [BLANK]'.

6pp, 12mo. Paginated [1]-6. Lightly aged and a bit grubby. Folded twice. On six leaves of paper, which Herford has made up by tearing in half the 4to leaves of one of his students' essays. Complete, and signed at the end 'C H Herford'. Written in a close hand, with numerous deletions and emendations. He begins by describing how Shelley met his death, and his final writing, before dismissing the suggestion that he committed suicide: 'we may dismiss the utterly uncalled for suggestion that his own hand lifted the veil'.

LETTER: 1p, 4to. On aged and spotted paper. Folded once. Written in the shaky hand of a ninety-seven year-old. She thanks him for his 'letter so well written', adding: 'I don't think I wrote as well as that when I was eleven years old!' She wishes him every success with his autograph collection, and is pleased to add her signature to it. 'I will put it to the end of this sheet so that you can cut it out and paste it in where you wish.' The signature is at bottom right: 'Yours with sincere good wishes | Berta Ruck | 12th March | 1975'.

3pp, 12mo. Bifolium. In fair condition, aged and rather creased. Folded twice. Signed 'William T. Manning.' Addressed to 'The Revd. Samuel Bickersteth D.D. | Canon of Canterbury'. Writing after his appointment as Bishop of New York, Manning begins by stating that Bickersteth must be aware of 'the pressure' that he has been under 'during the past weeks', and this is the reason why his 'kind letter' has not been answered sooner. The appointment 'is a tremendous responsibility but with God's help I shall do my best.

Four-page programme on bifolium, stapled into covers of shiny art paper. In fair condition, worn and aged, with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style, with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre', 'Reproduced by kind permission of Arthur Moreland.' The small signature ('Nigel Playfair') is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair.

1p, 4to. In good condition, lightly aged. Folded three times. Cyclostyled signature: 'Julian S. Huxley'. Addressed to 'Dr. Maurice Ernest, | New Court, | Esher, | Surrey.' He apologises for having been unable to read his book, adding: 'I am afraid I cannot feel that your main thesis is biologically justified'. It is obvious why Huxley did not look beyond the title, as the book he is clearly referring to is Ernest's 'Lives of 300 years and continual rejuvenation' (1942).

1p, 12mo. In good condition, on lightly aged paper. Folded twice, resulting in offset ink smudging. Reads: 'Dear Rylands, | I am writing to you in case Noel is away. I have asked Mr Greene to show you my letter to Noel, if this is should [sic] be so. Anything you could do to help, would be kind and good, I think.

3pp, 12mo. Bifolium. In fair condition, aged and rather creased. Folded twice. Signed 'William T. Manning.' Addressed to 'The Revd. Samuel Bickersteth D.D. | Canon of Canterbury'. Writing after his appointment as Bishop of New York, Manning begins by stating that Bickersteth must be aware of 'the pressure' that he has been under 'during the past weeks', and this is the reason why his 'kind letter' has not been answered sooner. The appointment 'is a tremendous responsibility but with God's help I shall do my best.

Four-page programme on bifolium, stapled into covers of shiny art paper. In fair condition, worn and aged, with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style, with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre', 'Reproduced by kind permission of Arthur Moreland.' The small signature ('Nigel Playfair') is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair.

1p, 4to. In good condition, lightly aged. Folded three times. Cyclostyled signature: 'Julian S. Huxley'. Addressed to 'Dr. Maurice Ernest, | New Court, | Esher, | Surrey.' He apologises for having been unable to read his book, adding: 'I am afraid I cannot feel that your main thesis is biologically justified'. It is obvious why Huxley did not look beyond the title, as the book he is clearly referring to is Ernest's 'Lives of 300 years and continual rejuvenation' (1942).

2pp, 18mo. On aged paper, with short closed tear to one edge. He has evidently sent her a present of a diary, and she write that it was 'very sweet' of him to remember her over Christmas, adding: 'I shall use your diary every day during the coming year.' She ends with her best wishes of the season and coming year.

An interesting period piece. Two synopses of Percy Nash's review 'The Charm', the second dated by him to 1951, and with reference to the nationalisation of the coal industry. Together with the typescript of a song from the play about the 'Man of Might' Winston Churchill, and the Labour Party, who 'Have sullied the Fair name | of dear old England'. Also present is a watercolour drawing by Percy Nash's nephew the Bournemouth artist Eustace Nash of the intended backdrop to the first act of the review, together with an ALS discussing his ideas for the design of the piece.

[IV] + 525 + [7]pp., 4to. In blue cloth quarter-binding with paper boards and cover printed with architectural diagram design. Announcement on first page reads: 'HILL & SMITH LTD. | Have pleasure in submitting herewith illustrations of some of their manufactures. They hope to issue a priced list at a later date, when markets for raw materials, etc., become more settled.

A very nice artefact relating to a beautiful Rampant Lions production, published in 1975. Printers' dummy, produced to indicate the intended layout of the book, consisting of duplicated typed leaves, with emendations and printing instructions in manuscript, showing the intended arrangement of the 125 pages of letterpress (and including an alternative version of p.78), with eleven illustrations loosely interleaved. In good condition, lightly aged and worn.

Forty items, in good condition, lightly aged and worn, with some of the photographs with evidence on reverse of having been mounted. Millicent Goodsir [née Unger] (1885-1983) was governess to Christina Bezzi Scali (1900-1994), daughter of Francesco, Count Bezzi Scali and his wife Anna (1879-1968). In 1927 Cristina became Marconi's second wife. Their only child was Maria Elettra Elena Anna Marconi (b.1930), who would marry Prince Carlo Giovannelli (1942-2016).

