MUSICAL

See his entry in the Oxford DNB. 3pp, 12mo. Forty-nine lines. Bifolium. On aged and worn paper, with the reverse of the second leaf laid down on cut-down remains of leaf of autograph album, with a number of autographs on slips laid down on the reverse, including that of Charles Hallé, cut from a letter. Prout’s letter is signed ‘Ebenezer Prout’, but the recipient is not named.

1p, 12mo. In fair condition, on lightly-aged and worn paper. Folded once for postage. Addressed to ‘Mr. Cummings’ and with large bold signature ‘Algernon Ashton.’ He writes: ‘I venture to express a hope that whenever there should be a vacancy for a Pianoforte Professorship at the Guildhall School of Music, of which you are now the honoured Principal, that you may kindly think of me.’

See the Oxford DNB entry for Samuel Butler, which describes his close friendship with Jones (‘It has been said that for twenty years they shared the favours (for a consideration) of the same woman, on different days of the week.’) and musical collaborations. Signed ‘Henry Festing Jones’. 1p, 12mo. In fair condition, on aged and lightly creased paper. As he is ‘intending to be out of England by 1 July’, he asks him to ‘ask Lord Tennyson not to nominate me as Steward of the Royal Literary Fund & assure him that at the same time I am sensible of the honour he proposed’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once for postage. Signed ‘H. P. Greene’. Truly atrocious handwriting. Apparently addressed to ‘Dear Miss Salt’, and beginning: ‘I’ll be proud.’ He gives a date which will ‘suit me best’, and asks to be informed ‘if there is anything special [?] like [?]’.

In good condition, lightly aged. The Osmond’s signatures are written with brown felt-tip pen on an 8.5 x 13.5 piece of pink paper with rounded edges, evidently removed from an autograph album. With portrait orientation. Alan Osmond writes: ‘Best Wishes - / The Osmonds / Alan Osmond’ and beneath this, one on top of the othe, are the signatures of ‘Donny Osmond’ and ‘Jay Osmond’. The names are written out in another hand at bottom right. On the reverse, with landscape orientation, the large signature of ‘Gary Glitter’. See Image.

See his entry in the Oxford DNB. Beecham’s signature (‘Thomas Beecham’) on an otherwise-blank 12.5 x 5.5 cm piece of paper. In good condition, lightly aged, with traces of mount adhering to the reverse. The signature, which has no flourish, is tighter than usual, and rising slightly. See Image.

See his entry in the Oxford DNB. The ALS, whose recipient is not identified, is appended on the last page of the printed notice, which is 4pp, foolscap 8vo, on a bifolium. In good condition, lightly aged. The notice is headed 'University of Oxford. / Directions for Candidates for Degrees in Music.' and signed in type at the end 'Frederick Arthur Gore Ouseley, / Professor of Music. / Oxford, / March, 1878.' Divided into sections concerning a bachelor's and doctor's degree. The ALS, on the last page, reads: 'Dear Sir / You will see by this paper that your Dublin B.A.

See his entry in the Oxford DNB. The National Portrait Gallery possesses a carte-de-visite another portrait of Manns by Negretti & Zambra, which it dates to 1898, but does not hold the present item, which is a head and shoulders shot showing a white-haired Manns, bald on top, with bushy eyebrows and walrus moustache looking to one side in dark jacket and white shirt and tie. A 10 x 14.5 cm albumen print, presented in the customary style on a grey cabinet card, with the firm?s details embossed in white at foot, and the usual photographers? details printed on the reverse.

The inscription reads ‘Best Wishes / [flourish] / Erma Franklin’, and is written on a piece of thick paper cut from an envelope, and shaped into an oval roughly 9.5 x 5 cm. In fair condition, lightly aged, with two vertical folds, one through the centre of the oval. See Image.

An attractive item by a leading exponent of ‘English pastoralism’. See his entry in the Oxford DNB. Bass and treble notation of opening bars, headed ‘Romance / Andante ma non molto’. On one side of 9 x 11 cm card with rounded edges. Firm signature at bottom right: ‘Martin Shaw / May 1921’. In good condition, lightly aged. See Image.

