PRIVATE

Printed on one side of a piece of paper roughly 46 x 32 cm, folded twice to make a 23 x 16 cm card. Good, on lightly aged and spotted paper. On the front is a small illustration in green and black, roughly 7.5 x 6 cm, showing a picture of a domestic Christmas interior in an ivy-topped frame. Inside the card, on the left-hand page, is Monro's poem, of 18 lines arranged in three stanzas, beginning, 'The Curate and the Spinster sit.

8vo: 24 pp. Stitched as issued. Inscribed at the head of the title-page 'For Mr Walpole'. Text clear and entire. Good, on foxed paper, with one dog-eared corner. A couple of manuscript annotations, one in the form of a footnote, and one correction, whether by the inscriber or recipient unclear. The author defends his claim that he 'cannot believe otherwise, than had the claimant to the Devon Peerage been an humble individual, less affluent, and less powerfully connected, he would not have succeeded in his claim'. Scarce: the only copies on COPAC at the Durham and the British Library.

12mo (leaf dimensions 22.5 x 14 cm): 12 pp paginated [3] to 14. Lacking (presumed) title-leaf. Unstitched, and consisting of one sheet of paper, 45 x 28 cm, folded twice to make four leaves; and one half sheet, 22.5 x 28 cm, folded to make two leaves. Text clear and entire, on heavily aged and spotted paper chipped at extremities. In an attempt to defend a perceived attack on his honour, W. D. B. prints, with commentary, three letters written by him to the editor of the Naval and Military Gazette, only the first of which was published (6 August 1839).

12mo: 1 p. Eight lines of text. Good, though creased. Letterhead printed with the words 'Joan Hassall' and a 5 cm short rule decorated with a tiny dove. She apologises for the delay in sending 'this signature': 'I lost your nice little piece of paper, and then I broke my pen.' Disspain's 'letters of appreciation' give Hassall 'very real pleasure' and she is 'most grateful' for his 'good opinion'.

Quarto (25.5 x 19 cm) bifolium. Attractively-printed on watermarked laid paper. Unbound. Foxed and lightly-creased. Two short 0.5 cm buff strips of cloth from mount neatly adhering to the margin of the reverse of the second leaf. 'PERENNIS ET FRAGRANS.' enclosed within engraved wreath on title. Eighteen-line prospectus for the work on reverse of first leaf, with the recto of the second carrying a full-page facsimile of the title of Pickering's 1844 edition of John Merbecke's 1550 'The Book of Common Prayer Noted', printed in red and black. Printer's slug on reverse of second leaf.

Four paginated pages of small type in a quarto (25 x 20 cm) bifolium. Attractively printed on paper watermarked 'T EDMONDS | 1834'. Unbound. Good: lightly aged and creased. On the first page the author announces the publication of the second part, 'with great regret for the delay which has unavoidably intervened in the publication, from causes impossible for him to have forseen'. The succeeding three pages consist of the double-column list of subscribers, headed by 'Patron.

12mo: 1 p. Eight lines of text. On a piece of grey laid watermarked paper. Complete and clear. Lightly aged and creased. Unusually frank business communication. He is angry at having to tell Deterville that he cannot have 'd'exemplaire des Rudimens'. He will do his best to let him have them soon. However weak the excuse, it is nevertheless true that the 'ouvriers ne m'ont pas tenu parole'.

12mo: 8 pp. Leaf dimensions 18 x 11.5 cm. Unbound. Stitched as issued. Good, on lightly-aged paper with foxing to first page. Complete: paginated [1] to 8, and with 'Finis.' at the end.

Item One: 'Dein Sternbild' (1960). 8vo: 7 pp. In original cream printed wraps. Stitched. Printed on the rectos of seven leaves. Good, in slightly grubby and worn wraps. German inscription to Nelly Weiss. German poem. Nicely printed on watermarked laid paper. Item Two: 'Pablo Neruda' (undated). 12mo: 3 pp. German translation by Mohr from the Spanish. Six-line note explains the context in which the poem was translated. With manuscript correction and signature of Mohr. No other copy traced.

