LONDON

114 items, ranging in size and format. Many are extracted from eighteenth and nineteenth century English and French volumes. In fair condition, with signs of age and wear. Containing a few duplicates. Perhaps indicating provence is the presence, with two other items in a folder titled 'Hunt Family of Ireland', of a TLS to Grey from W. H. Hunt of Selkirk, 25 February 1923, asking him to supply genealogical 'extracts'. Of the present collection, the pedigrees, variously in manuscript, printed and engraved, are 24 in number.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper, but with a corner of the first leaf torn away, resulting in some loss of text, including the year. The reverse of the second leaf laid down on a leaf removed from an album. The image of the 'design', 8 x 6.5 cm, is on the second leaf, which also carries Tayler's signature. It is a crude but pleasing sketch of an intended painting, done with the sureness of a watercolour artist.

The first two items in good condition, on lightly-aged paper. The third in fair condition, aged and worn. ONE: Typed Letter Signed (over a penny tax stamp) by 'W Senior' and 'R B Marston', announcing their resignation as trustees, to be replaced by Walter Durfee Coggeshall, William Milner Ratcliff, and John Assheton Rennie'. 1p., 4to. Manuscript postscript. With a 'certified copy of the resolution of the General Meeting of Members by which the above appointments were made'. 1p., 4to. Signed by Major-General Desmond O'Callaghan and the secretary.

Stapled printed pamphlet. 11 + [1]pp., 16mo. In good condition, on lightly aged paper with rusted staples. A page of officers, headed by the Archbishop of Westminster as President, and Rt Rev. Abbot Upson as Vice-President, is followed by Burke's five-page report, and then three pages of balance sheets for the organisation, 'Focus', general funds, 'Penny-a-Day' Fund, and 'Fatima' Fund. No other copy traced, either on OCLC WorldCat or on COPAC.

16pp., 4to. Illustrated with photographs of PoWs and camps. Stapled pamphlet on cheap paper. In fair condition, aged and with rusted staples, with slight wear at corners of last few leaves. Milne's contribution, titled 'It depends on the Book', and with two illustrations, takes up p.10. Milne writes that 'To a prisoner of war, shut up for an indefinite time in an enemy country, any book must be a haven of escape from his thoughts; any book must be better than no book. [...] the Prisoners of War Department of the British Red Cross and St.

1p., 4to. In good condition, on lightly-aged paper. With the date stamps of the Royal Society of Arts. He thanks him for 'the cuttings, several of which I had not seen', and states that he will be delighted to 'present a copy of my book to your library'. He had been meaning to give one 'at the conclusion of the exhibition'. He is grateful to Menzies for offering to review the book in the Society's journal, and is 'already so much indebted to te Royal Society of Arts for kindness received'.

1p., 4to. On pink paper. In fair condition, lightly aged, worn and creased. With Dodd's personal oval stamp in purple ink. Reads: 'Mr J Gulliver | Sir | Will you kindly forward to me at the above the subscription on Bible you had of us in September | In so doing you will save the expences of sending a man'

1p., 12mo. On bifolium, addressed on reverse of second leaf to 'Richard Bentley Esqre'. In good condition, on lightly-aged paper. The first paragraph concerns a 'humorous paper' he is forwarding for Bentley's consideration (i.e. possible publication in Bentley's Miscellany). In the second paragraph he informs him that he has ready 'a series of Essays on LONDON, similar to those which attracted so much attention in Blackwood'.

The duplicated typescript of the play is 79pp., folio, on 79 leaves attached with a stud. Aged and worn, with slight staining to early leaves. Accompanied by a BBC compliments slip, with the typed name of the play's producer Shaun MacLoughlin. Also present is a BBC postcard, with short typed message dated 26 July 1979: 'We are sorry but there is nothing in print for the play "Shadowfall".' A carbon copy of the typed letter from Mrs. D. G.

3pp., 12mo. Bifolium. On heavily aged and worn paper. Begins: 'Mr Grinfield, with his kind respects to Lady Cholmley, begs permission to submit the accompanying "Memoir & Remains of Mr Neale" to her perusal, having received a few copies (of which this is the last) for private disposal; - the price being 8/6d.

