SIR

See his entry in the Oxford DNB. 4pp, 4to. Bifolium. In good condition, lightly aged. Folded for postage. Whatman watermark of 1838. Sixty-nine lines of text, addressed to ‘My dear Sir Charles’ and signed ‘Thomas Hastings’. Begins: ‘I have been thinking that the difficulty of giving mathematics instruction to the Lieuts of R[oyal]. M[arine]. A[rtillery].

Now scarce. Among the six copies listed on JISC, only three (BL, Cambridge, NLW) are in the deposit libraries. Unpaginated 12mo pamphlet, w Iith page of contents, four pages of ‘Explanatory Note’ and three pages of facsimiles, on six leaves of shiny art paper, stitched into grey printed wraps with title on cover and two pages of advertisements at rear. In fair condition, lightly aged, in grubby wraps with tiny nick lost from bottom corner of front wrap.

See the entries on the two men in the Oxford DNB. Above the half-title, in a large untidy hand Picton has made the ownership signature ‘Lieutenant General Sir Th Picton’, and there is the same signature by him in a much smaller hand above the illustration at the head of p.1. Facing the half-title, on the reverse of the front free endpaper, is the elaborate armorial bookplate of ‘Field Marshal Viscount Wolseley / of Wolseley County of Stafford / Baron Wolseley of Cairo’.

From the Macqueen-Pope papers. (See his entry, and those of Foyle and Mackenzie, in the Oxford DNB.) Apart from damage and rust staining from paperclips, the seven items are in good condition. The correspondence mainly concerns a Foyles Literary Lunch for Macqueen-Pope, which Mackenzie was unable to chair because of an attack of bronchitis. All items 1p, 8vo. Mackenzie’s two letters signed ‘Compton Mackenzie’ and Foyle’s signed ‘Christina Foyle’. ONE: Foyle to MP, 26 February 1951. She is forwarding a letter from Mackenzie.

See his entry in the Oxford DNB. 1p, 4to. Signed (‘With reiterated thanks’) ‘Gerald du Maurier’, with ‘President’ typed beneath. The letterhead is printed in black and green, with details of officers and committee members. On aged and creased paper, with closed tears and nicks to edges. Folded three times for postage. He asks him to accept his ‘most grateful thanks for your splendid efforts at the Garden Party’. He understands the ‘new show’ which Arlton ‘put in this year’ has proved ‘very popular’.

See his entry in the Oxford DNB. Colour Kodac print on matte paper: 3 and 3/8 x 5 inches (8.5 x 12.5 cm). In good condition, with light indentation of paperclip at head. A smiling elderly Hunt stands, with plaid shirt and hands in pockets of brown trousers, looking to his right, in front of a range of mountains. On the reverse is stuck a label signed ‘John Hunt’. See images.

From the Macqueen-Pope papers. (See his entry and that of her father in the Oxford DNB.) 6pp, the first four on two 4to leaves, the last two on a 12mo leaf. Signed ‘E. Winnie Parsons / nee / Winnie Burnand’. In fair condition, lightly aged and with some creasing, particularly to the last (12mo) leaf. Slight rust staining from paperclip. A delightful letter, written in a strong and energetic hand, with various words underlined in red pencil for emphasis. She is staying with Desmond Lysart, ‘who in his lovely study has all your delightful books’, and they are both great admirers of MP.

From the Macqueen-Pope papers. See MP’s entry and those of various members of the Harmsworth family in the Oxford DNB. The three items are in good condition, lightly aged, with the first with rust staining from paperclip, and all three folded twice. Each signed ‘Geoffrey Harmsworth’. ONE: 9 August 1951. 1p, 8v. He doubts whether MP will remember their previous meeting. He is ‘engaged on a full-length Life of Northcliffe’ (written with Reginald Pound, and appearing in 1959), and is having to do ‘much digging to find out information about the early days’.

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. The present item relates to the 1952 RSC production of ‘Much Ado about Nothing’, directed by Gielgud and with him playing Benedick. 1p, landscape 8vo. Red-ink letterhead ‘JOHN GIELGUD’. Signed ‘John Gielgud’ and addressed to ‘Dear Popie’. In good condition, lightly aged and creased. Folded twice. He thanks him for his ‘good wishes and thought of me.

From the Macqueen-Pope papers. See his entry and hers in the Oxford DNB. Caird was Northcliffe’s right-hand man, and mainly associated with the Daily Mail. The four items are in fair condition, lightly aged and creased, with slight rust spotting from a paper clips. Items Two to Four are on carbon paper. ONE: ACS from Tutin to MP. Small unillustrated postcard, signed ‘Dorothy Tutin’. Reads: ‘I remember you very well - your fascinating letures at the Academy [i.e. London theatre school RADA, the Royal Academy of Dramatic Art] - and shall be very happy to meet you for this article.

