critic

2pp, 12mo. On aged and creased paper, with two torn spike holes resulting in loss of a few letters of text. Date stamp on reverse. The recipient is not named, but is presumably the BBC producer Terence Dudley (1919-1988). Writing three months before his death, Strong begins the letter: 'My dear Terence, | How very kind of you! I [d]on't have any dignity in such matters! and I'd love to have a go, whether live or recorded.

xv + 179pp, 8vo. Good tight copy in brown cloth, in worn printed dustwrapper. Frontispiece portrait of Fry. Inscribed on front free endpaper: 'To Christopher Fry | from | Glenda Leeming | with love'. In her preface Leeming notes Fry's 'patience and tolerance, as well as his helpful explanations of his plays, his intentions, and their realization'. The volume contains pencil annotations between pp.43 and 73, mostly relating to 'The Lady's not for Burning'. All are marginal indications of passages with vertical lines, apart from two annotations suggesting a degree of impatience with the text.

2pp, 12mo. Twenty-seven lines of text. In good condition, lightly aged. Folded twice. A nice item, giving an indication of Lewes's editorial principles at the Fortnightly Review (he held the position from 1865 to the following year). Addressed to 'R. S. Poole'. He begins by explaining that he only returned to England the previous night, '& found your notes & m.s awaiting me'.

On one side of an irregular piece of thin paper, roughly 12.5 x 13.5 cm. From the celebrated autograph collection of Richard Monckton Milnes (Lord Houghton), and neatly mounted on a leaf extracted from an album. He writes that a few days previously he wrote to ask 'Monsieur le ministre de la marine' for 'une audience de q[uel]ques instants'. He fears that the letter did not reach him, and so renews his request. Signed 'salut et paternité | Alphonse Karr'.

Both in good condition, lightly aged. ONE: 2pp, 12mo. He 'must bear the entire blame' for 'an indiscretion', and is 'exceedingly sorry'. 'Nothing was said between us in regard to the giving or withholding of addresses, & I had not at that time considered the point.

ONE: Typed Letter Signed from 'Bertie' (i.e. Herbert van Thal) to 'John' (i.e. J. C. Trewin). 15 March 1978. On letterhead of the London publishers Weidenfeld & Nicolson. In fair condition, lightly aged and worn. The letter reads: 'My dear John, Alas, they do not think that they would be able to sell this Eugene Aram idea here, without the backing of a television programme or a film to back it up. But Orbis recently asked me if I had any ideas, and I have sent it on to them. Will let you know what they have to say.

A highly interesting letter from a leading Victorian dramatic critic (Thomas describes himself in the letter as 'For five & twenty years [...] theatrical critic of the Daily news & the Graphic', who has 'served under at least thirteen editors') to a leading actor-manager (Hare was knighted in 1907), on the subject of alleged editorial pressure on Fleet Street's theatre critics. 4pp, 8vo. On four leaves. Aged and worn, but with text complete and clear.

1p., 8vo. Bifolium addressed on reverse of second leaf to 'Messrs: Nichols & son, | No. 26, | Parliament Street, | Westminster.' (Delivered by hand, with word 'Wait.' at bottom left of address.) In fair condition, lightly aged. Written in a bold hand, the letter reads: 'Gentlemen, | I lately sent you by post a careful review of Baron D'Ordre's “Exiles of Parga,” & offered to correct a proof for you. Have you any intention to print the same?

The three items in fair condition, lightly aged and worn. Postage stamp and paper beneath torn from third letter,, resulting in loss of full date All three signed 'George Saintsbury'. Saintsbury's handwriting is difficult to decipher and the following description only gives a phrase from each of the letters. Mansel had pretentions as a poet, and the first two items at least appear to concern volumes which he had sent Saintsbury. ONE (15 January 1911): 2pp., 12mo. Explaining that he has been compelled to 'make it a fixed rule to decline giving <?> opinion on poetry'.

