Autograph Letters

Dimensions of paper roughly one centimetre by six wide. Close-cropped but clear and entire. On aged paper with traces of glue from previous mount on reverse.

Two pages, 8vo, minor defects, mainly good. He apologises for not using (or knowing) her full married name and tries to persuade her to give a part to his son whose career he summarises (Athos in "The Three Musketeers", juvenile lead in the "Absent-Minded Beggar"). In a postscript he suggests he would make "an ideal Rochester".

The collection is in good condition, with each letter entirely legible. Two items particularly aged, and one with a couple of closed tears unobtrusively repaired with archival tape. Each item bears evidence of the fact that the collection was previously held together with a pin. An interesting sidelight into the musical culture of Victorian London. COPAC only locates one copy (at Cambridge) of Robinson's piece, published by W. Sprague of Westminster in [1874], copied by F. C. Wood, 'words by permission of Messrs. Hopwood & Crew'. All items 12mo.

One page, 12mo. Good. Docketed and bearing the Society's stamp. Concerns 'Sir Alexander Redler's being brought up by Crookes for election to the Athenaeum by the Committee under Rule II [...] you [...] intimated that you knew Redler & that I need not descant on his virtues: he is a most clubbable man & I trust you may be able to support him'.

Two pages, 4to, dusted and otherwise marked, but text clear and complete. He "begs leave to represent the the State of my account of Fees & Disbursements in obtaining the Act of Parliament 'for rendering more commodious & for better regulating the port of London' which ammounts to ____________"5989.12-". He has received £4400 "by your warrants out of the Parliamentary hand, £100 of the Dock Company, balance due £489.12". He explains a complication involving the Dock Company's payment.

Six pages, 8vo, water-stained but texts clear and complete. Much of the letters are concerned with elements of his executorship of the will of William Morris - (and trusteeship). In the letter to May he begins by expressing relief that "the Horace [book or manusript] was safe", then discussing a payment of £785 due to her (she adds the comment "About £785 due to me" in pencil at the end) and the payment due to Jenny. "When we were at Kelmscott I explained ot her that all claims contracted after Jan.26 would be payable by your father's executors.

English impressario (1872-1951), nicknamed "Cocky", closely associated with Noel Coward, knighted in 1948. All one page, five with the letterhead Charles B. Cochran, 49 Old Bond Street (three 8vo and two 4to), and one, 12mo, with the letterhead of the Midland Hotel, Manchester. One in stamped addressed envelope. All thanking Bass (of 22 Delta Street, Lightbourne, Moston, Manchester) for his letters praising the Manchester performances of Cochran's revue.

Viscount Stratford de Redcliffe, British diplomat (1786-1880; DNB), for many years Ambassador to the Sublime Porte. The recipient, James Finn (died 1872), was British consul at Jerusalem from 1849–1858. 2 pages, 16mo. In good condition. He has sent his correspondent's 'memorandum respecting Abyssinia' to Lord Stanley, 'who is a better judge than I can presume to be of any advantage which might result from putting into practice the suggestions it contains'. He has 'a due sense of the confidence you have shewn me'. Signed 'Stratford de R.'

Author/translator of "La Muse ottomane ou chefs-d'oeuvre de la poésie turque" (Paris, 1853). Three pages, 8vo, good condition. He thanks his correspondent for a copy of "l'Anthologie arabe de M. Grangeret de Lagrange" [first published 1828]. He explains his great interest in the book and the excellent job done by the compiler. He praises his correspondent for enriching the book with Latin and notes which derive from their discussions.

Novelist, Daughter of Charles Kingsley (see DNB). Two surviving pages from a letter, 8vo, attached to card (ultimately from album leaf), tear at fold but complete and clear. Text: " He is a very clever little boy - He used to possess - and probably possess still - a power of committing small sins & contriving that other persons should bear the punishment of them, which almost amounted to genius. We used to call him Jacob - for there was an element of saintliness in his character too. / I hope you and Mrs Hunt may still cxome to Clovelly.

Novelist. The two surviving pages, 4to, from a lengthy letter which has already been crudely repaired but which has an additional tear which does not, however, lead to textual loss. "I was very much rejoiced at the sight of your truly welcome letter" except that it announced a death. She eulogises the departed "He was one of the few of whom you may know little yet think much . . ." She explains how she had planned to visit her within a more complicated trip but "all my plans were laid aside and certainly my pleasures annihilated by an attack of inflammation in the eyes.

English actress (1868-1957), the wife of Fred Terry (1864-1932). 4 pp, 8vo. She thanks her for her kind invitation, which she cannot accept as they are going back to London on the Sunday. "We are only giving a matinee at Wolverhampton & have to return to Birmingham to play at night / It was very sweet of you to ask us." Minor traces of previous mounting.

English actress (1839-1895), for a time manageress of the Olympic Theatre. One page, 12mo. Written in a bold hand, clearly in reply to a request for an autograph. " "Tell me thy reason / Why thou wilt marry " / "All's well that ends well" / Ada Cavendish". In reasonable condition, despite a tear almost halfway down a crease running vertically down the centre of the paper, and traces of glue and paper from previous mounting on the reverse.

English actress (1868-1957), the wife of Fred Terry (1864-1932). 2 pp, 12mo. "Dear Mrs Lewis / My mother & I will be delighted to accept your kind invitation on Friday afternoon / With kind regards / very truly yours / Julia Neilson". With traces of paper and glue from previous mounting on blank recto of second leaf.

