LONDON

Eleven volumes, 1890-1900, each of around 50pp, 16mo. Uniform (but for a few decorative features) in grey printed wraps. The sixth annual report (November 1891) has an attractive frontispiece illustration of 'Proposed New Buildings, when completed'; the seventh (December 1892) has two plates showing the interior of the mission building 'when used as church' and 'when used as hall'. The other volumes each have frontispiece maps of the environs of the 'Mission Hall' and 'Missioners' House'.

2pp, 12mo. Bifolium. In good condition, on lightly aged and worn paper. Folded twice. After thanking him for sending 'the card with Shelley's philosophic verse', he continues: 'I am sorry that you have so sad a memory connected with 1883 - the year gets with me sadder for the loss of friends and with hopes dashed too'. Nevertheless he looks forward, and hopes 'for pleasure in useful work for both of us'.

On one side of 8 x 13.5 cm leaf of cream paper. In good condition, lightly aged and worn, with slight creasing to one corner. A good, firm underlined signature. Reads: 'Good luck to Enid! | Max Wall | 1951'. On the reverse is the autograph of an unknown signatory: 'To Enid | [Sister? Lister?] [J?] Ferguson'.

The four items in good condition, lightly aged, with stubs from mounts still adhering. The first three are bifoliums, carrying seals in red wax (that to the third letter broken). The second letter is addressed to her at Grosvenor Square; the third and fourth to her at Upper Brook Street. ONE: No place or date. [London, on paper with watermark of 'J GREEN & SON | 1824'.] 1p, 12mo.

2pp, 4to. In good condition, lightly aged. Folded twice. Addressed to 'My dear Cope'. After thanking him for his letter Lavery writes: 'Our “friend” [Braynard?] when he called to ask for my signature told me many things, amongst others that the A. G. B. I. had already given him a grant some time back and that [Charleton?], Brangwyn and I were his sponsors | I had a hazy recollection of him and made up my mind that I would sign his paper and let the Secretary of the A. G. B. I. know the circumstance, which I did do that same day.

1p, 8vo. On bifolium addressed on verso of second leaf to 'Mr. Erskine'. In good condition, lightly aged. Autograph jeu d'esprit, signed at foot 'J. Jekyll. | June 30th. 1800'. A short poem reading: 'Tell Mrs. Crewe | I envy You. | But sit on Lu- | nacy. || Yet Mrs. Crewe | will think I'm stu | pid in my lu | -cid Intervals.' Jekyll's entry in the Oxford DNB concludes, perhaps unkindly: 'If he is remembered by later generations, it is chiefly as a wit. It has to be said, however, that his wit, which consisted in large measure of excruciating puns, has not lasted well.'

1p, 12mo. Folded twice. In good condition. Presumably in response to a request for an autograph, the central third of the page carries Patmore's signature ('Coventry Patmore.') beneath a four-line quotation from Patmore's best-remembered poem, 'The Angel in the House': 'Spirit of Knowledge, grant me this: | A simple heart and subtle wit | To praise the thing whose praise it is | That all which can be praised is it!'

1p, 8vo. On laid paper with watermarked date 1811. In good condition, lightly aged, with stub from mount adhering. In a contemporary hand at head: '0 15', and at foot '5 Mar 14' and 'Margravin Anspach'.

1p., 12mo. In fair condition, lightly aged, with slight damp staining. Addressed to 'Mr Brooks'. She is sending 'the script for you. It can, of course, be knocked about how you like. It is just a peg on which to hang things.' She reports that 'Collie' (i.e. Collie Knox) was pleased with Brooks's message, 'and sent most cordial ones back to you'. She concludes: 'We had an extremely pleasant lunch, and I shall look forward very much to meeting you again'.

3pp., foolscap 8vo. On a bifolium of laid paper. In fair condition, aged and worn. The first poem, 'Balooning [sic]', covers both sides of the first leaf. No evidence has been discovered that this poem was ever published, but it is inspired by the exploits of 'Mr. Green' in a humorous essay titled 'Ballooning', which appeared in Charles Dickens's 'Household Words' on 25 October 1851. The choice of two phrases ('pipes & backy' and 'Mounted Meershaums') is given in the present manuscript, these variants perhaps suggesting that this item is authorial rather than a transcription.