2pp., 12mo. In good condition, lightly aged. The 'Gentlemen' are clearly the publishers of a book which they wish Bell to review. She writes that she is greatly obliged to them for offering her 'a copy of your beautiful book on Japan', and has written 'to 4 editors to ask for space for early notices of it'. The book is 'indeed a marvel of technical skill in reproduction & it would be a pleasure to me to speak as highly of it as it deserves'.

On 8 x 12.5 cm piece of paper, torn from the end of a letter. In fair condition, aged and lightly spotted. On one side of the slip is the conclusion of the letter: '[...] | Yours very sincerely | Edith Sitwell'. On the other side is the following autograph fragment: '[...] kind of you to invite me to your lumcheon party on Tuesday, and I am looking forward to it so much. I have not seen you for [...]'.

1p., 12mo. In good condition, lightly aged. Reads: 'My dear Sir | I have great pleasure in accepting your invitation to dinner on Tuesday next. | Yours very faithfully | C. L. Eastlake'.

2pp., 4to. In fair condition, on aged, worn and creased paper. Written in a hurried, difficult hand. He begins by saying he was 'just thinking' of him, 'and wondering!' He then invites him to dine the following Sunday in the 'usual way'. He continues: 'No, I didn't write about H. H. . There was a <?> ordinary notices in the D[aily]. T[elegraph]., but by whom written I can't say. I didn't really know enough about him.' He is 'going with Mr. Crawshay to the Elgar performance: it appears the new things are wonderful.

The two letters in good condition, on lightly aged paper. ONE: 2pp., 12mo. He begins by stating that he 'knew Leonard pretty well in the 2nd Life G[uar]ds., he was a good fellow, but rough and wild - he came from Mullingar, my local capital, a good man with a horn but too heavy for a groom'. He could not give Leonard 'a better character than the regiment has done', and if 'his knee is too bad for him to soldier it probably would prevent him being a groom anywhere [...] he occasionally came before me for punishment - and as a fellow countryman I took an interest in him'.

2pp., 12mo. In fair condition, lightly aged and worn. The letter begins: 'When Violet asked me first about your Heathfield MS I suggested John Murray as a suitable publisher: the young John Murray (not so young but distinct from Sir John) is an old friend of mine and a nice fellow, whose advice would be worth having.' He gives the firm's address, and suggests the name of 'an historian'. Elliot's work on George Augustus Eliott, 1st Baron Heathfield, Governor of Gibraltar during the Great Siege of 1779-1783, does not appear to have been published.

NOTE: Autograph Note Signed. 1p., 12mo. Lightly stamped with date of receipt, 28 August 1969. In fair condition, lightly aged and creased. Reads: 'Dear Mr Rota, | I hope & believe this is one you havent got - it needs a touch of ink eraser - | Gratefully, yrs | Cyril Connolly'. At foot of page, in Rota's autograph: 'About exchanging issues of Personal Landscape [i.e. Lawrence Durrell's magazine]'. BOOK: xv + 414pp., 8vo. In good condition in like dustwrapper. Connolly has scored through his name on the title page and written beneath it in blue ink 'Cyril Connolly.'

The six items in fair condition, with light signs of age and wear. The four letters all with Morley's expansive signature ('Sheridan Morley').

1p. 4to. Enclosing £2 10s 0d, and written out by hand on a piece of aged ruled paper. With acknowledgment by Duncan at bottom right. In stamped and postmarked envelope, addressed by Brahms to Duncan at his London shop, 11 St Martin's Court.

Letter: 1p., 12mo. In fair condition, lightly aged and creased. Attached by the blank second leaf of the bifolium to the reverse of the front free endpaper of the book. Envelope addressed by Tyrwhitt to 'Miss Bosworth | Parks Town' tipped-in beside the letter. He is not sure whether she has a copy of 'my art-book', which she mentioned 'the other day'. 'If not, will you kindly accept of this one, tho I fear it is not a very good one in the illustrations?' Book: [xv] + 480pp., 8vo. Sixteen-page November 1868 publisher's catalogue at rear.

Letter: 3pp., 12mo. Bifolium. Laid down on the book's flyleaf. In very good condition, lightly-aged. He hears about his book 'every now & then & I suppose it goes off all right'. He advises Mrs Paul to tell her correspondent that 'she has only to go on with its lessons & exercises', and that 'The woodcuts are all meant to be copied, & a fair amount of directions is given.

