LONDON

3pp., foolscap 8vo. On a bifolium of laid paper. In fair condition, aged and worn. The first poem, 'Balooning [sic]', covers both sides of the first leaf. No evidence has been discovered that this poem was ever published, but it is inspired by the exploits of 'Mr. Green' in a humorous essay titled 'Ballooning', which appeared in Charles Dickens's 'Household Words' on 25 October 1851. The choice of two phrases ('pipes & backy' and 'Mounted Meershaums') is given in the present manuscript, these variants perhaps suggesting that this item is authorial rather than a transcription.

2pp, 12mo. Bifolium. In good condition, lightly aged. With Cruikshank's splendid sprawling signature. Addressed to 'C. Le Motte Esq' and beginning: 'Sir, | Professor Wheatstone did not lay the wire across the Thames as he proposed to do, on account of the “Trawling” in that River and also finding some trouble in obtaining permission from the Lord Mayor – as “Conservator of the Thames” - In 1840 he had all the plans and apparatus ready – and in 1844 he in company with the Member for Swansea [i.e.

Volney's 'Ruines' (1791) was extremely influential, particularly in the United States. In 1796 Volney met Thomas Jefferson at Monticello to discuss Jefferson's plan to translate the book into English. Jefferson had completed the greater part of his translation by the time he mounted his 1800 bid for the presidency, at which point he handed over the project to Joel Barlow, who translated the last four chapters and, at Jefferson's request, put his name to the whole translation, which was published in 1801.

1p., 4to. In good condition, lightly aged. On bifolium with stub from mount adhering to blank second leaf. Neatly written and reading: 'Le Senateur Volney a l'honneur d'offrir au Ministre du tresor public, comme a l'un des juges les plus competens et les plus Eclairés l'examplaire ci-joint de Son Nouveau livre Tableau du climat et du Sol des Etats-unis D'Amerique | et leprie d'agreer des tres humbles civilités.' At the head of the page the recipient has written: 'Rep. 2o Br[umair]e. 12. [i.e.

1p., 12mo. In fair condition, lightly aged, with slight rust staining at head from paperclip. Reads: 'Dear C. B/ | Choice of two photographs with pleasure that you so flatter me as to want one. | Thought the enclosed cuttings from the NY Daily Mirror would interest you. Dont trouble to retain them. | Yours | George.' Wood was a screen and stage actor and comedian. A dwarf, he usually performed as a child. He wrote a weekly column in The Stage, and was a stalwart of the Savage Club. He is mentioned by John Lennon in the Beatles song 'Dig It'.

60pp., 8vo. In green printed wraps, the front cover carrying a dense illustration of scenes from various songs ('Kitty of Coleraine', 'Angel's Whisper', 'The Irish Wedding', 'Donnybrooke Fair', 'Low-Back'd Car' and 'The Wake'), with Tom Moore at the head, printed by Richard Born from a drawing by W. E. Earl. Title on cover differs slightly: '100 Songs of Ireland | Music & Words | The Popular Edition'. Eight-page publishers' catalogue bound in at rear. In fair condition, on aged paper, in aged and worn wraps.

First two letters 1p., 4to; third letter 2pp., 4to. All three signed 'John Cartier'. In fair condition, lightly aged and worn. In the last letter he states that he has received the 'envelopes', and has 'distributed them round to various singers and musicians who will eventually, I am sure, be sending you a photograph with best wishes'. He apologises for being unable to invite him to visit: 'You see, this is a very tiny flat and, in fact, I am very seldom here for any length of time as my work means continual journeying from place to place for concerts and shows.

The four letters are in good condition, with light signs of age and wear. Written in Payne's neat and mannered hand, and all four signed 'J Bertrand Payne'. For the background to the correspondence see Jim Cheshire's article 'The Fall of the House of Moxon', Victorian Poetry, Spring 2012. Payne was manager of the London publishing house Edward Moxon & Co., celebrated for their association with poets.

2pp., 12mo. In good condition, lightly aged. Addressed to 'Leicester Buckingham Esq'. Bentley writes that the matter of Buckingham's life of Mary Queen of Scots is 'just now brought to [his] attention'. 'If you are passing this way any day between 12 and 2 o'C you will be sure to find me, or my son, who will be able to discuss the subject with you'. He finds that he 'paid to Mr Wageman for a copy of the Miniature of the Queen executed for yuou at your desire, £3 . 3. 0', and asks to be sent this.

