Two pages, c.17 x 14cm, paper trimmed with loss of text, staining making it difficult ro read some of text, text in another hand unless Scott's legal hand differed from his novelist's (see image on my website). Text of recto: "appears to be justly due at the date of the sequestration with all the expenses thereon And I the said George Brown Bind and Oblige myself and my foresaid to free and relieve the said James Orr and his foresaid of the cautionary Obligation above written and of all loss damages and expenses which he may incur or sustain in consequence thereof.
One page, 12mo,green paper, bifiolium (rest blank), 3 verses, 14 lines each (total 42 lines), preceded by the statement "Written for the Charity Bazaar") and 6 line quotation from Cowper ("Here stay thy foot; - how copious and how clear ... from an Eternal source"). Verses start "Welcome to Ikley! Lady fair ... That God hath bless'd the spring!". No other copy traced (none on COPAC etc). See scan on website inventory.
George Cruikshank (1792-1878), English caricaturist and illustrator
Undated, but on paper with watermarked date 1824.
In ink on both sides of a 4to leaf of wove paper, watermarked 'J GREEN & SON / 1824'. None of Cruikshank's drawing or writing is affected, but one corner of the leaf has been cut away, and there is another thin strip cut from another. Fair, on aged paper. One page carries a full-length drawing of a bearded athletic man in shorts and sandals, making a sweeping theatrical gesture with his right hand, and holding a spear in his left. Beneath the drawing is Cruikshank's signature, and a study of the left foot.
Arthur Hugh Clough (1819-1861), English poet, critic, translator and educationalist [John Dryden's translation of Plutarch]
Undated [early 1850s?]
The two leaves were evidently disbound from a copy of an edition of Dryden's Plutarch, in which the grey 4to leaf of writing paper following the 12mo printed leaf was one of those that interleaved the volume. In fair conditon, on lightly-aged paper. The two leaves are tipped in onto a larger leaf removed from an album. The printed leaf is 12mo, from volume 5 of Dryden's translation, with the pages numbered 511 and 612 [sic]. The two sides of the leaf carry a total of approximately 25 emendations and deletions.
'B. B.' [Sir Brooke Boothby (1744-1824)?] [Dryburgh Abbey, property of David Steuart Erskine, 11th Earl of Buchan]
Date and publisher not stated. [Scotland, circa 1814?]
Poem: On one side of a piece of 12mo paper. Fair, lightly-aged and a little ruckled, with traces of gum from previous mounting on the blank reverse. The 12-line poem is written in heroic couplets, and begins 'POOR, faithful animal, adieu! - | To Nature's kind affection true, | For fourteen years, thy grateful heart, | Devoted, play'd its humble part.' At the end a contemporary hand has ascribed the poem to 'B. B.', and the same hand gives the date as 'September 3d'.
[Sir Brooke Boothby (1744-1824)] [Jane Gordon, Duchess of Gordon (1748-1812), Scottish Tory political hostess]
Printed on one side of a 4to leaf, to which a black mourning border has been given by hand. Well printed on wove paper. Fair, on lightly-aged and ruckled paper. The author's name is not given, and the title reads 'SONNET | ON THE LATE | DUTCHESS [sic] OF GORDON.' The poem begins: 'IS then the bright expansive spirit flown, | That wont to animate the admiring throng? | Does the fair theme of many a poet's Song | Exist in pleasing memory alone?' The poem was also printed in 'The Poetical Register, and Repository of Fugitive Poetry, for 1810-1811' (London: F. C. and J.
Axel Munthe [Axel Martin Fredrik Munthe] (1857-1949), Swedish physician and author of 'The Story of San Michele' [Judith Masefield (1904-1988), daughter of the Poet Laureate John Masefield]
Written from Italy and London in 1930 and (perhaps) 1931.
'The Story of San Michele' is one of the most popular works of the twentieth century, and this delightful correspondence bears ample testimony to the extraordinary allure of its author. The eight letters are entirely legible, in fair condition on aged paper. They total 3 pp in folio, and 8 pp in 4to. The sequence is tentative, none of the letters giving the year. The numerous errors, in large part due to Munthe's growing blindness, are largely unnoticed in the following transcripts. Letter One (2 pp, 4to). 'Rome Villa Svezia Via Aldrovandi 27 Feb 8 '.
Alan Anderson; Cecil Woolf; Moray McLaren [Norman Douglas]
'On display during July 1952 at Edinburgh Central Library | George IV Bridge | Edinburgh'. [Printed by McLagan & Cumming, Edinburgh.]
