LONDON

The collection of seventeen items in fair condition, with light signs of age and wear. Two of the letters are signed 'Frank Pettingell', the others signed 'Frank (P.)' and 'Frank'. Two of the letters are in their original envelopes. They total 5pp., 12mo. On 22 August 1947 he writes regarding his collection of playscripts, mostly acquired from the son of the comedian Arthur Williams, and now at the Templeman Library, University of Kent: 'We are on holiday here [in Broadstairs] since "Fifty-Fifty" finished [...] When I get back next month I would like to sort the old M.S.

1p., 4to. On aged and worn paper. In response to Duncan's advertisement in 'The Stage', he asks whether he would be 'interested in the famous cartoons, in colour, which, with the signature of "Spy," used to appear in "Vanity Fair."? I have about seventy in good condition, all published between 1860 and 1885'. He also offers 'several volumes of old plays - some of them over 140 years old, and asks whether Duncan 'might care to drop in and have a look at these "treasures. | But, give me a tinkle on the 'phone first as I am rather a busy Man.'

16pp. (of which 12pp. in 8vo and 4pp. in 4to). In fair condition, on aged and worn paper. Neatly written out, with underlinings in red ink. Loosely inserted in the marbled wraps of an exercise book, with 'Adelphi' in pencil on the inside of the front cover. The first scene is written out complete on ten leaves from the exercise book (now loose), with the main text on ten pages, and additions on two versos. In addition to this is a grey paper bifolium, carrying over 4pp., 4to, additional matter to be inserted at the beginning of the second scene.

1p., landscape 12mo. In fair condition, lightly aged, with central spike hole. Addressed on reverse to 'Mr Nourse | Bookseller | in the Strand.' He is sending '10 Copies of Geometry', and asks him to send 'the Book of Algebra and Mr. Walmsley's Book by the Bearers'.

The three items are unconnected, but clearly derive from the papers of a descendant. All three are in good condition, with light signs of age. ONE: The charcoal drawing, in colours, is on a 13 x 19.5 cm piece of wove paper, and is an impressionistic representation of his head, close cropped and with eyes closed, sleeping or in death. TWO: The letter from 'M. Jackson' is 3pp., 12mo. Bifolium. In it Jackson invites Henry Keene, shortly after C. S.

In good condition, lightly aged, with one vertical crease. Stamped and postmarked, and addressed to 'Cyril Maude Esqre. | Redlap | Dartmouth. | Devon'. For more about Hambourg, see his entry in the Oxford DNB. He writes: 'My dear Cyril | I'm afraid the Chappell Piano is necessary for me, as however good a theatre piano, it would not be good enough for a performance at your "Grand Benefit." | Yours with best wishes | Mark Hambourg'. Maude's 'Birthday Benefit Matinée' took place for charity at the Haymarket Theatre, 24 April 1942.

9pp., folio. On five leaves of aged and worn paper. Heavily reworked, with numerous deletions and additions. Headed 'The Confessions of A [amended from 'The'] Suspicious Gentleman. | by Lord Nugent'. The present short story was first published in 'The Musical Bijou' for 1830, and was reprinted in 'The Polar Star' (abridged) and 'New York Mirror', before being collected in an anthology by Nugent and his Wife, 'Legends of the Library at Lilies, by the Lord and Lady there' (London: Longman, 1832), pp.51-91.

Both items in good condition, on lightly aged and worn paper. ONE: ALS of 11 September [1891]. 3pp., 12mo. Bifolium. With stamped envelope addressed to 'Mrs. Wead | Buckingham | Old Shoreham | Sussex', with postmark supplying year. She thanks her for 'the kind invitation Cyril brought me to stay with you on our return from Switzerland', but cannot accept, 'as I may at any time be called for rehearsals after next week & the intervening few days I really must spend at home.

ONE: Note. 1p., 12mo. In fair condition, lightly aged. In envelope addressed to Duncan at 11 St Martin's Court, London. Reads simply: 'Please let me have your catalogue when its ready | C L'. Lefeaux's name in capitals at head. TWO: Letter. 1p., 12mo. In good condition, lightly aged. He asks him to 'put the enclosed leaflet about the Repertory Players' in his window as agreed, offering two tickets as a mark of the commitee's gratitude.

ONE: Letter: 1p., 4to. In fair condition, on lightly aged and worn paper. He asks Duncan to look out for books in a number of fields, beginning with ones 'on old-time stagecraft giving technical data & information on trick effects, transformation scenes, etc, with particular reference to pantomime'. TWO: Advertisement. Printed in black on one side of a 14 x 26.5 cm piece of blue card. Folded twice to make three 14 x 8.5 cm pages in concertina. In stamped postmarked envelope, with his device printed in red on cover, addressed to Duncan at the Thule Gallery, St Martin's Court.

