LONDON

[1] + 62pp., folio. On rectos only. Bound with metal studs into yellow card covers, with the spine reinforced with cloth tape. In fair condition, lightly aged and worn. Loosely inserted is a five-page carbon typescript describing 'Approximate number of costumes necessary'. Also inserted is a typed page beginning with an 'Extract from letter from Sir Donald Wolfit: 8.7.58. | At the moment it looks like an opening date in the second half of September out of London for six or seven weeks first. Mr. Laurence Irving will be in touch with you in the near future for a preliminary discussion'.

[1] + 32pp., 4to. Bound with brass clasps in grey paper wraps. On aged paper, in worn binding. A 'Duplicate Carbon Copy', with the stamp of Miss Dickens's Type Writing Office, 3, Tavistock Street, Strand. The first of the play's four acts. Text typed on rectos only, with stage directions in pencil on facing versos, and with numerous emendations (presumably by Brandon) in pencil throughout, including the deleting of a number of passages. Facing the first page is a pencil diagram of the stage setting.

Collier was the author of a number of melodramas and farces in the period between the Boer War and the Great War, including one written in conjunction with F. H. Dudley, but little is to be discovered about him, with no mention of these three titles. All three items in fair condition, on aged paper, in aged and worn bindings. ONE: '"In the Hands of the Mormons" Or "The Mormon Peril" A Drama in FOUR acts written by Hal Collier'. [1] + 45pp., 4to. Stitched into grey paper wraps. With pencil emendations throughout, including extensive deletions.

144pp., 4to. Stapled into red card wraps, with typed label on cover. A carbon copy with label of the London typing bureau Curtis and Page. The play was published in London by Victor Gollancz in 1941, with a second edition from the same publisher in 1954.

86pp., 4to. With each of the three acts bound into separate grey wraps, with typed labels on covers. Internally in good condition, on aged paper, in worn and aged wraps. This unpublished anonymous translation predates the one by Sara Tracy Barrows, with an introduction by Ludwig Lewisohn, published in New York by Doubleday in 1916. There is no record of an English production.

106pp., 4to. In good condition internally, on lightly-aged paper, in worn grey-cloth binding, with large and wordy French label on front cover. Rubens's score is not present. The text is preceded by twelve pages carrying: a 'List of Scenery and Properties', 'a 'Scene Plot', 'Light Plots', 'Property Plot', 'Hand Properties', 'Prompter's Cues' and 'Costumes and Wigs'. Possibly a prompt copy, with a number of passages deleted, and a few minor emendations made, in pencil, as well as call notes typed on the versos of some leaves, opposite the relevant text.

Item Three below does not name the translators, while Items One and Two do not. Item Three has the characters' names anglicised and the text more stilted than that of One and Two. In fair condition, lightly aged and worn. ONE: Typescript of the whole play, with each of the three acts bound separately. 127pp., 4to. The first two acts bound in grey card wraps, with typed labels on covers, the unbound leaves of the third act attached with a brass stud. First two acts with stamp of Miss Christian of the Trafalgar Type Writing Office, London.

158pp., 4to. Typed text on rectos only. With manuscript emendations (possibly in the hand of Judith Spearman, stage manager) throughout, including deletions and a few short additional passages, as well as stage directions. Makeshift thumb index at head. In fair condition, with moderate signs of age and wear, bound with pink ribbon into buff card covers. Typed label on front cover, together with 'Judith Spearman' and 'Effects' in pencil.

168pp., 4to. Pages typed in black and red (by Active Secretarial Bureau, Wardour Street) on versos only. Bound in grey card wraps, with red tape spine. Typed title on cover, with circular red label of 'British and Continental Plays Ltd'. The main characters include the unnamed members of a continental royal family, together with 'Baroness Sibyl Konigsmark' and 'Section-Leader Grumb', and the scene is set at an Old Castle and Summer Palace, and 'Late in June of the year 1941. Three o'clock p.m.' and periods shortly following.

136pp., 4to. Duplicated typescript (by Catherine Billinghust, Westminster) with pages on rectos only. Bound in grey card wraps, with red and black cloth spine and title typed on front cover. In good condition, with light signs of age and wear. '12' in manuscript at head of cover. 'Sleep My Pretty One' has been described as 'a study of a young girl driven to distraction by the death of her mother and the, to her, totally unacceptable remarriage of her father'.

114pp., 4to. Typescript by May Hemery Ltd in black and red ink, with pages on rectos only. In black card covers, with label on front. In good condition, with light signs of age and wear, in worn covers. See Steve Nicholson, 'British theatre and the Red Peril: the Portrayal of Communism 1917-1945': 'Originally called 'Face to Face', 'Comrade Detective' was translated, designed and produced by Herbert Marshall on the suggestion of the wife of the Soviet Ambassador.

