acting

In his entry on Laye in the Oxford DNB, Sheridan Morley describes her as a ?bright, particular star?. 1p, 16mo.Good firm signature. In good condition, lightly aged. Folded once for postage. On the otherwise-blank reverse is Laye's monogram, with her initials. Reads: 'My dear Kenneth. / Thank you for your very sweet letter[.] I am so delighted you liked the broadcast[.] It brought back many happy memories to me & when I sat & listened to it all alone I must say I longed for the past. / Bless you. / Evelyn Laye.' From the papers of Kenneth Sephton.

On one side of 15 x 10 cm grey-blue card, with facsimile of her signature at the head. Addressed to ?Dear Kenneth?, and with bold stylish signature at bottom right. The subject of the letter is the Piccadilly Theatre production of ?Gypsy?, which had opened a few days before on 29 May 1973. She thanks him for his ?kind letter?, adding ?Thank god you were right about the show and it has turned into more of a success than I could have ever hoped for.? She is sorry he couldn?t attend the first night, as ?it was a good show and I know you would have enjoyed it?.

See the two men’s entries in the Oxford DNB. In good condition. 11.5 x 9 cm card, without illustration. Printed in red at head: ‘MICHAEL REDGRAVE.’ The message concerns the London production of Fry’s ‘The Lark’ (a translation of Anouilh’s ‘L’Alouette’), which opened at the Lyric Theatre, Hammersmith, on 11 May 1955. Redgrave would star in Fry’s next play, ‘Tiger at the Gates’ (a translation of Giraudoux’s ‘La guerre de Troie n'aura pas lieu’), which premiered in New York on 3 October 1955.

A good firm signature, and not a common one. While hugely popular (see his entry in the Oxford DNB), Sims was an intensely private man, who refused to give autographs. 1p, landscape 12mo. In fair condition lightly aged and with slight rust spotting from paperclip; folded for postage. Reads: ‘Dear Adza Vincent, / My wife and I both thank you for sending Christopher’s Bedford talk. I have taken the liberty of typing a copy for own archives, and can now return the one you sent. / With renewed thanks, / Yours sincerely, / Alastair Sim’.

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. On a bifolium the blank second leaf of which is laid down on part of a leaf from an album. Folded twice for postage. The recipient is ‘Henry Spicer Esq’, presumably a relation of the artist of the same name (d.1804; see ODNB), several of whose theatrical portraits are in the Garrick Club collection.

From the Macqueen-Pope papers. See his entry, and that of Power, in the Oxford DNB. The seven items are in good condition, lightly aged and worn. ONE: Typed article titled ‘The Other Tyrone Power / by / W. Macqueen-Pope.’ Undated. 11pp, 4to, paginated 1-9, with two-page ‘Inset’. With a few minor autograph emendations. Begins: ‘At the present moment, Mr Tyrone Power, “in person”, is appearing at the London Coliseum in a play called “Mr Roberts”.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Known by his nickname ‘Popie’, Macqueen-Pope was widely regarded as the leading theatre historian of his day. His many books (from histories of individual theatres to a biography of Ivor Novello) sold well, and his broadcasts on the BBC were extremely popular. Eighteen items, providing something a glimpse of his working methods. The last two of the eighteen items are TLsS to MP: one from the editor of ‘Everybody's’ Greville Poke (also see his Oxford DNB entry), and the other Pauline Carter, ‘EDITORIAL’.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 2pp, 4to. Signed ‘Michel Kovatchévitch’. On aged and worn paper. Folded twice for postage, with closed tears at edges of vertical fold, and nicks and creasing along one edge. He is working on a biography of Frederick Aldridge, ‘tragédien noir de langue anglaise (1807-1867)’, and asks for help in establishing the date of his debut, ‘dans le rôle d’Othello, au Royalty Theatre’.

From the Macqueen-Pope papers. See his entry, and that of Brooke, in the Oxford DNB. The five items are in good condition, lightly aged and worn. ONE: Carbon of Typed Article titled ‘London Was Unlucky to Him / The Story of Gustavus Brooke, The Tragic Tragedian’. 11pp, 4to, on eleven leaves. Begins: There is nothing so ephemeral as the art of the actor. Very very few of the names live on. Yet there are some, who in their day were of the first magnitude and are now forgotten, save for the delving historian.