1p., 12mo. In fair condition, lightly aged. Presumably written to the governess of a child he had arranged to paint. Reads: 'Madam | I have Mrs. Horsfall's permission to ask if you could make it convenient that I should see her little daughter tomorrow at ¼ past 2 oC – for the purposes of arranging sittings for her portrait.'

Sequeira was born in Aldgate. In the years following his service in the London Regiment during the First World War, he acted in Shakespeare at the Old Vic, and he would continue as an actor into the age of film and television. In addition to acting Sequeira taught (including a youthful Peter Cushing) at Guildhall School of Music and Drama, painted, and in 1953 published a book on stage make-up. The present four items, all undated, are in good condition, lightly aged. ONE: Autograph duologue titled 'Seeing the Coronation'. 5pp., foolscap 8vo. With revised conclusion, 1p., 12mo.

1p., 12mo. In fair condition, lightly aged. Reads: 'Charles W. Dilke. | Emilia F. S. Dilke | Newnham | 10 June | 1891'. Written after the celebrated Crawford Scandal of 1886, which resulted in Dilke losing his seat in parliament, and becoming a music-hall figure of fun as a result of the revelations of his adulterous behaviour.

1p., 12mo. In fair condition. He has 'from week to week been purposing a visit to you to express my gratitude & sincere thanks for your kindness to me & the cure you accomplished'. He can only write his thanks, having been overwhelmed by 'the arrears of work that followed my illness', and leaving for Paris the following day.

32pp., 12mo. In blue-green card wraps with light blue-green printed label on front cover. In very good condition. Twenty-four poems in the Georgian idiom, some of which had previously appeared in Country Life, Chamber's Journal, Observer, Harper's Bazaar abd the Glasgow Herald.. Now uncommon. Six copies on COPAC.

32pp., 12mo. In blue-green card wraps with light blue-green printed label on front cover. In good condition, lightly aged. Florid ownership inscription in thick black ink at front: 'Margaret (Sackville) | to | Henrietta | with love | 1936.' A question mark has been deleted in one poem, presumably by Sackville. Twenty-four poems in the Georgian idiom, some of which had previously appeared in Country Life, Chamber's Journal, Observer, Harper's Bazaar abd the Glasgow Herald. Now uncommon. Six copies on COPAC.

28pp., 12mo. In printed blue-green card wraps. Shaken and aged, in worn wraps. Eleven poems in the Georgian idiom, eight of which, according to a note by the author, had previously been published by 'Messrs. Lewis' in 'The Lyrical Woodland'. From Sackville's own papers, and including some pencil markings, presumably by her, including the emendation of 'blank' for 'dank' and 'the' for 'that'. Now uncommon. Six copies on COPAC.

The Sunday Times, 20 March 2002, carries an article by Ann Treneman, 'The real face of Rubinstein', discussing the discovery among Hollay's papers of her correspondence with Helena Rubinstein. The correspondence was made use of by Lindy Woodhead in her 2017 book 'War Paint: Elizabeth Arden and Helena Rubinstein: Their Lives, their Times, Their Rivalry'. Hollay was Rubinstein's London manager from 1914.

1p., 4to. In good condition, lightly aged. Addressed in type to 'My dear Shepard,' but with the last word corrected in autograph to 'Ernest'. He has now 'made sufficient progress with Monmouthshire' to be able to give Shephard 'a line': 'The first two verses bear upon the Wye valley and the Usk valley, of which Tintern is the best symbol.

ONE: ALS from Dark to Brooks. The handwriting is quite atrocious, and the present transcription is at points tentative. Dark begins by recalling that at 'the delightful & very alcoholic Savage lunch' (i.e. lunch at the Savage Club), Brooks 'suggested that I should write an article for Truth. Perhaps because of the super-abundant alcoholic I have clean forgotten what the article was to he about. If you haven't & still want it, I might be able to write it.' The penultimate sentence is, to this cataloguer at least, indecipherable, apart from the words 'of course in a public sense'.

For information on Graves see his generous obituary in The Times, 18 April 1944. Both items in fair condition, lightly aged and worn, with minor staining from paperclip to first leaf of letter. The work was not published, and although Graves states in Item One that the greater part of the text is 'in the hands of my typist', there is no record of its survival, or of the thousand related documents he states were sent to him by M. H. Spielmann. ONE: ALS from 'C L. G.' to 'Dear Evoe'. 4pp., landscape 8vo.