From the Macqueen-Pope papers. (See MP's entry in the Oxford DNB.) Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. Both items in good condition, lightly aged, each with light rust staining at one corner from paper clip. LETTER: 1p, 4to. Signed ‘Percy Nash’.

From the Macqueen-Pope papers (see his entry in the Oxford DNB). Merriman was accorded the honour of an episode of the BBC’s Desert Island Discs in 1964. 2pp, 12mo. Signed ‘Percy’ and addressed to ‘Dear Popie’. In good condition, lightly aged, with one dog-eared corner and folded twice for postage. Begins: ‘Am not of course seeking any publicity over your book on St. James Theatre [published in 1958] only wish I could help more. / You know of course Allan Ainsworth [sic, for ‘Aynesworth’] is alive the doyen of the Garrick Club! He played often with G[eorge]. A[lexander]. - in Pinero & Wilde.

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. Air Mail letter, 2pp, 4to, written within a few months of his death. With large signature ‘Matheson Lang’, and addressed to ‘My dear Pope’. Lightly-aged and worn, with slight damage from removal of postage stamp. Thirty-three lines of text, neatly-written and complete.

From the Macqueen-Pope papers. The occasion of the article was the forthcoming premiere of Rattigan’s play ‘The Sleeping Prince’, Olivier’s production of which, at the Phoenix Theatre in London, opened on 5 November 1953. The movie rights were bought by Marilyn Monroe, and the Hollywood film appeared in 1957 as ‘The Prince and the Showgirl’, with Olivier reprising his stage role, and Rattigan also writing the filmscript. See the entries on the Oliviers and Macqueen-Pope in the Oxford DNB. Interest in Beauchamp’s novels has grown in recent years.

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged, with thin neat strip from windowpane mount adhering to edges. Folded twice for postage. Twenty-four hands of text in secretary hand, addressed to ‘W. A. Lock Esqre’, and signed in autograph ‘Sir C Trevelyan’. He thanks him for his ‘very interesting Letter’, and hopes he will ‘never think it necessary to make any excuse for writing to me [other such?]’. He has asked ‘Mr. Farr’ for ‘any observations he might have to offer on the early part of it; and his answer is enclosed’ (not present).

See his entry in the Oxford DNB. The recipient was a barrister and legal reformer. 2pp, 12mo. Signed ‘Stafford H. Northcote’ and addressed to ‘H. Bellenden Ker Esq’. In good condition, lightly aged, with thin neat strip from windowpane mount adhering to edges. Folded twice for postage. A few tiny calculations in another hand (Northcote’s?) at foot of second page. Twenty lines of neatly written text.

Both items in very good condition, on lightly-aged paper. ONE: Copy letter. 2pp., folio. On paper with watermark 'JOHN HOWARD | 1804'. Ends: 'To | Sir J. T. Duckworth K.B. | Vice Admiral of the White | &ca. &ca. &ca. | Given on board the Ocean off Cadiz | 12th. August 1806 | (signed) Collingwood | By Command of the Vice Admiral | (signed) W R Cosway | A Copy'.

See the entries in the Oxford DNB for his father Sir Francis Baring (1740-1810) and his son Thomas Baring (1799-1873). At the time of writing he was working with the merchant bankers Hope & Co. in Amsterdam, but growing 'so disgusted with the drudgery of the counting house' that he wanted to abandon commerce for the law. 1p, 4to. In good condition, lightly aged, with neat traces of windowpane mount adhering to the edges of the blank reverse. Folded for postage. Signed ‘Tho. Baring.’ Recipient not named. Reads: ‘Dear Sir / As I observe in the papers that the British [?] is to be closed on ye.

3pp, 12mo. Bifolium. Folded once for postage. In good condition, lightly aged, with unobtrusive line of discoloration on blank reverse of second leaf. Signed ‘Mary. J. J. Shelley’ and addressed to ‘Dear Mrs. Hollingsworth’. With envelope with stamp torn away, addressed in another hand to ‘Mrs. Hollingsworth / The Glen / Gurnard / Cowes.’ She begins with instructions for filling in a form for 'Mrs. Acland', and ends with a reference to the recipient’s son, whose ‘two friends are still both at Wellington College’.

3pp, 12mo. Bifolium with mourning border. In good condition, lightly aged. Folded for postage. Large signature ‘Charles Eden’; addressed to ‘My dear Fanny’. Year and month added in pencil in another hand. He thanks her for her kind letter ‘and its enclosure from my dear, kind, old friend Mrs Quilter’. He will visit her later, but at present he has ‘several melancholy duties to attend to which prevent my leaving London’. He is also ‘wanted at the Admiralty next week - altho’!