The three items in fair condition, on aged and worn paper. ONE: TLS by 'Douglas Woodruff'. 1p., 4to. The letter begins testily: 'Dear Sir, | I was rather puzzled to receive your letter in the form of a carbon copy. As you may imagine, we are not fond of letters that are circulated. I have now read it in Truth, although presumably the opening paragraph refers to the Tablet.

On one side of a 12 x 13 cm piece of paper. On aged paper with four folds. The crown is drawn in pencil, and is 2.5 x 2.75 cm. The caption, in ink, is below, and reads: 'Scottish crown. | Drawing to be returned.' Between the two lines of text is the firm's stamp, made up of perforated lettering. Presumably a design for a letterhead, or other engraving.

1p., folio. Good, on a lightly-aged piece of ruled paper. In two columns, with the left-hand column, written out by Roberts with his address at the foot, headed 'Name of Exhibition', and listing twelve international exhibitions between 1862 (Amsterdam) and 1898 (Brussels). The right-hand column, headed 'Picture Exhibition', carries Alma-Tadema's responses, some of which are written in darker ink than others, indicating that they were added at more than one point. Alongside 'Paris (EU) 1867' he writes '13 pictures amongst them.

2pp., 12mo. In fair condition, on aged and worn paper, with slight damage to second leaf caused by removal from mount. The letter is in a secretarial hand, with Tegetmeier writing the valediction: 'Very sincerely Yours | W B Tegetmeier | C Collette Esq'. He thanks him for his 'exceedingly kind and friendly reception of me at the Club last night', and encloses 'a slip of what I wrote in the Queen, as it may interest you'. He asks to be sent a post card to confirm receipt, 'as I am not quite certain whether you have any letters sent to the Club'.

On one side of 7 x 11 cm piece of card. In good condition, lightly-aged. An unusual and attractive piece of London booktrade ephemera. The whole design, including the text, is engraved, and is in the style of a children's book illustration. With the text represented on a piece of board placed on an easel, around which three children crowd. On the left is a girl in a red dress, with yellow bonnet and umbrella, beside her is a louche individual in a yellow and orange checked suit, and to the right is a zouave, with red hat, holding a paintbrush and palette.

1p., 12mo. On aged and ruckled paper, with closed tear unobtrusively repaired. In the author's distinctive, heavily-inked hand. He writes to inform him that he has 'the MS of the piece I wrote about', and that if it meets with his approval 'it may fill up the gap till Black Mail is completed'. He continues: 'I repeat it is a most powerful drama as strong as the Dead Hearts | Will you and Churchill come and hear me read it? [last two words underlined three times] | If so - when? | Will you drive over tomorrow???? | If so - at what hour? - Telegram back and I will be in Price and condition.

3pp., 12mo. Bifolium with mourning border. In good condition, on lightly-aged paper. He is 'willing to undertake the office' under the rules mentioned: 'the two theatres you mention shall invariably be noticed - also the Panorama'.

16pp., 4to. Unbound and unstitched pamphlet. On aged and worn paper. The first page has the Wesley stamp, and is headed 'Specimen Of First Seven Plates' It also carries nine lines describing the 'object of the author'. The seven plates are accompanied by captions, and there is also an explanation regarding them.

A black and white print, 24 x 19 cm. In good condition, lightly aged and worn. Shows Loder in top hat and nineteenth-century frock coat, with cane. Inscribed: 'To Mrs. Wright | With sincere good wishes | from | John Loder.' In pencil on reverse: 'Capt. William | Java Head | J. K. 67 | For Mrs Wright | Stills'. Stamped on reverse: 'CYRIL LEESTON | LONDON | TELEPHONE 3884 PADDINGTON'. This image is not in the National Portrait Gallery collection, nor is any other by Leeston.

