FRANCE

8vo: 93 [+1] pp. In original grey wraps with printed label on front and yellow wrap-around band ('Une pièce à verser au Dossier Miller | Variété a Paris'). Covered in glassine. Good, on lightly-aged paper. From the archives of Michael and Daphne Fraenkel's Carrefour Press.

On rectangle of paper roughly 9 x 17 cm. Cut from the head of a letter for an autograph hunter. Fair, on aged paper, with traces of previous mount on the reverse. Above the signature a florid five-line valediction in the best courtly style. Date and beginning of letter on reverse.

8vo, 8 pp. Unbound. An unopened leaf, folded twice to make four leaves. Text clear and complete. On aged and worn paper.

All the items except the cut-out and the last card (in which he gives the price of a painting) are damp-stained, with part of the text of the letter illegible. One card in French. The first card, from 1982, thanks Ives for payment for 'watercolors'. The cut-out, in red paper, is roughly 10 x 10 cm. Intricately-cut, it depicts a long-leaved plant in a basket on legs. Although found with the other items, there is no indication that it is by Duramel. Ives made the news in 2000, when his extensive collection of paintings by L. S. Lowry was put up for sale.

12mo, 32 pp. Stapled. Text clear and complete. On aged and worn paper, with rusted staples causing the outer bifolium to detach. Items 2067 to 2786, with 'Supplément. Deutsche Werhe.' (Items from the firm's Leipzig branch.)

12mo, 1 p. Ten lines of text. Good, on aged paper with slight wear to extremities. In a bifolium, with address and four circular postmarks (two in black and two in blue ink) on verso of second leaf. He is 'a la fin de l'impression d'un ouvrage qui doit être pret pour la rentrée et qui depuis longtemps absorbe tous mes instants'. It is impossible for him to write the requested articles. He is 'tellement fatigué' that he awaits with impatience the end of the printing, so that he can take 'un peu de repos'.

4to: viii + 47 pp. Disbound. On foxed paper with occasional light staining. On the title-page Haguette is described as 'Bachelier-ès-lettres; ex-Officier de santé des armées; ancien Elève de l'Ecole pratique et des hôpitaux civils de Paris.' 'No. 9.' in manuscript at head of the title-page. Dedicated, somewhat unusually for a thesis, 'Au meilleur des pères. A la mère la plus tendre. Leur fils reconnaissant. A Monsieur Fouquier, [...] Hommage de respect et de reconnaissance. Aug. Haguette, son élève.

PRESENTATION COPY: inscribed on half-title 'Pour Louise | avec mon bien amical souvenir - | Cécile Aubry'. 32 pages, quarto. In printed coloured boards, with decorated endpapers. llustrated by Aubry in colour (one double-page and nine full page) and black and white (five vignettes) and red (final page and endpapers). On the poor side of good, with minor staining, spotting and wear; negligible damp damage to boards.

16mo (11 x 9 cm) bifolium, 3 pp, 16 lines of text. Mourning border. Good, with slight discoloration to the external pages. He is sending a manuscript 'At the suggestion of the Author, an officer residing in Paris'. If 'on examination' the recipient considers it 'unsuitable for the pages' of the Gazette, he asks for it to be returned to him at 13 Upper Berkeley Street 'when your messenger happens to pass that way'. The author 'is a man of high character and well acquainted with Paris & the Parisians'.

8vo, 2 pp. Bifolium. Thirty-two lines of text. Text clear and complete. Good, on lightly-aged and creased paper. It is only now that he is able to thank him for the 'bon accueil que m'a fait Monsieur Benard grâce à votre Gracieuse recommendation'. Benard has lent him 'quelques ouvrages', including 'ceux que vous aviez bien voulu <?> sur la petite note'. He has not had time to look at them, 'pressé que j'etais tout d'abord de vous remettre ceux que vous m'avez bien voulu prêter'. He has not been able to 'les compulser', but has 'sommairement lu le contenu qui je l'espere me suffira'.

12mo: 1 p. Eight lines of text. Fair, on lightly-aged paper. A bifolium, addressed by Quatremère on the reverse of the second leaf. He is returning a work borrowed from the library of the Institut, and asks Feuillet 'de vouloir bien me communiquer le Voyage de l'Anglois en Afrique, et le 5e. volume de la nouvelle histoire des voyages.'

