LONDON

On irregular piece of lightly creased and aged paper (roughly seven and a half by four and a half inches), with some chipping to extremities. Headed 'Punch Photographs'. 'Mr Mark Lemon [1809-1870, Punch editor] wishes me to come up to you & be photographed. I propose being with you at one tomorrow Saturday, if I am not unavoidably detained in Westminster on a trial.'

Three pages, 12mo. On aged paper, with some foxing, a few closed tears and wear to extremities. Glue and strip of mount adhering to blank verso of second leaf of bifolium. Text clear and entire. He is in 'a maelstrom of work and worry' and asks Ross 'a question which you are almost certain not to be able to answer!' Asks if he has 'seen Tom Smith's crackers', and if so, whether he observed 'anything specially and eminently notable'.

ITEM ONE (note, one page, 12mo, 3 December 1871, remains of grey paper mount adhering to verso of blank second leaf of bifolium): Apologises for sending a undated note: 'I daresay you can manage to fix at about what period it was written'. ITEM TWO (note, one page, 8vo, 12 December 1872, on creased, aged paper): Declining a dinner invitation. ITEM THREE (letter, one page, 8vo, 21 November 1873, on aged paper heavily chipped at head and foot): He has just described Draper's paper to Blanchard, who 'thinks it just the very thing they want. They like to have dates.

Good, on lightly aged paper. Rust stains from paperclips on one leaf. Five pages of typescripts on five quarto leaves. The first page gives the contents, and the rest are covering pages with a few words of instructions (e.g. 'PREFACE | (To be prepared after revising first proofs)' and 'APPENDIX --- Authenticity........ | To follow with Bibliography and Indexes.' The proof slip, printed and with pencil insertions, is one page, on a leaf roughly eight inches by four and a half.

One one side of a piece of laid paper, 26.5 x 21 cms. Aged and creased, with chipping to extremities and staining on reverse from repair to one of two closed tears. Thirty-six lines, with facsimile of Housman's signature at foot. An appeal for 'money for the Library - your Library'. Somewhat poignant, considering the present neglected state of the British library service. '[...] The question is - do you want to give money to your Library? [...] But, for my own part, I ask - why, why Libraries? What are they for? What there do you read?

Four pages, 12mo. Very good, with strip of brown paper adhering at the head. Text clear and entire. A long letter, casting light on the effects on the English middle classes of the financial crisis of 1825. Clayton begins by thanking Procter for the 'card case'. He 'will gladly do any thing that may fall within [his] power, to assist the Associate Fund', but does not think that he can 'do much'. 'The times are such, that Cases of

All items are good, on lightly aged paper. The 'Report of the Auditors of the Accounts' is seven pages, octavo, stitched and unbound. It consists of five full-page tables: 'Receipts', 'Payments', 'Comparison of Receipts in 1867 and 1868', 'Comparison of Payments in 1867 and 1868' and one showing 'The Assets and Liabilities of the Society on the 31st of December 1868'. Comment by the seven auditors (all named) on final page, remarking on 'the unexampled state of prosperity of the Zoological Society at the close of the previous year'. The four handbills are each on one side of a 12mo leaf.

On good thick wove paper, roughly six and a quarter inches by four and three-quarters wide. Dimensions of plate indentation five inches by three wide. Good, on aged and lightly-foxed paper, left edge irregular indicating extraction. A very attractive card, carrying an engraving of a sylvan scene giving a very good idea of Sandon's qualities. Reads, in a variety of hands, 'EVERY | Description | OF | ENGRAVING & PRINTING | Neatly executed. | [vignette] | HENRY SANDON, | 60, Wellington Street, Goswell Street, | London.' Sandon does not feature in BBTI. is he real?

Dimensions roughly eight inches by five and a half. Very good on aged paper. All but top edge rough. One page, blank reverse.

Two pages, on leaf roughly eight and a half inches by five. Very good, with three stab holes along one margin. Headed 'NEW COLLECTION OF VOYAGES AND TRAVELS, [...] This Day is published'.