1p, 12mo. In fair condition, lightly aged and creased. Folded once. The salutation 'Dear B. J.' and valediction 'Yours | Jack' are in Priestley's autograph; the rest is typed. Maire Lynd's letter was 'a delight surprise', Priestley being unaware that her son was 'in the film business'.

The four items in good condition, lightly aged. None of the four found on OCLC WorldCat. The three items loosely inserted in the prospectus each neatly folded once. ONE: Prospectus. [8]pp, 4to. With nine photographs on seven plates on four leaves of shiny art paper. Stapled into brown wraps with title and device of school printed in red ink on cover.

In folding box, dark blue, gt. 79pp, 8vo. In plain white card wraps, in blue dustwrapper printed in black, with red border to cover. Ownership inscription in blue ink on front free endpaper: 'Christopher Fry | 1930'. Hardly the best of copies, but a good association between two of the three giants of the twentieth-century English verse play (Eliot being the other). Internally tight, on lightly-aged paper, in aged and worn wraps. The dustwrapper is in poor condition, stained, chipped, and separated into several loose parts along the folds, with spine and back cover tipped-in onto the wraps.

See Rees's entry in the Welsh Dictionary of Biography. Printed in red and black on one side of a 12mo leaf. Aged and creased, with loss at head and a couple of short closed tears at edges. Gives price and format, with nine appreciative quotations from newspaper reviews, the first from 'Western Mail' and last from 'A Friend'. At foot of the page, crossed out in pencil: 'Printed and Published by | W. SPURRELL & SON, CARMARTHEN.' To the right of the author's name, in ink, and presumably in his hand: 'Sent to the author', and to the left, 'Few copies left.'

21pp, 12mo. In unpaginated stapled booklet of twelve leaves, in light-blue wraps. Printed on front cover: 'London Gliding Club | PROGRESS LOG BOOK', with space for the trainee's name and no. In fair condition, aged and worn, in worn covers, with one central horizontal fold. The trainee has written his name on the front cover, but this has been worn away, and it appears to read 'L Sennett' or 'L Bennett'. Printed on the first page is a list of twenty-four 'Flying Training Exercises'.

Advertising booklet for the school, printed in black on three sides of a 20.5 x 23 cm bifolium of cream wove paper. In fair condition, on lightly aged and spotted paper, with one fold and slight nicking to edges. The item is undated, but must date before Chambers' retirement in 1944. The cover has a distinct modernist feel, with an 8.5 x 20 cm stylised illustration of a village green with old-fashioned houses, presumably including the school buildings, and at bottom right the words 'MALTMAN'S GREEN | GERRARD'S CROSS' in large sans serif capitals.

196pp, 4to. In ruled notebook. Internally in fair condition, on aged and lightly-worn paper, with covers detached and worn. Providing an interesting view of the day to day challenges of amateur dramatic production in the 1970s. Each set of minutes is signed by one member of the committee. The first set, 7 June 1973, list Philip Rayner as chairman, Bernard Wigginton as secretary, Philip Hickson as Treasurer, with other committee members Gill Ager, Derek Barrett, Peter Orton and Sue Rowlands.

A scarce item, and considering its perforation, fortunately found in its complete state. No copy on OCLC WorldCat, which does however have entries for copies of similar Liberty's 1910 ('SERIES XXXIII') and 1913 catalogues, the latter at the Museum of Fine Arts, Boston. 64pp, 8vo. Stitched into oat-coloured cloth soft covers, with decorative border and title printed on front cover. In fair internal condition: on lightly aged and spotted paper. In worn and stained wraps. The five pages of text and fifty-nine full-page illustrations are printed in brown on cream paper.

2pp, 12mo. Bifolium with mourning border. In good condition, folded twice. Explaining that as it was a week-end he was not able to answer her letter sooner, he writes, evidently on the subject of a painting she has commissioned: 'I should be very pleased to see any of your friends to show them the portrait on Friday or Saturday next at 3.30 or on any other day at that time which may be more convenient.' He concludes: 'Do not hesitate to send anyone you think would like to see the picture'.

An interesting correspondence, casting light on the practicalities of early twentieth-century English portrait-painting. The recipient is Colonel Frederick Hugh Langston Oldham, D.S.O., D.L., of Overley Hall, near Wellington, Shropshire, eldest son of the Archdeacon of Ludlow, and the letter concerns Brock's portrait of Oldham's wife Christabel Josephine Oldham. The five letters in good condition, lightly aged. The four dated letters are dated between 25 February and 13 July 1920. The total 9pp (seven in 8vo and two in 12mo).

Six long cards, full of interesting content, including surprising thoughts on the 'decadence' of the world, her desire to 'cultivate [her] garden' both in a literal and Voltairean sense, and the fact that the creative urge has left her. All six are signed 'Ethel Mannin'. The penultimate card is in autograph, the others typewritten. Four addressed to Staerck at Maidenhead, two to him on the Isle of Cumbrae, Scotland. The collection is in good overall condition: the first has a smudged autograph note up one margin.

On 8 x 11 cm piece of card. In fair condition, lightly aged, with traces of glue from mount on reverse. A good bold signature, clearly in response to a request for an autograph. Reads: 'Yours Truly | Willie Smith | 1 – 2 – 24'. Smith has made a short line under the date, but the signature is not underlined.

Evocative artefacts of the interesting connection between Powys and the man who supplied him with the books for his translation of Rabelais. On 24 September 1940, in 'Letters to Sea-Eagle', Powys gives a lengthy account of 'Our Jew Book-Pedlar' and the bombing by the Germans of his Russell Street address.