2pp, 12mo. Bifolium. In good condition, lightly aged. With Cruikshank's splendid sprawling signature. Addressed to 'C. Le Motte Esq' and beginning: 'Sir, | Professor Wheatstone did not lay the wire across the Thames as he proposed to do, on account of the “Trawling” in that River and also finding some trouble in obtaining permission from the Lord Mayor – as “Conservator of the Thames” - In 1840 he had all the plans and apparatus ready – and in 1844 he in company with the Member for Swansea [i.e.

Volney's 'Ruines' (1791) was extremely influential, particularly in the United States. In 1796 Volney met Thomas Jefferson at Monticello to discuss Jefferson's plan to translate the book into English. Jefferson had completed the greater part of his translation by the time he mounted his 1800 bid for the presidency, at which point he handed over the project to Joel Barlow, who translated the last four chapters and, at Jefferson's request, put his name to the whole translation, which was published in 1801.

1p., 4to. In good condition, lightly aged. On bifolium with stub from mount adhering to blank second leaf. Neatly written and reading: 'Le Senateur Volney a l'honneur d'offrir au Ministre du tresor public, comme a l'un des juges les plus competens et les plus Eclairés l'examplaire ci-joint de Son Nouveau livre Tableau du climat et du Sol des Etats-unis D'Amerique | et leprie d'agreer des tres humbles civilités.' At the head of the page the recipient has written: 'Rep. 2o Br[umair]e. 12. [i.e.

1p., 12mo. In fair condition, lightly aged, with slight rust staining at head from paperclip. Reads: 'Dear C. B/ | Choice of two photographs with pleasure that you so flatter me as to want one. | Thought the enclosed cuttings from the NY Daily Mirror would interest you. Dont trouble to retain them. | Yours | George.' Wood was a screen and stage actor and comedian. A dwarf, he usually performed as a child. He wrote a weekly column in The Stage, and was a stalwart of the Savage Club. He is mentioned by John Lennon in the Beatles song 'Dig It'.

60pp., 8vo. In green printed wraps, the front cover carrying a dense illustration of scenes from various songs ('Kitty of Coleraine', 'Angel's Whisper', 'The Irish Wedding', 'Donnybrooke Fair', 'Low-Back'd Car' and 'The Wake'), with Tom Moore at the head, printed by Richard Born from a drawing by W. E. Earl. Title on cover differs slightly: '100 Songs of Ireland | Music & Words | The Popular Edition'. Eight-page publishers' catalogue bound in at rear. In fair condition, on aged paper, in aged and worn wraps.

First two letters 1p., 4to; third letter 2pp., 4to. All three signed 'John Cartier'. In fair condition, lightly aged and worn. In the last letter he states that he has received the 'envelopes', and has 'distributed them round to various singers and musicians who will eventually, I am sure, be sending you a photograph with best wishes'. He apologises for being unable to invite him to visit: 'You see, this is a very tiny flat and, in fact, I am very seldom here for any length of time as my work means continual journeying from place to place for concerts and shows.

Full title: 'By Direction of Dominion Student's [sic] Hall Trust. | Particulars, Plans and Conditions of Sale of | The Freehold Foundling Estate Bloomsbury, W.C.1 | producing a Gross Income of about £112,000 per ann. increasing in the near future to about £118000 per ann. and comprising Ground Rents, Rack Rents and Tenancies secured on Shops, offices, private hotels, flats, institutional hostels and other residential properties. Cleared building sites. Vacant possession of Lot 118, viz.

The four letters are in good condition, with light signs of age and wear. Written in Payne's neat and mannered hand, and all four signed 'J Bertrand Payne'. For the background to the correspondence see Jim Cheshire's article 'The Fall of the House of Moxon', Victorian Poetry, Spring 2012. Payne was manager of the London publishing house Edward Moxon & Co., celebrated for their association with poets.

2pp., 12mo. In good condition, lightly aged. Addressed to 'Leicester Buckingham Esq'. Bentley writes that the matter of Buckingham's life of Mary Queen of Scots is 'just now brought to [his] attention'. 'If you are passing this way any day between 12 and 2 o'C you will be sure to find me, or my son, who will be able to discuss the subject with you'. He finds that he 'paid to Mr Wageman for a copy of the Miniature of the Queen executed for yuou at your desire, £3 . 3. 0', and asks to be sent this.

