Literature

See his entry in the Oxford DNB. Rectangle of paper, evidently cut from a letter for an autograph hunter. Reads: ‘Yours truly / Tom Hood’. See image.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded for postage. Signed ‘W Harrison Ainsworth’. Signed ‘W Harrison Ainsworth’ and reads: ‘Dear Mrs Barlow / My Daughters return on the 30th. May[.] I therefore hope to have the pleasure of seeing you and Mr. Barlow at Dinner at a quarter after 9 o’clock on Saturday, 30th?’ See image.

Four pages, 12mo, bifolium, fold marks, good condition. He is sending the three Reports of the Dante Society in reponse to Toynbee's request. In the last Report you will find a list of such publications on Dante or his works as have been made in America, which I truct may be useful to you. The 'Concordance' of which I sent you the specimen pages is advancing well, and will, if we can get it published, be a great boon to the most constant students of the D.C. | You have indertaken a great task [word crossed out] , and one of slow accomplishment.

[Upton] Two pages, 8vo, bifolium, good condition; [Corsa] One page on verso of Upton's first page. See images. [Upton] Italian rights of 'Herod' [underlined] Mr Lane has just sailed for New York but has instructed me to answer a letter received from Signor Bonaspetti raising certain questions as to the contract for the production of Mr. Stephen Phillips' 'Herod' in Italy. It seems better to write to you since you have so far carried on the negotiations. The questions are these [...] There follows two points (see images) with the letter concluding: To this Mr.

2pp, 12mo. In fair condition, lightly aged, fold marks. Twenty-nine lines of text in Kipling's neat and close hand. Text: Many thanks for your letter & enclosed slip. As you say, your competition is the First step in the right way: next comes the unknown range for the disappearing man. I am afraid you will find [masses?] of opposition from the 'crack' shots &c to whom the solemn ritual of [?] paint-box and all the rest of it has all the dignity of a 'sport'. Also the meagre scores will not 'look well in the papers'.

See his entry in the Oxford DNB. 1p, 12mo. In very good condition. Folded twice. Clear and neat signature beneath slightly-smudged text. Written on the verge of his removal from the House of Commons to the House of Lords. Reads ‘[Admiral Buser?] to Gallery of H of C / Tuesday May 8th. 1866 / E B Lytton’. See image.

For Powys and his two literary brothers see the Oxford DNB. On 11 x 9 cm piece of wove paper. The paper is discoloured with heavy spotting aroudnd the signature. Clearly a response to a request for an autograph, neatly written and centred on the paper, the only writing is the signature: ‘Theodore Frances Powys’. See image.

An 11 x 8.5 cm piece of paper, cut from a letter for an autograph hunter. In fair condition, lightly aged, and laid down on a piece of card which has chipped at the corners. The paper and its backing have a vertical crease through them. Reads ‘Excuse a very hurried letter & believe me / Very truly yours / Robina F. Hardy’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged with patch of light sunning. Folded once. The recipient is not named. Reads: ‘Dear Madam / Forgive me for my delay in answering your letter. I have been laid up for a week or two with influenza & my correspondence has suffered in consequence. / And please believe that your words have given us sincere pleasure & that I am / Yours very faithfully / A. T. Quiller-Couch’. The hyphen in the signature is almost imperceptible. See image.

It is hard to overestimate the impact of ‘Ion’ on Victorian audiences in Britain and America. According to Talfourd’s entry in the Oxford DNB, the play was ‘first performed at Covent Garden Theatre, London, on his birthday, 26 May 1836.

See his entry in the Oxford DNB. The postcard, with stamp printed on it, has the typed address: ‘The Rev. A. H. Sayers, / Orchard Close, / Monmouth’. Aged and worn, with a dog-eared corner and minor rust spotting from a paperclip. Stylised signature. Reads: ‘Many thanks for your offer to send a car to meet me at Severn Tunnel Junction, on November 20th. I will look out for it. / Yours / L Housman’. From the Sayers papers, with other material indicating that Housman was giving a talk for the Union. See image.