In addition to his achievements, Young is remembered for holding a dinner party in 1877, at which the Prince of Wales arranged to sit next to Lillie Langtry while her husband was discreetly seated elsewhere, thus beginning their affair. 2pp., 12mo. Bifolium. In fair condition, lightly aged and ruckled, with two small pinholes at head of first leaf, and traced of mount on blank reverse of second leaf. The letter begins: 'I have just got note from Mrs Langtry saying that she will have to go out of Town tomorrow morning and asking me to write to you to tell you'.

On 5 x 10 cm slip of paper. In good condition, lightly aged. Reads: 'Yours faithfully | George du Maurier'. The first line lightly inked, the signature itself bold and strong. Nothing else on the card, except for the number '92' in a contemporary hand at top left above the signature.

An attractive Chiswick Press item (on the firm's own paper), possibly printed for Beatty himself. No other copy traced, either on OCLC WorldCat or on COPAC. 3pp., 12mo. Printer's slug at foot of otherwise-blank reverse of second leaf. On laid paper with 'Chiswick Press' watermark. Aged and worn, with pin-hole through top inner corner of both leaves, and light staining at foot of first page. Reprinting a speech thanking the US Atlantic Fleet 'again, again, and again for the great part the Sixth Battle Squadron has played in bringing about the greatest naval victory in history'.

Four good letters, in which the author's love for his wife and grief at her death are apparent. Littleton Powys was the second-eldest of eleven, his siblings including writers John Cowper Powys, T. F. Powys and Llewelyn Powys, architect A. R. Powys, artist Gertrude Powys, lacemaker Marian Powys, and poet and novelist Philippa Powys. His autobiography 'The Joy of it' was published in 1937, with the sequel 'Still the Joy of it' appearing in 1956. The four letters are in good condition, lightly aged. They total 12pp., 12mo.

In the 1940s Guest wrote the lyrics to several songs by the American composer Manning Sherwin (1902-1974), several of them for his comedy 'I'll be your Sweetheart' (1945), but he is not known to have written any music himself. No record has been found of the present item, but it presumably dates from the same period. It is 4pp., 4to. On bifolium of printed music paper. In good condition, lightly aged and worn, with central vertical fold. The title is on the cover: '”Swell” | Lyrics and music by | Val Guest'. There is an illegible name lightly written at top right in another hand.

The four letters are in good condition, lightly aged and worn. Each 1p., 12mo. The first three letters are written to Brooks, as editor of 'Truth'; the fourth is a letter of condolence to Brooks's wife. In the first letter (14 April 1945) he apologises for the delay in sending in a review: 'I have been two months out of the country and nothing could be forwarded.' He adds: 'I wish I saw more of Charles Webster.

An attractive item, neatly written out by Gray on 1p., 4to. In good condition, with central horizontal fold. Headed 'From the St. Paul's Girls' School Song'. The eight transcribed lines begin: 'In Faith and Knowledge! May it prove | When here our work is done, | […]' Beneath the quotation Gray has written: 'With my love to Margery | Frances R. Gray | 3rd. April 1927'. In envelope with the address of the school printed at top left of cover, addressed at centre by Gray to 'Margery Clerk'.

An attractive item, neatly written out in black ink on one side of a 13 x 8.5 cm piece of shiny card, with printed decorative border of flowers in gold and blue. In good condition, lightly aged and worn, with traces of mount adhering to reverse. As a joke, at the foot, in block capitals, the menu is attributed to 'Sala & Co | Refreshment Contractors', at Sala's address. An interesting artefact of the Victorian Christmas. The menu reads:'[fleuron] Menu. | CHRISTMAS DAY | 1881 | oysters on the half shell.

1p., 4to. On bifolium. Aged and worn, with small spots at head and foot. Irving's signature is firm and bold. The only other words in his autograph are 'Dear Hall Caine', but there is slight offsetting of other writing by Irving on the blank second leaf. The circular is an invitation to be 'placed on the list of Stewards on the occasion of the Annual Dinner of "The Actors' Benevolent Fund," of which I am the President'. Irving will be in the chair, and the dinner will take place at the Whitehall Rooms, Hotel Metropole.

4pp., 16mo. Bifolium with mourning border, on paper embossed with the Macready crest. In fair condition, lightly aged, with torn hole to one corner of the first leaf (not affecting text), presumably caused by removal from mount. The recipient is clearly a member of the Hawtrey family (and presumably a relation of Edward Craven Hawtrey of Eton), as the letter concludes with the Macready family's best wishes 'to Mrs. Hawtrey'. It must date from before Macready's departure for Cheltenham in 1860.