GERMAN

12mo, 1 p. On aged and creased paper. He has autographed the picture sent by Livingstone, and is returning it.

On page extracted from an album of inscriptions with photographs by composers, actors, etc. Good condition. Inscribed by Strauss as follows: "Herr?] Harry Woord Wolling / Richard Strauss / Wien 15.12.23". The signature is bold. Scan provided on request.

An attractive and delicate piece of ephemera, dusty and slightly tarnished, but in very good condition overall. Skilfully manufactured and giving a convincing metallic appearance. 15 cm wide from opposing points of the star, which is of gold card overlaid with silver silver card, both types embossed in a pattern of pearls of different sizes radiating out from the centre, over which sits the Reichsadler, of embossed black card, 6 cm high by 7 cm wide, crowned, with wings outstretched, orb and sceptre in its talons.

Dimensions of paper roughly. Creased, with fraying to extremities, closed tears, and some staining and fading due to damp. A careful production, detailing the fortification to the towns of Bilstein (north-east of Cologne), Junkermuehle and Nassenstein, in black, yellow, red and green, with attractive lettering. 'References' are to 'barbed wire entanglements', 'main roads', 'Woods', 'stream', 'bye Roads' and 'Bridges'. Pencil additions include position of 'SNIPERS'. Ascribed at foot to 'Cpl. A. Hunter' and dated 'February 1919'.

8vo, 90 pp. Stitched and unbound. 3328 priced items. Text clear and complete. On aged paper.

4to, 4 pp. Bifolium. 59 lines of text. Clear and complete. On lightly-aged paper, with 4.5 cm closed tears to the outer edge of central horizontal fold to both leaves. A large part of the letter would appear to concern washing machines, including a reference to a new one on the American market, called the 'Waterflex'. A few lines in English at end: 'Many thanks for your Birthday-carte. Sorry year it arrived 1 month to [sic] late.' Sends love to 'Dorothy', and reference in text to 'Kajitan': 'Das wird Dir bestimmt Freude machen. Das ist alles viel besser als die Politik.

12mo, 32 pp. Stapled. Text clear and complete. On aged and worn paper, with rusted staples causing the outer bifolium to detach. Items 2067 to 2786, with 'Supplément. Deutsche Werhe.' (Items from the firm's Leipzig branch.)

Not published. Cyclostyled on the rectos only. 8vo: 165 pp followed by 28 pages of 'figures'. Contained in a buff 'Apex Vertical Filing Folder'. Very good, on aged paper. Complete and clear. Stamped 'UNCLASSIFIED' on front cover, with manuscript reference 'GVC/54T'. Preface reads 'The present work is the English rendering of a partly revised German manuscript which the Author prepared for the Leipzig publishers Bibliographisches Institut to be published as volume 49 of their series Meyers kleine Handbücher.

One page, 8vo, 10 lines including bold signature. Not translated. Scan on request.

The magazine consists of 48 pages, octavo, in original yellow printed wraps. Dogeared, and on aged paper, and with the grubby wraps quite heavily worn. 12mo publicity handbill loosely inserted. Rilke's contribution, dated 'Soglio, am Tage Mariae Himmelfahrt 1919', is on pp 14-20.

Pamphlet, stitched as issued, blue wraps, 44pp., 8vo, sl. marked, mainly good condition. Report for 1896.

Seven scarce examples of English Second World War propaganda, six aimed at Germany and the last at France. Ephemeral and scarce. The seven are clear and complete, on lightly-aged paper with occasional minor rust spotting. Each consists of two pages printed on a leaf 21 x 13.5 cm, except for Five, the dimensions of which are 21 x 13 cm. Five (red and black) is the only item not printed simply in black and white. All seven in German, except Seven, which is in French. All translations in typescript and on A4 leaves.

8vo: 14 pp, paginated 114-127. Presentation copy, inscribed on first page 'With the compliments of the author.' First page stamped 'DIE SCHRIFT | III J. 3 NR. | VERLAG RUDOLF M. ROHRER, BRUNN.' On browned, high-acidity paper, with chipping and flaking to extremities of first leaf. Four facsimiles of handwriting in text.

8vo (dimensions roughly 21 x 16.5 cm): 24 pp. In original coloured illustrated card wraps. The whole bound with black thread. All edges silvered. Aged, worn and lightly spotted, but tight and in reasonable condition overall. Two small wormholes in back wrap, affecting the verso of the last leaf. Fifteen poems, seven of them by Nesbit: 'Song', 'Possibilities', 'Vie Manquees', To a Picture by Giovanni Bellini', 'The Better Part', 'Rondeau' and 'Lovers'. Every page of the volume carries illustrations of nature in black and light green. Similar designs in colour on the covers.

4to (leaf dimensions roughly 27 x 21.5 cm): 1 p. Fifteen lines of text. On the recto of the first leaf of a bifolium, with the address on the reverse of the second leaf. Text complete and legible, on aged paper, grubby, worn and creased paper. An unusual and interesting letter of introduction, pointing out the international links in the European booktrade of the early nineteenth century.

12mo (leaf and plate dimensions 115 x 80 mm): [ii] + 247 pp + 6 hand-coloured engravings. Good, on lightly aged and spotted paper, in heavily worn original boards, with ink stain on back board. The plays included are: [1] Das Urtheil des Paris; [2] Die Tochter Pharaonis; [3] Ruebezahl; [4] Incognito; [5] Die Uhr und die Mandeltorte; [6] Sultan Bimbambum. Engraved title and six whimsical hand-coloured engravings by Mueller from the designs of the Frankfurt artist G. M.