'This Bibliographical Catalogue, compiled by Cecil Woolf and Alan Anderson, is limited to two hundred copies.' 8vo, 9 pp. In original green printed wraps. Good, on lightly-aged paper, with single manuscript correction in green ink. Full-page introduction on Douglas by Moray McLaren. Scarce: the only copies on COPAC at Oxford, the British Library, and the National Library of Scotland.
Charles Morley [Charles Robert Morley] (1853-1916), editor of the Pall Mall Gazette
On letterhead of the Pall Mall Gazette, Northumberland Street, Strand; 2 June 1884.
3 pp, 12mo. Bifolium. 21 lines. Text clear and complete. Good, on lightly-aged paper. Begins 'I shall really be very sorry, and I know that I speak for my chief, if you will not allow your paper to be published.' He considers it 'by far the most interesting and exhaustive of those that we have received, and its non-appearance some days ago is due to a hittch which occurred at the last moment.' He was 'so reluctant' that it should be lost, that he disregarded the 'excision that you made at my request'.
'Titrao Cupido' [John B. Hearsh; John H. Beardsley; Henry William Herbert ('Frank Forester'), sportsman and author]
Undated, but contemporaneous with the letter, which is dated 'Cleveland, March 17th. 1857'.
4to, 2 pp. On bifolium. Good, on lightly-aged paper. Text clear and complete. The letter, of 39 lines, requests Herbert's opinion of 'the feasibility of a plan for the domestication of the Primated Grouse of the western prairies in this section of the country'. He writes because 'some few passages in your own writings have led me to know that one who has the heart of, and a desire to be a true sportsman, would not, if requesting a favor at your hand be overlooked'. Signed 'Titrao Cupido | Box 841 O.O. | Cleveland Ohio'. This has been lightly crossed-out in pencil, with the signature 'Jno.
Aubrey de Vere [Aubrey Thomas de Vere] (1814-1902), Irish poet [Richard Holt Hutton (1826-1897), writer and theologian]
August 1895; on letterhead of the Athenaeum, Pall Mall, London.
16mo, 4 pp. 64 lines. Text clear and complete. Hutton was a friend of both de Vere and his correspondent, and 'this will always remain a link between us; for no one who ever knew him can forget him; & no one who remembers him can ever cease to honour him'.
F. Anstey [Thomas Anstey Guthrie] (1856-1934), humorist [James Sutherland Cotton (1847-1918), editor of the 'Academy', 1896-1903]
8 November 1897; on lettehead of 16 Duke Street Mansions, Grosvenor Square, London.
12mo, 1 p. Text clear and complete. Marked up for publication, with the first sentence deleted. On aged and stained paper. He 'can only say that your list seems to me as representative as any that could be drawn up', and that he does not 'feel in a position to offer any criticism upon it'. The edited version of Anstey's letter appeared with others in 'The Academy' in November 1897, in a piece with the opening sentence: 'We have received a large correspondence in response to our request for comment on the list of suggested members for an ACADEMY OF LETTERS published last week.'
Frances Mary Peard (1835-c.1923), Victorian author [Robert Cole, FSA, London solicitor and autograph collector; Madame Sineo-Benaducci]
Letter One: 7 June [1880s?]; Sparnon, on deleted letterhead of Meadfoot Lodge, Torquay. Letter Two: without date or place.
Both items in good condition on aged paper. A dramatic, almost novelistic correspondence, regarding 'the Signora' (named in the second letter as 'Mme Sineo', who is staying at her house in Torquay and is apparently too frail to return to her London house. Letter One: Docketed 'No 1'. 12mo, 4 pp. Peard states that she has not 'written of late about the Signora. She has got fairly well again, but she does not seem to us fit to return to London, & I hear that her doctor does not think she ever will be fit.
Frederic G. Mather (1844-1925) [Rev. Robert Ellis Thompson (1844-1924), author]
15 November 1882; 315 Prospect St, Cleveland, Ohio, on cancelled letterhead of the Senate Chamber, Albany, State of New York.
8vo, 1 p. Good, on lightly-aged paper. A covering letter for 'the supplementary article on Buffalo' (in the 'Encyclopaedia Americana' supplements to 'Encyclopaedia Britannica', 1883-1885, the first two volumes of which Thompson was editor).
