SIR

See Gould's entry in the Oxford DNB, with those of Newnes and Hobhouse. All eleven items are 12mo and signed ‘F Carruthers Gould’. Some show evidence of previous mounting. The collection is in good overall condition. As assistant editor of the Westminster Gazette he thanks Mrs Elizabeth Lee for her ‘suggestion about an article on the German Theatre’; and Macleod Yearsley for his ‘sketch of Macrurus’ (‘I already had the creature in my mind as the likeness is certainly a striking one’).

See both their entries in the Oxford DNB. 2pp, 12mo. Bifolium. In good condition. He has ‘just read with much grateful pleasure’ the ‘very kindly reference’ to him in her ‘delightful book’ (presumably her second volume of reminiscences, ‘Leaves from the Notebooks of Lady Dorothy Nevill’, 1907). He is ‘just in the middle of it and enjoying it keenly’. The only fault he can find is that he will soon come to the end of it. It deserves great success and he hopes she will ‘give us more reminiscences’.

(1788) Letter, bifolium, , cr. 8vo, good condition, one page giving assurances as to quality, etc., with list (essentially a quote) of prices/features of A new Fashionable Chariot with a [?] light coloured cloth, Painted a Green [?] Patent yellow, made of the best materials & season'd timber, followed by a price list of various features (blinds, plated head plates, steps, strong plated harness, packing etc etc). See image. (1799) 1p., 4to, bifolium, very good, on lightly-aged paper.

See his obituary in the Gentleman's Magazine, September 1839. B. Dulau & Co. was a firm of foreign language booksellers in Soho Square, London, founded by a Benedictine monk, Armand Bertrand Dulau, who had fled France during the revolution. 2pp, 4to. Thirty-two lines of text. In good condition, lightly aged, with stub from mounting adhering to one edge, and negligible damage at a corner. The letter begins: 'Sir James Craufurd prie M.

See his entry in the Oxford DNB. On one side of a 12 x 11 cm piece of paper. In good condition, lightly aged. Folded twice. Reads: 'Lincoln's Inn Fields | 23d. June 1829 | Sir Wm. Grant will have the honor of joining the Old Fish Dinner party on Saty. the 27th. of June.'

Alistair Sooke, on the BBC website, makes the case that 'Meredith Frampton is the forgotten genius of British art'. See Frampton's entry in the Oxford DNB, and also those of Codner and of Frampton's father Sir George Frampton, who executed the celebrated statue of Peter Pan in Kensington Gardens (not modelled on his son, who was eighteen when it was made). 1p, 4to, in fair condition, aged and worn. Folded once. Writing to 'My dear Codner', he apologises for 'keeping you up till such a late hour last night'.

The three items in good condition, lightly aged. An entertaining and characteristic exchange, with MacQueen-Pope's letter (Item Three) dating from between Hicks's two. ONE: ALS from 'Seymour H.' to 'My dear old Poppie'. Undated, with envelope with Capetown postmark dated 6 July 1942, addressed to 'McQueen Pope Ere. | Drury Lane Theatre | Drury Lane | London | W. C. 1 | From Sir Seymour Hicks'. 2pp, 8vo. 79 lines of closely-written text, headed 'Private & Confidential'.

Sir Colin Thornton-Kernsley is identified as author from the first of the pamphlet's seven appendices ('Eastern Command | List of officers principally concerned with plans for the mounting of Overlord'), where he is described as: 'Chairman: AQMG(Ops) Lt. Col. C. N. Thornton Kernsley MP-RA'.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Reads: 'Dear Sir | I regret that I am an [sic] unable to become a Steward at the Royal Literary Fund dinner, but I have pleasure in sending a small donation to the fund.'