1p., 12mo. In fair condition, lightly aged and worn, with slight rusting at head from paperclip. He writes that there is 'no relationship between myself and any of the people you mention. I have no antecedents such as you suggest and I cannot recall having received a copy of your catalogue.' Turning to the character 'Horace' in his play 'Nothing Up My Sleeve' he writes: 'he's just a figment of my imagination and the whole play is just a piece of work without any intended resemblance to anyone, only types.' The carbon copy of Barry Duncan's letter is somewhat aged and worn around the edges.

An interesting letter concerning a song mentioned in Lewis Carroll's 'Through the Looking-Glass'. 6pp., 12mo. On two bifolium letterheads. In fair condition, on aged paper. He begins by statig that he has 'taken much interest in theh discussion in the Athenaeum respecting a song of Moore's "My heart & Lute" and possessing some information relative to it' is sends it to Friswell. He proceeds to give an account of publication, with references including the music publisher Power, Sir H. R. Bishop, John Kemble, Sherwood & James, 'The London Stage' and 'The National Airs'.

Five items, in fair condition, on lightly aged and worn paper, with slight rust staining from staple which held them together. Laver's two letters are both 2pp. long (one 8vo and one 12mo). The two relate to a collection of Dalziel wood-engravings, there being 'too many already in the Museum to justify our purchasing the collection in its entirety'. Laver suggests taking a selection of 100 engravings for £5, and with the second letter returns the residue, the price paid being £7 10s 0d. With Laver paying personally for two engravings damaged while in his care.

On one side of a 7.5 x 10.5 cm piece of grey paper. Laid down on a piece of cream paper cut from an album. In fair condition, aged. Reads (with manuscript additions in square brackets): 'LYCEUM THEATRE. | Mr. Henry Russell's Entertainment, | ADMIT [Four Dress Circle] | On [ Wed ] day, September [ 7th ] 1853. | [Henry Russell.] | Not admitted after a quarter to 8.' Also included is an undated newspaper cutting of a letter from Russell 'To the Editor of the Daily News', from '74, Kensington-gardens-square, Bayswater, Nov.

1p., 4to. In fair condition, on aged paper, with minor traces of glue from mount on reverse. Reads: 'My ydear Massingham. | Will you give me an admission for myself & friend to see the Pantomime - I hear it is great - how are you - can I do any thing for you! - | Thine sincerely | Henry Massingham'. 'Old Massingham' was well-known in his day as 'the lessee of the box-office at the Princess's Theatre during the reign of Keeley and Charles Kean'. His collection of theatrical material was auctioned after his death.

1p., 12mo. In fair condition, aged and lightly-creased. The letter begins: 'Four thousand thanks for the very kind manner in which you have given the notice of my dearest wife in your last number.' The notice will be extremely gratifying 'to her family and any of the many who loved her'. Mrs Planché was also a playwright, and is thought to have collaborated with her husband on a number of works.

ONE: Autograph family reminiscences by Rosa Mary George (née Grossmith). 19 pp., 12mo. Rough pencil notes, on ruled pages torn from a notebook. Seventeen pages on George Grossmith junior, with a page apiece on 'His Father' and 'His Uncle'. TWO: The two letters, totalling 9pp., 12mo. In fair condition, on lightly-aged paper.

3pp., 12mo. Bifolium. In fair condition, lightly aged and worn, with unobtrusive spike hole through both leaves. The signature is unclear, and appears to read 'Eleyn Zahn', but the only one of Charles Kenney's sisters with a name beginning in 'E' was Ellen. She asks for a private box for the following Thursday on behalf of her sister 'V. Kenney [ Virginia Kenney, born 1821]and self'. She refers to his 'long and prosperous reign', and fears that it will be 'long before we shall enjoy the gratification of seeing both you and Mrs. Kean again, as we leave for Paris in a few days'.

1p., 8vo. In fair condition, lightly aged and worn. Brammall's address is given as Cheetwood, 123 Dartmouth Road, Brondesbury, NW. Note Wilson's parsimonious or thrifty use of his old Premier's letterhead despite his return to England. He regrets having to decline Brammall's invitation 'relative to the Dinner of the Diggers' Club to be held on the 8th June', due to his 'being absent in the North of England on that date'. A manuscript list of attendees (presumably by Bramall) is on the reverse, with the note: 'I should like a small table in the room for the artistes after dinner'.