126pp., 4to. (Act 1 has 55pp. and Act 3 has 71pp.) Each act bound in grey card covers. Worn and aged, with the remains of the purple ribbon used to bind the leaves into their covers. A heavily reworked typescript. As is customary, the typed text of the play is on the rectos only, but leaves with additional typed and manuscript (presumably autograph) text have been inserted. Numerous manuscript additions and deletions to the text on the rectos, with additional typed passages on pieces of paper laid down onto the facing versos, which also carry further manuscript changes.

137pp., 4to. Typed text on rectos only. Bound with red ribbon into red wraps, with typed label on front cover. In fair condition, aged and worn, in heavily-aged wraps. Pencil annotations to the list of characters. Bound in before the beginning of almost every scene is a manuscript leaf carrying a page giving the layout of the set. The label of Joan Ling Ltd, Gloucester House, 19 Charing Cross Road, WC2, is pasted over Knoblock's typed address 21 Ashley Place on the title page. Knoblock's papers are at his alma mater Harvard.

1p., 12mo. In good condition. The subject of the letter is probably Lennox's Fifty Years' Biographical Reminiscences', published by Hurst and Blackett in 1863. Lennox is 'extremely flattered' at the contents of the recipient's letter, but has 'disposed of the copy right to Messrs Hurst and Blackett. 13. Gr. Marlborough St.', to whom he refers the recipient. 'Had I been in London I would have done myself the pleasure of expressing my thanks in person'.

Both in fair condition, lightly aged and worn. ONE: He thanks him for offering to translate his book ('The Political Future of England'), but considers his knowledge of English law too shaky to permit him to give any encouragement. He suggests that the recipient come to an arrangement with 'Mr. Abraham Hayward, Queen's Counsel, 1 King's Bench Walk, Temple', who is acting for de Montalembert in the matter.

A friend of Dylan Thomas and a leading poet of the 1930s London literary scene, Dyment is the subject of a warm appreciation by Robert Graecen in The Times, 8 June 1971. The present collection consists of a series of amusing poems regarding various members of the animal kingdom. ONE: Typescript of 'Fur, Feather, and Fin | by | Clifford and Marcella Dyment'. Address at foot of title-page: 'Flat 5, 53, Harrington Gardens, London, S.W.7.' 46pp., 8vo. Internally in good condition, on lightly-aged paper.

The eight items are unbound, in fair condition, on aged paper with loss to extremities of some documents.ONE: Printed parliamentary bill: 'Compulsory Weighing and Measurement. | A Bill To provide for the Weighing and Measurement of the Material used in the process of manufacture, as well as the Product thereof, in all Iron or Steel Works, Cement Works, Lime Works, and Chalk Quarries. | Presented by Mr. Barnes, | supported by | Mr. Keir Hardie, Mr. Hodge, [and nine others] | Ordered, by The House of Commons, to be Printed, 22 February 1906.

1p., 12mo. In good condition, lightly aged, with traces of glue from mount on reverse of letter and envelope. Envelope, with penny red, addressed by Lovell to 'Dillon Croker Esq. | 3 Gloucester Road | Old Brompton'. Reads: 'Mrs. Lovell begs to thank Mr. Croker for his polite note and for the trouble he has kindly taken - | Should there be any occasion Mrs Lovell will gladly avail herself of Mr. Croker [sic] offer of further assistance.'

Both items in good condition, on lightly aged paper. Letter: 2pp., 12mo. The letter begins: 'Mrs. Kean has given me back possession of the two Plays. The Wife's Secret & The Trial of Love. & the advice of Mr. Coyne was that I should add them to the Dram[ati]c. Authors Society's list.' Under the circumstances, he asks whether Lacy would be 'desirous of printing them & if so what would be your arrangement?' He suggests a meeting the following day. Autograph prelims: 3pp., 4to. Bifolium, with bottom half of second leaf torn away.

For information about Sievier's colourful and disreputable career, see his entry in the Australian Dictionary of Biography, which states that, under the name of 'Sutton', Sievier was 'the first bookmaker in Victoria to bet with bag and clerk, standing on a regular pitch and issuing numbered tickets for the horses backed'. In 1887 he returned to England afer his bookmaker's license was withdrawn following his assault on Lord Deerhurst.