8vo, [ii] + 8 pp. Unbound stitched pamphlet. Lightly aged, and with short closed tears at head and foot of outer leaves. Dogeared corner to rear leaf. A 116-line 29-stanza poem, beginning 'The Pilgrims loved Old England, | Their hearts fed on her sod, | Their souls clung close to England, | But closelier [sic] to God.' and ending 'And through those centuries strenuous | In services to Man, | If sometimes sadly tenuous, | We claimed, and kept the Van.' Scarce: no copy on COPAC, in the British Library or Library of Congress.

Printed on all four pages of a bifolium, with each leaf roughly 17.5 x 13.5 cm. Lightly creased, and with the outer pages a little grubby, but good overall. A self-consciously well-printed production, with each page encased in a black ruled border, and with an engraving of the sculpture on the front page, beneath which, 'A. C. CHISHOLM. DEL. J. DURHAM. NV.' Possibly complete in itself, but in view of the elaborate title probably a taster for a volume which, considering the fact that there is no record of this item on COPAC, was probably never printed.

12mo (dimensions of leaf 12.5 x 9.5 cm): 10 pp. Stitched. In original brown printed card wraps (dimensions of wrap 13.5 x 10 cm). Edition limited to 120 copies, of which this is No. 23. Good.

12mo (dimensions of leaf 12.5 x 9.5 cm): 20 pp. Stitched. In original brown printed card wraps (dimensions of wrap 13.5 x 10.5 cm). Edition limited to 120 copies, of which this is No. 103. Good, in slightly bumped wraps.

12mo (dimensions of leaf 17.5 x 10.5 cm): Stitched. In original brown printed card wraps (dimensions of wrap 19 x 11.5 cm). Edition limited to 136 copies, of which this is No. 100. Good, in lightly worn and bumped wraps.

12mo (dimensions of leaf 12.5 x 9.5 cm): 22 pp. Stitched. In original brown printed card wraps (dimensions of wrap 14 x 11 cm). Edition limited to 120 copies, of which this is No. 14. Good, with light crease to front wrap.

12mo (dimensions of leaf 12.5 x 9.5 cm): 19 pp. Stitched. In original brown printed card wraps (dimensions of wrap 13 x 10 cm). Edition limited to 136 copies, of which this is No. 97. Good.

All three items in very good condition. Interesting series of letters by an obscure 1890s poet. Letter One (12mo, 7 pp): Although he realises that some are 'rather poor', he is sending, through his brother (possibly the artist Alan Wright, 1864-1959), 'all the lyrics I have by me': 'I have not had time to "weed" yet, being veryy busily engaged writing lyrics for a Comedy-Opera ['Ethelinda, or a Philanthropic Fad' (1890), on which he collaborated with Hamilton O. Wylde] - & a libretto for Operetta; also been trying my hand at very sensational prose'.

Octavo: 32 pp. Stitched. In original printed wraps. Internally clean and tight, but wraps dogeared and grubby, with closed tear and pen mark. Tissue-guarded frontispiece of Wadham, with small dogear to top corner (not affecting image). Facsimile of Whittier's autograph. Read before the 'Saturday Evening Club of Dalton'. 'My collection today is so comprehensive [sic] that I have no hesitation in soliciting the most distinguished personages; in fact, I feel that I am conferring an honor rather than offering an insult in asking them.

Quarto: ix + 21 pages. Stapled. In original cream wraps, with colour cover illustration by Helen Taylor. Full-page reproduction of drawing of Rutherston by his brother Sir William Rothenstein. Introduction places Rutherston in the tradition of Edward Gordon Craig and Claud Lovat Fraser. Copies of the second edition (1992) recorded by COPAC, but not at BL or Bodley.

Leaflet. Two pages, 12mo. Tasteful bifolium on cream wove paper. Unbound. Good, though a tad grubby. Gill woodcut (roughly two inches by one and a half) on front: two hands around the front of a large 'V' with rest of word 'Veritas' on stem and cross at head. Apparently numbered in pencil bottom-right of woodcut 579.