Scarce: no other copy traced. Bifolium of laid 1856 Saunders paper. 4pp, 4to. Unpaginated. The front cover carries is headed ‘City of London Piano-Forte Manufactory.’ Beneath this are engraved the royal arms, flanked by the words ‘By Appointment / to the Queen.’ Peachey’s address is engraved beneath the arms in large letters. At the foot of the page, in red ink, are three lines relating to ‘Harmoniums.’, with the second page headed by another two lines in red. The two central pages carry much information in small type.

See her entry in the Oxford DNB. 2pp, 8vo. In good condition, lightly aged. Folded once for postage. Addressed to ‘Dear Miss Scott’ and with good clear signature ‘Myra Hess’. She regrets that it will not be possible for her to join Miss Scott for dinner. ‘I shall probably have to work, rehearse all day on Tuesday [corrected by Hess to ‘Wednesday!’] - so shall have to try & get a rest before 8.30 - (& probably have a scrambled egg at the last minute!!’ She ends ‘Forgive this in haste / Again thanking you’.

Meyerbeer’s diary records (25 May 1853) a visit ‘from Raoul Allary, who makes wind instruments. He is an opponent of Sax, and came to me because he had heard that I had spoken to the emperor on Sax’s behalf’ (1999 English translation of volume for 1850-1856). A pencil note at the head of the present letter identifies the subject as ‘Louise Gned / 4 Rue [de] Bellefond [Paris]’. Gned (b.1810) was an Austrian soprano from a musical/theatrical family, who faded into obscurity.

On one side of a 35 x 24 cm leaf of gilt-edged wove paper, extracted from the autograph album of novelist George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. In fair condition, lightly aged, with a small closed tear and slight creasing to extremities. Reads: ‘Recuerdo de un humilde artista en todas las Españas, y admirador de las bellísimas hijas de la Hermosisima Albiòn / Sarasata / 20 - 12 - 92’.

See his entry in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and creased. Folded twice for postage. The letter reads (with autograph parts in square brackets): ‘[Dear Mr. Hedley,’] / Thank you. / Mary and I are of course thrilled - first and foremost for Glyndebourne’s sake. / [It was charming of you to write. / Yours sincerely, / George Christie / P.S. I’m afraid I dont ever send autographed photographs. Sorry to disappoint you.] / [P]PS Please forgive typescript.’

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium on grey paper, with mourning border. In good condition, lightly aged and worn, folded for postage. With good large firm signature. The main body of the letter reads: ‘Dear Mrs Dickens / I shall be very glad to sing one number, my “Young Dietrich” at your Hospital Matinée on June 14th. With love from house to house / Sincerely / Yours / Geo. Henschel’.

See his entry in the Oxford DNB. The items are unrelated. Both are in good condition, lightly aged, and each folded once for postage. LETTER: 2pp, 12mo. On grey paper. Addressed to ‘The London Correspondent of the Birmingham Daily Post’ and signed ‘George Henschel’.

Black and white print of an 11.5 x 15 cm head and shoulders portrait of a smiling Carter on 12.5 x 21 cm piece of shiny paper. In good condition. Beneath the portrait, in red ink, Carter writes: ‘for Michael Robuck / Elliott Carter, March 28, ’72.’ On the reverse, in another hand, is the note ‘4. 3. 72 / Elliott Carter Composer’. See Image.

See his entry in the Oxford DNB. 1p, foolscap 8vo. In fair condition, lightly aged and creased. Folded twice for postage. The address is printed on a small golden label affixed at the top left corner. Addressed to ‘Dear Mr. Catry’ and signed ‘With all best wishes - and thank you for writing! / Sincerely, / Eric Crozier.’ He asks him to forgive a typed letter, as he is ‘convalescing from a heart-attack, and still not very good at hand-writing.

See the article ‘Glory days of the man with the golden trumpet’ in the Lancashire Post, 17 March 2017. On one side of 12 x 8.5 cm leaf of cream paper with rounded outer edges, torn from an autograph album. In good condition, with blank reverse. Large sprawling signature covering the whole page. Reads ‘Sincerely / Eddie Calvert’. See Image.

Stapled pamphlet. 20pp, 12mo. In good condition, lightly aged and worn. Sargent’s unusual bold stylized signature, in blue pencil, almost occupies a 5 cm square. All but the top centimeter which touches the printed date at points, is written on blank space on the cover. See image.