Weyman was, as his entry in the Oxford DNB states, ‘one of the most popular and skilled of the historical romance novelists of the cloak and dagger school’. Oscar Wilde recommended his novels as reading for convicts. The present item is on an 11 x 9 cm piece of watermarked laid paper. In good condition. A neat attractive two-line inscription for an autograph collector, underlined and sloping upwards. Reads: ‘Stanley J. Weyman | Nov. 2. 1899’. See image.

An almost miraculously legible example of Parr’s normally atrocious hand. (His entry in the Oxford DNB states that ‘Parr was flogged only once at Harrow, for bad handwriting, and to no effect. His writing remained atrocious all his life, so much so that on an occasion when he wrote to ask for 'two lobsters' his friend read the words as “two eggs”.’) On one side of blank card. In envelope with indistinguishable seal in red wax, addressed by Parr to ‘Keeling Greenway Esqr / Mayor of Warwick’.

1p, 12mo. On recto of first leaf of bifolium of pink patterned paper. In good condition, lightly aged. Folded twice. The sonnet, which does not appear to have been published, begins: ‘Midst the young eyes that on this book shall shine / Kindling with genius or with feeling bright, / Lit up with all youth’s visions of delight, / There yet shall gage no dearer ones than thine!’ Signed at end ‘J E R.’ See image.

See her entry in the Oxford DNB. Clearly written in response to a request for an autograph. On 11.5 x 5.5 piece of wove paper, cut from an album. In good condition. Reads: ‘Yours very truly / Ada Ellen Bayly / “Edna Lyall.” ’.

See his entry in the Oxford DNB. In good condition, lightly aged. In the following transcript, the parts in Masefield’s autograph are in square brackets, and the first printed sentence (‘I [...] letter.’) has been scored through: ‘PINBURY PARK, / CIRENCESTER. / Dear [Sirs,] / I thank you for you letter. / [I shall be obliged if you will send me No 98 of your list / Du Maurier. Trilby / London, 1895.] / With all good wishes, / Yours sincerely, / John Masefield.’ (Note that this ‘signature’ is printed.) See image.

Letter, basically three lines, short but significant, cr.8vo, crumpled, fold marks, text clear and complete. See Image. . Dear Nigel de Grey | How very kind of you to write to me. Both friend & stranger have done their best to break my fall. & I have no regret to complain, but I rather collapsed after the verdict. | Most surely yours, | Robert Ross. Note: A, Douglas and his friend Crosland began a campaign of libel against Robert Ross. Ross v. Crosland April-June 1914 Following a long campaign of harassment, Ross finally went to court.

See Belloc’s entry in the Oxford DNB. The recipient is Colonel Frederick Hugh Langston Oldham (1876-1965), D.S.O., D.L., of Overley Hall near Wellington. The three items are in good condition, lightly aged. ONE: ALS, 5 October 1922. 1p, 4to. With mourning border. Folded twice. Giving details of the train from Paddington he is proposing to take to Wellington for ‘[t]he lecture’ on 13 October. ‘It is most kind of you to have asked me to stay with you & I am much looking forward to it.’ TWO: TL, 11 October 1922. 1p, 8vo. Folded twice. The signature ‘H.

See his entry in the Oxford DNB. On rectangular slip of paper, roughly 11 x 3 cm, cut from the end of a letter. In fair condition, lightly aged, slightly spotted and laid down along one edge on thicker piece of paper. In an elegant calligraphic hand he writes: ‘Believe me / Yours truly / Geo du Maurier / Apr. 26, 83’. The ‘eo’ of the ‘Geo’ of the signature is presented as a stylish squiggle, looking a little like a ‘W’. See image.

See his entry in the Oxford DNB. A scarce item: no copy in the British Library and the only copies on COPAC at Cambridge and the V & A. In fair condition, lightly aged and with slight creasing to outer edge of front cover, on which a label has been laid down, carrying an inscription (repaired at one corner with archival tape) by Thomas: ‘From one child to another - Love and I cant thank you enough for everything - I’ll look forward to Janiuary - Muh love I’ll writer later’. A stapled pamphlet in brown card wraps. 16pp, landscape 8vo.