Unbound. Large Octavo bifolium on grey wove paper. Good only, with creasing to corners (that would carefully iron out), and some marking to front cover. Title in large gold letters on front, details of edition on versos of both leaves, and specimen page on recto of second leaf. Illustration ('The author | A reproduction of Tegetmeier's frontispiece') on Arches paper (twelve and a half inches by nine wide) loosely inserted, together with printed 'Book order' leaf.

Small 8vo. Pages: viii + 24 + [4 blanks]. Original cream paper wraps: title and price in red and engraving in green on front. Wraps discoloured, rubbed and stained, with covers loosening and loss at foot of spine. Internally sound and tight, but quite heavily foxed. Dated ownership inscription on flyleaf. Titlepage vignette and 15 engravings. Collection of whimsical poems about places like Hampstead Garden Suburb and people like G. K. Chesterton and Bernard Shaw. Taylor & Sewell A125b.

Private pressman and monk. 2pp., 4to. She is still in time to get a copy of his and Cecil Woolf's "Corvo", he thinks, but will check with Woolf. They have been awaiitng an introduction from Pamela Hansford Johnson. Their press cannot help her with her bit of printing ("our press here is closing this week and the staff --one laybrother and one employee transferring to our'commercial' press at Faversham"). He discusses a portrasit of George Anne Bellamy and the "Memoir of Montague Summers ("going round the publishers"), anticipating criticism and a later limited edition.

Eight pages, 12mo. Unbound and unstitched. Unfolds into a single leaf. Paper watermarked 'OAKWOOD | FINE VELLUM'. Five different illustrations (one of which is duplicated). Grubby, spotted and with small closed tears and fraying along one edge (not affecting text or illustrations). 'PRICE FOURPENCE PLAIN; SIXPENCE COLOURED.' This copy is uncoloured.

Eight pages, 12mo. Unbound and unstitched. Unfolds into a single leaf. Paper watermarked 'OAKWOOD | FINE VELLUM'. Three illustrations. Good, but paper slightly discoloured and with some spotting. 'PRICE 2 PENCE PLAIN, 4 PENCE COLOURED.' This copy is uncoloured.

Printed on unwatermarked tissue paper. Dimensions of paper roughly seven and a half centimeters by eleven and a half. A very good copy of a frail and ephemeral item. An attractive illustration by Fraser of an ivy-clad wall memorial topped by a cherub encloses the following 'There are Published | I. Farewell to the Faeries, by Richard Corbett. | II. Three Poems, by Kenneth Hare. | Decorated and Published by C. Lovat Fraser, and can be obtained from Everard Meynell, 46 Museum Street, W.C. | [short rule] | Price SIXPENCE each, net.'

British soldier and courtier (1888-1969), Equerry and Groom of the Robes to King George VI and Queen Elizabeth II. Both letters written in capacity as Private Secretary to the Duke of York. Both very good, though grubby, docketed and bearing the Society's stamp. LETTER ONE (one page, 12mo): 'Further to your letter of September 20th., which the Duke of York has had under his consideration, His Royal Highness desires me to tell you that he will be very pelased to be present at the Meeting at which Mr. Robert Hyde will read a paper, on February 7th. 1934.

32 pages, 4to. Unbound and stitched in original mustard-coloured printed wraps. 8 plates and numerous illustrations in text. Good only with some heavy creasing and a few pencil annotations.

Small 8vo. 80 pages. Numerous woodcuts. In original grey printed wraps, with cloth spine. Internally good, with some light spotting and discoloration. Binding worn and grubby; front fep splitting. Ownership inscription. Interesting and informative introduction discusses 'the advance made in less than seventy years in popular art and literature'. Publisher's note (p.xxviii), 'The letter-press of the present volume exactly reproduces that of the original Christmas Box.

4 leaves. 8 unpaginated pages. 16mo. 9 centimeters by 12 centimeters. Dusty but very good indeed. Evan Gill 272 describes the first edition of 1923 and a subsequent edition of 1929, but makes no mention of an undated issue. Wood engravings by Gill: lawyer's wig on cover-title; bird in cage on verso of third leaf; angel before tombstone on verso of last leaf. 'WITABEL WATLO' engraving [by David Jones?] on recto of third leaf. Prob. Taylor & Sewell 117c