12mo: xiv + 256 + [ii] pp. Detailed fold-out map of the island, in black, blue and pink. Frontispiece and seventeen illustrations. A tight copy on lightly-aged paper, in worn original embossed green cloth binding, gilt. Map creased and with short closed tear. A nice copy of an interesting little book, bearing the bookplate of the botanist Mary Addison, to whom it was presented, according to an inscription on the front free endpaper, by the Reverend J. Hoding on 30 August 1867. A few neat synoptic notes in the margin, presumably by Addison. Four-page SPCK catalogue at rear.

4to: 1 p. Twenty-four lines of text. On a bifolium of laid paper, and docketed on the reverse of the second leaf. Good, in faded ink on lightly-aged paper. Begins 'La france republicainne [sic] me fait perdre des renttes [sic] viageres'. She complains of the attack on her 'legitimes droits a mes biens de Corses que le roy de france garrante par un Contract', and speaks of 'droits inalterables et inprescriptible'. She asks for a 'paquet' to be passed to 'Milord Hood'.

On one side of a piece of wove paper 19 x 14.5 cm, and with the image extending almost to the edges. Lightly aged and creased, but good overall. An usual design, with the coat of arms within a fleece held up by two figures of Hercules, both on pedestals, the one of the left marked 'HUMUS' and that on the right 'SUMUS'. The fleece folds over the left-hand Hercules's right shoulder and reads 'LE CULTE EN' with 'DIFFICULTE' over the left-hand Hercules's left shoulder. Topping the whole design, above a coronet, is a harpy, and at the foot of the paper is 'Hereson de Brecksel'.

Printed on one side of a piece of wove paper, dimensions roughly 65 x 41.5 cm. Within a ruled border. On lightly aged paper, with chipping and slight loss to extremities. Three closed tears (two of them affecting the portrait) have been repaired on the reverse with archival tape. Text entirely legible and portrait clear, bright and without loss. The full-length portrait (31 x 25 cm), crudely coloured in yellow, red and blue, depicts the Emperor, in full regalia, standing in a sumptuous throne room. Sixty-six line biography, arranged in two columns.

The poster is printed on one side of a piece of paper approximately 110 x 75 cm. Good, on lightly-aged paper. With its green printed wallet (21 x 28.5 cm), lightly worn and creased. Wallet covered in text, including the words 'NAPOLÉON FLORILÈGE' in large type. A curious piece of Napoleonic hagiography, with the text, consisting of a large number of unconnected effusions on his greatness ('Astre humain. Dieu terrestre'), in a variety of types and point sizes, arranged in six columns.

4to, 1 p. Fourteen lines of text, on the recto of the first leaf of a bifolium. Text clear and complete, on lightly aged and creased paper. Slight staining at foot of text (affecting part of signature), and on the reverse of the second leaf of the bifolium, which is docketed 'la renaudié | A. S.' He is sending an article on 'la Bibliotheque des voyages'. Asks that the article on the work entitled 'Des Beaux arts en Angleterre', 'que Buisson vous adressa il ya prés de Deux mois', be inserted. 'Je vous prie en grace de laisser ma Signature en entier.

12mo, 4 pp. Bifolium. Good, on lightly aged paper. Addressed to 'Monsieur et Confrère'. He replied to de Monglave's last letters a couple of days previously, and he has addded 'deux ou trois propositions que je vous de traduire en bon François, et de lire à notre comité, au Conseil'. He wants to get to know 'quelques uns de mes voisins dans ce village où j'ai l'intention de passer six mois', and asks for letters of introduction. Lists four families he wishes to get to know and names some individuals with whom he is a little acquainted.

12mo: 1 p. Eight lines of text. On a piece of grey laid watermarked paper. Complete and clear. Lightly aged and creased. Unusually frank business communication. He is angry at having to tell Deterville that he cannot have 'd'exemplaire des Rudimens'. He will do his best to let him have them soon. However weak the excuse, it is nevertheless true that the 'ouvriers ne m'ont pas tenu parole'.

4to (27 x 21 cm), 1 p. Nine lines of text. Text clear and complete on lightly aged, creased and foxed paper. Small closed tear at edge along crease line (not affecting text). Bearing the numbered stamp of the Exposition Universelle de 1867, Commission Imperiale. Accepting the position, conferred on him by the Commission, of 'membre de Jury de l'Exposition dans la 55me. classe': 'J'accepte cette tâche de confiance, et ferai tous mes éfforts pour la remplir avec l'activité reclamée par le reglement concernant les travaux du Jury'.