A good letter, full of content. 2pp, 8vo. Air mail letter with New York postmark, 30 September 1963. Signed ‘Marian’ and addressed to ‘Mr. Les Tompkins / 96, St Helier Ave / Morden / Surrey’. Writing after the publication of an interview with her by Tompkins in ‘Crescendo’, she begins: ‘Dear Les. Thank you, & Tony also, for the copies of Crescendo - Boy! I was verbose, wasn’t I! I got a kick out of the record review, & thought everyone was very complimentary. Wish Steve Race had been there! He always insists you can tell a female player (and of course I think that is a lot of you-know-what)’.

See his entry in the Oxford DNB, which quotes Gordon Cox as stating that Hullah was ‘the fountain head of music education in the nineteenth century’. 1p, 12mo. In good condition, lightly aged. Handwriting and signature in a bold attractive hand. Reads: ‘Dear Mrs. Tail / I have the pleasure to send you a few lines fm Mr. Otto Goldschmidt, about the Bach Choir. / I am, dear Madam / Always Your’s [sic] Truly / John Hullah’.

The present item is rare, and its interest is heightened by the fact that it is accompanied by a press release and has the covers covered in what are clearly notes on how to film the ceremony by a press cameraman. Only three copies on COPAC: at the British Library, Sheffield Hallam and the Bishopsgate Institute. An 8vo stitched pamphlet of twenty unpaginated pages in printed card wraps. Internally very good.

See Armstrong’s entry in the Oxford DNB. For Gauntlett, who was Professor of Cello at the RAM from 1947 to 1965, see the excellent article on the ‘Semibrevity’ blog: ‘Ambrose Gauntlett, forgotten gamba player and continuo cellist’, beginning: ‘Although Ambrose Gauntlett (1889-1978) spent most of his career as a full-time orchestral principal, he was the most sought-after continuo cellist and gamba player in the UK for many years.

See Mackenzie’s entry in the Oxford DNB. Gauntlett was later appointed Professor of Cello at the Royal Academy of Music. See Sir Anthony Lewis’s appreciative Times obituary. 2pp, 4to. On bifolium of good paper, with letterhead printed in black with the College’s arms in red. A very good facsimile of Mackenzie’s autograph and signature, with twenty-five lines of text. Addressed in manuscript to ‘A. Gauntlett, Esq. / 12 Fairholme Road / W Kensington / W.’ Begins: ‘You will doubtless have heard of our intention to celebrate the centenary of the R. A. M.

See the articles on Antes by Donald M. McCorkle in the Musical Quarterly, 1956, and Richard D. Claypool, in the Moravian Music Foundation Bulletin, 1978. Seven copies listed on JISC (only three in deposit libraries); now scarce. 8pp, 12mo. Disbound. In fair condition, worn and discoloured. Vignette on cover shows Osman Bey sitting cross-legged while two of his followers whip the unfortunate Antes, while a third looks on. Drophead title, p.2: ‘Anecdotes in the Life of John Antes, A Moravian Missionary.’

See the two men’s obituaries in The Times. 1p, 12mo. With thin mourning border. On aged and creased paper, with nicks and closed tears to edges, and slight loss at one corner. Folded twice. He is enclosing a programme for ‘Foundations of Music / Tuesday, March 26th’, ‘in which you are taking part’. He gives the time for ‘The rehearsal and balance test’. ‘Both transmission and rehearsal at Broadcasting House.’

Few copies of this ephemeral item can have survived. (No copies appear to show up on Jisc or WorldCat.) 20pp, 4to. Small print. Stapled. In very good condition for such a publication: lightly browned paper, with one off-centre horizontal fold. The item can be dated from the films listed on the two pages of ‘Talkie Film Songs’ seem to all date from the 1930s (e.g. ‘The Cowboy and the Lady’ and ‘Song of the Saddle’). Title page has box containing a list of ‘Immortal Melodies by Victor Herbert’.

A scarce item: the only other copy located is at the Foundling Hospital, London. 30pp, 4to, with a further 7pp of advertisements at the back. Stapled into grey wraps printed in red. A delicate survival, on browing high-acidity paper, in worn wraps chipped around the edges. On the front cover the item is described as ‘Book of Words & Programme for the Rehearsal Day’.At top right-hand corner of the title-page are the pleasing ownership initials of ‘A. G.