MANUSCRIPT

An amusing unpublished jeux d'esprit by Martineau, revealing a lighthearted aspect of her character. 1p, 16mo. Bifolium, addressed by Martineau on reverse of second leaf 'To | Lady Cullum.' In good condition, lightly aged. Folded once.

On both sides of the card. In good condition, lightly aged. The recipient is not named. Reads: 'Dear Sir | I should like to see the [Sandwith?] portrait, & will take an early opportunity of calling at the Club. Perhaps, in case you are not there, you will kindly instruct the poert to shew it me when I call. The signature looks like H. [Sandwiths?] writing – but he certainly wore moustache & whiskers from 1850 onwards.'

See Donaldson's entry in the Oxford DNB, which states that he was 'greatly beloved by his friends, who included N. C. Thirlwall and W. H. Thompson. The diarist Henry Crabb Robinson spoke enthusiastically of the charm of his conversation.' 3pp, 16mo. Bifolium. In good condition, lightly aged, with minor traces of mount adhering to blank reverse of second leaf. No salutation or valediction, and the recipient is not named, but the item derives from the papers of Sir Thomas Gery Cullum and his wife Lady Anne Cullum, of Hardwick House.

Six long cards, full of interesting content, including surprising thoughts on the 'decadence' of the world, her desire to 'cultivate [her] garden' both in a literal and Voltairean sense, and the fact that the creative urge has left her. All six are signed 'Ethel Mannin'. The penultimate card is in autograph, the others typewritten. Four addressed to Staerck at Maidenhead, two to him on the Isle of Cumbrae, Scotland. The collection is in good overall condition: the first has a smudged autograph note up one margin.

1p, 12mo. Leaf of lightly-browned and creased aged paper, with closed tears to one edge. The two men are clearly writing in response to requests for autographs. Marchetti has written out four bars – slightly affected at end by closed tear – from what he states is 'Ruy Blas Preludio'. Beneath this he signs, in a firm attractive hand, 'F Marchetti'. At the head he dates: 'Roma 14 9bre 92'.

Firmly written out, evidently in response to a request for an autograph, on one side of a 10.5 x 11.5 cm piece of paper. In fair condition, lightly aged and spotted, with two folds and group of tiny pinpricks at bottom left. Reads: '”Bother the Flowers that Bloom in the Spring! | Mikado | Your's [sic] faithfully | Geo: Grossmith'. Grossmith's bold signature anachronistically exhibits the 'long s', making his surname look like 'Gropmith'. Grossmith was the original 'Ko-Ko', in the 1885 Savoy Theatre production of 'The Mikado'. It was one of nine Gilbert and Sullivan characters which he created.

See Parris's entry in the Oxford DNB. The subject of the letter is his work 'restoring' James Thornhill's paintings inside the dome of St Paul's Cathedral. Beginning in 1853 and ending three years later, Parris worked on scaffolding he had designed for the purpose thirty years before. His efforts were not well received: he was accused of completely repainting Thornhill's work, to its detriment. 1p, 12mo. In good condition, lightly aged and creased, with minor traces of mount adhering to the blank reverse. Folded twice.

Tabeeb was a fêted 'exotic' visitor to England at the end of the Regency period. In March 1819 the Asiatic Journal reported his presence in London, and on 6 June (four days after the present letter) he breakfasted with the Irish poet Thomas Moore, who reported in his diary that he was 'to take a Diploma of Doctor at Oxford this month'. In April 1820 a fine engraving of Tabeeb, after a painting by John James Hall, was published.

1p, 12mo. In good condition, lightly aged. Folded once. Neatly and closely written out. Good firm signature, not hyphenated (as opposed to his entry in the Oxford DNB). A short letter, begging with thanks to the unnamed recipient 'for a sight of your beautiful drawings.' He continues: 'I have nothing to do with the publication of “Lives of the SS” as I parted with copyright at the time they were just done.' The sixteen volumes of his 'Lives of the Saints' appeared between 1872 and 1877.

Yates studied in Paris before setting up a successful practice in San Francisco, also teaching there at the Art Student League. His portraits include the educator John Haden Badley and the only president of Hawaii, Sanford Ballard Dole. He returned to England in 1900, but was invited back to America to attend the inauguration of Woodrow Wilson and to paint his portrait. Wilson presented Yates with the flag that his hand rested on whilst he took his oath of office. The Oldham family moved in artistic circles, and Constance Oldham was John Ruskin's god-daughter and corresponded with him.