1p, 4to. In fair condition, on lightly aged and creased paper, folded twice. Reads: 'Sir Frank Benson regrets that his departure for South Africa will prevent his having the pleasure of availing himself of the Literary Society's kind invitation to assist at the banquet, on Wednesday, July 16th. -'

ONE: Marsh to MP. 19 November 1951. 2pp, 8vo. In fair condition, lightly aged, with light rust spotting from paper clip. Folded twice. Pencil note by MP. Marsh begins his letter: 'My dear Popie. | Very many thanks indeed for the book. It came on Saturday, & I read nothing else till I finished it this morning. Very many congratulations too, your Achievement story is itself a big achievement, & everyone who loved Ivor will be grateful to you for it. You can imagine how many memories it revived in me, & how much it added to my Knowledge.

Both in good condition, lightly aged, with thin strip from mount adhering, and crease lines from folding. Two excellent long letters in Spedding's neat and close hand, full of content regarding the relationship between Victorian author, publisher and reader. The topic is Spedding's preparation for the publication of his pamphlet 'Publishers and Authors' (London: J. R. Smith, 1867). Both letters addressed to 'My dear Mervivale'. ONE: 3 September 1866. 4pp, 18mo. On a bifolium.

1p, 12mo. On aged paper, with closed tear repaired on reverse with brown paper. Folded twice. Addressed to 'Dear Sir William'. The prime minister (Asquith) has asked him to say that he is 'quite at a loss to understand how he came to be so misinformed as to the progress of the negotiations connected with the appointment of the Royal Commission'. All the prime minister can do is 'express his regret at the misunderstanding'.

2pp, 8vo. In fair condition, lightly aged and worn. Folded twice. The content is remarkably sprightly and the handwriting firm. The letter begins: 'My dear Russell, | Telephone: no good. So I guess that you are holiday-making. | Lord Drogheda is my close friend & collaborator. His wife Joan is a pianist[.] I have heard her only when she gave her services. But she appears to practice daily, like a professional trooper.' He has advised her to 'play chamber music.

Four-page programme on bifolium, stapled into covers of shiny art paper. In fair condition, worn and aged, with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style, with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre', 'Reproduced by kind permission of Arthur Moreland.' The small signature ('Nigel Playfair') is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair.

1p, landscape 12mo. In good condition, lightly aged. He thanks him for his letter containing 'kind words about my book, Your England'. He did not expect anyone to agree with all he wrote in it. His aim in writing was 'to pay a tribute to the English who are the most broad-minded, tolerant, and humane of all the numerous peoples among whom I have lived.'

1p, 8vo. On aged and worn paper. Attractive letterhead of the hotel and its surroundings. Addressed to 'My dear Willis'. Written in a shaky hand. Clearly writing in reference to his 1899 autobiography 'A Sailor's Life under Four Sovereigns', he states that he is glad that Willis is 'pleased with the book', and explains that he was 'suddenly driven' to Cannes 'by neuralgic pains'. He concludes: 'If I live to get back I should like to insert the Authors name in your Copy! Your sincere old friend | Harry Keppel'.

1p, 4to. In good condition, lightly aged. Folded three times. Cyclostyled signature: 'Julian S. Huxley'. Addressed to 'Dr. Maurice Ernest, | New Court, | Esher, | Surrey.' He apologises for having been unable to read his book, adding: 'I am afraid I cannot feel that your main thesis is biologically justified'. It is obvious why Huxley did not look beyond the title, as the book he is clearly referring to is Ernest's 'Lives of 300 years and continual rejuvenation' (1942).

1p, 4to. In fair condition, on aged and lightly-creased paper. Addressed to 'Sir Arthur Cope | London'. The letter reads: 'My dear Sir Arthur: | This will introduce Mr. William Edward Cope of New York, a member of the National Press Club, who is going abroad to do some newspaper work. He desires a brief interview with you and I bespeak for him such courtesies as you may find it convenient to render him.' The subject of the letter W. E. Cope would appear to have been a government agent.

1p, 12mo. In good condition, on lightly aged paper. Folded twice, resulting in offset ink smudging. Reads: 'Dear Rylands, | I am writing to you in case Noel is away. I have asked Mr Greene to show you my letter to Noel, if this is should [sic] be so. Anything you could do to help, would be kind and good, I think.