12mo, 1 p. Good, on lightly aged paper. Asking Pingard, as Secretary of the Institut de France, to convene a meeting of the members of the 'Section de Géographie et Navigation'. Postscript: 'P.S. Je suis, connais vous, près <?> une Jambe.'

Each of the five on a piece of good laid paper, roughly 15 cm square. Wide margins, with indentation of plate 9.5 x 8 cm. All five good, with occasional light creasing to margins. The second and third items more aged that the others, but all good and suitable for framing. Delicately engraved and skillfully coloured. Item One: 'Mr. Bellecour. 3 Comed. Franc. Le Joueur. dans la Comédie du même nom.' Item Two: '19 Comed. Franc. Michau et Henri. dans la Partie de Chasse d'Henri IV. Qu'êtes-vous? allons, qu'êtes-vous?' Item Three: 'Made. Favart. 22 Coméd. Ital. La Vieille.

Landscape 8vo (leaf dimensions roughly 15.5 x 23.5 cm): [iv] + 98 pp of letterpress, and 24 tipped-in full-page lithographic engravings ('taille-douce' over a tinted background), one illustrating each of the book's twenty-four chapters. Woodcut engraving on title-page. In contemporary brown cloth with green patterned endpapers. A tight copy, with the first few leaves somewhat grubby and worn at bottom outer corners. Occasional foxing throughout. Alhoy (1802-1856) was co-founder of 'Le Figaro'. Second and last edition.

4to: 2 pp. 35 lines of text. Good, on aged paper. Text clear and entire. Minor damage to one corner (not affecting text) through breaking open of wafer. He has received the letter with the 'observations de milord', whose 'propositions' are not 'acceptables'. Mentions a 'Mr. Tournal'. How could he offer 'Mr. Gerrard' 'les quatre cent quarante francs proposé par milord et meme les six cent francs fixé par vous?' Mentions Madame la Marquise de Sainte-Aulaire. Suggests a sum which would be acceptable to Gerrard and would thus avoid a trial the success of which would be uncertain.

On a piece of laid watermarked paper roughly 11.5 cm square. Good firm underlined signature, about 8 cm long. On aged paper, with pin holes above and below, and a vertical fold about 1 cm above.

16mo (13.5 x 10 cm): 2 pp. A bifolium, addressed on the reverse of the second leaf. The first leaf has been slightly trimmed at the bottom, resulting in some loss to the bottom line of the recto. A formal letter in the third person, written in a close, difficult hand. Carefully detailing the missing sections in his copy of the 'Dictionnaire Anamitique-Latin'.

16mo: 1 p. 14 lines of text. Close hand. He is touched that Sainte-Beuve has found time, in the midst of his labours, to write a letter expressing his 'adhésion'. 'Je suis heureux de penser, en vous écrivant rue Montparnasse [Sainte-Beuve lived at no. 11], que la philosophie et l'esprit d'indépendence ont toujours un ami dans la maison de Sainte-Beuve'.

12mo: 2 pp. Very good on lightly aged paper. Asks if it might be possible, as previously, to forward a packet to 'Mr. d'Abbadie': 'depuis deux ans je suis sans nouvelles de lui'. It is six months since he had the honour of forwarding a similar packet via the French legation at Lisbon. Good firm signature, but with the words '(Le comte de Montalembert)' in another hand beneath it, and interfering with the flourish (paraph).

All three letters 12mo. The letter to Jalabert (with a mourning border) is 2 pp, the others 1 p each. All three in good condition. The Jalabert letter (18 lines) mentions his wife and 'M. Goupil'. The Duvivier letter (6 lines) is a letter of introduction to a 'Monsieur Pietsch, artiste distingue de Berlin'. Asks him to give the artist 'toutes les facilités pour visiter l'Hémicycle de Delaroche et la galérie des Plâtres'. The letter to the woman (11 lines). His return has been delayed by the death of the King of Portugal.

Both items 4to,1 p. Both items good, on lightly aged and foxed paper. Both bifoliums, with the second item addressed, with broken wafer, on verso of second leaf. Both docketed in pencil in a nineteenth-century hand. Letter One (nineteen lines of text): He is grateful to Grenier for sending 'le procès verbal de l'installation de votre Cour'. Grenier was right to think that Jaubert would be interested in 'l'historique d'une cérémonie qui rend aux Cours la dignité convenable à la magistrature, et qui vous touche particulièrement'.