1p., 12mo. In fair condition, aged and worn, with staining from glue used in previous mounting. He apologises for not being able to 'do what you asked', as he 'did not go to the Garrick until to day when I found your letter with others waiting me'.

3pp., 12mo. Bifolium with mourning border. In good condition, on lightly-aged paper. He is 'willing to undertake the office' under the rules mentioned: 'the two theatres you mention shall invariably be noticed - also the Panorama'.

3 ALsS, on letterhead of The Athenaeum journal, 12 March 1919; 102 Edith Grove, Chelsea, 16 July [no year]; on letterhead of 5 Acacia Road, St John's Wood, 'Sunday' [no date], total 5pp., 8vo and 12mo.First, he begins: 'You know I've been put in charge of this. Probably you were responsible for the job being offered me - at least I don't know who was, if it wasn't you. | I hope you will be able to write for us.' Postscript reads: 'As for Bertrand Russell, I haven't read the book. But I warn you that it is difficult for me to be humourous at any time, and impossible in this case. B. R.

4pp., 12mo. Paginated to 4. Bifolium. In fair condition, on aged and worn paper. On laid paper watermarked 'A PIRIE & SONS | 1883'. Tastefully printed.

4pp., 12mo. Bifolium. In fair condition, on aged paper, with closed tears unobtrusively repaired with archival tape. Addressed to 'John Hunter Esqre | Auditor of Court of Sn.' Written three months before Jeffrey's death, the letter begins: 'My dear Hunter - I hope you do not think that I have been forgetful of you - or indifferent to your fortunes - or ungrateful for your very kind expressions - and I firmly believe feelings - towards me - because I may appear to have been slow in offering you my congratulations on your late appointment [as Auditor of the Court of Sessions]'.

1p., 4to. On creased and lightly-aged paper, with wear and chipping to edges. She thanks him for his letter 'and for your offer of original potrait drawings by yourself', in which she was 'greatly interested'. She explains that there is a limitation of space, 'and as a general rule we are exhibiting portraits only when we can associate with them some other relic or possession of the writer concerned'. In response to 'our appeal' she has received 'souvenirs of past writers, and I am concentrating on these. This being so, I feel I must very reluctantly decline your interesting offer'.

Total two pages, 12mo, one corner of each damaged (removal from an album leaf), but text complete, good condition. [1883] "I have forwarded your letter to Mr Hoppin who has charge of the Legation during my absence on leave. He will I am sure do whatever is possible"; [1884] "I pray you to accept my very sincere thanks for your interesting volume & for the very kind note that accompanied it. | I do npot know whether I am to leave England or not, but whenever I do your book & notes will be two of the pleasantest memorials I shall take with me." Two items,

Card, 11 x 9cm. very good condition. Printed text as follows: "Herzlichen Dank fur den freundlichen Gluckwunsch* [by his hand], der mich sehr erfreut hat. | Munchen | Nov. 1910." Written by him: "Paul Heyse *und das schone schone [Gedrint?]!"

2pp., on both sides of the lower half of a 4to leaf. The recto is numbered by Reade '2', indicating that the two pages constitute the second leaf of a letter. The text reads: '[...] therefore you will consent to do me a bare act of justice viz not to let that gentleman be my public critic in "the World." Of course I should be still more pleased if you would do me the honor to see the play yourself and pronounce upon it. However half a loaf is better than no bread.

3 ALsS, on letterhead of The Athenaeum journal, 12 March 1919; 102 Edith Grove, Chelsea, 16 July [no year]; on letterhead of 5 Acacia Road, St John's Wood, 'Sunday' [no date], total 5pp., 8vo and 12mo.First, he begins: 'You know I've been put in charge of this. Probably you were responsible for the job being offered me - at least I don't know who was, if it wasn't you. | I hope you will be able to write for us.' Postscript reads: 'As for Bertrand Russell, I haven't read the book. But I warn you that it is difficult for me to be humourous at any time, and impossible in this case. B. R.