See his entry and that of Stuart in the Oxford DNB. 3pp, 4to. On bifolium. Sixty-six lines of neatly-written text, signed ‘R Mends’ and addressed ‘To / The Honble Chas. Stuart / His Majestys Envoy / Lisbon’. A vivid and substantial historical document.

See his entry in the Oxford DNB. For Gauntlett see the excellent article on the ‘Semibrevity’ blog: ‘Ambrose Gauntlett, forgotten gamba player and continuo cellist’, beginning: ‘Although Ambrose Gauntlett (1889–1978) spent most of his career as a full-time orchestral principal, he was the most sought-after continuo cellist and gamba player in the UK for many years. In his obituary, published in The Times, Sir Anthony Lewis mentions “his beautiful playing of the important 18th-century viola da gamba obbligato roles”.’ Both items in good condition, lightly aged. ONE: Letter, 1 June 1972.

The third of these letters in particular gives a good indication of his Yorkshire bluntness (his entry in the Oxford DNB describes him as ‘a man of arrogance and bile, [...] capable of generosity, strong friendships, and kindness towards people in need of help’). The three items are in good condition, lightly aged; the third with slight wear along one edge. All three are signed ‘E B Denison’ and the second and third are addressed to ‘My dear Plumptre’. ONE (14 January 1856): 3pp, 4to.

Wade donated his extensive collection of anatomical specimens to Surgeon's Hall in Edinburgh, where it is now known as the Henry Wade Collection. In 1913 Waterston had attained prominence as the first authority to discredit the Piltdown Man hoax. A total of 6pp, 8vo. The first addressed to Waterston’s doctor at St Andrews, Orr, the others to Waterston himself. None of the letters is short, and all but the second are single-spaced. The first (to Waterston’s doctor, Orr) is 2pp, the others (all four to Waterston himself) 1p. In fair condition, lightly aged and ruckled.

See Rolleston's entry in the Oxford DNB. He was successively president of the London Medical Society, the Royal Society of Medicine, the Royal College of Physicians and the Eugenics Society, and was also Physician-in-Ordinary to King George V. Waterston was Bute Professor of Anatomy at the University of St Andrews from 1914 to 1942. In 1913, while Professor of Anatomy at King's College, London, he was the first authority to debunk the Piltdown Man hoax. 1p, 16mo. Lightly ruckled, and with the ink of the letter having run a little through removal from mount; otherwise in good condition.

See his long entry in the Oxford DNB. 1p, 12mo. In good condition, with negligible remnants of windowpane mount adhering at edges of blank reverse. Reads: ‘Mr. Romilly presents his compliments to Mr. Williams and informs him that he is obliged to go out of Town tomorrow & that he has not been able to finish the Bill in this Cause but he will take it with him into the Country & send it to Mr. W. in two or three days’.

An interesting letter, indicating the piety underlining Shaftesbury’s philanthropy. See his long entry in the Oxford DNB, which sums up his achievements as ‘very substantial’ and ‘a source of enduring inspiration to others’, together with those of Russell and Skinner, the last of which contains, regarding the part of the ‘Drummondite controversy’ relating to the Rev.

See Mellanby’s entry in the Oxford DNB. David Waterston (1871-1942) was Bute Professor of Anatomy at the University of St Andrews from 1914 to 1942. In 1913, while Professor of Anatomy at King's College, London, he was the first authority to debunk the Piltdown Man hoax. 1p, 4to. Signed ‘E. Mellanby’. In fair condition, lightly aged an slightly ruckled. He will be happy to see Dr Simpson on her visit to London, and has ‘raised the matter of the Mackenzie Institute with Professor Greenwood again and arranged to send a statistician, Dr. Teleky, to St.

See his entry in the Oxford DNB. David Waterston (1871-1942) was Bute Professor of Anatomy at the University of St Andrews from 1914 to 1942. In 1913, while Professor of Anatomy at King's College, London, he was the first authority to debunk the Piltdown Man hoax. 2pp, 12mo. Sixteen lines of text. In fair condition, lightly aged, with slight ruckling and bleeding due to removal from mount. Signed ‘Sholto Mackenzie’ and addressed to ‘Dear Professor Waterston’.

The entry for Slatin in the Oxford DNB gives a good outline of the life of this adventurer. The present item forms half of a 4to leaf, torn down the middle vertically, no doubt in order to provide an autograph. In good condition, lightly aged. Written lengthwise on the reverse, in a large bold hand, is the valediction: ‘Hoping that you are fit & well / Yours ever / R Slatin’.