Item One: 'Dein Sternbild' (1960). 8vo: 7 pp. In original cream printed wraps. Stitched. Printed on the rectos of seven leaves. Good, in slightly grubby and worn wraps. German inscription to Nelly Weiss. German poem. Nicely printed on watermarked laid paper. Item Two: 'Pablo Neruda' (undated). 12mo: 3 pp. German translation by Mohr from the Spanish. Six-line note explains the context in which the poem was translated. With manuscript correction and signature of Mohr. No other copy traced.

Dimensions of paper 3 x 8 cm. Good, firm signature, on lightly aged and spotted paper. The flourish beneath the signature (paraph) has been cropped.

16mo (roughly 11 x 8 cm), 1 p. Creased and ruckled, and with slight discolouration from previous mounting, and with a piece of the mount adhering to the blank reverse. Reads 'My dear Sir | I thank you for your letter and the information it contained. I write to Paris to have PP' book as soon as it is out. | Yours truly | [signed] Elisabeth'. Signature stylized to the point of illegibility. Piece of mount docketed in contemporary hand 'Elizabeth late Queen of Prussia'.

On piece of paper roughly 6.5 x 13 cm. Good, on creased and lightly aged paper. Reads '<...> | yours very sincerely | H. Bismark'. On reverse '<...> looking forward immensely to my visit to you. I have just been asked to lunch with a very old lady <...>'.

12mo, 1 p, 12 lines of text. Good, on lightly aged paper. The second leaf of the bifolium is docketed in a contemporary hand. Le Blanc has received Weigel's twenty-second catalogue, and it has given him pleasure. Like the others it is full of curious details, and is extremely useful to Le Blanc, being full of curious details. He orders several items (crossed through by the firm), the last of which he desires 'vivement' to own.

The sepia photograph, 10 x 7 cm, is a head and shoulders shot of Aslan staring at the viewer in the character of Hamlet holding Yorick's skull. It is neatly mounted on a leaf of cream paper (24 x 20 cm) removed from an album. The whole attractive and in good condition. In a firm, bold hand Aslan has written, across the page beneath the photograph: '"Zu was für schnöden Bestimmungen | wir doch kommen, Horatio"! - | (Hamlet) | Ein Erinnerung | [signed] Raoul M. Aslan: | Wien, Oktober 1923. -'

The sepia photograph, 10 x 7 cm, shows Korff's head and torso. He is dressed in the costume of a flying ace, with leather coat, gloves, googles and scarf, and is striking a match while staring moodily at the viewer. It is mounted on a leaf of cream paper (24 x 20 cm) removed from an album. In very good condition and attractively mounted, with a piece of nicely-patterned paper (12 x 8.5 cm) beneath the photograph acting as a frame. Korff's large, bold signature runs across the page beneath the phtograph, reading 'Arnold Korff | Wien 25. Oct. 1923'.

12mo, 2 pp, 10 lines. Good, on lightly aged paper, with scrap of brown paper mount adhering in top right-hand corner on the reverse (not affecting text). Concerns a volume which 'has been duly forwarded to Count Seckendorff, Comptroller of the Household of Her Majesty the Emperess Frederick'. The Ambassador Sir Edward Malet has asked Rodd to express to the correspondent 'his personal thanks for the second copy you were good enough to forward to him'.

8vo, 1 p, 8 lines. Folded twice. Good, on lightly discoloured paper. Informing the Morrises of 'our safe arrival', and thanking them for 'the very amiable hospitality we have enjoyed'. 'Mrs. Haag in this moment feels a little the fatigue of the journey but will ere long use a leisure hour to write to you.'

Quarto: 40 pp. In original printed wraps, decorated with various facsimiles. Facsimiles in text, and portrait of Beethoven on rear inner wrap. Good, on browned paper. Sections on painters, writers, poets, architects, sculptors, musicians. Nods towards the American market, with some entries in English and Dollar conversions. Together with Nebehay's attractive bifoliate trade card, carrying a photograph of his premises.

Quarto: 196 + xii pp. 58 facsimiles in text, but lacking frontispiece. No dustwrapper. In original cloth binding, decorated on the front board in yellow, grey and black. Good, with spotting to edges and boards. Concentrating exclusively on German autographs. Wolbe was removed from his teaching post by the Nazis in 1933.

Dimensions roughly 14 x 9 cm. Very good. The photograph, captioned 'Anneliese Rothenberger', is a head and shoulders shot of a smiling Rothenberger. The note on the reverse, in green ink, reads 'dir, liebe Liesel, alles ! | diese | [signed] Anneliese | 1956'.

12mo: 1 p. Very good. Reads 'January 1866 | [signed] Jules Benedict'.

Pp.[viii].38.[2], disbound, minor damage around stab-holes, foxing, mainly good condition. Scarce. INSCRIBED by the author (part in square brackets lost through trimming): "Countess of Harcourt - From the Au[thor]". A convict transport was presumably named after her ("Countess of Harcourt") - it mainly transported Irish convicts. Spencer was the source of "How noiseless falls the foot of time". "Urania" was "a burlesque of German ghost literature" (DNB).