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. The present item relates to the 1952 RSC production of ‘Much Ado about Nothing’, directed by Gielgud and with him playing Benedick. 1p, landscape 8vo. Red-ink letterhead ‘JOHN GIELGUD’. Signed ‘John Gielgud’ and addressed to ‘Dear Popie’. In good condition, lightly aged and creased. Folded twice. He thanks him for his ‘good wishes and thought of me.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 4to. Aged and creased, on discoloured high-acidity paper. Folded twice for postage, and with closed tear at head of vertical fold. Slight damage and rust staining from removal of staple. The letterhead incorporates two photographic portraits of Lauri, with press comment from ‘Everyone’s Magazine’ and career resume beginning: ‘Ernest Lauri / (The Singing Anzac) / STARRED IN AUSTRALIAN PICTURES / Versatile Vocalist and Monologist’. Macqueen-Pope is not named, but is presumably the recipient.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. 2pp, 4to. Sixty lines of text. Aged and worn, but entirely legible. Signed ‘H. F. Maltby’ and addressed to ‘My dear Pope’. Most of the letter concerns the tomb of ‘Maggoty’ Johnson: ‘I first met that interesting old gentleman over forty years ago, when I was playing at the Theatre Royal Macclesfield with the late Mrs Bandman-Palmer. It was my landlady who advised me to visit the tomb as one of the objects of interest in the place.

From the Macqueen-Pope papers. See his entry and hers in the Oxford DNB. Caird was Northcliffe’s right-hand man, and mainly associated with the Daily Mail. The four items are in fair condition, lightly aged and creased, with slight rust spotting from a paper clips. Items Two to Four are on carbon paper. ONE: ACS from Tutin to MP. Small unillustrated postcard, signed ‘Dorothy Tutin’. Reads: ‘I remember you very well - your fascinating letures at the Academy [i.e. London theatre school RADA, the Royal Academy of Dramatic Art] - and shall be very happy to meet you for this article.

From the Macqueen-Pope papers. See both their entries in the Oxford DNB. The four items in good condition, lightly aged and creased, with slight spotting to one corner of Item. Folded for postage. ONE: ALS dated 28 December 1950. 2pp, 12mo. Before sending seasonal greetings she begins: ‘My dear Popie / I returned home to find your wonderful book waiting for me.

From the Macqueen-Pope papers (see his entry in the Oxford DNB). 1p, 12mo. In good condition, lightly aged. Folded once, with one dogeared corner. He thanks him for ‘having mentioned my name in connection with the playbills, prints, etc., needed for the redecoration of the Whitbread house in Covent Garden’. He believes MP will be ‘seeing my selection within the next few days’, and hopes that, ‘in general, you will approve of it’.

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. Air Mail letter, 2pp, 4to, written within a few months of his death. With large signature ‘Matheson Lang’, and addressed to ‘My dear Pope’. Lightly-aged and worn, with slight damage from removal of postage stamp. Thirty-three lines of text, neatly-written and complete.

See the two men’s entries in the Oxford DNB. An interesting letter, linking two significant figures in the London theatre. Around the time of writing Hollingshead had given up his career in the clothing business to write full time, early on for Dickens at ‘Household Words’, then later for Thackeray at the ‘Cornhill’. The farce that is the subject of the present letter is possibly ‘Birth Place of Podgers’, the only one known to have been published by Hollingshead, a New York edition of which appeared around 1858. 2pp, 16mo.

Clearly produced for an autograph collector. On one side of a 12.5 x 8.5 cm cream card. In good condition, lightly aged. The inscription reads: ‘For Janis / Merry Xmas to you / Sincerely / Noah Beery’. Affixed in the top right-hand corner, partially covering the word ‘you’ in the inscription, is a black and white stamp, with photographic portrait captioned at foot ‘NOAH BEERY’. Dated in pencil at bottom-right ‘Dec 1936’.

See her entry and that of Macqueen-Pope in the Oxford DNB. The two items are in fair condition, on aged and lightly-worn paper. Both with the valediction and signature in a large flowing hand, and the second letter also with an autograph postscript. Both are 1p, 4to, and folded three times. ONE (7 July 1952): Addressed to ‘Popie my dear’ and with autograph valediction ‘Yours always / Julia’. She has ‘not been too well for over a year’, and the previous year her ‘stupid heart did foolish things’, and she was ‘ordered to bed for six weeks or more’. She is still ‘not allowed to do too much’.