1p., 12mo. In good condition, on aged paper. In envelope with Penny Red stamp and postmarks (including one dated 21 March 1853), addressed by Davenport to 'J F. D. Croker Esq | 3 Gloucester Road | Old Brompton'. He thanks him for sending 'his Dramatic Register of 52 (& one also 51 while in Scotland)', and congratulates 'Mr C upon the very excellent style in which he has put the facts together'. Also present are a cutting relating to Davenport, from the New York Albion, 24 February 1855, and a small engraved portrait of 'MR.

1p. 4to. Enclosing £2 10s 0d, and written out by hand on a piece of aged ruled paper. With acknowledgment by Duncan at bottom right. In stamped and postmarked envelope, addressed by Brahms to Duncan at his London shop, 11 St Martin's Court.

ONE: TNS. 1p., landscape 12mo. In good condition, lightly aged with nick to corner. Letterhead features two small cartoons: a caricature of himself and a lion. Covering letter sending 'herewith my autograph for your collection'. TWO: Signed black and white portrait photograph of Cole. 8 x 5.5 cm. In good condition. Signed at bottom right: 'Sincerely | Charles Cole | 1945'. Cole has rather disappeared under the radar.

Both items in good condition, on lightly-aged paper. ONE: ALS. 1p., 4to. In stamped envelope addressed to Ducan in St Martin's Court, London. Begins: 'O, thank you for the beautiful print. I think it's really lovely - couldn't be more delighted.' She thanks him for 'the charming note', adding: 'If I'd known it helped I'd have smiled more often!' TWO: ACS. In red ink. Begins: 'How lovely - the programme. So pleased to have it'. She ends: 'Hope we manage as well as they did!'

The two typed notes in good condition, lightly aged; the autograph note in fair condition, on aged paper. Two items signed 'Bernard Miles' and one 'B. M.' The first typed note suggests an exchange of material, with the autograph postscript 'One or two of the appeals for charity are endorsed by H. I. [ Henry Irving? ] himself.' The second typed note declines a collection: 'I managed to pick up an almost complete set in Leeds soon after we talked - nearly 200'. The autograph note simply acknowledges the sending of a cheque for a 'little lot of photographs I took away'.

4pp., folio. Bifolium. In fair condition, on aged paper slightly worn at head. The front page is headed 'H.R.H. Princess Christian and the Royal Members, are Patrons of a Private Farewell Matinee arrranged by Lady Romney on behalf of the Green Park Club for Mr. and Mrs. Luther Munday'. The names of twenty performers are listed beneath this, headed by Herbert Beerbohm Tree, with various other individuals named.

1p., landscape 12mo. In good condition, on lightly-aged paper. Reads, with manuscript text in square brackets: 'Royal Italian Opera, | Covent Garden. | [Madle Vestris] | Londres, [Le 6 Juin] 18[66]. | Recu de M. Gye la somme de [£40 - -] | [G Vestris | B.V, | £[40 : - : -']'.

147pp., 8vo. In fair condition, on aged paper, with rusty binding, in worn covers. In manuscript on the cover are the return address and 'Producer's Copy'. In the same hand is an addition to the ending: 'Judy | Then there is a ghost' | Geoffrey | Not a word to your father'. 'Who's Who in the Theatre' records a production of the play in 1938, but there is no reference to it on either OCLC WorldCat, or on COPAC.

ONE: TLS. 1p., 4to. In fair condition, on aged paper. The letter begins: 'Dear Mary, | I am writing a musical play called "Hearts Beloved". The central character is MARIA FITZHERBERT and it is the story of her love affair with GEORGE IV, (Prinny). I am very anxious for you to consider playing MARIA FITZHERBERT. The part would suit you very well and I think the present time is just the moment to produce a historical play on an English stage.' He has seen 'Tom Arnold's representative', who would be interested if she agreed. TWO: Typescript. 49pp., folio. No title page.

ONE: Letter. 1p., 8vo. In fair condition, on aged paper. Smudged signature. He is sending the play, which he thinks has 'originality and charm and would be very funny. Who could play "Chapeau"? - I could, but I expect I'm too old!!!!' TWO: Typescript of play. 91pp., 4to. With autograph emendations. In good condition, on aged paper, in worn card covers.

129pp., 4to. In fair condition, lightly-aged, in worn wraps with label on cover. Leaver's first name misspelled 'PHILLIP' on title-page. Unpublished.