Two pages, on a rough-edged leaf approximately seven inches by four. Good, though aged and a lightly stained. A highly interesting list of twenty-seven titles by a radical publisher. Several works relating to Robert Wedderburn and Thomas Davison. Also 'The Cast-Iron Parson', 'A Peep after Hell' and 'GREAT GORGY: giving a Humourous Description of his Journey to Westminster, on Giff, the Ch-lor's Grey Mare'. Ends 'The Trade Supplied with all the Popular Works of the Day. | Printing & Bookbinding | NEATLY AND EXPEDITIOUSLY EXECUTED. | NEWSPAPERS SERVED IN TOWN AND COUNTRY.

Dimensions roughly six inches by three and a half. Wormed (but only affecting two letters of text) on aged paper. One page, blank reverse. Wood cut at head, roughly one and a quarter inches square, illustrating a leather-bound book with clasps. Thirty-three lines of text, beginning 'At the Bible in Newgate-street, over against the Blue-Coat Hospital Gate.

One page, on rough-edged grey wove paper, roughly nine inches by six wide. An attractive production of twenty-two lines, with ornamental rules top and bottom, headed 'This Day is Published, | IN TWO VOLUMES OCTAVO, | PRICE ONE GUINEA IN BOARDS, | Monographia Apum Angliae; | [...] | By WILLIAM KIRBY, B.A. F.L.S. | RECTOR of Barham in Suffolk. | [...]'. According to BBTI John White traded between 1785 and 1816 and Stephen Couchman between 1774 and 1825.

Dimensions of paper roughly eight inches by five; dimensions of print four and a quarter inches by three and a half. Good clean image, on paper aged and creased at extremities only. A wild-haired octogenarian Gent leans on a pile of books in a stone archway, holding open a copy of his History of Rippon (1733). Taken from Thorpe's edition of Gent's 'Life', published in 1832.

Dimensions roughly one and a half inches by two inches. One page, blank verso. Tipped in on piece of yellow paper. Within ruled border. An attractive item, with an illustration of key at head. Beneath this, in copperplate, 'Bought of I: Crokatt | at the Golden Key near | ye. Inner-Temple-Gate | Fleet-Street.' Crokatt, an associate of Dodsley, with whom Samuel Johnson worked, traded from the 1720s to the 1750s.

On thin laid paper roughly two and three-quarter inches by three and three-quarter inches wide. Good clean image, on aged paper with slight wear in bottom left-hand corner. Enclosed by a border. Reads, in a variety of hands, 'Thomas Payne | BOOKSELLER, | Near the South Sea House | BISHOPSGATE-STREET | LONDON. | Sells all Sorts of Stationary [sic] Wares.' According to BBTI the Thomas Payne who was at this address in 1750 may possibly be the eminent bookseller Thomas Payne I (1719-99) of the Mews Gate.

Octavo, 216 pages. One of 'only fifty copies printed, on thick paper'. Title-page in red and black. Aged and a little stained, in recent half-leather rebinding. 9670 items listed, 'for the most part second-hand'.

One page. Dimensions of slip roughly four inches by five and a quarter wide. Somewhat aged, but entirely legible. Reads 'British Quarterly Review | Can you tell me what was the last part of this issued, if it is possible to get a title-page and index to vol 83. My last part is 166 April 1886'. Docketed note of reply states that no title was published to the volume containing April 1886.

All items one page, quarto, and all very good. Two docketed and one bearing the Society's stamp. Letter 1: He will be pleased to attend a committee meeting. Letter 2: He has 'a long-standing engagement' and will be unable to attend 'the Architectural Decoration Committee'. Along with Godfrey Giles he has 'had a long discussion' with Mr. Grigsby 'with reference to the conditions of the Lewis Berger Scholarship'. Letter 3: He knows 'Professor Richardson very well, and this is just the information which I am requiring. I will send my man on to see the secretary as you suggest'.

One page, octavo. On aged, grubby paper with minor staining at foot. He has spent 'all his monney for prints & Books I bought at Sale last Week. I have no balance in my Bank at all. (ganz nichts) if you are not inconvenient [sic] Please bring some L. S. D. on Saturday next'. Postscript: 'My business is Ratton N. B. G.' It is thought that Kato obtained a large portion of the Japanese prints for Sir Edmund Walker's celebrated collection.