The two prints are in good condition, with light signs of age and wear. The 'Sing As We Go' (1934) photograph is 24 x 19.5 cm. In pencil on the reverse: 'Gracie Fields | S.G.P 4 | "Sing as we go" 1935 [sic] A.T.P. Studios' and is stamped 'CYRIL LEESTON | LONDON | TELEPHONE 3884 PADDINGTON'. It is a head and shoulders shot of Fields, leaning slightly forwards as she looks straight into the camera, smiling. The 'Look Up And Laugh' (1935) photograph is 25.5 x 19.5 cm. It has in pencil on reverse: 'LL | P.24 | Gracie Fields in "Look up & Laugh" | A.T.P. Studios 1935'.

The collection of 26 items is in fair condition, aged and lightly worn. The 24 black and white photographic prints, of which there are 23 different images and one image duplicated in a smaller size, range in size from 29 x 24.5 cm to 8.5 x 11.5 cm. The pictures are tender and affectionate, in an informal style unusual for Baron. One picture, stamped 'UNRETOUCHED ROUGH PR<...>', shows Owen sitting on Baron's knee, on a wooden bench, the two smiling. The four largest are studies of Owen's smiling face, staring into the camera.

Three black and white prints, ranging in size from 12 x 17 cm to 10 x 7.5 cm. The contact sheet is 12.5 x 13 cm. The four items in fair condition, lightly aged and worn. One of the three pictures shows a smiling Baron outdoors with a young blonde boy (his son?), who is holding a camera tripd; another shows him standing with his arm on the shoulder of another man (his brother?), both on skis in the snow; and the third shows him in a heavy wool coat, on the steps of a European building, with a man in Slavic costume. The last is inscribed on the reverse: 'May 1940 |

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper. He explains his 'great and chief excuse' for breaking his promise to call on her that morning. 'The fact is I have to give an address on Monday evening as President of the Society of Chemical Industry'.

1p., small 4to. He refers to 'lunch with the Bells' and 'Tattie', and apologizes for keeping the books for so long: 'They were a great help, especially Rory Fitzpatrick's God's Frontiersmen'. He ends with the news that he is revising his manuscript, 'and would like to send you a copy when it is eventually published'. The book Heren was working on does not appear to have been published.

34pp., 12mo. Drophead title, with subtitle: 'A Paper read before the Society of Arts, January 29th, 1873. Thos. Webster, Q.C., F.R.S., in the chair. For details of the discussion, &c., see Journal of the Society, No. 1054, Vol. xxi.' Disbound and without covers. In good condition, on lightly-aged paper. Inscription at head of first page reads: 'With kind regards to Mr Cooper, | from | John Yeats'. The only copy on COPAC at Oxford University, and now excessively scarce.

8pp., 12mo. Stapled. Heavily aged and worn. A trim little catalogue, with 158 books described on the first seven pages, and the last page devoted to prints. Beneath the drophead title: 'Post Office Orders to be made payable at High Holborn. | No books or prints sent on approval.

2pp., 12mo. Bifolium. In good condition. In stamped envelope addressed to Boas at the Royalty Theatre, Dean Street. He thanks Berman for drawing his attention to the two versions of the play, adding: 'I feel that in this Goethe Centenary year, when the Urfaust is so rightly being performed, some English manager should put Marlowe's play on the stage for a few performances.'

Medium-length unpaginated volume, 16mo. With ten fold-out plates (Perugino, Raphael, Giulio Clovio, Paolo Veronese, Rubens, Nicolas Poussin, Jean Marc Nattier, Thomas Gainsborough, Raeburn, Francois Millet). In printed wraps. On aged and worn paper, in heavily worn wraps. 118 items, well described, with prices.

1p., 16mo. In good condition, lightly aged and spotted. Since she is going away, he considers it 'safer' to return the 'Oedipus', which has given him great pleasure. He hopes she will enjoy her 'Freshwater outing', and that 'we may remain above the horizon to welcome your return to town'. The Freshfields were a noted family of solicitors, with strong connections with the Bank of England.

2pp., 12mo. Bifolium. On aged and worn paper. Written in a difficult hand as befits a medical practiioner. The reference reads: 'I have much pleasure in giving a testimonial in favour of my assistant Mr. Crawford. He is a good assistant and a pleasant man to work with and is well qualified in all branches of medical work. He is also thoroughly acquainted with the modern development of surgery.'