Pritchett’s ‘The Gentle Barbarian: The Life and Work of Turgenev’ appeared in 1977; the present letter is clearly addressed to his editor at the book’s publishers Chatto & Windus. Pritchett’s entry in the Oxford DNB describes his handwriting as ‘legendarily ugly and difficult to decipher’, but the present example is no worse than an average hand. 1p, 12mo. In good condition, lightly aged. Two fold lines. He is sending his ‘Turgenev’, and explains: ‘As you will see I have marked passages from the book in purple crayon, and my own summary bridges in green.

1p, landscape 8vo. In fair condition; a little creased. Folded twice. Nicholson’s signature is a stylized squiggle, and there are a few minor autograph corrections to the typescript. The letter begins: ‘Dear Eric / I think the correspondent is probably right and that it is Windermere and not Coniston Water which can be seen from near Stickle Tarn.’ Nicholson cannot speak from experience, ‘as the tarn is metres above the level my legs would take me, but the map does seem to confirm what the two correspondents say’.

It seems extraordinary that they were able to pull this off during wartime restrictions, and Dickens would have relished the shabby-genteelness of it. The menu is shakily printed in a faded blue on a 10 x 16.5 cm piece of cream card, with rounded edges. At foot: ‘Holborn Restaurant 7th February 1942’. The menu is headed: ‘THE DICKENS FELLOWSHIP / 130th Anniversary of the / Birthday of Charles Dickens / Chairman: WALTER DEXTER, Vice-President / Speakers: HUMPHREY HOUSE, JAMES AGATE’.

Adams was the author of more than one hundred books. He was criticised by Louisa May Alcott for his use of slang and depiction of ‘low’ characters such as bootblacks, elements which make him sound like a proto-Mark Twain, and should attract renewed attention today. Without date or place. On 4.5 x 9.5 cm slip of wove paper. In good condition, lightly aged, with traces of mount adhering to blank reverse.

Postal Envelope Front, 11.5 x 9.5, black-bordered, postmark partially obscured by minor damage, good condition. See image

See Ashton’s entry in the Oxford DNB. Both items in good condition, lightly aged, with evidence of mount to blank reverse of photograph. ONE: TLS. 17 January 1922. 1p, 12mo. Folded once. Signed ‘Clemence Dane’. Addressed to G. Railton Barnard, 6 The Crescent, York. She thanks him for his ‘interesting letter’: ‘If the same question had not already crept up once or twice, I should not have thought it possible for anyone so to misunderstand Legend, but I know people do, clear as I thought I had made it.’ Barnard is ‘absolutely right’: ‘Madala Grey is head over ears in love with her husband.

On 11 x 6 cm piece of paper cut from letter. In good condition, lightly aged. Reads: ‘Yours faithfully / Olga Novikoff.’

On one side of a 12.5 x 8.5 cm piece of thin white card. Clearly given in response to a request for an autograph. Written in a large somewhat old-fashioned hand, with ‘Edith Pargeter.’ centred towards the head of the page, and ‘‘Ellis Peters’.’ at bottom right. See image.

One of the top [literary] agents in LondonThe extensive correspondence, business and personal, between Elaine Greene and Elaine Greene Literary Agency, and R.P. Lister [Richard Percival Lister], travel-writer, novelist, poet, contributor to periodicals, and eventually friend. He published extensively in the USA. as well as the UK.Elaine Greene to Lister: Twenty-five (25) Typed Letters and Notes Signed (Elaine Greene becomes a cordial Elaine), total 27pp., 8vo and 4to, 14 Dec. 1962-10 April 1969.

For information on Cook see his biography in the Oxford DNB, which points out that the subtlety of his later fiction was lost on his contemporaries, being written in a style that ‘was not sufficiently sensational’ for the period. The present item is the complete text of the last thing Cook ever wrote: a story which appeared in the weeks following his death, in Hood’s Comic Annual for 1884 (London, 1883).