Yates studied in Paris before setting up a successful practice in San Francisco, also teaching there at the Art Student League. His portraits include the educator John Haden Badley and the only president of Hawaii, Sanford Ballard Dole. He returned to England in 1900, but was invited back to America to attend the inauguration of Woodrow Wilson and to paint his portrait. Wilson presented Yates with the flag that his hand rested on whilst he took his oath of office. The Oldham family moved in artistic circles, and Constance Oldham was John Ruskin's god-daughter and corresponded with him.

1p, 12mo. In good condition, lightly aged. In envelope with penny red stamp and postmark, addressed to Steggatt at 53 Norwich Street, Cambridge. The letter reads: 'Dear Sir | I regret that I cannot give you an order. I have no doubt of the excellence of the cigars, but I never by any chance smoke a cigar. | Believe me | Yours truly | C S. Calverley'. A nice Cambridge association, given that Calverley's most famous poem is 'Ode to Tobacco', and that it features in Cambridge on a brass plaque on the wall of the former Bacon's tobacconists.

4pp, 16mo. Bifolium. In good condition, lightly aged. Folded once. With embossed armorial letterhead. Good firm signature: 'Clara Novello.' An interesting letter, casting light on the practical arrangement of musical concerts in Victorian Britain and Ireland. The recipient is not named, and the letter begins: 'Dear Sir, | I have not heard from Mr. Bussell of your Concert, but on receipt of your favor of the 15th. consider myself engaged to Belfast for the 1st.

On 7 x 10.5 piece of orange paper, removed from an autograph album. In good condition, lightly aged and worn. Expansive signature, with surname underlined and dots to i's like dashes. Reads: 'Good luck to you! | Benno Moiseiwitsch | Decr. 1946'. Autographs on reverse, dated to 21 July 1946, of composer 'Charles Hambourg' and pianist 'Irene Kohler' (1909-1996).

On 8 x 11 cm piece of card. In fair condition, lightly aged, with traces of glue from mount on reverse. A good bold signature, clearly in response to a request for an autograph. Reads: 'Yours Truly | Willie Smith | 1 – 2 – 24'. Smith has made a short line under the date, but the signature is not underlined.

103pp, 8vo. Revises of the text of the play (and not the prelims) in unbound signatures. In fair condition, lightly aged. Red ink stamp at foot of pp.1 and 40: '15 APR 1954 | REVISE'. Numerous autograph emendations, nearly all minor and relating to accidentals, but with five verbal changes, of which the following two are the most significant. Printed on p.9: 'KASSEL. Well, Bella, does she seem to be in trouble? | BELLA. She says the only trouble is us who trouble ourselves.' amended in autograph to 'KASSEL. Well, Bella, where has she been/ | BELLA.

Possibly the author's first book (see below), from the Christopher Fry papers (despite the ownership inscription). 54pp, 12mo. Stapled into green printed wraps (title and words '(ALL RIGHTS RESERVED)'). Tiny ownership signature in initials ('R. G.') in top right-hand corner of title-page. No details of publication or date, other than the printers' slug at bottom left of title-page.

From the Christopher Fry papers. PLAY: [1] + 47pp, 12mo. Stapled into buff wraps printed in red, including the statement that it is the 'Friends of Canterbury Cathedral Edition'. In fair condition, lightly aged, in worn wraps, with a trace of rust to staples. This edition of the play (the first?) is uncommon: the only copies on OCLC WorldCat at the British Library and University of British Columbia. COPY LETTER: 4pp, 12mo. In good condition, lightly aged. Written out in two hands, Recipient not named. With salutation 'Dear Sir,' and valediction 'I am | Yrs truly,'.

2pp, 16mo. Bifolium with mourning border. Heavily aged, worn and creased, with traces of paper from mount adhering to blank reverse of second leaf. There is no salutation. The letter begins: 'It is impossible to make the best selection, out of 11 vols which I gave Quaritch, £8. for, from the Bindon Blood Collection, and 3 thick vols, collected by the very well known Collector Chas. Kirkpatrick Sharpe of Edinbro'. I bought from Upham & Beet for £4. nett so many curious amongst the above vols.' He hopes some of these volumes will be useful to the recipient, 'now, and already before sent'.