1p., 12mo. In fair condition, lightly aged. Presumably written to the governess of a child he had arranged to paint. Reads: 'Madam | I have Mrs. Horsfall's permission to ask if you could make it convenient that I should see her little daughter tomorrow at ¼ past 2 oC – for the purposes of arranging sittings for her portrait.'

Sequeira was born in Aldgate. In the years following his service in the London Regiment during the First World War, he acted in Shakespeare at the Old Vic, and he would continue as an actor into the age of film and television. In addition to acting Sequeira taught (including a youthful Peter Cushing) at Guildhall School of Music and Drama, painted, and in 1953 published a book on stage make-up. The present four items, all undated, are in good condition, lightly aged. ONE: Autograph duologue titled 'Seeing the Coronation'. 5pp., foolscap 8vo. With revised conclusion, 1p., 12mo.

1p., 12mo. In fair condition, lightly aged. Reads: 'Charles W. Dilke. | Emilia F. S. Dilke | Newnham | 10 June | 1891'. Written after the celebrated Crawford Scandal of 1886, which resulted in Dilke losing his seat in parliament, and becoming a music-hall figure of fun as a result of the revelations of his adulterous behaviour.

1p., 12mo. In fair condition. He has 'from week to week been purposing a visit to you to express my gratitude & sincere thanks for your kindness to me & the cure you accomplished'. He can only write his thanks, having been overwhelmed by 'the arrears of work that followed my illness', and leaving for Paris the following day.

32pp., 12mo. In blue-green card wraps with light blue-green printed label on front cover. In very good condition. Twenty-four poems in the Georgian idiom, some of which had previously appeared in Country Life, Chamber's Journal, Observer, Harper's Bazaar abd the Glasgow Herald.. Now uncommon. Six copies on COPAC.

32pp., 12mo. In blue-green card wraps with light blue-green printed label on front cover. In good condition, lightly aged. Florid ownership inscription in thick black ink at front: 'Margaret (Sackville) | to | Henrietta | with love | 1936.' A question mark has been deleted in one poem, presumably by Sackville. Twenty-four poems in the Georgian idiom, some of which had previously appeared in Country Life, Chamber's Journal, Observer, Harper's Bazaar abd the Glasgow Herald. Now uncommon. Six copies on COPAC.

28pp., 12mo. In printed blue-green card wraps. Shaken and aged, in worn wraps. Eleven poems in the Georgian idiom, eight of which, according to a note by the author, had previously been published by 'Messrs. Lewis' in 'The Lyrical Woodland'. From Sackville's own papers, and including some pencil markings, presumably by her, including the emendation of 'blank' for 'dank' and 'the' for 'that'. Now uncommon. Six copies on COPAC.

1p., 4to. Aged and creased, with closed tears and damage to extremities. He will be 'very glad if you will instruct Allen's to send me a copy of your book. I will review it, though I cannot promise to do it in any particular month for the "U.D.C".' The organisation will be glad to 'enclose a number of your circulars, if you will have them sent. Not more than a thousand.'

The Sunday Times, 20 March 2002, carries an article by Ann Treneman, 'The real face of Rubinstein', discussing the discovery among Hollay's papers of her correspondence with Helena Rubinstein. The correspondence was made use of by Lindy Woodhead in her 2017 book 'War Paint: Elizabeth Arden and Helena Rubinstein: Their Lives, their Times, Their Rivalry'. Hollay was Rubinstein's London manager from 1914.

1p., 4to. In good condition, lightly aged. Addressed in type to 'My dear Shepard,' but with the last word corrected in autograph to 'Ernest'. He has now 'made sufficient progress with Monmouthshire' to be able to give Shephard 'a line': 'The first two verses bear upon the Wye valley and the Usk valley, of which Tintern is the best symbol.

ONE: ALS from Dark to Brooks. The handwriting is quite atrocious, and the present transcription is at points tentative. Dark begins by recalling that at 'the delightful & very alcoholic Savage lunch' (i.e. lunch at the Savage Club), Brooks 'suggested that I should write an article for Truth. Perhaps because of the super-abundant alcoholic I have clean forgotten what the article was to he about. If you haven't & still want it, I might be able to write it.' The penultimate sentence is, to this cataloguer at least, indecipherable, apart from the words 'of course in a public sense'.