Frederick Mather (1833-1900), author, editor of the Chicago 'Field' and Superintendent of the New York and United States Fish Commissions [Henry William Herbert ('Frank Forester'), 1807-1858)]
19 November 1893; on printed card of the New York and United States Fish Commissions, Cold Spring Harbor, N. Y.
13 x 7.5 card. Fair, on aged paper, with minor creasing to one corner. Stamped and addressed on one side to 'Mr. J. Charles Davis | Proctor's Theatre | New York'. The unsigned card (with the words 'and United States' deleted from the heading) has partly printed text. Mather completes it in pencil, acknowledging the 'inquiry about Frank Forester' and stating that 'as a boy I knew him and shot with him but my recollections would be of no value'. He ends by saying that he will 'try to brush them up' on his 'return from the west'.
Lady Blanche Lindsay [Lady Caroline Blanche Elizabeth Fitzroy Lindsay] (1844-1912), wife of Sir Coutts Lindsay, founder of the Grosvenor Gallery
4 April 1888; 4 Stratton Street, Piccadilly, London.
12mo, 3 pp. On bifolium. Clear and complete. Good, on lightly-aged paper. She has 'finished the brown drawing of elves, & birds singing', and, as she is going into the country for a few days, will leave it, 'in a portfolio', at Stratton St. She asks him to 'kindly take care of it', as he has been 'good enough to do with the others. It is, as you know, a very careful & highly-finished drawing'. She asks him to have 'the delicacy of the lines reproduced, & the drawing of the limbs of the little elves, etc. very carefully & exactly rendered, otherwise the drawing wd.
Mary Berry ['Miss Berry'] (1763-1852), author and diarist; sister and companion of Agnes Berry (1764-1852), friend of Horace Walpole [Richard 'Conversation' Sharp (1759-1835), politician and wit]
7 April 1828; Petersham.
12mo, 4 pp. Bifolium. Good, on lightly-aged paper. Her 'constant practice' has always been to return her thanks for the gift of a poetry volume 'before I could possibly have had time to read it', but in this case 'this caution was impossible for I received your little Vol: in all the hurry of leaving town, & I may say England, for I shall not return to London before our departure'. She is glad she was not able to write before reading the poems 'with the attention they merit & with all the pleasure they have given me'.
Friends of Horace Walpole. [Mary} ANS, One page, trimmed 12mo. She cleverly expresses an invitation to visit. The wit is obvious, some of the words not. With: autograph note, trimmed 12mo, Richmond Hill, 2 Aug. (no year), saying simply "Yes certainly pray come to us tomorrow - We dine at 9 - this is all the Post hour will give me leave to day". Two items,
F.F. Arbuthnot, orientalist (DNB), associated with Richard Burton in founding the Kama Shastra Society.
18 Park Lane, Piccadilly, London, 4 Dec. 1890.
Four pages, 12mo, good condition.He thanks him for his letter and some enclosures which he lists (Baker's [African explorer] letter, [Smithers'] reply, Lady B.'s letter), continuing, "Your letter to Baker enters fully into the subject, and makes the state of affairs quite clear, and we can now only await the return of Lady Burton and Dr Baker to England. I hope that you will go on with Catullus [trans. Richard Burton] and your proposals about bringing out two editions of that work appear to be good and commendable ...
'H. M. E.' [Anne Helen Margaret Stirling-Stuart, of Castlemilk House, Rutherglen, Lanarkshire; Glasgow, Scotland]
With manuscript inscription dated 1871.
4to, 2 pp. On first leaf of a bifolium. Text clear and complete. Good, on lightly-aged laid paper with watermark of 'A ANNANDALE & SONS'. Stuck down on the reverse of the blank second leaf of the bifolium is a square of paper from the leaf to which it was attached in an album, and beneath this square, visible when held up to the light, is the inscription: 'Imperfectly printed | Annie Stirling Stuart | Castlemilk | 1871'. The poem is 48 lines long, arranged in twelve stanzas. Signed 'H. M.
George R. Sims [George Ross Sims] (1847-1922), journalist, dramatist, novelist and poet [Lillie Ross-Clyne]
Autograph Letter: 27 September 1911. Typed Letter: 12 February 1915. Both on letterhead of 12 Clarence Terrace, Regent's Park, London.
Both 4to, 1 p. Texts clear and complete. Both on aged and worn paper. Autograph Letter: He apologises for not acknowledging her letter ('I have been so busy and away a great deal') and regrets that he does not 'for the moment remember anything which would be of service to you'. Typed Letter: He regrets that 'the present is rather a bad time for what we call the free lance in literature'. He is not himself 'very much in Fleet Street and the neighbourhood', the 'bulk' of his work being done 'far from the madding crowd'.
Showell Styles (1908-2005), Welsh writer and mountaineer, whose detective fiction appeared under the pseudonym 'Glyn Carr'
Dated August 1970; on letterhead of Trwyn Cae Iago, Borth-y-Gest, Portmadoc, Caernarvonshire.