2 pp, 12mo. She thanks her for her "sweet present", and then makes what appears to be a reference to John Gielgud: "I'm taking Betty tonight to see John - her first evening performance! She is so thrilled. I am so sorry he has been so reedy, but perhaps the enforced rest will do him good." Slight traces of adhesive tape to left-hand margin of recto.

Irish-born American actress (1860-1916). 3 pp, 12mo. "I fear a matinée will prevent my coming on July 4th. Some benefit I have promised to play for - but if I come off early enough - & am not too tired I will certainly <?> in & see you / I hope that you and all your delightful family are well". Creased, but otherwise in reasonable condition.

Actress (1839-1921), wife of the actor-manager Squire Bancroft. One page, 12mo. She declines an invitation. "Dear Mrs. Moscelles / I am going out of town tomorrow for some days or I shd. have been delighted / Yrs very sincerely / Marie Bancroft". Removal from a mount has resulted to loss at the top of the leaf, and there are traces of glue and paper on the reverse.

Irish-born American actress (1860-1916). Calling card 2½ by 3¼ inches, "Miss Rehan. / 164 West 93rd. Street.", with the name crossed out and signed on the reverse "Ada Rehan / 1894."

Actress (1839-1921), wife of the actor-manager Squire Bancroft. 2 pp, 12mo. "Will you lunch with me on Wednesday at 2 oclock / You will meet a few nice people / Yrs sincerely / Marie Bancroft".

English actress (1837-1921), wife of the actor-manager Charles Calvert (1828-1879) and mother of the actor Louis Calvert (1859-1923). Black-letter calling card, 3½ by 2¼ inches, of "Mrs. Charles Calvert. / 22, York Mansions, / Battersea Park. / S. W. 11." Signed between the signature and the address "Adelaide Helen Calvert".

English actress (1855-96), sister of Ellen Terry and member of celebrated theatrical dynasty. 2 pp, 12mo. "You really must think me a pig for not having written to you all this time - but now I send these few lines to thank you first for your good wishes and congratulations on my engagement to Mr Morris & for kind remembrance of my birthday - The card was a very pretty one - I hope to be home after the 4th of next month - so I shall hope to see you before long now: It must be delightful on the Thames: With love and thanks to you & Alice Lewis for all your good wishes".

Four pages, 12mo. Very good, with unobtrusive remains of stub along one edge. In interesting letter discussing the state of the English stage. Her tardy response is due to 'pressure of work". 'What you say about the present condition of the stage is only too true.

Classical actress and theatre manager (1872-1957), later Lady Simson. The signature is 2½ inches long, on a piece of grey paper, with one crease but otherwise in good condition. The paper is mounted on a piece of card which is neatly docketed, 'Lena Ashwell | now | Lady Simson 1925 | Actress | famous in | [...] | Appointed Office of the Order of the British Empire for valuable work in providing concerts at the front and at Home during the Great War'.

English actress (1888-1971), made a Dame of the British Empire in 1967. Signature on card, 1½ inches by 3 inches. Mounted on piece of paper, 12mo, docketed "Gladys Cooper (Lady Pearson) Popular Actress".

Anglo-Australian actress (1890-1975), connected with the Kendalls, Beerbohm-Tree, Bernard Shaw and a host of other figures from the London stage. Two pages, 12mo. Veryy good. Difficult hand. She has asked 'Mr. de Lion' about Gifford's play: 'he said he will try to make enquiries & let me know but I dont expect he will'. The rest appears to refer to relate to travel plans. Ends 'I beg you to forgive me.' Signed 'Marie Löhr'.

English actress of Spanish descent (1866-1951). Two pages, 12mo. On grey paper. Folded twice. In very good condition, but with minor traces of paper mounts adhering to two corners of first leaf of bifoliate. Florid signature. She declines the luncheon invitation as she has friends coming down. She is 'going to try & have tea with Mrs Gooch. But it is a little difficult to get away when one has people staying.' She is sorry to have missed her correspondent.

Actress (1936-) and minor politico. One page, 4to. "Thank you very much for your letter. I'm so glad to know that you have enjoyed my work and have pleasure in enclosing a photograph [not present] for you to add to your collection." Not in the best of condition: heavily creased, slightly torn and slightly discoloured.

One page, 12mo. Very good; lightly creased with staple holes to one corner. 'I beg you to publish the letter which I have addressed to the Journal. There is no point in withholding it.' Horder, who designed Lloyd George's house, as well as Mallory Court and Greys, is, according to one authority, 'one of a group of early twentieth century architects who were highly influential in re-introducing the romantic vernacular styles of the Elizabethan period. Many of his homes were in the style of Edwin Lutyens, having gables, stone dressings, mullioned windows and inglenooks.'

Two pages, quarto. Very good, with a little wear and light creasing. 'I often think of those days, & how timid & shy & stupid I was! Yet I enjoyed myself too, & shall never forget your great kindness, & the help you gave me. Since then I've had many adventures & experiences. I am not the thing I was!' She has been in London for the winter, and hopes they will be able to meet. 'We're so glad you like "Yellow Sands" - & I'm very pleased you like "Tomek". She has 'just finished another novel & play'. Asks what has become of a number of common acquaintances.

English actress (1892-1977), daughter of actor Fred Terry (1864-1932) and his wife the actress Julia Emilie Neilson (1868-1957). One page, 4to, in a large hand. "Dear Mr. Bass. / Many thanks for yr. kind letter & the present. / It was nice of you. / Yours very truly / Phyllis Neilson-Terry". Paper somewhat discoloured.