See her entry in the Oxford DNB, and in particular the section headed ‘A great actress’. 1p, 12mo. In good condition, lightly aged. Folded twice. Very nice letterhead with engraving of the imposing hotel. In her large, bold hand, the note reads: ‘I have found it! / & am so glad - / Hoping you are much better / Yrs. sincerely / Ellen Terry: / 7 December . 97:’.

Berry was hugely popular during the Edwardian period and into the First World War. His greatest success was as ‘Mr Meebles’ in ‘The Boy’ (1917). See the recipient’s entry in the Oxford DNB. Both letters signed ‘W. H. Berry’, and the second with long postscript on separate 12mo leaf signed ‘W. H. B’. In fair condition, aged and worn. ONE: 30 December 1947. 4pp, 4to. ‘This letter will be quite a “rat-tat from the past” (as Geo. Graves used to say), & its many a long year since I last saw you - & much has happened since “those were the days” & carriages were at 11.

Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. See also Macqueen-Pope’s entry in the Oxford DNB. The collection of eleven items is in fair overall condition, with minor creasing and aging to some items.

The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. 2pp, 12mo. In fair condition, lightly aged and worn. Folded twice. Signed ‘Frank’. He is sending his list: ‘you’ll note how catholic my wants are’. He has been sent ‘5 guineas worth of book tokens. Do you accept these? They were issued by Collets, Hampstead.’ His ‘great wants’ are ‘the Comic Home Journals - the novel with ghost on the cover - the certain Ludgate and Boys Own Xmas Number’.

See the recipient's entry in the Oxford DNB. Both letters signed ‘Elsa’. ONE (7 December 1951): 1p, 8vo. In fair condition, lightly aged and worn. Folded three times. Thirty-eight lines of text. She received his letter while wishing to contact him, and wonders if this is a coincidence. ‘And my wanting to write you grew out of an intense yearning to be in London again’.

An entertaining and characteristic correspondence. See both their entries in the Oxford DNB. The nine items (seven by Jacob and two by Macqueen-Pope) are in fair overall condition, with all text clear and complete, on lightly aged and creased paper, with slight rust-staining from paperclips, and minor wear to edges. All folded for envelopes. The first seven of the nine following entries are NJ’s letters (the last four of which are addressed to ‘My dear Popie’), the last two the copies of MP’s. ONE: 24 June [1945]. ‘ENSA Entertainments. / C/o Welfare, 6th. Brit. Armde. Div. / C. M.

See his entry in the Oxford DNB. On 9.5 x 11.5 cm leaf of blue paper, with rounded outer corners, torn from an autograph album. In good condition, lightly aged, with spotting on reverse. Reads: ‘Best Wishes / Tom Walls.’ Good bold writing, with stylistic flourish linking the cross-stroke of the T in ‘Tom’ with the S of ‘wishes’, and two small vertical strokes at the centre of the underlining of the signature. See image

See her entry in the Oxford DNB. 1p, 12mo. On grey paper. In fair condition, with a few light creases and two punch-holes to inner margin. Good large signature (‘Anna Neagle.’) in black ink. She thanks him for his letter and kindness in sending the photographs: ‘I think they are excellent.’ She is glad that she was ‘able to get along to the Party’, and thanks him ‘and the Committee’ for making her visit so pleasant.

Toole’s entry in the Oxford DNB describes how ‘Toole was desolate, and his health broke’, after the Tooles’ twenty-two year-old daughter Florence died from typhoid fever on in November 1888, contracted a week before when visiting her parents who were performing at Cork. Her mother, Toole’s wife Susan, died three and a half months later, in February 1889. Both letter and card are in good condition. They are enclosed in a grubby envelop, with stamp and postmarks, addressed to ‘David Cunningham Esq / Belmont / Antrim / Ireland’. Letter and envelope have thick mourning border. ONE: ALS.

A scarce piece of English theatrical ephemera, illustrative of the restrictions imposed following the Second World War. From the papers of W. Macqueen-Pope. (See his entry in the Oxford DNB.) The item is a duplicated bulletin of six closely-typed 8vo pages, on three loose leaves. The text is complete and clear, but the item is aged and with wear to edges. The first page is headed by the following, in capitals, above the address and phone number of ‘The Stage’: ‘According to latest directions from the Ministry of Fuel & Power this is for private circulation only and is distributed gratis.

On 16 x 14 cm leaf of green paper, with rounded outer edges, torn from autograph album. In good condition, lightly aged. Reads: ‘For / John / With every good wish, / Joseph Cotten / 1949’. Above the inscription has been laid down a photograph of Cotten cut from a newspaper. See image