Seven pages, octavo. Disbound, and with the four leaves detached from one another and neatly laid down on a paper mount. Very good. From (according to the title-page) the edition in 'LONDON. Printed for EDW. NICKSON. Januar. 24. 1643.' Republished as a supplement to the 'British Stage'. Only two copies on COPAC, at Bristol and in the British Library.

Quarto, twelve pages. Unbound. In original grey printed wraps, with facsimile portrait of Caxton laid down on front cover as part of design. Stitched. Lightly aged and worn, and a little loose. A handsome production, with five full-page facsimiles of pages from the book, and three other illustrations (including duplicate of that on front wrap). Large plate of charcoal drawing, captioned 'A view of the facade of 16 & 17 Pall Mall as seen from the Athenaeum', laid down inside back wrap.

Chairman of Unwin Brothers (born 1870). One page, quarto. Good, but discoloured and lightly creased, and with staple stain at head. Docketed and bearing the Society's stamp. He is sorry not to have answered sooner, but 'some very important business has engaged my attention during the last few days with the result that I put your letter into my private drawer without acknowledging it.

Three pages, 12mo. Good, on lightly spotted and aged paper. Traces of glue and previous mount adhering to blank verso of second leaf of bifolium. Concerns a 'concert on June 16yh in aid of the <?> L G[uild] at Mrs. Beudel's house'. 'It grieves me more than I can express to find that I shall be unable to attend, or give my services on that occasion, unfortunately my arrangements will not permit of my being in London then'.

One page, on piece of grey card roughly three and a half inches by four and a half wide. Very good. Twelve lines and one-line postscript in Sutro's tiny and difficult hand. Sends his 'sincerest congratulations on the best volume of memoirs I have read this many a day' (Hicks published his autobiography in 1910). 'There isn't a dull line in it from start to finish; I could dine out for a week on the stories'. Reference to Irving and other actors. Ends 'A damned good book, Seymour! Tous mes compliments!' Postscript reads 'This does NOT require an answer!'

One page, quarto. Very good, though slightly aged and creased, and with minor damp staining at foot, affecting bottom three lines including signature. Wilkinson has written to say that he 'has not the space' Smith has 'named'. '[Y]ou express an opinion that Circus business would pay, & I, from my personal knowledge of Brighton & experience therein, feel sure a really good Circus would prove an immense attraction & a paying one, & would stand some time by introducing fresh novelties'.

One page, 12mo. On creased, brittle, aged paper. Repaired with archival tape on reverse, which carries traces of previous mounting. He is sending some lines of introduction 'to my cameo friend who lives in Grafton St Bond St. - No. [i.e. number] unknown, but it is the second or third house on the right going from Bond St.' Hullah's 'Music Hall' - St Martin's Hall in Long Acre - opened in 1850. It burnt to the ground ten years later.

Thirty-six broadsheet pages. On aged paper, with chipping to extremities and first and last leaves detached, but with text clear and entire. Articles on 'The Four New Railways', with photographs, by Sir Herbert Walker, Felix J. C. Pole, Arthur Watson and R. L. Wedgwood. Other articles include 'Electrification - The Metropolitan's Experience' by R. H. Selbie, 'Railways - Their Position and Prospects' by Sir Sam Fry, 'Railway Rates under the New Regime' by Sir W. M. Acworth and 'Finance of British Railways' by W. J. Stevens.

Sambourne (1844-1910) contributed illustrations to Punch for more than forty years. On good laid paper, dimensions roughly 22 inches by 17 1/2. With facsimile signature and date. Folded twice. Slightly discoloured and a little creased, but suitable for framing. Depicts Mr Punch, with his dog Toby, sitting atop a pile of the 'evolutions of the century' (including a bicycle and typewriter), and waving to 116 of the century's worthies, including Bismark, General Tom Thumb and the jockey Fred Archer, but without Karl Marx.

Two unbound bifoliums stapled together. Eight pages, on four leaves each roughly seventeen inches by eleven wide. A corrected proof, stamped at head of first page 'PROOF NO.' A frail survival of a significant document in London topographical history. Aged and worn, with several closed tears. A few manuscript emendations, notes and additions in different hands. For example, concerning a right of way, 'Messrs. Debenham can ascertain this from Mr. Pinder Simpson 20 Old Burlington St. W. the Collector'.