1p, 4to. In fair condition, on aged and lightly-creased paper. Addressed to 'Sir Arthur Cope | London'. The letter reads: 'My dear Sir Arthur: | This will introduce Mr. William Edward Cope of New York, a member of the National Press Club, who is going abroad to do some newspaper work. He desires a brief interview with you and I bespeak for him such courtesies as you may find it convenient to render him.' The subject of the letter W. E. Cope would appear to have been a government agent.

1p, 12mo. On aged paper, with closed tear repaired on reverse with brown paper. Folded twice. Addressed to 'Dear Sir William'. The prime minister (Asquith) has asked him to say that he is 'quite at a loss to understand how he came to be so misinformed as to the progress of the negotiations connected with the appointment of the Royal Commission'. All the prime minister can do is 'express his regret at the misunderstanding'.

1p, 8vo. On aged and worn paper. Attractive letterhead of the hotel and its surroundings. Addressed to 'My dear Willis'. Written in a shaky hand. Clearly writing in reference to his 1899 autobiography 'A Sailor's Life under Four Sovereigns', he states that he is glad that Willis is 'pleased with the book', and explains that he was 'suddenly driven' to Cannes 'by neuralgic pains'. He concludes: 'If I live to get back I should like to insert the Authors name in your Copy! Your sincere old friend | Harry Keppel'.

Four-page programme on bifolium, stapled into covers of shiny art paper. In fair condition, worn and aged, with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style, with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre', 'Reproduced by kind permission of Arthur Moreland.' The small signature ('Nigel Playfair') is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair.

2pp, 8vo. In fair condition, lightly aged and worn. Folded twice. The content is remarkably sprightly and the handwriting firm. The letter begins: 'My dear Russell, | Telephone: no good. So I guess that you are holiday-making. | Lord Drogheda is my close friend & collaborator. His wife Joan is a pianist[.] I have heard her only when she gave her services. But she appears to practice daily, like a professional trooper.' He has advised her to 'play chamber music.

1p, landscape 12mo. In good condition, lightly aged. He thanks him for his letter containing 'kind words about my book, Your England'. He did not expect anyone to agree with all he wrote in it. His aim in writing was 'to pay a tribute to the English who are the most broad-minded, tolerant, and humane of all the numerous peoples among whom I have lived.'

1p, 4to. In good condition, lightly aged. Folded three times. Cyclostyled signature: 'Julian S. Huxley'. Addressed to 'Dr. Maurice Ernest, | New Court, | Esher, | Surrey.' He apologises for having been unable to read his book, adding: 'I am afraid I cannot feel that your main thesis is biologically justified'. It is obvious why Huxley did not look beyond the title, as the book he is clearly referring to is Ernest's 'Lives of 300 years and continual rejuvenation' (1942).

See McCulloch's entry in the Oxford DNB. He was appointed Comptroller of H.M. Stationery Office in 1838. 1p, 16mo In good condition, lightly aged. Folded once. Reads: 'Mr. McCulloch presents compts to Sir James and Lady Em. Tennent, and begs to thank them for their kind invitation to dine with them on the 5th proxo, which he has much pleasure in accepting.'

A nice piece of Oxford Union ephemera, with the three signatures - 'James Robertson-Justice.', 'Compton Mackenzie' and 'Michael Maclagan' - printed in a row on the otherwise blank reverse of the 25.5 x 20.5 cm leaf, which is aged and worn, with closed tears to extremities and a fold line. Printed beneath the text of the advertisement on the other side of the paper is an attractive illustration in imitation of infant drawing, printed in brown, red, green black and white on a pink ground. The entire text reads: 'OXFORD UNION SOCIETY | Thursday, May 26th, 1955, at 8.15 p.m.

1p, 4to. In fair condition, lightly aged and worn. Folded twice. Bold signature in light-blue ink. He has not forgotten the 'very pleasant meeting' he had with Hills and her husband when she was on a trip to Newfoundland, and will be 'very pleased to accept your kind invitation for luncheon on the 5th November, and say a few words in connection with the work ahead for women in Empire Citizenship'. He assumes that the invitation extends to his wife.