4pp, 16mo. Bifolium. Forty-two lines of text. Letterhead of family crest in gold and red. In good condition, lightly aged, with traces of white paper mount adhering to last page. Three fold lines. The editor's 'obliging Note' affords her 'sincere pleasure to have the opportunity of expressing her gratitude to him in person', and she asks him not to call some day the following week (she is 'going out of Town' the week after), but not in the morning, as she has 'much business, of a disagreeable and imperative nature to transact now'.

On 5 x 9 cm card. In fair condition, lightly aged, with traces of glue from mount on reverse. The only writing on the card is the good firm signature 'E. Patsy. Hendren.', which is underlined twice with two short lines. At bottom right, in pencil, in a tiny hand: '1920'.

Seven items from the Christopher Fry papers, relating to the film 'A Queen Is Crowned', which was a British box office hit in coronation year, and was nominated for an Academy Award and a Golden Globe. At the time of writing Fry was at the height of his popularity: around this time he had four plays running in the West End at once.

[16]pp, 16mo (11.5 x 7.5 cm). Stitched unpaginated pamphlet, tastefully printed with decorative headpiece to title, and the Press's celebrated device to the colophon. A frail survival, aged, worn and spotted, with one corner of last leaf dogeared. At foot of title-page: 'Any volume will be sent on receipt of Postal Order in advance.' Following the title-page are two pages with a history of 'The Chiswick Press. | Founded 1789.' Then a full-page advertisement for 'A Practical Treatise on the Art of Typography', with a full page containing 'Some Press Opinions'.

The signature 'Oliver Lodge' is firmly written in the bottom of three rectangular panels printed in red, with no other writing on the page, on one side of a 12mo leaf removed from 'The Meredith Birthday Book', the other side featuring quotations from the novelist for 13 to 15 June. In good condition, lightly aged.

1p, 12mo. Written lengthwise on a single leaf. In good condition, lightly aged, with strips of thick paper from mount adhering to the reverse, which carries Spurzheim's address to 'Mr Sowler | St Anns Square [Manchester]'. The recipient is Thomas Sowler the second, proprietor of the Manchester Courier, and father of Sir Thomas Sowler (1818-1891). The text reads: 'Dr.

Evocative artefacts of the interesting connection between Powys and the man who supplied him with the books for his translation of Rabelais. On 24 September 1940, in 'Letters to Sea-Eagle', Powys gives a lengthy account of 'Our Jew Book-Pedlar' and the bombing by the Germans of his Russell Street address.

Carbon typescript. 4pp, 4to. Paginated 1-4. In fair condition, aged and worn, with chipping to edges. The text concerns George Moore and Bernard Shaw, but the introduction suggests that this is the start of a longer piece: 'I will give Mr. Mead, who has done such fine work and who has been so energetic in developing the work of the Associacion de Cultura Inglesa, the full particulars of the E. V. S. A., [i.e. English Verse Speaking Association] and I hope that you will all become Members.' | Mr.

Two years after arriving in England from Australia in 1913, Franklin White entered the Slade School. His studies were interrupted by the First World War, during which he worked as a draughtsman at the Admiralty. In 1919 he re-entered the Slade, and was soon invited by Tonks to join the teaching staff. On his retirement in 1957, he devoted his full energies to the Samuel Palmer School of Art, which he had run from his home in Shoreham since 1924, when he first held summer classes in landscape painting for his Slade students.

The context is explained in Wallace's 'Island Life' (1880), in which he discusses 'a fragment of a well-formed stone axe' that his 'friend A. C. Swinton, Esq.' found, 'while working in the then almost unknown gold-field of Maryborough, Victoria, in January, 1855'. Later in the book Wallace refers to the brother of the recipients of the letter, 'Mr. Mackworth Shore', i.e. Mackworth Charles Shore, as 'one of the discoverers of the gold-field, before any rush to it had taken place'. See the Oxford DNB entry on one of the two recipients of the letter, Louisa Catherine Shore.

1p, 12mo. In fair condition, lightly aged, margins cropped, laid down on leaf removed from album. Annotated in ink with year. Reads 'Lord Palmerston presente ses Complimens a Monsr de Harivel et se fera l'honneur de le recevoir au “Foreign Office” Vendredi prochain a trois heures'.