The 12mo letter has been cut into two sections, both laid down on a piece of mustard paper, with typed caption. Good, on lightly-aged paper. The body of the letter is on a piece of paper roughly 11 cm square. Six lines of text, enclosing 'autograph & quotation' (not present), and apologising for having 'no photo available'. 'Glad you enjoy my books, & thanks for your good wishes'. The smaller piece, with letterhead and Styles's dating, is roughly 8.5 x 3.5 cm.
[First edition of 1853.] London: David Bogue, 86 Fleet Street. ['LONDON: Printed by G. BARCLAY, Castle St. Leicester Sq.']
8vo, [ii] + 30 pp. All nine illustrations on six plates present as called for in list on verso of fly-leaf. In original green card wraps, ornately illustrated on cover, which has at its head, 'GEORGE CRUIKSHANK'S | FAIRY LIBRARY'; and at its foot, 'PUBLISHED BY | D BOGUE 86 FLEET St. | PRICE ONE SHILLING'. On back cover: 'Preparing for Publication, | JACK AND THE BEAN-STALK. | EDITED | AND | ILLUSTRATED | BY | GEORGE CRUIKSHANK.' Internally good, on aged paper (the last print particularly foxed), in fair binding with light wear and slight staining.
[First edition of 1853.] London: David Bogue, 86 Fleet Street. ['LONDON: Printed by G. Barclay, Castle St. Leicester Sq.]
8vo, 32 pp. All eight illustrations on six plates present as called for in list on verso of fly-leaf. In original green card wraps, ornately illustrated on cover, which has at its head, 'GEORGE CRUIKSHANK'S | FAIRY LIBRARY'; and at its foot, 'PUBLISHED BY | D BOGUE 86 FLEET St. | PRICE ONE SHILLING'. On back cover: 'ALREADY PUBLISHED, | HOP O'MY THUMB AND THE SEVEN LEAGUE BOOTS, | ILLUSTRATED WITH SIX PLATES, CONTAINING NINE SUBJECTS, | BEING | No. 1 OF GEORGE CRUIKSHANK'S FAIRY LIBRARY. | Preparing for Publication, | No. III. | CINDERELLA AND THE GLASS SLIPPER.
Sir William Rothenstein (1872-1945) [Thomas Way (1837-1915), lithographic printer; Thomas Hardy]
[Print published in 1898; drawing dated 1897.] ['T. WAY, IMPT. LONDON'.]
Printed in black and white on piece of paper approximately 24.5 x 27.5 cm. In good condition, on lightly-aged paper. Tipped in into modern white card mount with window frame. From his series of 'English Portraits' (1898). A facsimile of Rothenstein's initials and his dating are in the bottom left-hand corner of the engraving ('W. x R 97'), with Way's slug in the bottom right-hand corner. Fine representation of Hardy, staring warily at the viewer with hands in pockets.
20 March 1868 and May 24 1873, the first from 69 Eaton Place, London, and the second on the letterhead of the British Museum.
Both 12mo, 2 pp. On bifoliums, the first with mourning border. Both texts clear and complete. Aged and lightly creased, with the first item bearing traces of being mounted in an album. Letter One: He hopes to be 'present at the next Sessions', and will be 'quite prepared after the County business is over, to attend the Committee of Subscribers to Sir William Heathcotes Portrait'.
xvi.208pp., 16mo, one foxed plate, very attractive red leather, gilt decorated binding, corners bumped, 2 or 3 small spot, aeg. Conclusion of Preface, "The Editor would take this opportunity of acknowledging the kindness of those of his poet-friends who have furnished him with pieces hitherto unpublished; and forming not the least attractive feature of the present selection. | Bedford | Feb.19th, 1842". Poets include Wordsworth, LEL, Felicia Hemans, etc, etc.ViaLibri site ascribes the one copy (but published by T.
xxxviii.80pp., 8vo, printed red cloth, slight hinge strain, endpapers discoloured, cover has minor defects, but is attractive. A drama. Scarce: COPAC lists only the BL copy but WorldCat lists five other British repositories.
Published by George Lewis, Printer and Bookseller, Selkirk, 1863
138pp., 12mo, blue cover, corner bumped , some damage to spine, worn edges, but attractive, foxing throughout, slight hinge strain. Author's Preface gives the background to the publication including experiences at the Crimea and his daily round as Post Runner to Yair [Postman, I suppose]. Much includes dialect words, and many are based on personal experiences or current events. He includes a Burns' Centenary Song. COPAC lists copies at NLS, Glasgow and BL. WorldCat adds the University of Guelph.