The three inscriptions are all on one side of an 18 x 16 cm leaf taken from an album. In good condition, lightly-aged. Given during the shooting of the RKO film 'The Saint in London' (1939), which Sanders starred in and Carstairs directed. Sanders writes, at the head of the page, 'To Anne | I want to see you in about 8 years time! | George Sanders | April 1939.' Beneath this is: 'Anne - let's make it seven! | John Paddy Carstairs: | '39.' And beneath Carstairs' inscription: 'Six years. X. | Tony Keys'. The recipient was the daughter off a cameraman at Twickenham Film Studios.

4pp., 12mo. In good condition, on lightly-aged paper. The second page carries photographic reproductions of the bas-reliefs of Tennyson and Carlyle, in frames. The third page gives details of the twelve portraits (Carlyle, Tennyson, Hawthorne, Longfellow, Dickens, Whittier, Lowell, Thackeray, Bryant, E. A. Poe, Ambriose [sic] Thomas, O. W. Holmes), executed by 'Mr. RALPH BARTLETT GODDARD, the eminent Sculptor', stating that they are available in plaster or bronze, and 'form a most suitable adornment for the walls of a private or public library, schoolroom, or study'.

4pp., 12mo. On aged and lightly-creased paper. Originally a bifolium, but with the two leaves separated, and evidence of previous stitching into a binding. Regarding his new book 'Cruel London', he asks him if he can send six copies of what is not only 'a kindly notice, but excellently well written. All the more gratifying. The Spectator is always my enemy just as the Saturday was Thackerays, to compare a big man with a small one.' He refers to a notice in the Sunday Times by Joseph Knight, who 'also sent me a charming letter of congratulation'.

2pp., 12mo. Bifolium. In fair condition, lightly-aged. 'I shipped on yesterday to you through Mr J. D. Brink Jr Forwarding Merchant of this city a box containing 4 Oil Pictures which I wish you to expose for sale at your Exhibition Rooms. | The titles and prices of the same will be given you by my friend Mr G. du Mourier. Please let me know when they come to hand.' The Berner's Street Gallery's association with American artists would continue: in the following decade it would gain notoriety for exhibiting Whistler's 'Symphony in White, No. 1'.

2pp., 12mo. Bifolium, addressed, with postmarks, on reverse of second leaf, to 'Messrs. Wilson | Linen Drapers | New Bond Street', and also docketed '1838 | Dealtry Miss A'. In frail condition, with the two leaves separated and closed tears and wear. Sewn with white thread onto the second leaf of the letter is a swatch of cloth - dark blue with white and red stripes - in a loop of circa 20 x 1.5 cm. The text reads: 'Miss A Dealtry wishes Mr.

On one side of 7 x 11 cm piece of paper, cut from the end of a letter. In good condition, lightly aged. Reads: 'It would be very good of you to append this short notice of a deserving measure. | Please forgive me trespassing on yr. time & good nature and believe me | Faithfully your's | Walter S Sichel'. For more information about Sichel, see his entry in Who Was Who.

Full title: 'Catalogue of a Miscellaneous Collection of Modern Useful Books, many in choice bindings, the greater portion the Property of a Gentleman leaving England, also some interesting Archaeological Manuscripts, by William Bromet, Esq., M.D., F.S.A.' 15pp., 12mo. Unbound and side-stitched pamphlet. Aged, worn and grubby. 308 lots. Lot 181 is 'Caumont (M. de) Histoire del' Architecture au Moyen Age, some manuscript memorandums and illustrations added by the late Dr. Bromet | Caen, 1838'.

6pp., 12mo. Bifolium and single leaf. On aged and worn paper, with 4 cm closed tear to all three leaves. A highly interesting letter, illuminating Victorian Fleet Street and City of London practices. The author's signature is frustratingly illegible, but may well be that of sports journalist Charles William Alcock (1842-1907). The recipient is possibly James Clarke (d.1888), editor of The Christian World. The author opens the letter with the 'conclusions' he has arrived at regarding the 'various schemes' which he 'maturely reflected upon' in a discussion with Clarke the previous week.

60pp., 12mo. Stitched pamphlet. In fair condition, on aged and worn paper, with slight staining to back cover. Illustrated catalogue, with titles including 'Fifty Years of Philately' , 'Postage and Telegraph Stamps of British India' and 'The Stamp King'. No copy of this edition found on either OCLC WorldCat or on COPAC.

6 + [1] pp., folio. On two bifoliums stitched together with black thread. Laid out in the customary legal style, with embossed tax stamp. Unsigned. The agreement is 'Between The Reverend Henry Highton of the Cedars, Putney, in the County of Surrey, Clerk, (hereinafter referred to as 'the Patentee') of the one part and William Henry Allcard of New Burlington Street in the County of Middlesex, Esquire, and George Frederick Smith of Golden Square in the County of Middlesex, Gentleman, of the other part'.